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All Journal PRASI: Jurnal Bahasa, Seni, dan Pengajarannya Jurnal Pendidikan Seni Rupa Edukasi: Jurnal Pendidikan SULUH: Jurnal Abdimas
Ketut Nala Hari Wardana
Universitas Pendidikan Ganesha
Arts Education Library & Information Science Other

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GAYA POP ART PADA KARYA DESAIN GRAFIS DI INDONESIA Wardana, Ketut Nala Hari
Prasi: Jurnal Bahasa, Seni, dan Pengajarannya Vol 8, No 14 (2012): Periode Juli-Desember 2012
Publisher : Universitas Pendidikan Ganesha

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (596.833 KB) | DOI: 10.23887/prasi.v8i14.440

Abstract

Popular Art, or often abbreviated to Pop Art is an art movement whose presence is heavily influencedby popular culture phenomena that occur in society. Pop Art looks at popular culture for commercial purposesas a raw material that can be used as a source of ideas in the creation of work of art. Pop Art developed inthe years around 1960’s in America and England. Although the style of Pop Art has a long presence in the artworld, until now it seems the style of Pop Art is still one interesting source of inspiration for creative being,including graphic designers in Indonesia. This article tries to trace the presence of the Pop Art style in someform of graphic design work in Indonesia.Keywords : Pop Art, graphic design
ANALISIS VISUAL SAMPUL MAJALAH “BOBO” EDISI BULAN APRIL 2016 Witari, Ni Nyoman Sri; Wardana, Ketut Nala Hari
Prasi: Jurnal Bahasa, Seni, dan Pengajarannya Vol 12, No 01 (2017)
Publisher : Universitas Pendidikan Ganesha

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (536.746 KB) | DOI: 10.23887/prasi.v12i01.13917

Abstract

Bobo Magazine is one of children’s magazine which is still exsisted from 1974 until now. Their cover has its own uniqueness. This research was aimed at identifying visual layout of Bobo Magazine, finding the quality of element’s design and visuals elements. The research method is qualitative approach which are collected from observation results, documentation and library research. The object of research was Bobo’s magazine cover of April edition, 2016. The data analysis used to analyze visualization quality was the theory of Tom Lincy about five principal design on printed works, such as proportion, balance, contrast, rhyme, and unity. From the visual data analysis it was found that layout composition from illustration, texts/letter, and colour on cover has applied the principles of unity, balance, rhyme, contrast and proportion. The visual’s fascination is unique, different from others, because it was supported by the use of Bobo’s family characters as icons, the use of bright pastel colours, the use of exact San Serif letters and dynamic layout of objects
ANALISIS VISUAL GRAPHICAL USER INTERFACE (GUI) WEBSITE UNIVERSITAS NEGERI EKS. IKIP: BAHAN PENGEMBANGAN MATERI AJAR DESAIN KOMUNIKASI VISUAL BERBASIS PENDIDIKAN KARAKTER Herliyani, Elly; Suryana, Jajang; Wardana, Ketut Nala Hari
Prasi: Jurnal Bahasa, Seni, dan Pengajarannya Vol 12, No 02 (2017)
Publisher : Universitas Pendidikan Ganesha

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (9311.853 KB) | DOI: 10.23887/prasi.v12i02.13923

Abstract

This is a descriptive analysis research. The data examined were the conditions of visual dan functional of the content of an interface (GUI, graphical user interface) of the state university websites of former IKIP: UPI, UNY, UNNES, UNESA, and UM. Five of these universities, in the rank period of January – June 2014 by webometrics and 4ICU, were the top 20 in national level. The website UNIDKSHA was used in the comparative analysis of the materials for the input concerning the condition of UNDIKSHA website. The comparison result will be used in developing the material of Visual Communication Design course. The result of the research showed that the interface of the six universities websites had interesting view for visitors. The menus and sub menus are provided on page interfaces, all have links to the respective faculty sub web, web journals and the database of scientific work of the lecturers. In line with one of rank patterns of Webometrics and 4ICU, it seems that the spatial information of scientific report (e.g. research results, scientific articles, and the dissemination of scientific results) still had less attention from some web managers as the objects of the study. The service provided and direct download pattern set at any information that is accessed by a visitor was regarded unsatisfying to visitors, as well as the information provided was likely incomplete.
Ragam Hias Pura Dangin Carik Di Desa Tejakula, Kecamatan Tejakula, Kabupaten Buleleng ., Gede Maha Semaya Bakti; ., Drs. I Gusti Ngurah Sura Ardana,M.Sn.; ., Ketut Nala Hari Wardana, S.Sn.
Jurnal Pendidikan Seni Rupa Undiksha Vol 4, No 1 (2014)
Publisher : Universitas Pendidikan Ganesha

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (751.729 KB) | DOI: 10.23887/jjpsp.v4i1.2137

Abstract

Seni ragam hias maupun ukiran mempunyai peranan penting sebagai hiasan bangunan tempat suci di Bali dan pada bangunan rumah maupun benda fungsional dan benda hias. Di Desa Tejakula, Kecamatan Tejakula, Kabupaten buleleng kerajinan ukiran menjadi sumber mata pencaharian bagi pengerajin ukiran. Ukiran yang dibuat di Desa Tejakula merupakan kerajinan ukiran dengan ke cirikhasan motif ragam hias dan teknik ukir. Penelitian ini bertujuan mendeskripsikan motif ragam hias ukiran pada bangunan Pura Dangin Carik di Desa Tejakula, bahan dan alat yang dipergunakan, dan proses pembuatan motif ragam hias ukiran. Teknik pengumpulan data pada penelitian ini menggunakan teknik observasi, wawancara, dokumentasi, dan kepustakaan, sedangkan pendekatan yang digunakan untuk menganalisis data adalah analisis domain dan taksonomi. Kata Kunci : ukiran, ragam hias. Decorative art or carving has important role as decoration of temples in Bali and on house buildings or functional and decorative goods. In Tejakula Village, Tejakula District, Buleleng Regency, carving becomes main occupation for carving artists. Carving that is made in tejakula Village is carving with special characteristics of decorative motives and carving technipues. This research aims to describe decorative carving motive at Dangin Carik Temple in Tejakula, materials and tools needed, and the process of creating decorative carving motive. The data was collected using observation techniques, interview, documentation, and literature, meanwhile approaches used to analyze the data were domain analysis and taxonomy. keyword : carving, decorative art
SABLON DENGAN MESIN ROTARI DI SAHADEWA SABLON BANJAR TAMAN SARI, DESA DELOD PEKEN, KECAMATAN TABANAN, KABUPATEN TABANAN ., I Gusti Made Prawira Yudha; ., Ketut Nala Hari Wardana, S.Sn.; ., Ni Nyoman Sri Witari, S.Sn.
Jurnal Pendidikan Seni Rupa Undiksha Vol 4, No 1 (2014)
Publisher : Universitas Pendidikan Ganesha

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (208.416 KB) | DOI: 10.23887/jjpsp.v4i1.2121

Abstract

Penelitian ini bertujuaan untuk (1) mendeskripsikan keberadaan Sahadewa Sablon, (2) mengetahui alat dan bahan apa saja yang digunakan dalam cetak sablon di Sahadewa Sablon, (3) mengetahui proses cetak sablon dengan mesin rotari di Sahadewa Sablon, (4) mengetahui kelebihan dan kendala dalam penggunaan mesin rotari di Sahadewa Sablon.Manfaat penelitian ini adalah untuk memperkenalkan hasil cetak sablon, dan meningkatkan nilai ekonomi bagi masyarakat. Penelitian ini adalah penelitian deskriptif yang menggunakan pendekatan kualitatif. Instrumen yang digunakan adalah (1) instrumen observasi, (2) instrumen wawancara, (3) instrumen dokumentasi. Teknik pengumpulan data yang dilakukan adalah (1) teknik observasi, (2) teknik wawancara, (3) teknik dokumentasi, (4) teknik kepustakaan. Analisis yang digunakan dalam penelitian ini adalah (1) analisis domain yang bertujuan untuk memperoleh pengertian umum, (2) analisis taksonomi dengan mengolah data lebih rinci.Hasil penelitian ini adalah (1) keberadaan Sahadewa Sablon berdiri pada tahun 2008 diawali melakukan cetak sablon secara manual, setelah mulai berkembang Sahadewa Sablon melakukan proses sablon menggunakan mesin rotari. (2) Alat dan bahan yang digunakan dalam cetak sablon di Sahadewa Sablon yaitu screen, rakel, mesin rotari, pigmen, obat afdruck, dan lainnya. (3) Proses cetak sablon meliputi membuat acuan cetak, menyablon menggunakan mesin rotari, penghapusan film. (4) Kelebihan dan kendala menggunaan mesin rotari adalah proses cetak sablon lebih cepat, dan kendalanya biaya untuk pengadaan mesin ini cukup mahal.Kata Kunci : Sablon, mesin rotari, teknik sablon This study aimed (1)to describe existences of Sahadewa Sablon, (2)to know the tools and the materials which were used in the screen printing in Sahadewa Sablon, (3)to know the process of screen printing with the rotary engine in Sahadewa Sablon, (4)to know the advantages and obstaicles in using of the rotary engine in Sahadewa Sablon. The benefit of this research is to introduce screen printing and the results to increase the economic value to society. This research was a descriptive study which was use qualitative approach. The instrument were (1)observation instrument, (2)interview instrument, (3)documentation instrument. The Data collection techniques are (1)observation technique, (2)interview technique, (3)documentation technique, (4)literature technical. The analysis which was used in this research were (1)analysis domain that aims to obtain general sense, (2)analysis taxonomic by processing the data more detail. The result of this study were (1)the existences Sahadewa Sablon since in 2008 started from doing screen printing manually, after evolve Sahadewa Sablon used screen printing process a rotary engine. (2)The eequipment and materials which were used in Sahadewa Sablon are a screen printing, squeegee, rotary engine, pigments, drugs afdruk, and others. (3)The process of screen printing including to making printing tool, using a rotary engine to screen printing, the eliminating of the film. (4)The advantages and the obstaicle in using a rotary engine were the screen printing process were quickie, and cost out providing the machines was quite expensive.keyword : screen printing, a rotary engine, screen printing technique
KERAJINAN SANDAL BERBAHAN DASAR DAUN LONTAR DI PERUSAHAAN ADI KARYA DESA BONA, KECAMATAN BLAHBATUH, KABUPATEN GIANYAR ., Gede Wasudewa; ., Dra. Luh Suartini; ., Ketut Nala Hari Wardana, S.Sn.
Jurnal Pendidikan Seni Rupa Undiksha Vol 4, No 1 (2014)
Publisher : Universitas Pendidikan Ganesha

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (333.678 KB) | DOI: 10.23887/jjpsp.v4i1.4253

Abstract

Penelitian ini bertujuan (1) Untuk mengetahui keberadaan usaha kerajianan sandal berbahan dasar daun lontar di Perusahaan Adi Karya Desa Bona, Kecamatan Blahbatuh, Kabupaten Gianyar. (2) Untuk mengetahui alat dan bahan yang digunakan untuk membuat kerajianan sandal berbahan dasar daun lontar di Perusahaan Adi Karya Desa Bona, Kecamatan Blahbatuh, Kabupaten Gianyar. (3) Untuk mengetahui proses pembuatan kerajianan sandal berbahan dasar daun lontar di Perusahaan Adi Karya Desa Bona, Kecamatan Blahbatuh, Kabupaten Gianyar. (4) Untuk mengetahui nilai estetis pada kerajianan sandal berbahan dasar daun lontar di Perusahaan Adi Karya Desa Bona, Kecamatan Blahbatuh, Kabupaten Gianyar. Penelitian ini merupakan penelitian Deskriptif Kualitatif. Subyeknya adalah perusahaan dan obyeknya adalah kerajinan sandal. Teknik pengumpulan data yang digunakan adalah teknik observasi, wawancara, dokumentasian dan kepustakaan. Hasil penelitian menunjukkan bahwa (1) Perusahaan berada di Desa Bona, Kecamatan Blahbatuh, Kabupaten Gianyar dan berdiri tanggal 10 mei 1996. (2) Bahan dan alat yang digunakan dalam proses pembuatan kerajinan sandal meliputi: daun lontar, spon karet, kertas karton, benang jahit, kain furing, lem latex, lem fox kuning, pewarna, dan soda api. Sedangkan alat meliputi gunting, cutter, pisau, spidol atau pulpen, mesin jahit, kompresor, penyisit, mal, manekin alas kaki, palu dan pahat ukir,drim dan tungku api. (3) Proses pembuatan kerajinan sandal ada dua tahap yaitu proses persiapan bahan dan alat serta proses perakitan sandal. (3) Nilai estetik yang terdapat pada kerajinan sandal ini adalah bentuk dan desain anyaman dari sandal,seperti motif sig-sag burik, bedeg, kotak-kotak dan kombinasi sehingga membuat kerajinan ini semakin diminati di pasaran. Kata Kunci : Kata kunci: kerajinan, sandal, daun lontar. This study aimed (1) to know the existance of sandals craft made from palm leaves in Bona Village Adi Karya Company, Blahbatuh, Gianyar. (2) to know tools and materials used to make sandals craft from palm leaves in Bona Village Adi Karya Company, Blahbatuh, Gianyar. (3) to know the process of making sandals craft from palm leaves in Bona Village Adi Karya Company, Blahbatuh, Gianyar. (4) to know the estetic value of sandals craft made from palm leaves in Bona Village Adi Karya Company, Blahbatuh, Gianyar. This study was descriptive qualitative study. Subject of the study was destricted on the company and the object was limited to the sandals craft. Method of data collection used were observation technique, interview, documentation, and source review. The result of the study showed (1) the company located in Bona Village, Blahbatuh, Gianyar and founded on May, 10th 1996. (2) tools and materials used were palm leaves, sponge rubber, cardboard, yarn sewing, fabric Furing, latex glue, glue yellow fox, dyes, and soda ash. Meanwhile the tools used were scissors, cutter, knife, marker or pen, sewing machines, compressors, penyisit, mall, mannequin footwear, hammer and chisel carving, drim and furnaces. (3) there were two steps of making sandal craft, namely preparation step and production step. (4) estetic value of the sandals craft was the shape and design of the sandals, such as the zig-zag, beged, box, and combined motive that made the craft more interested in the market. keyword : Keyword: craft, sandals, palm leaves.
KERAJINAN ALUMINIUM DI ARTSHOP WAHYU ARTHA DESA MENYALI, BULELENG ., M. Bagus Dharmasasmita; ., I Gusti Made Budiarta, S.Pd; ., Ketut Nala Hari Wardana, S.Sn.
Jurnal Pendidikan Seni Rupa Undiksha Vol 5, No 1 (2015)
Publisher : Universitas Pendidikan Ganesha

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.23887/jjpsp.v5i1.5944

Abstract

Penelitian ini bertujuan untuk mendeskripsikan tentang (1) keberadaan kerajinan aluminium Artshop Wahyu Artha di Desa Menyali, (2) Jenis-jenis produk kerajinan aluminium Artshop Wahyu Artha di Desa Menyali, dan (3) motif- motif hias yang terdapat pada kerajinan aluminium Artshop Wahyu Artha di Desa Menyali. Penelitian ini menggunakan metode kualitatif yang menghasilkan data deskriptif. Data diperoleh menggunakan teknik observasi, wawancara, dan dokumentasi. Penyajian data dilakukan dengan memaparkan keberadaan, jenis produk serta motif kerajinan aluminium.Hasil penelitian menunjukkan bahwa (1) keberadaan kerajinan aluminium Artshop Wahyu Artha di Desa Menyali, Buleleng sudah ada sejak tahun 2006 didirikan oleh I Gede Ardana. (2) Jenis produk yang dihasilkan terdiri dari produk fungsional dan non fungsional. Produk fungsional antara lain : tempat tisu, frame kaca, bingkai foto, tempat lilin, kotak perhiasan, tempat sampah, nampan, file holder, kotak CD (Compact Disk), bokor, tempat alat tulis, tempat buah, sokasi, kotak sepatu, kotak laundry, papan selamat datang, kotak permen, tempat tirta atau sangku. Produk non fungsional antara lain : Accessories, lukisan dan hiasan dinding. (3) motif-motif yang terdapat pada kerajinan aluminium yaitu motif daun paku, motif lamak, motif daun timbul, motif bunga lancip, motif batikan, motif daun kerawang, motif jantung likub, motif lingkaran likub, motif likub lanying, motif likub balik, motif gunung jantung, motif gentol, motif bunga daun, motif sisikan, motif ukiran bali, motif rambut, dan motif bunga. Kata Kunci : kerajinan, aluminium, motif hias This research is purposed to describe about (1) the existence of alluminium craftwork at Wahyu Artha Artshop in Menyali village, (2) genres of product of alluminum craftwork at Wahyu Artha Artshop at Menyali village, and (3) decorational pattern that is carved on the surface of alluminium craftwork at Wahyu Artha Artshop at Menyali village. This research is conducted by qualitative methods that resulted in descriptive data. The data gained by observational, interview, dan documentational technique. The presentation of this research explained the existence, genres, and decorational pattern of the alluminium craftwork. The result clarified that (1) the creative production of alluminium craftwork at Wahyu Artha Artshop at Menyali village, Buleleng regency, has been started since 2006 by I Gede Ardana. (2) The genres of product that is produced consist of both functional and non-functional craftwork. Functional craftwork e.g: tissue-paper box, glass frame, portrait frame, candleholder, treasure box, dustbin, tray, file holder, CD folder, bokor (traditional luggage box), stationery container, fruit bowl, sokasi, shoe box, laundry container, welcome sign, candy box, holy water container or sangku. Non-functional craftwork e.g: accessories, painting or wall adornment. (3) Deacorational pattern that is carved on the alluminium craftwork e.g: fern-leaf pattern, lamak pattern, timbul¬ plant pattern, pointed flower pattern, batik pattern, kerrawang leaf pattern, heart of likub pattern, circle of likub pattern, pointed likub pattern, turned likub pattern, heart mound pattern, gentol pattern, leafy blossom pattern, scaled pattern, Balinese carving pattern, wavy hair pattern, and floral pattern. keyword : craftwork, alluminium, decorational pattern
PRODUK CASING FLASH DISK BERBAHAN TULANG DAN RESIN DI HOME INDUSTRI BALI POENYA KEDIRI, TABANAN, BALI ., Gede Agus Wahyu Setia Yasa; ., Drs. I Gusti Ngurah Sura Ardana,M.Sn.; ., Ketut Nala Hari Wardana, S.Sn.
Jurnal Pendidikan Seni Rupa Undiksha Vol 4, No 1 (2014)
Publisher : Universitas Pendidikan Ganesha

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (413.706 KB) | DOI: 10.23887/jjpsp.v4i1.2148

Abstract

Seni kerajinan saat ini telah berkembang pesat. Dapat dilihat dari produk seni kerajinan di “Bali Poenya” home industri yang mengkombinasikan antara kerajinan ukiran tulang dan resin sebagai bahan casing flash disk. Artikel ini mengulas tentang jenis produk, motif, alat dan bahan serta proses pembuatan produk seni kerajinan di “Bali Poenya” home industri. Artikel ini bertujuan untuk memberi informasi tentang jenis produk, motif, alat dan bahan serta proses pembuatan produk seni kerajinan di “Bali Poenya” home industri. Artikel ini merupakan penelitian deskriptif kualitatif dengan metode observasi, wawancara, dokumentasi, dan kepustakaan. Hasil temuan peneliti meliputi jenis kerajinan, motif-motif pada produk seni kerajinan serta proses pembuatan produk yang terdiri dari proses ukir tulang dan mencetak resin, alat yang digunakan pada proses pembuatan produk seni kerajinan meliputi feredom, gerinda, amplas, mesin pemotong, kuas, stick es krim, wadah plastic, dan cuter. Bahan utama pembuatannya meliputi, tulang kerbau, sillicone rubber, hardener, resin dan catalys.Kata Kunci : alat, bahan, flash disk, motif, proses. Nowadays, art craft has grown rapidly. It can be seen from art craft products in the “Bali Poenya” home industry which combine between bone carving and resin as the material of casing flash disk. This article reviewed the types of products, motives, tools and materials as well as the process of making art craft products in the "Bali Poenya" home industry. This article aims to provide information about the types of products, motives, tools and materials as well as the process of making art craft products in the "Bali Poenya" home industry. This article is a qualitative descriptive study with the method of observation, interview, documentation, and literature. The findings of the researcher include the type of craft, the motives in art craft products as well as the process of making a product which consist of a bone carving process and print resin, the tools used in the process of making art craft products include feredom, gerinda, amplas, cutting machine, brush, sticks ice cream, plastic containers, and cutter. The main material of manufacture include, buffalo bone, sillicone rubber, hardener, resin and catalys.keyword : tool, material, flash disk, motive, process.
GAMBAR PADA BECAK ONTEL DI DESA KETOWAN, KECAMATAN ARJASA, KABUPATEN SITUBONDO. ., Puji Purnomo Suwandi; ., Ketut Nala Hari Wardana, S.Sn.; ., Drs. I Gusti Ngurah Sura Ardana,M.Sn.
Jurnal Pendidikan Seni Rupa Undiksha Vol 4, No 1 (2014)
Publisher : Universitas Pendidikan Ganesha

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (204.151 KB) | DOI: 10.23887/jjpsp.v4i1.4219

Abstract

ABSTRAK Penelitian ini bertujuan untuk, (1) Untuk mendeskripsikan alat dan bahan yang di gunakan dalam proses pembuatan gambar pada becak ontel di Desa ketowan, Kecamatan Arjasa, Kabupaten Situbondo, (2) Untuk mendeskripsikan proses pembuatan gambar pada becak ontel di Desa ketowan, Kecamatan Arjasa, Kabupaten Situbondo, (3) Untuk mendeskripsikan bentuk dan motif gambar pada becak ontel di Desa ketowan, Kecamatan Arjasa, Kabupaten Situbondo. Penelitian ini merupakan penelitian deskriptif yang menggunakan pendekatan kualitatif, subjek dari penelitian ini ialah tempat dimana para becaan berkumpul. Dalam pengumpulan data, penelitian ini dilakukan dengan beberapa teknik yakni, (1) Teknik observasi, (2) Teknik wawancara, (3) Teknik pendokumentasian, dan (4) Teknik kepustakaan. Hasil penelitian ini menunjukkan (1) Keberadaan gambar pada Becak Ontel di Desa Ketowan, Kecamatan Arjasa, Kabupaten Situbondo, yang menggunakan alat-alat sederhadana dalam proses pembuatannya (2) Alat dan bahan yang digunakan dalam proses penggambaran pada Becak Ontel di Ketowan, Kecamatan Arjasa, Kabupaten Situbondo, meliputi dua macam alat pokok dan menggambar. Alat-alat tersebut ialah gergaji, gerinda, papan triplek dan alat untuk menggambarnya ialah pensil penggaris, kuas, dan gelas aqua bekas, (3) Jenis dan bentuk yang dihasilkan oleh pak Karso dalam menggambar Becak Ontel di Ketowan, Kecamatan Arjasa, Kabupaten Situbondo yaitu : gambar geometri, persegi, garis lengkung dan lurus, seni letter, tradisi, pemandangan, dan bentuk ukiran. Kata Kunci : Becak Ontel, alat dan bahan, jenis dan bentuk gambar. ABSTRACT This research aims to, (1) To describe the tools and materials that used in the process of drawing on pedicab ontel in Ketowan Village Arjasa District Situbondo Regency, (2) To describe the process of drawing on becak ontel in Ketowan Village, Arjasa District Situbondo Regency, (3) To describe the shapes and motifs of drawing on becak ontel in Ketowan Village, Arjasa District, Situbondo Regency. This research is a descriptive research that use qualitative approach, the subject of this research is the place where the becak ontel gathered. In collecting data, this research is conducted by several techniques, namely: (1) Observation Technique, (2) Interview Technique, (3) Documentation Technique, and (4) Literature Technique. The result of this research indicates (1) The existance of the pictures on becak ontel in Ketowan Village, Arjasa District, Situbondo Regency are used simple tools in the making process (2) Tools and materials that are used in the process of drawing on becak ontel in Ketowan Village, Arjasa District, Situbondo Regency includes two kinds of main tools and drawing. The tools are saw, grinder, plywood board and the tools to draw are pencil, ruler, brush, and aqua glass, (3) The type and shape are produced by Pak Karso in drawing becak ontel in Ketowan Village, Arjasa District, Situbondo Regency are geometry, square, curved and straight line, letter art, traditions, sight, and carving shapes. keyword : becak ontel, tools and material, type and motif of picture.
SENI FIBERGLASS DI BENGKEL "DE NUSA" DENPASAR BARAT ., I Made Darsuma Jaya; ., I Gusti Made Budiarta, S.Pd; ., Ketut Nala Hari Wardana, S.Sn.
Jurnal Pendidikan Seni Rupa Undiksha Vol 4, No 1 (2014)
Publisher : Universitas Pendidikan Ganesha

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.23887/jjpsp.v4i1.2149

Abstract

Material fiberglass saat ini dapat memberi solusi untuk menciptakan benda seni yang artistik dan ekonomis. Selain itu, juga merupakan alternatif untuk menggantikan material seperti kayu, logam, dan batu yang ketersediaannya mulai berkurang. “De Nusa” merupakan salah satu bengkel yang memproduksi material fiberglass sebagai benda seni. Artikel ini mengulas tentang produksi mulai dari alat, bahan, proses, bentuk, dan fungsi produk yang ada di bengkel “De Nusa” Denpasar Barat. Dan artikel ini bertujuan untuk memberikan informasi tentang material fiberglas sampai dengan pengolahannya menjadi benda seni. Artikel ini merupakan penelitian deskriptif kualitatif dengan metode observasi, wawancara, dan kepustakaan. Hasil temuan peneliti meliputi proses produksi dengan menggunakan teknik butsir dan cetak, bahan utama pembuatannya meliputi, resin, mat fiberglass, talk, dan katalis. Alat utama pembuatan meliputi wadah takar, wadah adonan, sendok takar, dan gunting. Hasil produk meliputi benda tiga dimensi seperti patung dan furniture. Fungsi produk sebagai benda hias dan benda fungsional.Kata Kunci : benda seni tiga dimensi, fiberglass, kerajinan At present, Fiberglass material can be a solution to create an artistic art object and economical. Besides, it also can be an alternative way to replace materials such as wood , metal , and stone availability declined . " De Nusa " is one of a painter’s studio produced fiberglass material as art objects . This article discussed the production of fiberglass included : the tools , materials , processes , forms , and functions of the products in the shop " De Nusa " in West of Denpasar . The aims of this article is to inform about fiberglass material processing to become art object . This article is a qualitative descriptive study with observation , interviews , and literature method. The findings of this research included the production process with butsir and printing technique, the main ingredients included : resin , mat fiberglass , talc , and catalysts . The main tools included : containers of peck , container of dough , scoop , and scissors . The Results of products included three-dimensional objects such as sculpture and furniture . Product functions of its process is as ornamental objects and functional objects.keyword : three-dimensional objects, fiberglass, handicraft
Co-Authors ., Ni Nyoman Tri Widiani Drs. I Gusti Ngurah Sura Ardana,M.Sn. . Drs.Jajang S,M.Sn . Elly Herliyani Gede Agus Wahyu Setia Yasa . Gede Maha Semaya Bakti . Gede Wasudewa . I Gusti Made Budiarta I Gusti Made Prawira Yudha . I Made Darsuma Jaya . I Made Pradana Adiputra I Putu Aditya Diatmika . Ida Bagus Pradnyana Putra . Jajang Suryana Luh Suartini . M. Bagus Dharmasasmita . M. Bagus Dharmasasmita ., M. Bagus Dharmasasmita Ni Nyoman Sri Witari Ni Nyoman Tri Widiani . Puji Purnomo Suwandi .