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IJCAS (International Journal of Creative and Arts Studies)
Published by Institut Seni Indonesia Yogyakarta
ISSN : 2339191X     EISSN : 24069760     DOI : -
Core Subject : Humanities, Art,
Arts Humanities
Recently, the value of arts studies in higher education level is often phrased in enrichment terms- helping scholars find their voices, and tapping into their undiscovered talents. IJCAS focuses on the important efforts of input and output quality rising of art education today through the experiences exchange among educators, artists, and researchers with their very own background and specializations. Its primary goals is to promote pioneering research on creative and arts studies also to foster the sort of newest point of views from art field or non-art field to widely open to support each other. The journal aims to stimulate an interdisciplinary paradigm that embraces multiple perspectives and applies this paradigm to become an effective tool in art higher institution-wide reform and fixing some of biggest educational challenges to the urban imperative that defines this century. IJCAS will publish thoughtprovoking interdisciplinary articles, reviews, commentary, visual and multi-media works that engage critical issues, themes and debates related to the arts, humanities and social sciences. Topics of special interest to IJCAS include ethnomusicology, cultural creation, social inclusion, social change, cultural management, creative industry, arts education, performing arts, and visual arts.
Arjuna Subject : -
Articles 158 Documents
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An Iconographic Study of Sultan Mohammad Naqash's Painting Called "Masti Lahouti - Nasuti " Seyed Mohammad Taheri Qomi
IJCAS (International Journal of Creative and Arts Studies) Vol 9, No 2 (2022): December 2022
Publisher : Graduate School of Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/ijcas.v9i2.5846

Abstract

The painting called “Lahouti (divine) and Nassotti (worldly) Intoxication”, has been drawn on a page in Divan Hafez by Sam Mirza, whose painter was Sultan Mohammad Naqash, a Tabriz Safavid School painter, who is regarded as one of the shining examples of pictorial icons for the creation of a mystical, symbolic, and theatrical atmosphere as well as visual attractions. The present study is a theoretical one and has been conducted through a descriptive-analytical method, analyzing the iconography used in the above-mentioned painting by collecting images and information using the library method. By utilizing a historical and semantic approach to Hafiz's poetry as well as the artistic style of Sultan Mohammad, this study aims at decrypting the mystical and narrative concepts in this painting. The main research question raised here is: "What are the philosophical, mystical, lyrical and mythological concepts behind the relationship between icons and the visual atmosphere dominating the image?" Review of literature was conducted on Hafez's life as well as semantics and stylistics used in his odes as well as the history of the Turkmen and Tabriz Safavid Painting Schools and the style of Sultan Mohammad Naqash, recorded in articles and books by Iranian and foreign authors. The above-mentioned resources were studied, and it was concluded that Sultan Mohammad’s exaggerated, and humorous style matches Hafiz's quick-witted outlook and it is appropriate to divide the painting into three distinctive parts from top to bottom and consider the appropriate icons for each of the sections through a mystical and separating perspective as Nassott, Malakut and Lahout. Kajian Ikonografi Lukisan Sultan Muhammad Naqash Berjudul "Masti Lahouti - Nasuti" Abstrak Lukisan yang berjudul “Lahouti (divine) and Nassotti (worldly) Intoxication”, digambar pada sebuah halaman di Divan Hafez oleh Sam Mirza, di mana pelukisnya adalah Sultan Mohammad Naqash, seorang pelukis Sekolah Tabriz Safawi, yang dianggap sebagai salah satu contoh cemerlang ikon bergambar untuk penciptaan suasana mistis, simbolis dan teatrikal serta atraksi visual. Penelitian ini bersifat teoretis dan dilakukan melalui metode deskriptif-analitik, menganalisis ikonografi yang digunakan dalam lukisan tersebut dengan mengumpulkan gambar dan informasi menggunakan metode kepustakaan. Dengan memanfaatkan pendekatan historis dan semantik pada puisi-puisi Hafez serta gaya artistik Sultan Mohammad, kajian ini bertujuan untuk mendekripsi konsep mistik dan naratif pada lukisan. Pertanyaan penelitian utama yang diangkat yaitu: "Apa konsep filosofis, mistis, liris, dan mitologis dibalik hubungan antara ikon dan suasana visual yang mendominasi gambar?" Tinjauan literatur dilakukan pada kehidupan Hafez serta semantik dan gaya yang digunakan dalam syairnya serta sejarah Sekolah Lukisan Safawi Turkmenistan dan Tabriz dan gaya Sultan Mohammad Naqash, yang dicatat dalam artikel dan buku oleh penulis Iran dan asing. Melalui sumber yang didapat maka disimpulkan bahwa gaya Sultan Mohammad yang berlebihan dan humoris cocok dengan pandangan Hafez yang cerdas dan pantas untuk membagi lukisan menjadi tiga bagian yang berbeda dari atas ke bawah dan mempertimbangkan ikon yang sesuai untuk masing-masing bagian melalui perspektif mistis dan terpisah sebagai Nassott, Malakut dan Lahout.
Observation on The Use of Visual Scripting for Interaction Design Students Yusup Sigit Martyastiadi
IJCAS (International Journal of Creative and Arts Studies) Vol 9, No 2 (2022): December 2022
Publisher : Graduate School of Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/ijcas.v9i2.8217

Abstract

Programming for Visual Communication Design students is a challenge in learning it. Their competencies are developing visual communication materials for interactive media designs. Programming competence in learning interaction design in the Visual Programming course focuses on programming logic. This study observes the method of visual programming using the Bolt add-on (visual scripting). This data was collected from students majoring in Interaction Design, Visual Communication Design Study Program at Universitas Multimedia Nusantara when they took Visual Programming courses. The indicators of this research are studying the understanding of programming logic from several materials and the learning outcomes of each observed material. The researcher found positive results using visual scripting in understanding programming logic for Visual Communication Design students on some of the material observed. In general, it can be concluded that the Bolt add-on in the UNITY game engine software can help students work on interactive media design projects. Observasi Penggunaan Pemrograman Visual untuk Mahasiswa Desain Interaksi Abstrak Pemrograman bagi mahasiswa Desain Komunikasi Visual menjadi tantangan tersendiri dalam mempelajarinya. Kompetensi mereka adalah mengembangkan materi komunikasi visual untuk desain media interaktif. Kompetensi pemrograman dalam pembelajaran desain interaksi pada mata kuliah Pemrograman Visual berfokus pada logika pemrograman. Penelitian ini mengamati penggunaan metode pemrograman visual dengan menggunakan aplikasi tambahan Bolt (visual scripting). Pengumpulan data ini dilakukan kepada mahasiswa peminatan Desain Interaksi, Program Studi Desain Komunikasi Visual, Universitas Multimedia Nusantara di saat mereka mengambil mata kuliah Pemrograman Visual. Indikator penelitian ini adalah mempelajari pemahaman logika pemrograman dari beberapa materi dan hasil belajar dari setiap materi yang diamati. Peneliti menemukan hasil positif menggunakan pemrograman visual dalam proses pemahaman logika pemrograman bagi mahasiswa Desain Komunikasi Visual pada beberapa materi yang diamati. Secara umum dapat disimpulkan bahwa aplikasi tambahan Bolt pada piranti lunak UNITY (game engine) dapat membantu mahasiswa dalam mengerjakan proyek perancangan media interaktif.
Fetish in Amateur Photography Practices Hartono Karnadi
IJCAS (International Journal of Creative and Arts Studies) Vol 9, No 2 (2022): December 2022
Publisher : Graduate School of Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/ijcas.v9i2.8218

Abstract

People, including amateur photographers, have been experiencing development on digital technology. Amateur phothographers are those who practicing photography as a hobby and join a photography club. Although at first people doubted the quality and performance of the digital tecnology, until now it has been growing to become a fetish. In the practice domain, it is cherished as a god-powered machine able to do incredible tasks. This research aimed at studying the psychological and sociological conditions of amateur photographers at the shift of technology from analog to digital photography and close to the the post-digital era. Technology transformation has brought about significant impacts on photographers’ perspective about creating, displaying, and publishing photographs. The qualitative data were collected from literature study and interviews with senior photographers famous for their achievements among the amateurs, especially those who joined the Salonfoto Indonesia. The result of this study shows that fetishism on digital technology in amateur photographers’ practices does not automatically become the only method employed in exploring their creativity sources. Based on the aesthetical experiences of the amateurs, it can be concluded that digital technology functions only as a computing system to perfect the creative works. Technigue is important but not the most important one. Fetis dalam Praktik Fotografi Amatir Abstrak Perkembangan digital sangat dirasakan oleh semua orang termasuk fotografer amatir. Mereka termotivasi untuk pengembangan diri, bersosialisasi dan berpartisipasi dalam kontes fotografi. Walaupun pada awalnya diragukan dalam performa kualitasnya. Dalam praktiknya, teknologi digital seperti mesin yang menjadi dewa, ia menjadi fetis, seolah-olah memiliki kekuatan yang luar biasa untuk menghasilkan foto yang bagus. Penelitian ini mengkaji kondisi-kondisi psikologis dan sosiologis amatir sebagai akibat dari peralihan teknologi analog ke digital dan menjelang pasca digital. Dampak transformasi teknologi sangat memengaruhi perspektif dalam mencipta, menyajikan, dan mempublikasikan foto mereka. Metode pengumpulan data menggunakan kualitatif yang bersumber pada studi kepustakaan dan mewawancarai beberapa fotografer senior yang sudah sangat dikenal prestasinya di kalangan amatir, khususnya Salonfoto Indonesia. Hasil awal dari penelitian ini menunjukkan tranformasi teknologi digital mengubah paradigma amatir senior, yang semula menganggap digitalisasi merupakan mesin rumit dan membingungkan, sehingga mereka berusaha mempertahankan nilai-nilai 'tradisional' fotografi analog yang mengutamakan proses manual. Kesimpulan yang dapat dirangkum bahwa fetisisme teknologi digital dalam praktik fotografer amatir, tidak serta-merta menjadi satu-satunya metode yang dapat mendukung eksplorasi sumber daya ciptanya. Berdasarkan pengalaman estetika amatir, teknologi digital hanya sebagai suatu sistem komputasi untuk menyempurnakan olah kreatif. Teknis penting, tapi bukan yang terpenting!
Creativity in Distance Learning: Study Designing Art Furniture Based on Upcycling Concepts Tri Noviyanto Puji Utomo; JE Sutanto
IJCAS (International Journal of Creative and Arts Studies) Vol 10, No 1 (2023): June 2023
Publisher : Graduate School of Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/ijcas.v10i1.7145

Abstract

The COVID-19 pandemic has lasted for over two years, revolutionizing offline learning in schools worldwide. Distance learning is one of the strategies employed by Indonesian schools and universities to ensure high-quality learning outcomes. However, apart from the technological issues associated with distance learning, there are challenges in implementing these learning outcomes effectively. Therefore, this study aims to examine how to respond to distance learning results. The study was conducted by Interior Architecture students through interior product design courses, utilizing post-use materials from residential homes or upcycling materials. Distance learning was conducted using a combination of synchronous and asynchronous techniques. The learning outcomes yielded 50 interior product concepts, predominantly based on regenerative design principles. These concepts include technical cycle items that can be assembled or incorporated into do-it-yourself (DIY) activities. The findings of this study have implications for fostering new forms of engagement and creativity by transforming waste materials derived from the production process into new art furniture designs. Kreativitas Pembelajaran Jarak Jauh: Studi Merancang Art Furniture Berdasarkan Konsep Upcycling Abstrak Pandemi COVID-19 yang telah berlangsung selama dua tahun lebih telah mengubah tatanan proses belajar mengajar di semua sekolah di seluruh dunia. Salah satu upaya yang dilakukan oleh sekolah/kampus adalah dengan memberlakukan strategi pembelajaran jarak jauh, baik langsung maupun tidak langsung. Strategi tersebut dilakukan demi memastikan tetap tercapainya tujuan pembelajaran dengan kualitas yang tetap optimal meski wabah covid masih melanda. Terlepas dari permasalahan teknis yang muncul terkait pembelajaran jarak jauh, muncul suatu pertanyaan tentang bagaimana dengan implementasi atas hasil pembelajaran yang telah dilaksanakan. Penelitian ini mencoba memberikan gambaran bagaimana merespons hasil pembelajaran jarak jauh yang dilakukan oleh mahasiswa prodi interior arsitektur melalui mata kuliah perancangan produk interior dengan studi berbasis material limbah padat rumah tangga atau material upcycling. Hasil dari pembelajaran perancangan menghasilkan 50 konsep produk interior yang sebagian besar merupakan desain regenerative yang secara khusus mengarah pada technical cycle product dengan dominasi pada jenis artefak art furniture. Implementasi hasil produk merujuk pada aktivitas swakriya atau do-it-yourself (DIY). Selain hasil akhir yang berwujud artefak desain, penelitian ini berimplikasi pada munculnya embrio entrepreneurial dalam bentuk interaksi antaranggota keluarga mahasiswa dalam mengembangkan serta menciptakan item baru melalui penggunaan sisa material limbah rumah tangga lain menjadi produk art furniture baru lainnya.  
Comedy In the Perspective of Performing Arts Management: Systematic Literature Review Trisna Pradita Putra; Budi Irawanto; Timbul Haryono
IJCAS (International Journal of Creative and Arts Studies) Vol 10, No 1 (2023): June 2023
Publisher : Graduate School of Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/ijcas.v10i1.8300

Abstract

This research was conducted to map the breadth of various comedy art management research carried out in the period between 2012-2022. This research is a systematic literature review conducted using the PRISMA (Preferred Reporting Items for Systematic Reviews and Meta-Analyses) method. The primary data in this study journal articles were published in the electronic journal databases of Scopus, Proquest, Ebsco, and Portal Garuda. Based on an analysis of 115 selected articles, it was concluded that the theme of comedy management has been widely studied and produced in a variety of studies that can be classified into four main categories. The main categories in comedy management research are production management, distribution management, consumption, and human resource management. Research makes an important contribution and this is an important reference for the future development of comedy management studies. Komedi dalam Perspektif Manajemen Seni PertunjukanAbstrakPenelitian ini dilakukan untuk memetakan keluasan ragam penelitian manajemen seni komedi yang dilakan dalam kurun waktu antara tahun 2012-2022. Penelitian ini adalah sistematik literatur review yang dilakukan dengan metode PRISMA (Preferred Reporting Items for Systematic Reviews and Meta-Analyses ). Data primer dalam penelitian ini adalh artikel jurnal yang dimuat dalam database jurnal elektronik Scopus, Proquest, Ebsco dan Porttal Garuda. Berdasarkan analisis terhadap 115 artikel yang terseleksi, disimpulkan bahwa tema manajemen komedi telah diteliti secara luas dan menghasilkan ragam kajian yang dapat diklasifikasikan dalam empat katagori utama. Katagori utama dalam penelitian manajemen komedi yaitu: manajemen produksi, manajemen distribusi, konsumsi dan manajemen sumber daya manusia. Penelitian memberikan kontribusi penting dan ini menjadi referensi penting bagi arah pengembangan kajian manajemen komedi di masa depan.
“Matuya Metta” Creation of Javanese Dance Drama from the Story of Phra Lor Oky Bima Reza Afrita
IJCAS (International Journal of Creative and Arts Studies) Vol 10, No 1 (2023): June 2023
Publisher : Graduate School of Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/ijcas.v10i1.7877

Abstract

Matuya Metta is a Javanese dance-drama performance in the Yogyakarta dance style in the form of group choreography. This drama features the story of Phra Lor, famous in Thai literature. Matuya comes from the word “matu”, meaning mother, and “metta” meaning love. So, "Matuya Metta" means a mother's love. The reason for choosing the Phra Lor story is that there are similarities between the Thai a siang nam ritual and the Javanese tradition called tapa kungkum. Matuya Metta dance drama is expressed dramatically and symbolically. It is danced by three dancers and the piece contains in five segments. Javanese dance in the Yogyakarta style is the basis for the movements, namely the characters of alusan and putri luruh. The music is adapted to the atmosphere in the story and the character’s movements according to contemporary Javanese tradition. The performance combines recordings of gamelan instruments with digital music. The makeup and costume designs are inspired by Javanese dance and Thai ornaments. This dance-drama also uses minimal staging properties and settings to beautify the performance and help the audience understand the story. “Matuya Metta” Penciptaan Drama Tari Jawa dari Kisah Phra Lor Abstrak Matuya Metta adalah pertunjukan drama tari Jawa gaya Yogyakarta dalam bentuk koreografi kelompok. Drama ini menampilkan kisah Phra Lor yang terkenal dalam sastra Thailand. Matuya berasal dari kata “matu” yang berarti ibu, dan “metta” yang berarti cinta. Jadi, "Matuya Metta" berarti cinta seorang ibu. Alasan dipilihnya cerita Phra Lor adalah karena ada kesamaan antara ritual siang nam orang Thailand dengan tradisi Jawa yang disebut tapa kungkum. Drama tari Matuya Metta diekspresikan secara dramatis dan simbolis. Tarian ini ditarikan oleh tiga orang penari dan terdiri dari lima segmen. Tari Jawa gaya Yogyakarta menjadi dasar geraknya yaitu tokoh alusan dan putri luruh. Musiknya disesuaikan dengan suasana dalam cerita dan gerak-gerik tokoh sesuai tradisi Jawa kontemporer. Pertunjukan tersebut menggabungkan rekaman instrumen gamelan dengan musik digital. Desain tata rias dan kostumnya terinspirasi dari tarian Jawa dan ornamen Thailand. Drama tari ini juga menggunakan properti dan setting pementasan yang minim untuk mempercantik pertunjukan dan membantu penonton memahami ceritanya.
Examining Color Intensity Shift in Animated Films for the Development of the 'Color Script Generator' Application Christian Aditya
IJCAS (International Journal of Creative and Arts Studies) Vol 10, No 1 (2023): June 2023
Publisher : Graduate School of Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/ijcas.v10i1.6755

Abstract

This study aims to reveal the pattern of intensity shift in the color script following the Three act story structure of the animated film. Patterns of color palette changes can be found in each act of the story structure of an animated film. The dissemination of story structure in animated films affects the selection of color intensity used in the creation of color scripts. Visual observation will be done by measuring the intensity level of hue, saturation, and values from the color palette of scenes according to the act in several animated films with mainstream visual style. The observation results will produce a pattern of changes in the color palette on every scene that represents the idea of the story act. This pattern data can be used as a measurable system and as the basis for designing an application that can produce a color palette to support the creation of color scripts in animation. Meneliti Pergeseran Intensitas Warna dalam Film Animasi untuk Pengembangan Aplikasi 'Color Script Generator' Abstrak Penelitian ini bertujuan untuk mengungkap pola pergeseran intensitas pada color script mengikuti struktur cerita Tiga Babak dalam film animasi. Pola perubahan palet warna dapat ditemukan pada setiap babak struktur cerita sebuah film animasi. Dengan tersebarnya struktur cerita pada film animasi, hal ini memengaruhi pemilihan intensitas warna yang digunakan dalam pembuatan color script. Pengamatan visual akan dilakukan dengan mengukur tingkat intensitas hue, saturation, dan value dari palet warna yang sesuai dengan adegan di beberapa film animasi dengan gaya visual mainstream. Hasil observasi akan menghasilkan pola perubahan palet warna pada setiap adegan yang merepresentasikan ide dari adegan cerita. Data pola ini dapat digunakan sebagai sistem terukur dan berpotensi sebagai dasar perancangan aplikasi yang dapat menghasilkan palet warna untuk mendukung pembuatan color script dalam animasi.
Andarele Dance: The Female Body Empowerment Through The Sensual Movement Cristina Duque Martinez
IJCAS (International Journal of Creative and Arts Studies) Vol 10, No 1 (2023): June 2023
Publisher : Graduate School of Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/ijcas.v10i1.8153

Abstract

This article commences with the historical-epistemological background of the sensual Andarele dance from Esmeraldas, Ecuador, aiming to comprehend the symbolic and social conception of the body. Employing a qualitative methodology, it scrutinizes the relationship between the Andarele dance and social and gender theories. The article's primary objective is to engender a discussion concerning female empowerment, with due consideration given to analyzing data on women's experiences in Ecuador and theoretical studies elucidating the benefits of women's body movement as a novel instrument for self-awareness. This process enables women to recognize their creative potential, empower themselves, and embark on emancipation. Consequently, their bodies become a transversal axis that connects and communicates with the external world. Tari Andarele: Pemberdayaan Tubuh Wanita melalui Gerakan Sensual Abstrak Artikel ini diawali dengan latar belakang sejarah-epistemologis tarian sensual Andarele dari Esmeraldas, Ekuador, yang bertujuan untuk memahami konsepsi simbolis dan sosial tentang tubuh. Menggunakan metodologi kualitatif, penelitian ini meneliti hubungan antara tarian Andarele dengan teori sosial dan gender. Tujuan utama artikel ini adalah untuk melahirkan diskusi tentang pemberdayaan perempuan, dengan pertimbangan diberikan untuk menganalisis data pengalaman perempuan di Ekuador dan studi teoretis menjelaskan manfaat gerakan tubuh perempuan sebagai instrumen baru untuk kesadaran diri. Proses ini memungkinkan perempuan untuk mengenali potensi kreatif mereka, memberdayakan diri mereka sendiri, dan memulai emansipasi. Akibatnya, tubuh mereka menjadi sumbu transversal yang menghubungkan dan berkomunikasi dengan dunia luar.

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