Article Per Year (5 Year)
p-Index From 2019 - 2024
2.87
P-Index
This Author published in this journals
All Journal HUMANIS Kiryoku: Jurnal Studi Kejepangan Jurnal Sakura : Sastra, Bahasa, Kebudayaan dan Pranata Jepang Pustaka : Jurnal Ilmu-Ilmu Budaya Jurnal Kata : Penelitian tentang ilmu bahasa dan sastra
Ni Luh Putu Ari Sulatri
Universitas Udayana
Arts Humanities Languange, Linguistic, Communication & Media

Published : 24 Documents Claim Missing Document
Claim Missing Document
Check
Articles

Found 8 Documents
Search
Journal : Jurnal Sakura : Sastra, Bahasa, Kebudayaan dan Pranata Jepang

 1 
Representasi Fashion Era Taisho-Showa pada Film Animasi Kaze Tachinu Karya Hayao Miyazaki Ni Luh Megawati; I Made Sendra; Ni Luh Putu Ari Sulatri
Jurnal Sakura : Sastra, Bahasa, Kebudayaan dan Pranata Jepang Vol 3 No 1 (2021)
Publisher : Program Studi Sastra Jepang, Fakultas Ilmu Budaya, Universitas Udayana

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/JS.2021.v03.i01.p05

Abstract

This research is entitled “Fashion Representation of Taisho-Showa Era in Kaze Tachinu Animation Film by Hayao Miyazaki”. Fashion style transition from wasou to yosou was found in Taisho-Showa Era. This research aims to discover the form, function, and meaning of fashion in the Taisho-Showa era which are depicted in the film. This research used literature study method and the referral method for the data accumulation, descriptive analysis method for data analysis and for analysis results presented with informal method. For the theory, this research used literary anthropology theory by Poyatos (2008), fashion form theory by Pendergast and Tom (2004), fashion function theory by Barnard (1996), and semiotics theory by Barthes (1964). Based on the analysis results, can be seen that fashion’s form that represent in Taisho-Showa era are divided into two category, first is wasou which consists of hakama, haori, kimono, mandarin shirt, obi, shimada, comb, geta, tabi, and zori, and the second one is yosou that consists of men’s suit, stockings, trench coat, men’s hats, short hair for woman, waved hair for woman, clutch purse, patent leather shoes, and high heeled boots. For the fashion’s function that found in this research are 1) protection function; 2) politeness and concealment function; 3) communication function; 4) individualistic expression; 5) social worth or status; 6) economic worth or status; 7) magical-religious condition; and 8) recreational functions. And for the fashion’s meaning in the Taisho-Showa era, in denotation is refers to the form and design of fashion, while the connotation of fashion is formed by the influence of social and cultural values in Japanese society.
Ideologi Di Balik Mitos Dalam Cerpen Akagaeru Karya Shimaki Kensaku: Kajian Semiologi Roland Barthes Ni Luh Putu Ari Sulatri; Silvia Damayanti
Jurnal Sakura : Sastra, Bahasa, Kebudayaan dan Pranata Jepang Vol 4 No 1 (2022)
Publisher : Program Studi Sastra Jepang, Fakultas Ilmu Budaya, Universitas Udayana

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/JS.2022.v04.i01.p08

Abstract

This article examines the ideology of Shimaki Kensaku in the short story Akagaeru. This study is qualitative research by applying the hermeneutic method. This study uses the semiology theory of Roland Barthes with a two-level sign interpretation model. The results of the study show that at the language level, the signifier of akagaeru refers to the signified of reddish-brown type of frog endemic to Japan. The signified at the language level become the signifier of connotation at the myth level which refers to the signified of connotation namely 1) return to the original Japanese ideology; 2) the failure of communist ideology to develop in Japan; 3) acceptance of the destruction of communist ideology in Japan; and 4) persistence of admiration for communist ideology. These signified of connotations form a myth that is connected with Shimaki Kensaku's ideology, namely suichoku tenk? 'vertical tenk?'
Stigma pada Tokoh Ataru dalam Film Ataru “The First Love and The Last Kill” Karya Takeharu Sakurai I Nyoman Edwin Tri Nugraha; Ni Luh Putu Ari Sulatri; Ni Made Andry Anita Dewi
Jurnal Sakura : Sastra, Bahasa, Kebudayaan dan Pranata Jepang Vol 3 No 1 (2021)
Publisher : Program Studi Sastra Jepang, Fakultas Ilmu Budaya, Universitas Udayana

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/JS.2021.v03.i01.p02

Abstract

The title of this paper is “The Stigma of Ataru in film Ataru “The First love and The Last Kill” by Takeharu Sakurai”. The purpose of this paper is to knowing the symptoms of autisme and stigma of people with autisme. The theory that used in this paper are theory of literary sociology refers to Wellek and Warren (via Wiyatmi (1994)), theory of symptoms of autisme refers to Davison (2006), theory of stigma social refers to Rahman (2013), and theory of semiotic refers to Danesi (2011). Data collected by reference technique, and analysed data using deskriptif analisys method. Presentation of the results of data is analyzed by informal method. The results of this research is show some symptoms of autism in Ataru characterized by; 1) persistence defisit in social interaction; 2) persistent deficits in communication; 3) restricterd, repetitive patterns of behavior, interest or activities. There are three forms of stigma in Ataru are; 1) Labeling; 2) stereotype; 3) separation.
Konteks Pembentuk Wacana Pacifism dalam Anime Hotaru no Haka karya Isao Takahata Pande Krisna Dana; Ni Luh Putu Ari Sulatri; Renny Anggraeny
Jurnal Sakura : Sastra, Bahasa, Kebudayaan dan Pranata Jepang Vol 3 No 1 (2021)
Publisher : Program Studi Sastra Jepang, Fakultas Ilmu Budaya, Universitas Udayana

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/JS.2021.v03.i01.p07

Abstract

The tittle of this research was “Forming Context of Pacifism Discourse in Hotaru no Haka anime by Isao Takahata”. The purpose of this research to find out the forming context of pacifism discourse in Hotaru no Haka anime by Isao Takahata. Data colletion method in this research was literature study method. The data were analyzed by using descriptive analysis method and informal method. The theory applied in this research was critical discourse analysis by Van Dijk (1988). The result in this research were 1) novelist and anime director are victims of war; 2) prohibition of war in article 9 of the Japanese Constitution and; 3) Japan signed the treaty of San Francisco.
Perubahan Perilaku Anak-Anak Panti Asuhan yang Tercermin Dalam Drama Ashita, Mama ga Inai Karya Saya Matsuda Tia Eka Retno Palupy; I Nyoman Rauh Artana; Ni Luh Putu Ari Sulatri
Jurnal Sakura : Sastra, Bahasa, Kebudayaan dan Pranata Jepang Vol 3 No 2 (2021)
Publisher : Program Studi Sastra Jepang, Fakultas Ilmu Budaya, Universitas Udayana

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/JS.2021.v03.i02.p05

Abstract

The research was titled "The Behavior of Orphanage Children in the Drama Ashita, Mama ga Inai by Saya Matsuda". Research aims to know the living environment of the orphanage children, behavior of orphanage children at the time of trial before and after the trial with the adoptive parents. The study used literary psychology theory from Endaswara and the theory of behaviorism of B. F Skinner. The method used in this research is a descriptive qualitative. The results of the analyzing show orphanage children’s simply life. being the countryside and the orphanage living the life with responsibility. The orphanage children’s behavior are describes as having undergone trials with new adoptive parents, a changes due to the uncomfortable feeling of affection given by adoptive parents. The cause of the inconvenience is because the children had previously suffered trauma after being abandoned by their biological parents.
Perubahan Bervariasi dalam Ekranisasi Manga Death Note Karya Tsugumi Ohba dan Takeshi Obata ke dalam Drama Death Note Karya Inomata Ryuichi Ni Wayan Nadia Setyawati; Silvia Damayanti; Ni Luh Putu Ari Sulatri
Jurnal Sakura : Sastra, Bahasa, Kebudayaan dan Pranata Jepang Vol 3 No 2 (2021)
Publisher : Program Studi Sastra Jepang, Fakultas Ilmu Budaya, Universitas Udayana

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/JS.2021.v03.i02.p01

Abstract

This research is entitled "Variety Changes in the Ecranization of the Death Note Manga by Tsugumi Ohba and Takeshi Obata into the Death Note Drama by Inomata Ryuichi". The purpose of this study is to provide an understanding of ecranization with sources in the form of manga related to changes in intrinsic elements. The research method used is descriptive qualitative method. The data sources used in this study are the Manga Death Note by Tsugumi Ohba & Takeshi Obata and Drama Death Note by Inomata Ryuichi. The theory used in this research is Ecranization Theory proposed by Eneste and Structural Theory by Nurgiyantoro. The results of this study indicate that there is a change in the intrinsic elements contained in the manga into drama. These changes are in the form of varied changes that occur in the plot, characters, and setting of the place. These varied changes aim to change the story, atmosphere, impression, role, and adjust production costs.
Implementation of The Mottainai Concept as An Environmental Conversation Effort in The Mottainai Baasan Anime by Mariko Shinju Cindy Rut Deanahara; I Made Budiana; Ni Luh Putu Ari Sulatri
Jurnal Sakura : Sastra, Bahasa, Kebudayaan dan Pranata Jepang Vol 5 No 1 (2023)
Publisher : Program Studi Sastra Jepang, Fakultas Ilmu Budaya, Universitas Udayana

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/JS.2023.v05.i01.p05

Abstract

This article discusses about the environmental problem and the implementation of mottainai to preserve the environment in Mottainai Baasan anime. The method used in this article was content analysis with a qualitative approach. The ecocriticism literary theory by Garrard and an environmental ethics theory by Keraf are used as the basic theorethical. The results indicate that in the anime, four environmental problems are found which include soil pollution, water pollution, food waste, and energy waste, which occur due to a lack of understanding about environmental conservation. Environmental problems that continue to occur make Japanese people strive to preserve the environment by implementing the mottainai concept. The implementation of mottainai is reflected in the environmental ethics principle, such as: 1) respect for nature, including the awareness that environment has a value and allowing living creature in the environment to live and grow; 2) moral responsibility for nature, including awareness to protect the environment and prevent environmental damage; 3) caring for nature, including caring for living beings who experience difficulties and awareness that the environment has the right to be protected; 4 simple lifestyle and in harmony with the environment; including maximizing the function of an object to reduce consumptive behavior.
Representasi Budaya Jepang dalam Ryokan pada Anime Hanasaku Iroha San San; Ni Luh Putu Ari Sulatri; Ni Putu Luhur Wedayanti
Jurnal Sakura : Sastra, Bahasa, Kebudayaan dan Pranata Jepang Vol 5 No 2 (2023)
Publisher : Program Studi Sastra Jepang, Fakultas Ilmu Budaya, Universitas Udayana

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/JS.2023.v05.i02.p02

Abstract

This research is titled "Representation of Japanese Culture on Ryokan in the Hanasaku Iroha Anime". This study aims to determine the characteristics of the ryokan depicted in the Hanasaku Iroha anime and the representation of Japanese culture in the ryokan. The data was collected using the observation method, analyzing the data using the descriptive method, and presenting the data analysis using the informal method. The theory used is the Theory of Anthropology and the Semiotic Theory of Roland Barthes. Based on the research results, it is known that the depiction of the ryokan in the Hanasaku Iroha anime is divided into the location of the ryokan and the food facilities in the ryokan. Most of the ryokan are built near the onsen with the aim of allowing guests to enjoy the onsen with the natural heat of the mountains, but it is possible that ryokan are also built in urban areas. The food facilities in the ryokan are kaiseki ryori as Japanese specialties which are one of the attractions for guests to stay. In the cultural representation of the ryokan, there are three cultural concepts found in the data. The first is the concept of uchi-soto which is seen from the genkan area with guests as soto and staff as uchi so that when entering the ryokan, guests have entered the uchi area of ??the ryokan. Second, the representation of the wabi-sabi concept can be seen from the ryokan garden focuses on imperfection and simplicity. Finally, the embodiment of the wa and ma concepts is depicted from the washitsu room which emphasizes harmony and empty space.
Co-Authors Anak Agung Istri Kumala Dewi Cindy Rut Deanahara Dina Jayanira En Nahl Al Atiqo Sanabila Irfana I Gusti Ayu Sri Widiantari I Made Budiana I Made Sendra I Nyoman Edwin Tri Nugraha I Nyoman Rauh Artana Kadek Ari Wahyuni Made Hery Kusumajaya Ni Luh Kade Yuliani Giri Ni Luh Megawati Ni Made Andry Anita Dewi Ni Made Wiriani Ni Putu Luhur Wedayanti Ni Putu Rica Garwita Juniari Ni Putu Winda Trisna Dewi Ni Wayan Intan Kurnia Sari Ni Wayan Nadia Setyawati Pande Krisna Dana Putu Ema Rindayani Putu Mia Sintya Dewi San San Silvia Damayanti Tia Eka Retno Palupy Yumadia Utami