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INDONESIA
IJCAS (International Journal of Creative and Arts Studies)
Published by Institut Seni Indonesia Yogyakarta
ISSN : 2339191X     EISSN : 24069760     DOI : -
Core Subject : Humanities, Art,
Arts Humanities
Recently, the value of arts studies in higher education level is often phrased in enrichment terms- helping scholars find their voices, and tapping into their undiscovered talents. IJCAS focuses on the important efforts of input and output quality rising of art education today through the experiences exchange among educators, artists, and researchers with their very own background and specializations. Its primary goals is to promote pioneering research on creative and arts studies also to foster the sort of newest point of views from art field or non-art field to widely open to support each other. The journal aims to stimulate an interdisciplinary paradigm that embraces multiple perspectives and applies this paradigm to become an effective tool in art higher institution-wide reform and fixing some of biggest educational challenges to the urban imperative that defines this century. IJCAS will publish thoughtprovoking interdisciplinary articles, reviews, commentary, visual and multi-media works that engage critical issues, themes and debates related to the arts, humanities and social sciences. Topics of special interest to IJCAS include ethnomusicology, cultural creation, social inclusion, social change, cultural management, creative industry, arts education, performing arts, and visual arts.
Arjuna Subject : -
Articles 12 Documents
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Search results for , issue "Vol 1, No 1 (2014): June 2014" : 12 Documents clear
From Modernism, to Intercultural Exchange, and Transculturalism. New Challenges in Contemporary Music Making and Education Giuriati, Giovanni
IJCAS (International Journal of Creative and Arts Studies) Vol 1, No 1 (2014): June 2014
Publisher : IJCAS (International Journal of Creative and Arts Studies)

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Arts Studies Research In Transnational Framework Mustikawati, Retno
IJCAS (International Journal of Creative and Arts Studies) Vol 1, No 1 (2014): June 2014
Publisher : IJCAS (International Journal of Creative and Arts Studies)

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Interaction of Music as a Soft Power in the Dimension of Cultural Diplomacy between Indonesia and Thailand Surasak Jamnongsarn
IJCAS (International Journal of Creative and Arts Studies) Vol 1, No 1 (2014): June 2014
Publisher : Graduate School of Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/ijcas.v1i1.1572

Abstract

The phenomenon of cultural diplomacy between Indonesia and Thailand had appeared since the visit of the Kings of Thailand to Java more than a hundred years ago. In addition, the Indonesian immigrants who has come to Thailand are also an important factor of musical history of both countries. As a result of these interactions, the exchange of ideas, information, value, system, tradition, belief, and other aspects of culture are in the interest of foster mutual understanding through musical dimension. More precisely, the interaction contributes to the exchange of musical ideas. In the Thai music history, angklung and gamelan is an essential tool for building international relations between the two countries at the community level. The relation between the two countries is similar to the relationship between two people so that emotion is the key methodologies in cultural diplomacy. The purpose of diplomacy is to give those people around you to know you better. There used to be a lot of cultural imperialism in cultural diplomacy, but this should be avoided. Currently, cultural diplomacy can give an idea on how a country engaging with others, a capacity to share and accept other viewpoints. The music has a very positive impact for the development of musical culture in Thailand today.Angklung has been taught in every elementary school in the whole of Thailand, even at the level of junior high school and high school. The ideas of new works by Thailand composers today inspired many of the gamelan orchestra. Despite the fact may be felt by the people of Thailand that the influence of Indonesian music is so powerful, so far no Thai person who writes about the history of this music as cultural diplomacy. Cultural diplomacy conceived and built in three models of representation: soft power, nation branding, and cosmopolitan constructivism.
Input : Output Exploring Participatory Art Practice from Within Elly Kent
IJCAS (International Journal of Creative and Arts Studies) Vol 1, No 1 (2014): June 2014
Publisher : Graduate School of Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/ijcas.v1i1.1568

Abstract

This paper explores the theory, practice and ongoing outcomes of two projects in relational/dialogical/participative art, narrated from two subjective perspectives: that of a participant, and that of artist. The two projects explored are FX Harsono’s “In Memory of a Name Curatorium” and my own resulting project “Nee (Born As).” This paper positions contemporary participatory art practice as a medium, through which differing cultural perspectives can be explored. In this model, methodology is a kind of a neutral construction -uncultured- to which artists and participants apply their own experiences of culture and context, extracting raw data from which creative responses emerges. Input: output.
Effect of Color Composition in Work Space Against Job Performance Rahmawan Dwi Prasetya
IJCAS (International Journal of Creative and Arts Studies) Vol 1, No 1 (2014): June 2014
Publisher : Graduate School of Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/ijcas.v1i1.1573

Abstract

This study investigates the influence of the physical environment on work performance, regarding the composition of the colors used in the workspace. Thirty students of the Academy of Management and Secretary were recruited through announcements on their campus and are grouped into three, namely the harmonious, disharmonic, and the control group. An experimental task that must be done is to copy the article to a computer for 2x2 hours, interspersed with rest for 1 hour. Results of their work in the form of typing are calculated based on the number of pages, rows, and the number of words with Word Count on the Microsoft Word program. By using SPSS software version 17, the data were analyzed using the Analysis of Variance Model. The results showed that there were significant differences in performance influenced by the composition of colors in the workspace based on the number of pages as an indicator. But the other measurements based on the number of lines showed no significant difference. The measurement based on the number of words also showed no significant difference. With these results, we can conclude that the work performance resulting in a workspace using harmonious color composition on the floor, walls, and windows has no significant difference with the performance produced in the work space with disharmonic and neutral color composition. Argumentation and future research suggestions are discussed.
The Ritual Music of Wana People Giorgio Scalici
IJCAS (International Journal of Creative and Arts Studies) Vol 1, No 1 (2014): June 2014
Publisher : Graduate School of Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/ijcas.v1i1.1569

Abstract

Very ancient practice, shamanism is usually found in the nomadic or semi- nomadic cultures. Given the dependence on the hunt for these populations, one of the fundamental roles of the shaman was to mediate between man and nature, especially between men and the lords of the animals that make possible the success of a hunting expedition. Shamanism has, however, shown a great ability to adapt to historical events, managing to keep up to us maintaining its uniqueness. Threatened by the arrival of progress and the world religions, has been able to respond actively and to influence the Western culture, as evidenced by the New Age movement and the presence of shamans in many movies, books and videogames. These fascinating, complex and archaic belief has always attracted the interest of the West, evidenced by historical, literary and academic publications, and it seems that still shamanism still has not exhausted what has to offer the world. In this article I am going to describe which the situation of the Wana religion to the present day is and which the rituals of this culture are. The Wana have two shamanic rituals - the momagu and the molawo ‒that face the disease with music, showing us the central role of music in the ritual life of this community, affirming - once again‒ the importance of music not just to Wana but also to humankind, and its relationship with the hidden world.
Social Semiotics and Visual Grammar: A Contemporary Approach to Visual Text Research Indro Moerdisuroso
IJCAS (International Journal of Creative and Arts Studies) Vol 1, No 1 (2014): June 2014
Publisher : Graduate School of Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/ijcas.v1i1.1574

Abstract

This article outlines a visual text reading based on social semiotics approach, that is the visual grammar. It is an account of the explicit and implicit knowledge and practices around a resource, consisting of the elements and rules underlying a culture-specific form of visual communication. It required a general comprehension of social semiotics to obtain a deeply understanding to visual grammar. The differences between social semiotics and general semiotics expressed to accomplish its purpose. The concern of visual grammar is the relationship between ‘drawn participants’ and social life. Visual grammar can be positioned as a contemporary approach to visual texts meaning-making. Study of visual arts seems to entail visual grammar to play a more important role amid the phenomenon of visual culture that increasingly characterizes the lives of today’s society.
Jember Fashion Carnaval as a Reaction of Visual Culture to The Principle of Binary Opposition (A Case Study) Lois Denissa
IJCAS (International Journal of Creative and Arts Studies) Vol 1, No 1 (2014): June 2014
Publisher : Graduate School of Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/ijcas.v1i1.1570

Abstract

It has been commonly understood that fashion shows are always associated to glamor, luxurious, starred hotels, city centers, elite society, lights, and glittering costumes. It is often not realized that fashion shows have created strong boundaries between the center and the periphery, the elite and the public, the upper and the lower class, glamorous and old-fashioned. Since 2003, Jember Fashion Carnaval has been a peripheral phenomenon against the common convention on fashion. Streets as catwalks have totally changed territorial borders, social hierarchy, and created a favorable fashion carnaval arena. This yearly consistent performance and the reaction to binary opposition in fashion turns out to be able to create positive impacts in various fields of the creative industry, created a social and cultural carnival arena, education, and improve the economy of the people and tourism. The fashion carnaval phenomenon which has grown in the community was a result of dealing with foreign influences to create a new visual culture in Jember.
Anna Halprin, Dancing Life/ Danser la vie Edited by Baptiste Andrien and Florence Corin Gardner, Sally
IJCAS (International Journal of Creative and Arts Studies) Vol 1, No 1 (2014): June 2014
Publisher : IJCAS (International Journal of Creative and Arts Studies)

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Aesthetic Transformation of Video4Change Project Through Postmodernism Studies Sazkia Noor Anggraini
IJCAS (International Journal of Creative and Arts Studies) Vol 1, No 1 (2014): June 2014
Publisher : Graduate School of Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/ijcas.v1i1.1571

Abstract

Related research on community videos commonly limited in the social domain. This may happen because making video community is not classified as work of art, but rather as a tool to convey messages on community organizing method. Video4Change (v4c) project here consist different organizations in four countries; Indonesia, India, America and Israel. The review of videos conducted in textual and visual ethnography. This method used to specify all the things captured in the sense, the visual, the voice (audio) and the symbol on each video. Video as a medium in the postmodernism era considered as an illusion and simulation, now has more authority. Video build new structures and functions that transformed from mere aesthetic imagery into practical media with particular meanings. The video made by common people has been taking control of society to understanding the images by interpret it. This research attempts to trace and shift the study of community video from the perspective of art, vice versa from what have done before. However, the video as a tool has particular rules and approach to effectively deliver ‘text’ or message in visual language. This study expected to be a reference in a cultural context that comes from the artistic perspective. The analysis will shift the meaning of aesthetic perspective that could be transforming into practical solution-based. Beyond that, this study is able to see how the perspective transforms as the co modification of art in society changes.

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