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<![CDATA[Filosofi Ornamen dan Dekorasi Interior pada Klenteng Xian Madi Kota Makassar ]]>
<![CDATA[Nurul Fajri, Sri Ayu]]>;
<![CDATA[Syarif, Aznan Nazzer Nur]]>;
<![CDATA[Hildayanti, Andi]]>
<![CDATA[ TIMPALAJA : Architecture Student Journals Vol. 1 No. 1 (2019): June ]]>
Publisher : <![CDATA[The Department of Architecture, Faculty of Science and Technology, Alauddin Islamic University of Makassar ]]>
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DOI: 10.24252/timpalaja.v1i1a7
<![CDATA[Abstrak_Tujuan penelitian ini adalah untuk mengidentifikasi dan mengkajifilosofi ornamen dan dekorasi interior yang terdapat pada Klenteng Xian Madi Kota Makassar. Pada dasarnya kebudayaan Tionghoa mewariskan heterogenitas ragam hias Arsitektural Klenteng yang unik dan filosofis, mulai dari pemilihan warna dan penerapan atribut pada dekorasi ruang Klenteng. Penelitian ini digunakan metode penelitian deskriptif kualitatif yang bertujuan untuk mendeskripsikan dan mengemukakan makna filosofi dari ornamen dan dekorasi interior Klenteng Xian Madi. Berdasarkan hasil penelitian bahwa interior Klenteng Xian Madi didominasi dengan warna merah dan gold. Bagi umat Tionghoa warna emas melambangkan keberuntungan, dan keceriaan. Warna gold melambangkan kebahagiaan dan kemakmuran. Disamping itu, terdapat beberapa patung yang terletak di segala sisi ruang Klenteng sebagai tempat sembahyang umat Tionghoa. Sehingga filosofi ornament dan dekorasi interior Klenteng Xian Madi dapat diketahui secara empiris, karena masing-masing ornament dan dekorasi interior mengandung makna sebagai bentuk komunikasi bagi pengamat yang datang.Kata kunci: Arsitektur Klenteng; Filosofi Ornament; Dekorasi Ruang,Metode Deskriptif Kualitatif. Abstract_ The purpose of this study is to identify and clarify the ornament and interior decoration philosophy found in the Xian Madi Temple, Makassar City. Chinese culture inherits the heterogeneity of the unique and philosophical architectural decoration of the pagoda, starting from the selection of colors and the application of attributes to the pagoda's room decoration. This study used a descriptive qualitative research method that aims to describe and express the philosophical meaning of the ornamentation and interior decoration of the Xian Madi Temple. Based on research results that the interior of the Xian Madi Temple is dominated by red and gold. For Chinese people, the golden color symbolizes luck and cheerfulness. The gold color symbolizes happiness and prosperity. Also, there are several statues located on all sides of the temple room as a place of prayer for Chinese people. So that the philosophy of ornament and interior decoration of Xian Madi Temple can be known empirically because each ornament and interior decoration contains meaning as a form of communication for observers who come.Keywords: Temple Architecture; Ornament Philosophy; Room Decoration; Qualitative Descriptive Method. ]]>
<![CDATA[Strategi Pelestarian Kawasan Cagar Budaya dengan Pendekatan Revitalisasi ]]>
<![CDATA[Hildayanti, Andi]]>
<![CDATA[ TIMPALAJA : Architecture Student Journals Vol. 2 No. 1 (2020): June ]]>
Publisher : <![CDATA[The Department of Architecture, Faculty of Science and Technology, Alauddin Islamic University of Makassar ]]>
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DOI: 10.24252/timpalaja.v2i1a9
<![CDATA[Abstrak_ Bangunan cagar budaya pada dasarnya merupakan suatu artefak kota (urban artifact). Bangunan cagar budaya sudah selayaknya dilestarikan karena merupakan asset daerah yang dilindungi oleh hukum perundang- undangan. Pada beberapa kasus, banyak diantara objek bangunan cagar budaya sudah tidak difungsikan lagi sehingga menurunkan kualitas bangunan tersebut. Berbagai permasalahan mulai bermunculan seperti pelapukan, rerumputan yang tumbuh liar, dan beberapa kerusakan kecil lainnya pada bangunan. Jika hal tersebut tetap dibiarkan maka akan berdampak buruk bagi kelangsungan bangunan tersebut. Oleh karena itu, penelitian ini akan mengulas eksistensi bangunan cagar budaya di Kota Makassar tepatnya pada kawasan Benteng Somba Opu dengan segala permasalahannya dan merumuskan strategi-strategi pelestarian agar bangunan cagar budaya dapat mempertahankan eksistensinya tanpa mengurangi kualitas bangunan itu sendiri melalui pendekatan revitalisasi. Dengan menggunakan metode eksploratif dengan pertimbangan pengamatan analisis SWOT maka ditemukan beberapa strategi pelestarian yang dinilai mampu mengoptimalkan fungsi dan eksistensi bangunan cagar budaya tersebut, diantaranya mengembalikan keadaan bangunan yang mengalami kerusakan pada keadaan awal. Menggantikan material yang rusak atau hilang dengan material yang baru atau sejenis. Melakukan tindakan pemeliharaan berkala agar terhindar dari kerusakan yang lebih parah. Serta melakukan adaptasi yaitu segala upaya untuk mengubah bangunan tersebut agar dapat digunakan untuk fungsi yang sesuai. Karena pada dasarnya konservasi arsitektur merupakan proses daur ulang sebuah bangunan dalam upaya melestarikan sumber daya tempat tersebut demi keberlangsungan eksistensinya. Kata kunci : Konservasi; Revitalisasi ; Cagar budaya; Pelestarian; Artefak kota; Benteng Somba Opu. Abstract_ Cultural heritage building is basically an urban artifact. So it must be preserved because they are regional assets that are protected by national law. In some cases, many cultural heritage buildings no longer function, thereby reducing the quality of the building. Various problems began to emerge such as weathering, growing weeds, and the other minor damage to the building. If it is still left then it will have a negative impact on building survival. Therefore, this study will review the existence of cultural heritage buildings in Makassar City with all its problems and formulate conservation strategies till cultural heritage buildings can maintain their existence without reducing the quality of the building itself through revitalization approaches. By using an exploratory method with consideration of observing the SWOT analysis, several conservation strategies were found to be able to optimize the function and existence of the cultural heritage building, including restoring the damaged buildings to the initial state. Replace damaged or lost material with new or similar material. Perform periodic maintenance measures to avoid further damage. And adaptation is all efforts to change the building so that it can be used for the appropriate function. Because basically the conservation of architecture is the process of recycling a building in an effort to preserve the place resources for the sake of its continued existence. Keywords : Conservation; Revitalization; Cultural heritage; Preservation; Urban artifacts; Fort Somba Opu.]]>
<![CDATA[Desain Atribut Jalan Sebagai Upaya Revitalisasi Kawasan Benteng Somba Opu ]]>
<![CDATA[Hildayanti, Andi]]>;
<![CDATA[Rasyid, Fadhilah Aliyyah]]>
<![CDATA[ TIMPALAJA : Architecture Student Journals Vol. 2 No. 2 (2020): December ]]>
Publisher : <![CDATA[The Department of Architecture, Faculty of Science and Technology, Alauddin Islamic University of Makassar ]]>
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DOI: 10.24252/timpalaja.v2i2a4
<![CDATA[Abstrak_ Penelitian ini bertujuan untuk memberikan gambaran strategi perancangan untuk menghidupkan kembali Kawasan Benteng Somba Opu yang merupakan salah satu kawasan bersejarah di Sulawesi Selatan. Kawasan bersejarah saat ini perlu dijaga dan dipelihara dengan baik supaya tetap bertahan sebagai bukti peradaban. Upaya revitalisasi menjadi solusi yang sesuai untuk mengembalikan eksistensi kawasan, khususnya dari masalah atribut jalan. Penelitian ini dilakukan dengan menggunakan metode analisis SWOT (strength, weakness, opportunity, threats) untuk menghasilkan rumusan strategi desain yang sesuai dengan kondisi fisik dan non fisik Kawasan Benteng Somba Opu. Hasil penelitian ini menunjukkan bahwa strategi yang sesuai untuk desain atribut jalan di Kawasan Benteng Somba Opu adalah pemasangan desain atribut jalan seperti lampu jalan, tempat sampah, dan tempat duduk/peristirahatan yang menjadikan tempat wisata menjadi lebih nyaman dan aman dan sebagai nilai tambah dalam peningkatan jumlah pengunjung.Kata kunci: Atribut jalan; Metode SWOT; Revitalisasi; Wisata sejarah; Strategi perancangan Abstract _ This study aims to provide an overview of the design strategy to revive the Somba Opu Fortress area, which is one of the historical areas in South Sulawesi. Historical areas today need to be well preserved and preserved in order to survive as evidence of civilization. Revitalization efforts are a suitable solution to restore the existence of the area, especially from the problem of street attributes. This study uses the SWOT analysis method (strengths, weaknesses, opportunities, threats) to produce a design strategy formulation that is suitable for the physical and non-physical conditions of the Somba Opu Fortress area. The results show that an appropriate strategy for the design of street attributes in the Somba Opu Fortress area is the installation designs of street lights, trash cans, and resting places which make tourist attractions more comfortable and safe, and as an added value in increasing the number of visitors.Keywords: Street attribute; SWOT method; Revitalization; Historical tourism; Design strategy]]>
<![CDATA[Penataan Area Pedagang Kaki Lima Sebagai Upaya Revitalisasi Kawasan Benteng Somba Opu ]]>
<![CDATA[Fahlevi, Reza Ali]]>;
<![CDATA[Hildayanti, Andi]]>
<![CDATA[ TIMPALAJA : Architecture Student Journals Vol. 3 No. 2 (2021): December ]]>
Publisher : <![CDATA[The Department of Architecture, Faculty of Science and Technology, Alauddin Islamic University of Makassar ]]>
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DOI: 10.24252/timpalaja.v3i2a3
<![CDATA[Abstrak_ Kawasan Benteng Somba Opu merupakan Kawasan bersejarah yang memerlukan perhatian dan pemeliharaan yang baik dari pihak-pihak berwenang. Salah satu upaya pemeliharaan yang dapat dilakukan yakni revitalisasi yang merupakan suatu upaya mengembalikan atau pemugaran kawasan agar menjadi lebih menarik dan bermanfaat lebih dari yang sebelumnya, salah satunya yaitu permasalahan keberadaan pedagang kaki lima yang menjadi perhatian prioritas karena keberadaan pedagang tersebut menjadi unsur pendukung dan penguat fungsi pariwisata di Kawasan Benteng Somba Opu. Sehingga penelitian ini selain memberikan deskripsi gambaran strategi penataan pedagang kaki lima, tetapi juga memberikan usulan desain penataan area pedagang kaki lima di Kawasan Benteng Somba Opu dengan tujuan agar fungsi pariwisata di Kawasan ini dapat meningkat dan hidup kembali. Dengan menggunakan metode Analisis SWOT maka diperoleh kesimpulan bahwa keberadaan PKL terkadang menjadi titik simpul kekumuhan sehingga dibutuhkan metode atau cara dalam upaya penertiban dalam bentuk penataan area PKL yang layak dan nyaman bagi pengguna dan lingkungan sekitarnya dengan memperhatikan beberapa aspek-aspek seperti bentuk/pola, karakteristik lokasi dan pedagang, material bangunan, dan lainnya. Berdasarkan hasil analisis SWOT yang telah dilakukan maka penataan dengan pola terpusat menjadi solusi yang tepat untuk area PKL.Kata kunci :Pedagang kaki lima (PKL); SWOT ; Revitalisasi; Kawasan Pariwisata; Benteng Somba Opu. Abstract_ Fort SombaOpu is a historical area that requires good attention and maintenance from the authorities. One of the maintenance efforts that can be done is revitalization which is an effort to restore the areas to make it more attractive and useful more than previous ones, the existence problem of street vendors is a priority concern because the presence of these traders is a supporting element and strengthening the function of tourism in the Fort SombaOpu. So that this research not only provides a description of the strategy for structuring street vendors but also provides a design proposal for structuring the area for street vendors in the Fort SombaOpuwith the aim that the tourism function can be increased and revived. By using the SWOT analysis method, it is concluded that the existence of street vendors is sometimes a node of slums and a method is needed in an effort to control it in the form of structuring a proper and comfortable street vendor area for users and the surrounding environment by paying attention to several aspects such as shape/pattern, characteristics locations, and traders, building materials, and others. Based on the results of the SWOT analysis that has been carried out, the arrangement with a centralized pattern is the right solution for the street vendors' areas.Keywords: Street vendors (PKL); SWOT; Revitalization; Tourism Area; Fort Somba Opu.]]>
<![CDATA[Penerapan Arsitektur Eklektik Dalam Perancangan Waterfront Cottage Di Pantai Pasir Putih Papua Barat ]]>
<![CDATA[Kinasih, Alifia Sekar Wana]]>;
<![CDATA[Rahayu, Irma]]>;
<![CDATA[Hildayanti, Andi]]>
<![CDATA[ TIMPALAJA : Architecture Student Journals Vol. 5 No. 2 (2023): December ]]>
Publisher : <![CDATA[The Department of Architecture, Faculty of Science and Technology, Alauddin Islamic University of Makassar ]]>
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DOI: 10.24252/timpalaja.v5i2a12
<![CDATA[The Pasir Putih beach tourist attraction in West Papua is a recreational and religious attraction full of historical value, making it a mainstay for tourists visiting West Papua. This tourist attraction offers the natural beauty of its beaches, which are unique in their sea water which has three colors). However, the management aspects of Pasir Putih Beach are still not managed professionally by the government, and there is a lack of awareness among the local community. This design aims to support the existence of the Pasir Putih Beach tourist attraction. As a condition for developing the attractiveness of the tourist attraction, it is necessary to develop facilities that can accommodate every activity for the local community and tourists at the attraction. The design principle of Eclectic Architecture is to combine the styles and elements of traditional Papuan architecture and Scandinavian architecture in building design. The process goes through stages of data analysis and synthesis methods to produce a design for accommodation in the form of a cottage with several supporting facilities such as parks/green open spaces, recreation areas, children's play areas, and beach volleyball sports areas. It is hoped that this design can become a facility that can meet accommodation needs at the Pasir Putih Beach tourist attraction while also increasing its attraction for tourists by using a design that displays the beauty of the past and present in the shape of the building, ornaments, materials and coloring techniques so that it becomes its characteristic, which is different from other tourist attractions.]]>
<![CDATA[Penerapan Arsitektur Nusantara Terhadap Revitalisasi Museum Nekara Selayar ]]>
<![CDATA[Nur Humaira]]>;
<![CDATA[Rahayu, Irma]]>;
<![CDATA[Hildayanti, Andi]]>
<![CDATA[ TIMPALAJA : Architecture Student Journals Vol. 5 No. 2 (2023): December ]]>
Publisher : <![CDATA[The Department of Architecture, Faculty of Science and Technology, Alauddin Islamic University of Makassar ]]>
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DOI: 10.24252/timpalaja.v5i2a9
<![CDATA[Archipelago architecture is a form of architecture that expresses the inseparable unity between humans and their natural environment, reflecting the interconnection of two eras. The Nekara Museum in Selayar Islands Regency has many historical relics that need to be known and recognized by the wider community. The current problem is the revitalization of the Nekara Selayar Museum with an Indonesian architectural approach. The aim is to get a unique Nakara Museum design with an Indonesian architectural approach concept. Data collection methods are through field surveys, literature studies in the form of theoretical/standardized data collection related to functions or approaches, design principles, and precedent studies. Meanwhile, the data analysis method uses descriptive, synthesis, and exploration methods for the results of the design concept. The results of this research are that the location that will be used as a design plan is in Matalalang, Bontobangun District, which is by the RTRW, and the designation of the museum building, namely the design for the revitalization of the Selayar Islands Nekara Museum. Regency, by using an archipelago architectural approach can be a forum for providing information, collecting, caring for, presenting, and preserving cultural products found in the Selayar Islands Regency, both historical relics of its own discovery and government discoveries. This museum was designed with an Indonesian architectural approach.]]>
<![CDATA[KONSEP KOSMOLOGI MASYARAKAT KAJANG DALAM BER-KEHIDUPAN DAN BER-ARSITEKTUR ]]>
<![CDATA[Hildayanti, Andi]]>;
<![CDATA[Machrizzandi, M Sya'rani]]>
<![CDATA[ J-Alif : Jurnal Penelitian Hukum Ekonomi Syariah dan Budaya Islam Vol 7, No 2 (2022): J-Alif, Volume 7, Nomor 2, November 2022 ]]>
Publisher : <![CDATA[Fakultas Agama Islam ]]>
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DOI: 10.35329/jalif.v7i2.3761
<![CDATA[Penelitian ini bertujuan untuk mengidentifikasi konsep kosmologi masyarakat kajang dalam menjalankan kehidupan dan ber-arsitektur. Mengingat Kawasan Adat Kajang Dalam atau Kawasan Adat Tanatoa Kajang merupakan salah satu lingkungan permukiman yang masih menjunjung tinggi adat istiadat dan sistem kepercayaan nenek moyang mereka dalam berkehidupan dan beraksitektur sehingga menghasilkan ruang-ruang yang tercipta didalam lingkungan hunian suku kajang yang syarat akan makna dan nilai spiritual. Melalui pendekatan penelitian fenomenologi yang didukung dengan kajian literatur, penelitian ini dikaji secara deskriptif kualitatif. Hasil penelitian menunjukkan bahwa masyarakat Adat Ammatoa masih memegang teguh sistem kepercayaan nenek moyang yaitu Patuntung yang pada prinsipnya terdapat dasar-dasar kepercayaan yang mereka imani dan percayai dalam hidupnya, yaitu : Percaya terhadap Tuhan Yang Maha Esa, Percaya terhadap “Ammatoa”, Percaya terhadap “Pasang”, Percaya terhadap hari kemudian, dan Percaya terhadap Takdir. Sistem kepercayaan tersebut berkaitan dengan konsep kosmologi yang bermula dari pengetahuan bahwa alam semesta memegang kunci menuju keabadian jiwa manusia. Pandangan ini melihat kosmos yang sarat akan makna dan tujuan. Kosmos memiliki syarat mutlak dengan Pencipta Agung, yaitu Tuhan. Sedangkan ruang yang terbentuk, baik berupa tata ruang permukiman maupun hunian merupakan perwujudan konsep kosmologi / pemahaman mengenai dunia yang ada pada system of belief masyarakat. Ide-ide abstrak mengenai ruang (bahwa dunia memiliki pusat – salah satu pembentuk ruang) diwujudkan dalam symbol artefak (fisik) yang lantas menjadi pusat pula bagi permukiman masyarakat. Sistem kepercayaan masyarakat kajang juga mengatur interaksi sosial. Konsep meta-empirik ini mewujud dalam ruang fisik arsitektur mereka.]]>
<![CDATA[ANALOGI PEREMPUAN DALAM PERKEMBANGAN ARSITEKTUR VERNAKULAR DI SULAWESI SELATAN ]]>
<![CDATA[Hildayanti, Andi]]>
<![CDATA[ Pepatudzu : Media Pendidikan dan Sosial Kemasyarakatan Vol 18, No 2 (2022): Pepatudzu, Volume 18, Nomor 2, Nopember 2022 ]]>
Publisher : <![CDATA[Fakultas Keguruan dan Ilmu Pendidikan Univ. Al Asyariah Mandar Sulbar ]]>
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DOI: 10.35329/fkip.v18i2.3037
<![CDATA[In the vernacular architecture development, the female body size has been used as a basis for determining the room size in the building. The existing forms appreciation manifested in domain forms, space functions, materials, and ornaments. The female gender elements, both in terms of body anatomy and special room, are applied as a form of reflection the traditional identity house. One of the traditional houses that applies gender roles as an architectural philosophy is the Karampuang Traditional House which is located in Sinjai Regency, South Sulawesi. This study discusses the role of women as the basis for the philosophy and architectural symbolism of the Karampuang Traditional House. The analytical method used is descriptive analysis interpretation based on the architectural components found in the Karampuang house data. The results showed that complexity of female gender which cannot be separated from the nature of women and the history of Karampuang where the first person to build and prosper Karampuang is a woman. The use and placement of symbols on parts and ornaments of the house represents the female body anatomy. The female gender is more dominant in the traditional Karampuang house. Aspects based on gender in the Karampuang traditional house are influenced by the history believed by the community, and female gender elements both in terms of body anatomy, as well as a special room for women are applied in their traditional houses. In the context of preserving traditional houses and regional culture, especially in Karampuang, serious attention is needed both by the people themselves and by the government in an effort to protect, maintain, and maintain the uniqueness of Karampuang architecture.]]>
<![CDATA[Studi perilaku masyarakat dalam pemanfaatan limbah kelapa di Desa Katumbangan Lemo, Kabupaten Polewali Mandar ]]>
<![CDATA[Hildayanti, Andi]]>;
<![CDATA[Sahabuddin, Wasilah]]>;
<![CDATA[Iftita, Awalia Salsabila]]>
<![CDATA[ Teknosains Vol 18 No 1 (2024): Januari-April ]]>
Publisher : <![CDATA[Fakultas Sains dan Teknologi Universitas Islam Negeri Alauddin Makassar ]]>
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DOI: 10.24252/teknosains.v18i1.41924
<![CDATA[Utilizing coconut waste is nothing new but has been implemented in various areas with abundant coconut potential. Utilization of coconut waste in villages can be done in various ways, depending on the type of coconut waste available and the needs of the village community. This research aims to respond and respond to community behavior regarding assistance with activities in utilizing coconut waste into products that can have economic value. This research was conducted in Katumbangan Lemo village, Polewali Mandar Regency, West Sulawesi, from August to September 2023. This research used exploratory descriptive research which was carried out by observing community behavior directly based on the stimulation of assistance provided regarding the use of coconut waste. This research uses a ad libtum sampling method. The research results show that the community shows a positive response and good behavioral responses. As shown in the output table, there has been an increase in public interest and mindset in developing coconut waste into products with high sales value such as briquettes.]]>
<![CDATA[POTENSI DAN ASSET DESA SEBAGAI BEKAL PENINGKATAN KUALITAS PEMBANGUNAN DI DESA RATTE KECAMATAN TUTAR ]]>
<![CDATA[Hildayanti, Andi]]>;
<![CDATA[Machrizzandi, M. Sya'rani]]>
<![CDATA[ Journal Peqguruang: Conference Series Vol 4, No 2 (2022): Peqguruang, Volume 4, No.2, November 2022 ]]>
Publisher : <![CDATA[Universitas Al Asyariah Mandar ]]>
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DOI: 10.35329/jp.v4i2.3760
<![CDATA[Kajian asset pada prinsipnya mengarah kepada konteks pemahaman dan internalisasi aset, potensi, kekuatan, dan pendayagunaannya secara mandiri dan maksimal. Upaya pengembangan masyarakat harus dilaksanakan sejak dari awal menempatkan manusia untuk mengetahui apa yang menjadi kekuatan yang dimiliki, serta segenap potensi dan aset yang dipunyai yang potensial untuk dimanfaatkan. Hanya dengan mengetahui kekuatan dan aset, diharapkan manusia mengetahui dan bersemangat untuk terlibat sebagai aktor dan oleh karenanya memiliki inisiatif dalam segala upaya perbaikan. Kajian asset di desa tertinggal menjadi Langkah awal dalam perumusan strategi pembangunan desa sesuai tolak ukur indikator IDM (Indeks desa membangun) menurut Kemendesa RI. Melalui metode penelitian fenomenologi, penelitian ini bertujuan mengidentifikasi asset dan potensi desa sebagai bekal dalam perumusan strategi peningkatan kualitas pembangunan di Desa Ratte Kecamatan Tutar. Hasil penelitian menunjukkan bahwa ketersediaan potensi-potensi baik dari aspek manusia, alam, ekonomi dan jaringan sosial, merupakan faktor-faktor penunjang terpenuhinya desa maju. Dengan didukung potensi tersebut akan memberikan kemudahan dalam melakukan pengembangan desa maju, karena aspek-aspek tersebut merupakan kewajiban dasar dalam pemenuhan kriteria IDM menuju desa maju.]]>
