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All Journal Segara Widya: Jurnal Penelitian Seni Jurnal Pengabdian Magister Pendidikan IPA Ghurnita: Jurnal Seni Karawitan Jurnal Pengabdian Seni Bali-Dwipantara Waskita: Seminar Nasional Republik Seni Nusantara Pensi: Jurnal Ilmiah Pendidikan Seni
I Made Dwi Andika Putra
Institut Seni Indonesia Denpasar
Arts Humanities Education Environmental Science Social Sciences Other

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Journal : Ghurnita: Jurnal Seni Karawitan

 1 
Music Creation Tirta Pemutih | Kreasi Musik Tirta Pemutih I Putu Nanda Yoga Mayura; Ni Ketut Dewi Yulianti; I Made Dwi Andika Putra
GHURNITA: Jurnal Seni Karawitan Vol 2 No 4 (2022): Desember
Publisher : Pusat Penerbitan LPPMPP ISI Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Tabuh kreasi Tirta Pemutih is a work created from the transformation of an object from a holy spring in the Pura Dalem Pemutih area. The uniqueness obtained such as water waves, the name of a temple where this object is located, and the duality of different water sources are the ideas in the creation of this work. The purpose of creating tabuh kreasi Tirta Pemutih is to transform the ideas obtained into a concept through the Balinese karawitan music. The creation of this work uses the method of creation from Alma M. Hawkins which includes the exploration stage, the improvisation stage, and the forming stage. From this method, the creator carries out a creative process to create tabuh kreasi Tirta Pemutih. The result of the creation process in tabuh kreasi Tirta Pemutih is that the creator is able to transform the ideas obtained from a holy spring into a tabuh kreasi entitled Tirta Pemutih. In essence, tabuh kreasi Tirta Pemutih is a medium to introduce a holy spring object to the listeners through concepts that have been created and presented in a dissemination.   Keywords: Holy Spring, Tabuh Kreasi, Tirta Pemutih  
Music Composition “Tresna Sih Rupaka” | Komposisi Musik “Tresna Sih Rupaka” Putu Diky Wahyu Arjaya; I Made Dwi Andika Putra
GHURNITA: Jurnal Seni Karawitan Vol 3 No 2 (2023): Juni
Publisher : Pusat Penerbitan LPPMPP ISI Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/jurnalsenikarawitan.v3i2.1214

Abstract

Tresna means love or affection, Sih which means more meaning, and Rupaka which means both parents. Tresna Sih Rupaka is a concept depiction of the sincere affection of parents towards their children. Giving endless love, giving guidance to his son to provide provisions to be a supportive child. The concept is implemented into a work of Tabuh Kreasi by using gamelan Semar Pegulingan as Saih Pitu, the reason for using gamelan semar pagulingan saih pitu in order to play patet in accordance with the atmosphere and nuances to be achieved. The process of creativity used at this stage of creation uses methods written by I Wayan Diana Putra mentioned by Senen from the creation stage I Wayan Beratha who adheres to three processes namely, Nguping (imitation), Menahin (repair), and Ngelesin (smoothing). In its production this work no longer uses a tri-angga structure but uses sections, which in each section describe the affection of parents.
Music Creation Waringin | Tabuh Kreasi Waringin Putu Arya Krisna Devantara; I Made Dwi Andika Putra
GHURNITA: Jurnal Seni Karawitan Vol 3 No 3 (2023): September
Publisher : Pusat Penerbitan LPPMPP ISI Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/jurnalsenikarawitan.v3i3.2103

Abstract

In Balinese Hinduism, the banyan tree is one of the most sacred trees because it is believed to have religious values. For the creator, visually it can be seen from the roots that hang above and also spread underground, reflecting two interrelated beliefs, namely belief in Ida Sang Hyang Widhi Wasa/God Almighty and life in the universe. Its large trunk symbolizes strength and shady leaves, as a whole, can provide shade for the world's universe. From the explanation above, the creator was very interested in the existence of the banyan tree, so he was inspired to transform the object in question into a creation of Tabuh Kreasi Pepanggulan entitled "Waringin" with the media said gamelan Gong Kebyar. The source of his inspiration comes from the history of the banyan tree which used to exist in Pura Taman which is located next to the Banjar Paketan banjar hall. Previously, in Pura Taman there was a banyan tree which was quite old, but now it was cut down for one reason or another. The stylist who made this Pepanggulan Tabuh Creation Work entitled “Waringin” wanted to continue to give a positive aura about the banyan tree that had been cut down at Taman Banjar Paketan Temple. This Tabuh Kreasi Pepanggulan was made by the creator so that it can be continuously sung or performed during piodalan at Pengaruman Temple and Taman Temple. Apart from that, this Tabuh Kreasi Pepanggulan is made so that the work does not vacuum after the Final Assignment Examination (TA).
Co-Authors Abidatul Mutiah Haryati I Gede Mawan I Made Egar Switrama I Nyoman Mariyana I Nyoman Nyoman Mariyana I Putu Nanda Yoga Mayura I Wayan Yasa Juan Dwiky Liestanto Muhammad Fadhol Harry Setiawan Ni Putu Hartini NOVIANA Noviatuzzohrah Putri Nuryana Putu Arya Krisna Devantara Putu Diky Wahyu Arjaya Sisilia Akmalyanti Wahyu Samudra