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IJCAS (International Journal of Creative and Arts Studies)
Published by Institut Seni Indonesia Yogyakarta
ISSN : 2339191X     EISSN : 24069760     DOI : -
Core Subject : Humanities, Art,
Arts Humanities
Recently, the value of arts studies in higher education level is often phrased in enrichment terms- helping scholars find their voices, and tapping into their undiscovered talents. IJCAS focuses on the important efforts of input and output quality rising of art education today through the experiences exchange among educators, artists, and researchers with their very own background and specializations. Its primary goals is to promote pioneering research on creative and arts studies also to foster the sort of newest point of views from art field or non-art field to widely open to support each other. The journal aims to stimulate an interdisciplinary paradigm that embraces multiple perspectives and applies this paradigm to become an effective tool in art higher institution-wide reform and fixing some of biggest educational challenges to the urban imperative that defines this century. IJCAS will publish thoughtprovoking interdisciplinary articles, reviews, commentary, visual and multi-media works that engage critical issues, themes and debates related to the arts, humanities and social sciences. Topics of special interest to IJCAS include ethnomusicology, cultural creation, social inclusion, social change, cultural management, creative industry, arts education, performing arts, and visual arts.
Arjuna Subject : -
Articles 158 Documents
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Interdisciplinary and Globalisation Issue at the International Conference for Interdisciplinary Studies 2014 (ICIS) in South Korea H, Prayanto Widyo
IJCAS (International Journal of Creative and Arts Studies) Vol 2, No 1 (2015): June 2015
Publisher : IJCAS (International Journal of Creative and Arts Studies)

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Abstract

“I Liked it, Didn’t Love It,”3 Edition Screenplay Development from the Inside Out, Los Angeles, ESE (Edwards Skerbelis Entertainment by Edwards, R. & Skerbelis, M. (2016) rd Kelly, Gabrielle
IJCAS (International Journal of Creative and Arts Studies) Vol 2, No 2 (2015): December 2015
Publisher : IJCAS (International Journal of Creative and Arts Studies)

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Abstract

Ojo Kuwi song As Communist Discourse Formation In the election of the President of the Republic of Indonesia in 2014 Arhamuddin Ali
IJCAS (International Journal of Creative and Arts Studies) Vol 2, No 2 (2015): December 2015
Publisher : Graduate School of Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/ijcas.v2i2.1793

Abstract

The aim of this research is to find answers to song Ojo Kuwi as media of the Republic of Indonesia’s presidential election campaign of 2014. In addition, another purpose is to reveal the campaign messages that are communicated through this song’s lyric. This case study focuses on the study of Ojo Kuwi song along with talk on the Internet news media. Data collected from Internet news, analysis of musical elements and lyrics Ojo Kuwi. As a result of research, discovered an attempt to revive the collective memory of Indonesian communism society. Furthermore, the messages are communicated in Ojo Kuwi lyrics urge people to choose presidential number 1 candidate by providing an explanation of the shortcomings of his opponent.
Input : Output Exploring Participatory Art Practice from Within Elly Kent
IJCAS (International Journal of Creative and Arts Studies) Vol 1, No 1 (2014): June 2014
Publisher : Graduate School of Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/ijcas.v1i1.1568

Abstract

This paper explores the theory, practice and ongoing outcomes of two projects in relational/dialogical/participative art, narrated from two subjective perspectives: that of a participant, and that of artist. The two projects explored are FX Harsono’s “In Memory of a Name Curatorium” and my own resulting project “Nee (Born As).” This paper positions contemporary participatory art practice as a medium, through which differing cultural perspectives can be explored. In this model, methodology is a kind of a neutral construction -uncultured- to which artists and participants apply their own experiences of culture and context, extracting raw data from which creative responses emerges. Input: output.
Existence, Identity and Survive Strategy Kethoprak Tobong Kelana Bhakti Budaya Inggit Sitowati
IJCAS (International Journal of Creative and Arts Studies) Vol 2, No 1 (2015): June 2015
Publisher : Graduate School of Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/ijcas.v2i1.1439

Abstract

Kethoprak Tobong Kelana Bhakti Budaya is one of Ketoprak tobong that still exist and survive from the onslaught of modern entertainment. Ketoprak tobong is a traditional Javanese theatrical art which performs and lives by moving from one place to another within a period of time. They maintain their existence because of their deep love for the Ketoprak world. In addition they have a sense of responsibility to preserve the nation’s cultural heritage by maintaining their tobong group. For them the Ketoprak world and tobong is their identity. The members of this group were born and grew up from the Ketoprak’s family and environment. The existence and identity of this group is formed from habitus, capital and field. For survive strategy, they apply the principles of kinship, flexibly apply the rules, looking for donors, and promotes the group through a variety of cultural events. To make ends meet they have other jobs, including craft, making costumes, makeup, and a singer in a wedding.
Meanings and Symbols of Dalima Relief in Keraton Kasepuhan Cirebon Husen Hendriyana
IJCAS (International Journal of Creative and Arts Studies) Vol 1, No 2 (2014): December 2014
Publisher : Graduate School of Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/ijcas.v1i2.1557

Abstract

Dalima relief is the Keraton Cirebon’s artifacts in periods of Sultan Sepuh I and II (1678-1723). Dalima’s relief is rich of symbolic values with aesthetic expression of its typical culture. There are so many interpretations about Dalima Relief and yet has not been clearly undefined up to these days. This research is using qualitative research with ethnography approach aiming to constructive knowledge and aesthetic interpretation construct. This aesthetic phenomenon has a connection with the events in the past, which will be studied as synchronic or diachronic ways. Diachronic analysis aims to discover a comprehension about culture transformations of Cirebon society from the era of Hindu up to Islamic, while the aesthetic concepts will trace based on value, function and meaning through synchronic analysis with consideration of three culture phenomenon: ideas-activity-artifact, corresponding with the local attributes.Thus ‘Dalima’ is a metaphoric depiction of Q.S Al-Ikhlas (a verse in Holy Qur’an), with etymology of letter compounding ‘dal’ and number five; ‘lima’. These symbols formed by the visual elements of flowers and fruit of Delima (pomegranate), and a pair of white crows. This inspirational object, Dalima is formed as the structure of cosmological acculturative culture (Hindu, Chinese and Islam) with metaphorical representations. Activities and contextual events on this relief made it as Catatan Suluk or lessons to Cirebon’s Mursyid. Norms and theorems which shape as a culture convention on that era, becomes a power of collective traditions which tint the principal and conceptual of Cirebon culture.
Comparison of the Effects of Using Traditional Thai Musical Instruments and Carl Orff’s Instruments on Mentally Disabled Children’s Perception and Reaction to the Musical Elements Tepika Rodsakan
IJCAS (International Journal of Creative and Arts Studies) Vol 2, No 2 (2015): December 2015
Publisher : Graduate School of Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/ijcas.v2i2.1796

Abstract

This research dealt with the comparison of the effects of using traditional Thai musical instruments and Carl Orff’s instruments on mentally disabled children’s perception and reaction to the musical elements. The objectives of the research were 1) to study the results of the effects of using traditional Thai musical instruments on mentally disabled children’s perception and reaction to the musical elements 2) to study the results of the effects of Carl Orff’s instruments on mentally disabled children’s perception and reaction to the musical elements 3) to compare the results of the effects of using traditional Thai musical instruments and Carl Orff’s instruments on mentally disabled children’s perception and reaction to the musical elements. The sample used in the research were 11 educable mentally disabled children from Panyawutikorn School aged between 8-10 years old. The sample had been tested and confirmed by the psychologist to have IQ range from 50-70, to be non-sound sensitive and to be devoid of any multiple handicaps. The sample were selected using purposive sampling. The tool used in this research were an interactive 9-question test of the sample group’s perception and reaction to musical elements using traditional Thai musical instruments and Carl Orff’s instruments. The sample group responded accordingly to the different given tasks in the test including singing, physical movement, playing musical instruments and musically melodic creation. The data obtained are then analyzed using statistical calculation, i.e. median, percentage and mean. The test results revealed the following findings; the results were as follows: 1. Results of the effects of using traditional Thai musical instruments on mentally disabled children’s perception and reaction to the musical elements were found to be in the “good” criteria. 2. Results of the effects of using Carl Orff’s instruments on mentally disabled children’s perception and reaction to the musical elements were found to be in the “good” criteria. When considered each factor individually, the perception and reaction to sound was in the “fair” criteria while the perception and reaction to rhythm and melody were in the “good” criteria. 3. By comparing the results of the effect of using traditional Thai musical instruments and Carl Orff’s instruments on mentally disabled children’s perception and reaction to the musical elements, it was found to be different on the whole. When considered each factor individually, there was a difference in the perception of sound while there was no difference in perception and reaction to rhythm and melody.
Effect of Color Composition in Work Space Against Job Performance Rahmawan Dwi Prasetya
IJCAS (International Journal of Creative and Arts Studies) Vol 1, No 1 (2014): June 2014
Publisher : Graduate School of Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/ijcas.v1i1.1573

Abstract

This study investigates the influence of the physical environment on work performance, regarding the composition of the colors used in the workspace. Thirty students of the Academy of Management and Secretary were recruited through announcements on their campus and are grouped into three, namely the harmonious, disharmonic, and the control group. An experimental task that must be done is to copy the article to a computer for 2x2 hours, interspersed with rest for 1 hour. Results of their work in the form of typing are calculated based on the number of pages, rows, and the number of words with Word Count on the Microsoft Word program. By using SPSS software version 17, the data were analyzed using the Analysis of Variance Model. The results showed that there were significant differences in performance influenced by the composition of colors in the workspace based on the number of pages as an indicator. But the other measurements based on the number of lines showed no significant difference. The measurement based on the number of words also showed no significant difference. With these results, we can conclude that the work performance resulting in a workspace using harmonious color composition on the floor, walls, and windows has no significant difference with the performance produced in the work space with disharmonic and neutral color composition. Argumentation and future research suggestions are discussed.
The Pleasure of Research, Helsinki: Finnish Academy of Fine Arts by Slager, H. (2012) Bolt, Barbara
IJCAS (International Journal of Creative and Arts Studies) Vol 1, No 2 (2014): December 2014
Publisher : IJCAS (International Journal of Creative and Arts Studies)

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Abstract

Art as the Energy of Life Creative Process Representation of Sasak Womanhood in Visual Media Lucky Wijayanti
IJCAS (International Journal of Creative and Arts Studies) Vol 1, No 2 (2014): December 2014
Publisher : Graduate School of Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/ijcas.v1i2.1559

Abstract

The idea of creation/formulation of the problem in the dissertation of art creation is the reality of women workers to the nature of femininity in performing arts as interpreted life energy into the problems of women workers. The idea is then formulated into the concept of creation, the role of women as the guardian of the family, gave birth to progeny, and the resilient nature of women as breadwinners for survival, even more importantly women as keepers of tradition. Through the creative process to create works of art by presenting a ‘rasa’ that can be captured and responded to by the brain into something that essence and recorded in the memory, (VS Ramachandran, 2012). The study was conducted using visual aesthetic and creative through the photographic process with the exploration of materials such as: objects generated tradition of Lombok, for example woven fabrics, woven and the other as an aesthetic element as well as elements of art such as: shape, line, color, shape, composition, and texture. As for all stages of the process based on the embodiment of the work of the working stages of the creative process by Csikszentmihalyi (1996), namely: preparation, incubation, insight / arcing ideas, evaluation, development, and presentation in the form of art exhibitions. In general it can be concluded, that in this aspect of the subject matter of the concept of women in the end that guarantees life for themselves women are women themselves. In the form of work, technical realization through the creative process with visualization methods.

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