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All Journal ATAVISME JURNAL ILMIAH KAJIAN SASTRA KARSA: Jurnal Sosial dan Budaya Keislaman (Journal of Social and Islamic Culture) FKIP e-PROCEEDING Sintesis Panggung Caraka : Jurnal Ilmu Kebahasaan, Kesastraan, dan Pembelajarannya Semiotika SAWERIGADING
Sudartomo Macaryus
Unknown Affiliation
Religion Arts Humanities Education Languange, Linguistic, Communication & Media Library & Information Science Social Sciences

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PEREMPUAN SENI TRADISI DAN PENGEMBANGAN MODEL INDUSTRI KREATIF BERBASIS SENI PERTUNJUKAN Novi Anoegrajekti; Ikwan Setyawan; Heru S.P. Saputra; Sudartomo Macaryus
Karsa: Journal of Social and Islamic Culture Vol. 23 No. 1 (2015): ISLAM, BUDAYA DAN PEREMPUAN
Publisher : Institut Agama Islam Negeri Madura

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.19105/karsa.v23i1.610

Abstract

The absence of government policy in supporting the creative industry practice is a factor inhibiting the development of performing arts in Banyuwangi. Diverse local performing arts which if managed properly can become a crutch for the emergence of creative economy. This study aims at describing the struggles of women in the tradition arts and in conceptualizing  a creative industry model ba-sed on performing arts. The study employed ethnography. The field data were obtained through interviews with the informants. The interpretation of data used a combination of tradition arts, gender, cultural studies, and creative industry perspectives. The results showed that women of tradition arts in general do not rely their livelihoods on art activitiy. They keep trying to develop creative know-ledge embodied in art creation and innovations. Arts institutions have a develop-ment program to maintain quality. The role of the government is manifested in the forms of policies, facilities, activity forums and infrastructural development. The development of Banyuwangi-style performing arts within the framework of the creative industry can support the realization of the creative economy.Copyright (c) 2015 by KARSA. All right reservedDOI: 10.19105/karsa.v23i1.610 
LEGENDA WONOBOYO: PERSEPSI MASYARAKAT PERDIKAN MANGIR Sudartomo Macaryus
FKIP e-PROCEEDING 2017: PROSIDING SEMINAR NASIONAL #3: BAHASA DAN SASTRA INDONESIA DALAM KONTEKS GLOBAL
Publisher : Pendidikan Fisika FKIP UNEJ

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Abstract

Abstrak: Kisah Ki Ageng Mangir sebagai penguasa perdikan Mangir telah menjadi lakon yang melegenda pada masyarakat terutama penggemar seni tradisi ketoprak. Ki Ageng Mangir Wonoboyo tidak mau tunduk kepada Panembahan Senapati, penguasa Mataram. Oleh karena itu, demi harga diri dan potensi ekonominya yang besar sebagai lumbung padi kerajaan Mataram, penguasa Mataram berusaha menaklukkannya. Untuk keperluan tersebut Pembayun, putri Panembahan Senapati menyamar sebagai penari tayub. Ki Ageng Mangir Wonoboyo yang terpesona oleh kecantikan Pembayun akhirnya meminang dan mengambilnya sebagai istri. Dengan demikian ia menjadi menantu Panembahan Senapati. Akan tetapi saat menghadap Panembahan Senapati ia tidak disambut sebagai menantu tetapi ditempatkan sebagai musuh yang harus dibinasakan. Saat menyembah kepalanya dibenturkan pada batu yang hingga saat ini dikenal dengan sebutan watu gilang. Demi perdikan Mangir, raja tega membunuh menantu, membiarkan putrinya menjadi janda, dan cucunya kelak lahir sebagai anak yatim. Tulisan ini mengaji persepsi masyarakat Mangir terhadap tokoh Wonoboyo yang dikenal sakti mandraguna. Kata-kata Kunci: ketoprak, perdikan, persepsi masyarakat
HIBRIDITAS MULTIKULTURAL DALAM SASTRA INDONESIA Novi Anoegrajekti; Sudartomo Macaryus
FKIP e-PROCEEDING 2017: PROSIDING SEMINAR NASIONAL #3: BAHASA DAN SASTRA INDONESIA DALAM KONTEKS GLOBAL
Publisher : Pendidikan Fisika FKIP UNEJ

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Abstract

Abstrak: Identitas budaya yang lintas batas terefleksi utuh melalui modifikasi bahasa dan sastra. Keterbukaan dalam menerima pluralitas dan multikulturalitas dapat membuka ruang-ruang pemahaman identitas budaya yang majemuk. Sebagai sebuah produk, budaya hibrid dalam karya sastra Indonesia merupakan bentuk perpaduan dan harmonisasi yang diciptakan dalam mempertemukan modernitas dan lokalitas dalam ruang negosiasi yang terus-menerus. Kata-kata mendeskripsi kenyataan kehidupan manusia. Tetapi kata-kata juga mempunyai kekuatan menciptakan dan membentuk realita. Kata-kata kaum yang kuat mengandung kekuatan lebih besar dari kata-kata kaum yang lemah. Dan memang, sangat sering kaum lemah menggambarkan diri mereka dalam kata-kata ciptaan kaum kuat. Kata-kata Kunci: sastra, hibriditas, multikultural
LEGENDA WONOBOYO: PERSEPSI MASYARAKAT PERDIKAN MANGIR Sudartomo Macaryus
FKIP e-PROCEEDING 2017: SEMINAR NASIONAL #3: BAHASA DAN SASTRA INDONESIA DALAM KONTEKS GLOBAL
Publisher : Pendidikan Fisika FKIP UNEJ

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Abstract

Kisah Ki Ageng Mangir sebagai penguasa perdikan Mangir telah menjadi lakon yang melegenda pada masyarakat terutama penggemar seni tradisi ketoprak. Ki Ageng Mangir yang tidak mau tunduk kepada Panembahan Senapati, penguasa Mataram. Oleh karena itu, demi harga diri dan potensi ekonominya yang besar sebagai lumbung padi kerajaan Mataram, penguasa Mataram berusaha menaklukkannya. Untuk keperluan tersebut Pembayun, putri Panembahan Senapati menyamar sebagai penari tayub. Ki Ageng Mangir yang terpesona oleh kecantikan Pembayun akhirnya meminang dan mengambilnya sebagai istri. Dengan demikian ia menjadi menantu Panembahan Senapati. Akan tetapi saat menghadap ia tidak disambut sebagai menantu akan tetapi ditempatkan sebagai musuh yang harus dibinasakan. Saat menyembah kepalanya dibenturkan pada batu yang hingga saat ini dikenal dengan sebutan watu gilang. Demi perdikan Mangir, raja tega membunuh menantu dan membiarkan putrinya menjadi janda dan cucunya kelak lahir sebagai anak yatim. Tulisan ini mengaji persepsi masyarakat Mangir terhadap tokoh Wonoboyo yang dikenal sakti mandraguna tersebut. Kata Kunci: ketoprak, perdikan, persepsi masyarakat   
PEMBELAJARAN SENI DI MASYARAKAT Sudartomo Macaryus
Sintesis Vol 6, No 1 (2008)
Publisher : Universitas Sanata Dharma

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24071/sin.v6i1.2713

Abstract

Art is one of the universal cultural elements. Therefore, every cultural social community has a certain kind of art. The strategy of art learning can be carried out through three steps: invite the children to know, enjoy, and practice it. Art learning in the society endures longer, because the society keeps living, growing, and developing. The loyalty of the guide, the members, the target to performance, never reject a new member, and optimally the society commitment. Another strategy is making a collaboration with three educational centers, i.e. Family, society, and school. The collaboration can take the form of a member recruitment, guide, the use major and minor facilities, and the target of performance. The role of the government in learning art is to give a space, be a data and information center, document center, mediator to link the art groups with institutions in need, give an honor to those curative and outstanding, supply publication, and encouragement.KEY WORDS art, learning, loyalty, participation, three centers of education
Understanding the World of Seno’s Contemplation Yohanes Suyono; Sudartomo Macaryus
SEMIOTIKA: Jurnal Ilmu Sastra dan Linguistik Vol 14 No 2 (2013): SEMIOTIKA: Edisi Dokumentasi Volume Lama
Publisher : Diterbitkan oleh Jurusan Sastra Indonesia Fakultas Ilmu Budaya Universitas Jember bekerja sama dengan Himpunan Sarjana - Kesusastraan Indonesia (HISKI), Himpunan Pembina Bahasa Indonesia (HPBI) dan Masyarakat Linguistik Indonesia (MLI)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.19184/semiotika.v14i2.30117

Abstract

Sena Gumira Ajidarma merupakan salah satu sastrawan Indonesia yang produktif. Cerpen-cerpennyamengajak pembaca untuk berkontlemplasi dan merefleksikan aneka peristiwa yang dituangkan dalamcerpen-cerpennya. Cerpen Maria merupakan salah satu karya Sena Gumira Ajidarma yang mengajakpembaca untuk berkontemplasi mengenai hubungan antarmanusia khususnya anak dengan ibu yangberlandaskan kasih dan harapan. Maria mengalami luka batin sangat mendalam karena kehilangan duaputranya, Gregorio dan Ricardo. Maria menaruh harapan masih akan berjumpa dengan Antonio yangtampan dan menawan. Harapan akan Antonio tersebut menutup mata hati dan pikirannya ketikamenyaksikan anaknya tidak seperti yang diharapkan, yaitu kondisi fisiknya rusak akibat siksaan yangdialaminya.
Ritual Sebagai Ekosistem Budaya: Inovasi Pertunjukan Berbasis Ekonomi Kreatif Novi Anoegrajekti; Sudartomo Macaryus; Asrumi Asrumi; M. Zamroni; Abdul Latif Bustami; Latifatul Izzah; Rendra Wirawan
PANGGUNG Vol 31, No 1 (2021): Eksistensi Seni Budaya di Masa Pandemi
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1982.135 KB) | DOI: 10.26742/panggung.v31i1.1535

Abstract

Ritus merupakan salah satu dari 10 (sepuluh) objek pemajuan kebudayaan. Ritus sebagai bagian dari budaya dipandang berpotensi sebagai basis pengembangan ekonomi kreatif. Artikel ini bertujuan membahas bagaimana dinamika ritual sebagai ritus tahunan bersih desa dalam kaitannya dengan ekonomi kreatif. Ritual diselenggarakan sebagai syukur atas panen, keselamatan, dan penghormatan cikal bakal desa. Ritual meliputi: Seblang, Ider Bumi, Kebokeboan, Keboan, Puter Kayun, Gelar Pitu, dan Petik Laut diselenggarakan setahun sekali. Dengan metode etnografi, menghimpun data lapangan melalui observasi, partisipasi, dan wawancara mendalam dengan informan kunci. Dengan pendekatan cultural studies setiap data ditempatkan sebagai peristiwa budaya dalam kaitannya dengan relasi kuasa. Dinamika dan inovasi ritual dilakukan untuk mendukung pengembangan pariwisata. Inovasi juga untuk mewujudkan upaya peningkatan kesejahteraan masyarakat. Dengan demikian penyelenggaraan ritual berkaitan dengan kebijakan pemerintah. Hal itu menjadi peluang bagi optimalisasi potensi ekonomi kreatif masyarakat, menyosialisasikan, mempromosikan, dan memasarkan produk industri lokal.Kata Kunci: Festival, Kebijakan, Lokalitas, Ritual
IDENTITAS KEBANYUMASAN DALAM PENGGUNAAN BAHASA DI RUANG PUBLIK Dwiana Anugrahita; Sudartomo Macaryus
CARAKA Vol 1 No 2 (2015)
Publisher : Universitas Sarjanawiyata Tamansiswa

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30738/caraka.v1i2.1600

Abstract

This study aims to describe the diversity of language use and identity which looks at the use of language in public space as a reflection kebanyumasan identity. This research was done in three phases namely data providing, data analyzing, and presenting data analysis. The characteristic of Banyumas language was used as samples found in Banjarnegara, Purbalingga, Banyumas, Cilacap, and Kebumen area. The result of this research showed that varieties of language usage at the public place could be classified based on the poster, street banners, billboards, and signposts found in Banyumas area. The characteristic of language usages in Banyumas area includes some language usage aspects, namely lexical-semantic, morphology, and syntax.    
GAYA BAHASA 10 GEGURITAN DALAM ANTOLOGI NURANI PEDULI KARYA HANDOYO WIBOWO Ayu Warnaningrum; Sudartomo Macaryus
CARAKA Vol 2 No 1 (2015)
Publisher : Universitas Sarjanawiyata Tamansiswa

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30738/caraka.v2i1.1655

Abstract

This study aims to assess the characteristics geguritan Handoyo Wibowo works in the anthology  Conscience Care. This study aimed to describe (1) the characteristics of language author who studied through clause types and compaction language conducted by the author, (2) diction in geguritan-geguritan works Handoyo Wibowo, (3) sound, (4) imagery, and (5) figure of speech. The research is a qualitative descriptive. The data in this study are the types of clauses that are used in the anthology Geguritan, words (diction).Sumber data used in this study a book Anthology ofConscience Care geguritan work Handoyo Wibowo categorized as a document. The instrument used in this study is a set of books - books stylistic, syntactic structures, in particular, the clause, sound, diction, figure of speech, and imagery that became the theoretical basis in order to obtain better data. Provision of data in this study using an advanced simak.Teknik method used in this study are engineering and technical literature record. Data analysis methods used in this study is a translational agih and unified method. Data were analyzed using the technique of direct element.Advanced techniques used sorting technique decisive element is aggregated translational power engineering, power and power sorting aggregated referential orthography. Results of the study are (1) geguritan work there Handoyo Wibowo compaction akromin said that the title is a phrase or clause that is the meaning of that title. Geguritan entitled "ngrasani" is an acronym of ngasorakerasa nurani, "tentrem" (tetenger trenyuh ayem), "sembrana" (sembadane ora ono), "candradimurka" (candrane dadi murka), "aja" (amrih dijaga), "petra "(peling trahe swara)," revelation "(wayah atine ngguyu)," geguritan "(gurit kang mapan)," mereni "(rumesep mengini), and" Kotagedhe "(kang oleh tanggapan gedhe), (2) the existence of irregularities the syntax elements, namely the deletion elements of S, (3) diction used in anthologies geguritan Handoyo Wibowo work dominated by abstract words. In addition diction used also in the form of said concrete and meaningful words connotation, (4) the sound is dominated by assonance a and i, for alliteration not too prominent, but which often appears is in alliteration [ŋ] / ng /, (5) imagery Conscience contained in the anthology Cares is the imagery of vision, hearing, foretaste, taste and touch, (6) figure of speech contained in geguritan-geguritan work Handoyo Wibowo is a figure of speech simile, metaphor, personification, hyperbole, allegory, and epics. Figure of speech which is the dominating figure of speech metaphor.
ISTILAH-ISTILAH BAHASA JAWA YANG DIGUNAKAN NELAYAN PESISIR PANTAI KULON PROGO Dyah Arum Wijayanti; Sudartomo Macaryus
CARAKA Vol 2 No 2 (2016)
Publisher : Universitas Sarjanawiyata Tamansiswa

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30738/caraka.v2i2.1670

Abstract

The objectives of this research are (1) to describe the term form which is used by the fisherman of Kulon Progo coastal areas, and (2) to describe the used of the term which is used by the fisherman of Kulon Progo coastal areas. The type of this research is qualitative research. The data of this research are the terms used by the fisherman of Kulon Progo coastal areas during the fishing processes. The data sources of this research are collected by the fisherman (sea farmer) of Kulon Progo coastal areas. The research instrument is the list of questions (Interview guidline) addressed for the respondents to get the data. The research method and technique are used to collect the data were metode simak (Observation) and metode cakap (interview). The metode simak (Observation) is followed by tapping and recording (teknik rekam and teknik catat) techniques. While the metode cakap (Interview) is followed by teknik pancing then teknik lanjutan cakap semuka. The method of analysis data in this research are agih method. The data analysis results in this research is presented using the informal method. The results of this research are (1) the term form which is used by the fisherman of Kulon Progo coastal areas are classified as; a) the term basic form are tabur, keletan, ngambat, nglernak, nggardan, angsur, krembak, leter, paweh, penikel, ngletek, rumpon, timbel, blong, kumbol, katir, kandem, and mentas, b) the term affixes form are njala, nyerang, nyiker, nyoping, ngriwik, nggragal, njamur, spining, rolling, and ngetem, c) the terms form of combined words which is categorized as phrases are banyu kebak, banyu rosa, mesin perahu, dudukan mesin, and dek perahu also it can be a form of compound words such as nelung in, tlale gajah, jaring eret, jaring ciker, jaring serang, pancing senggol, and pancing rawe, (2) the terms are used by the fisherman of Kulon Progo coastal areas focused on when the term is used. The use of unique terms is used by the skipper and the crew when they are going to fishing and when they are finishing fishing. The terms penawune and nawu are used to communicate before and after fishing. The term of balikan is used to communicate on the ship while they are going to the sea and the term of dirumati is used to communicate between skipper and the crew when they finished fishing.
Co-Authors Abdul Latif Bustami Asrumi Ayu Warnaningrum Dwiana Anugrahita Dyah Arum Wijayanti Endang Caturwati Heru S.P. Saputra Ifan Iskandar Ikwan Setyawan Iroy Mahyuni M. Zamroni Novi Anoegrajekti Nurmala Nurmala Nurmala Nurmala Oppie Meida Hidayani Rendra Wirawan Riffai Riffai Siti Gomo Attas Yohanes Suyono