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Erfahmi .
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Arts Education

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BUNGA MELATI SEBAGAI OBJEK LUKISAN BERCORAK REALIS KONTEMPORER Nining Yuningsih; Erfahmi .; Muzni Ramanto
Serupa The Journal of Art Education Vol 1, No 1 (2012): Seri B
Publisher : Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (345.315 KB) | DOI: 10.24036/sr.v1i1.389

Abstract

Abstract The purpose of this paper is to akhrir jasmine object of beauty can be enjoyed by anyone. The beauty of the scent of jasmine flowers that typically creates a quiet and comfortable atmosphere leads the mind to imagine the ideas lead. Form a picture of jasmine flowers are packed in a painting titled: 1). The girl Minang, 2). Options In Life, 3). Entertaining, 4). Waiting for morning, 5). In the darkness, 6). Jasmine White Purple, 7). Sepi, 8). Fading, 9). Sincerity, 10). Seek the Light. In the painting work better writer to create beauty and advantages of jasmine flowers with bercorakan style "Contemporary Realist", which can describe the form of a realist that is free, and create new forms and contemporary issues raised by the technical and creative concepts.   Kata kunci: Melati, lukisan, realis, kontemporer
PROTES PEREMPUAN TERHADAP KONSTRUKSI GENDER DALAM KARYA LUKIS Fariko Edwardi; Erfahmi .; Zubaidah .
Serupa The Journal of Art Education Vol 1, No 1 (2012): Seri A
Publisher : Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (598.258 KB) | DOI: 10.24036/sr.v1i1.357

Abstract

  ABSTRACT Protest women against gender inequality began to emerge. This is evident from women is behavior in everyday life, ranging from the mindset, how to dress, and determine the way of life they want to pass. For example, at this time women have started to compete for equal position with men as the party office, legislators, and even the president. Creating the works of art aim to demonstrate the role of women in the profession in terms of painting, visualize profession women equal to men in paintings, to visualize the behavior of women who do not distinguish gender in paintings. For example, in using the form on the symbol, either object or figure women themselves, the authors attempt to make it simpler.
Co-Authors Fariko Edwardi Muzni Ramanto Nining Yuningsih Zubaidah .