Article Per Year (5 Year)
p-Index From 2019 - 2024
0.23
P-Index
This Author published in this journals
All Journal Laga-Laga: Jurnal Seni Pertunjukan Puitika Ranah Seni: Jurnal Seni dan Desain
Andar Indra Sastra
Unknown Affiliation
Religion Arts Humanities Education Languange, Linguistic, Communication & Media

Published : 4 Documents Claim Missing Document
Claim Missing Document
Check
Articles

Found 4 Documents
Search

 1 
DEKONSTRUKSI AKTING DALAM PERTUNJUKAN TEATER UNDER THE VOLCANO KARYA/SUTRADARA YUSRIL DALAM TINJAUAN ESTETIKA POSMODERN Ilham Rifandi; Andar Indra Sastra; Sahrul N
Puitika Vol 14, No 2 (2018)
Publisher : Universitas Andalas

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25077/puitika.14.2.99--107.2018

Abstract

This study aims to explore the deconstructive tendency of acting in the performances of Yusril's Under the Volcano works / director. The acting device of an actor also develops according to the situation of society and culture. Actors in postmodern culture no   longer analyze the soul, or present patterns of human behavior as Stanislavsky suggested. The actor explores his mental state through the postmodern aesthetic idioms that tend to be artificial, a culture that worships form. In the Under the Volcano theater performance, the concretization process of actor work was born through Minangkabau traditional arts. The research methods used in this study are: Observation, documents, interviews and data analysis. The results of this study indicate that, in the concrete process of work in postmodern culture there are aesthetic idioms built through silek, dendang, poetry and poetry texts which are then implemented in the form of acting that emphasizes the use of gestural acting, prescribes verbality and tends to be acrobatic.  Keywords: postmodern aesthetics, acting, Under the Volcano
BAKAYAIK DALAM UPACARA KEMATIAN MAATUIH HARI DI NAGARI ANDURING KEC. 2X11 KAYUTANAM KAB. PADANG PARIAMAN Irma Yeni Oktavia; andar indra sastra; Desmawardi Desmawardi
Laga-Laga : Jurnal Seni Pertunjukan Vol 5, No 1 (2019): Laga-Laga : Jurnal Seni Pertunjukan
Publisher : Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/lg.v5i1.775

Abstract

Bakayaik adalah suatu seni vocal bernafaskan Islam yang rutin dilakukan saat upacara memperingati seratus hari meninggalnya seseorang, dalam masyarakat Nagari Anduring Kecamatan 2X11 Kayutanam Kabupaten Padang Pariaman. Pada malam maatuih hari dipertunjukan kesenian badikie dan ratik tagak kemudian dilanjutkan dengan bakayaik dan diakhiri dengan do’a mauluik. Penelitian ini bertujuan untuk mendeskripsikan bakayaik dalam maatuih hari, dengan metode kualitatif memakai pendekatan sosial antropologis. Aspek-aspek yang dikaji meliputi konteks dan teks serta gaya bakayaik dalam kebudayaan Minangkabau, khususnya seni bernuansa Islam dalam masyarakat “kaum kuno” di Padang Pariaman. Hasil penelitian ini adalah terbentuknya suatu kelompok musik bakayaik disebabkan adanya waktu luang diantara lagu-lagu yang ada atau panjangnya jedah dalam pertunjukkan dikie mauluik pada upacara kematian maatuih hari. Ditinjau dari struktural pertunjukkannya bakayaik adalah menceritakan riwayat Nabi Muhammad Salallahu’Alaihi Wa Sallam mulai dari dalam kandungan ibunya sampai dengan perjuangan Nabi meneggakkan Islam. Adapun teks dari bakayaik tersebut terdiri dari bahasa Arab dan bahasa Minang.
REBRANDING LOGO FESTIVAL PESONA WISATA KERINCI Rino Yuda Rino Yuda Rino Yuda; Andar Indra Sastra; Syafwandi Syafwandi
Ranah Seni Vol 11 No 02 (2018): RANAH SENI
Publisher : Jurusan Seni Rupa, Fakultas Bahasa dan Seni, Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/ranahseni.v11i02.15

Abstract

ABSTRACT Kerinci Regency has many natural attractions, arts and cultural diversity and has become the center of natural tourist attractions, Arts and Culture, In line with the main objective of the Kerinci Regency Government, an event called Kerinci Festival was then organized. Therefore, it is necessary to redesign the brand to make it more attractive, consistent, and effective. The establishment of a Brand image can be done by designing the logo in advance and supported by the activity attributes (supporting media) of the festival which has a unified entirety to be easily remembered. Data collection method was used in this design through observation, interview, literature, documentation, and data analysis using SWOT and AISAS analyses. The next process was carried out by creating a new brand with the main media in the form of Kerinci festival logo of tourism enhancement, and supporting media such as festival attributes, print publications and audiovisual media that consistently have unity in Branding. The logo of the "Kerinci Tourism Charm Festival" consists of a visual form of the Asyiek dance and a combination of the Klouk Pakou motif supported by the tagline or slogan of Nature, Arts and Culture as the brand image of the Festival of Kerinci Tourism enhancement. 297
LUMBUNG PADI DALAM KARYA SENI GRAFIS GAYA SUREALIS PADA MASYARAKAT KERINCI Jeki Aprisela H; Andar Indra Sastra; Dharsono Dharsono
Ranah Seni Vol 11 No 02 (2018): RANAH SENI
Publisher : Jurusan Seni Rupa, Fakultas Bahasa dan Seni, Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/ranahseni.v11i02.18

Abstract

ABSTRACT The aim of the study was to realize the transformation of the granary aspect in the form of surrealist-style graphic art in the background of Kerinci community culture. Rice granaries for the Kerinci community not only as a place to store rice in the past, then also have a social dimension that gives kerinci community identity and relations. The qualitative method is used in this study by relying on observation, in-depth interviews to conduct analysis that can sharpen the imagination of the graphic arts media. The results of this study concluded that the rice barn is still a cultural icon of the Kerinci community. Rice barns also have a deep meaning, can be used as a foundation to look for values ​​as a living guide for the Kerinci community so that it can be used as an example, because the philosophy of the rice granary is to teach about togetherness and cohesiveness in society. In the past the community worked together to harvest rice and collect their crops to be collected, because they already knew that saving money or collecting results meant they formed cooperation in the community so that they could help other disadvantaged citizens.
Co-Authors Desmawardi Desmawardi Dharsono Dharsono Ilham Rifandi Irma Yeni Oktavia Jeki Aprisela H Rino Yuda Rino Yuda Rino Yuda Sahrul N Syafwandi Syafwandi