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RETORIKA DALAM RAGAM TUTUR TEMBANG PEMENTASAN DRAMA TARI ARJA Muada, I Ketut
Widyadari : Jurnal Pendidikan Vol 19 No 2 (2018): Oktober 2018
Publisher : LP2M IKIP PGRI Bali

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Arja dance theatre is basically a music dance drama that uses vocal rhetoric of tembang with the title sourced from the banner story (malat). His melodic dramatic story with his ability to compose aspects of  speech, utilizing such a style of language aims to create a certain effect or power far the audience. So his functioning is dynamic, interesting, memorable and meaning ful. Lately the attention and the interest of balinese towards the arts of arja dance theater seems to be getting less fans. Balinese people recenly prefer to enjoy the instant entertainment that aired on TV. The audience is attention to the arts of arja is very diminished. It is cavsed by the amergence of arja cuddly or arja ?bondres?which the dancers are all men complete arja dance theatre is increasingly not getting the audience. But based on the observations of some researchers, there is still a group of complete arja can get the audience in their performance namely the? Kesenian Dramatari Arja RRI Denpasar?. This arja group still survive as a complete arja which has its own charm far the fans. It is because the plagers are very shrewd in using the style of speech song, it becomes a rhetorical learning and manners far the audience. As such, the study used a descriptive-qualitative design. Data colection was done through methods of observations and interviews,while techniques of data collection were done through a tape recording and note-taking. The data analysis was done in terms of theory on rhetoric.

Fungsi dan Makna Filosofi Tradisi Ruwatan dalam Ritual Hindu Bali (Persepektif Wayang Kulit Sudhamala dan Sapuhleger) Muada, I Ketut
Sanjiwani: Jurnal Filsafat Vol 12, No 2 (2021)
Publisher : Universitas Hindu Negeri I GUsti Bagus Sugriwa Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25078/sjf.v12i2.2691

The ritual of ruwatan in Balinese Hindu society basically removes or cleanses oneself from dirt, which is practiced almost the same in general throughout Bali. In ruwatan using wayang kulit media, there are two types of performing arts which contain the function and meaning of ruwatan, such as; puppet show gedog (weak puppet) and puppet show Peteng. The source of the pangruwatan play presented by the puppeteers refers to the ruwatan standard although in practice it changes according to the situation and conditions of the performance itself. The play taken in the wayang gedog is Sudhamala, while in the shadow puppet show at night it is Sapuhleger. Ruwatan or in Java known as murwakala has a broad meaning not only a literary work and pakeliran but its function and philosophy, it turns out that it refers to the micro and macro essence of humans as being creative, intellect and intention. This research specifically reveals problems regarding; the form of the play, the function and meaning of spiritual philosophy, as well as the role of government in relation to ritual rituals. In revealing this, the researchers used qualitative methods, as well as several theories that complement this research.Â Ritual ruwatan pada masyarakat Hindu Bali pada dasarnya membuang atau pembersihan diri dari kotoran, yang pelaksanaannya hampir sama pada umumnya diseluruh Bali. Dalam ruwatan dengan media wayang kulit, ada dua jenis seni pertunjukan yang mengandung fungsi dan makna ruwatan seperti; pertunjukan wayang gedog (wayang lemah) dan pertunjukan wayang Peteng. Â Sumber lakon pangruwatan yang disajikan oleh para dalang mengacu pada pakem ruwatan walaupun dalam pelaksanaannya berubah menurut situasi dan kondisi pertunjukan itu sendiri. Lakon yang diambil dalam wayang gedog adalah Sudhamala sedangkan, dalam pertunjukan wayang kulit pada malam hari adalah Sapuhleger. Ruwatan atau di Jawa dikenal dengan murwakala mempunyai makna yang luas tidak hanya sebuah karya sastra dan pakeliran akan tetapi fungsi dan filosofinya, ternyata mengacu pada esensi mikro dan makro manusia sebagai insan yang berdaya cipta, budi dan karsa. Penelitian ini khusus mengungkap permasalahan tentang; bentuk lakon, fungsi dan makna filosopi ruatan, serta peranan pemerintah terkait ritual ruatan. Dalam mengungkap hal tersebut peneliti memakai metode kualitatif, serta beberapa teori-teori yang melengkapi penelitian ini.

PELESTARIAN VOKAL TEMBANG BALI DENGAN MEDIA RADIO PANCAR ULANG DI ERA COVID-19 I Ketut Muada; I Wayan Sugama
Widyadari : Jurnal Pendidikan Vol. 21 No. 2 (2020): Oktober
Publisher : LP3M Universitas PGRI Mahadewa Indonesia

Tembang has an impantant role in the life of Hindu people in Bali. Learning tembang as well as learning the language, script, metrum, cutural cancepts and values which is cantained in the literature.Tembang means”nembang” (sing) associated with the word “kembang” wich means plower (sekar in balinese). Plawer have a role and function as a sourse of beauty where the good Kama (god of beauty) stay over in reality. Generating lust in line with the function and the role of flawers or gods Kama at the ceremonies that take place in Bali. The emergence of seka pesantian or group of people in pursuing tembang in Bali nowadays, in a huge appreciation for balinese people in preserving the vokal of Balinese tembang the “pesantian”or the Balinese tembang association had never stopped looking for ways to lee ableto perform Balinese tembang in the community. Although in the presence of Covid-19 era people are adirsed not to gather (not dount) to cut of the spread of the Covid-19 virus. For the “sekaa pesantian” it did not dampen their interest in preserving Balinese song vocals (tembang) one of the ways in using radio transmiting media ((amatir radio) as a start up to carreg in Balinese tembang from home or interacting remotely.

Filosofi Tradisi Ruwatan dalam Ritual Hindu Bali (Analisis Wayang Kulit Sudhamala dan Sapuhleger) I Ketut Muada
Sanjiwani: Jurnal Filsafat Vol 12 No 2 (2021)
Publisher : Universitas Hindu Negeri I Gusti Bagus Sugriwa Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (298.783 KB)

The ritual of ruwatan in Balinese Hindu society basically removes or cleanses oneself from dirt, which is practiced almost the same in general throughout Bali. In ruwatan using wayang kulit media, there are two types of performing arts which contain the function and meaning of ruwatan, such as; puppet show gedog (weak puppet) and puppet show Peteng. The source of the pangruwatan play presented by the puppeteers refers to the ruwatan standard although in practice it changes according to the situation and conditions of the performance itself. The play taken in the wayang gedog is Sudhamala, while in the shadow puppet show at night it is Sapuhleger. Ruwatan or in Java known as murwakala has a broad meaning not only a literary work and pakeliran but its function and philosophy, it turns out that it refers to the micro and macro essence of humans as being creative, intellect and intention. This research specifically reveals problems regarding; the form of the play, the function and meaning of spiritual philosophy, as well as the role of government in relation to ritual rituals. In revealing this, the researchers used qualitative methods, as well as several theories that complement this research.

PENERAPAN MODEL PEMBELAJARAN PROBLEM BASED LEARNING UNTUK MENINGKATKAN KEMAMPUAN SISWA DALAM MEMAHAMI VOKAL TEMBANG BALI I Ketut Muada; I Wayan Sugama; Luh De Liska
Widyadari : Jurnal Pendidikan Vol. 23 No. 2 (2022): Oktober 2022
Publisher : LP3M Universitas PGRI Mahadewa Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.5281/zenodo.7191605

This study aims to determine students' learning abilities in Balinese tembang material, as well as student responses to the use of problem based learning learning models in Balinese vocal tembang courses in students in the fourth semester of Sendratasik 2021/2022. The existence of tembang plays a very important role in society, because tembang/metembang is often associated with aspects of ritual, entertainment/spectacle in the form of sekar rare, alit, middle and agung. This study will discuss students' abilities and student responses to the Balinese tembang vocal material by using a problem based learning model with two assessment methods, namely test and observation methods. The results showed that before the application of the problem based learning model, the average score of students was 47.7. After the application of the problem based learning model, there was an increase in the achievement of student scores in the first cycle to an average of 67.7, the average student response reaching 58.2. In cycle II, there was a significant increase, namely the achievement of the average score of students reaching 80, while student responses increased, reaching 76.2 in cycle II.

UPAYA MENINGKATKAN HASIL BELAJAR SENI BUDAYA DENGAN PENERAPAN MODEL PROJECT BASE LEARNING (PjBL) MENGGUNAKAN MINDMAPPING PADA PESERTA DIDIK KELAS X BDPM 1 SMKN 2 DENPASAR SEMESTER 2 TAHUN 2022/2023 I Ketut Muada; Nazzala Sophie Yustina
JURNAL PENDIDIKAN DAN KEGURUAN Vol. 1 No. 1 (2023)
Publisher : CV. ADIBA AISHA AMIRA

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This research was structured to improve student learning outcomes in learning Arts and Culture using the Project Based Learning (PjBL) learning model for students in class X BDPM 1 SMKN 2 Denpasar in the 2022/2023 Academic Year. This type of research is Classroom Action Research (CAR). Based on the calculation of the value of learning outcomes, the results of student learning scores have fulfilled the requirements to continue in the next cycle, with an average score of 69.3 in cycle I. While in cycle II it was 73.4 so that the target of successful learning outcomes in cycle II was achieved and the average student learning outcomes have exceeded the Minimum Passing Criteria (KKM), which is 70.0 so that research can be stopped and continued with data analysis. Thus the use of Project Based Learning in the subject of Cultural Arts can increase the learning activity of students in class X BDPM 1 SMKN 2 Denpasar in the 2022/2023 Learning Year.

NILAI-NILAI PENDIDIKAN BUDHI PAKERTI DALAM TOPENG PAJEGAN BALI I Ketut Muada; I Wayan Sugama; I Made Indra Sanjaya
Widyadari Vol. 24 No. 2 (2023): Oktober 2023
Publisher : LP3M Universitas PGRI Mahadewa Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59672/widyadari.v24i2.3193

The Pajegan Mask is also called the Guardian Mask, because it functions for religious ceremonies and is performed parallel to the gedog/weak wayang and is done right at the time the priests perform the ceremony. This mask determines Sidhaya or the success of a ceremony. The Sidhakarya Mask also functions as a roof where all deficiencies in religious ceremonies will be complemented by the Sidhakarya Mask. Based on this description, the researcher tries to examine this matter by giving the title "Budhi Pakerti Educational Values â€‹â€‹in Balinese Pajegan Masks". As a formulation of the problem (1) What is the shape of Pajegan Masks in Bali? (2) What are the Buddhist Pakerti Educational Values â€‹â€‹contained in Topeng Pajegan?. The theory used is aesthetic theory, metaphoric theory and simiotic theory, the method used is a structural approach. The type of study text is using a qualitative approach.

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