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All Journal Journal of Music Science, Technology, and Industry (JOMSTI)
Wahyu Sri Wiyati
Program Studi Musik, Institut Seni Indonesia Denpasar
Arts Social Sciences Other

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"Bali-Kang": A Minimalist Music with Western, Balinese, and Chinese Elements Ni Putu Verenita Sintya Devi; Ni Wayan Ardini; Wahyu Sri Wiyati; Ricky Irawan
Journal of Music Science, Technology, and Industry Vol. 4 No. 1 (2021)
Publisher : Institut Seni Indonesia Denpasar

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Abstract

Purpose: This paper is to remind the Balinese folklore of the legendary love story of King Jaya Pangus Harkajalancana and Paduka Sri Cacangkaja Cihna (Kang Cing Wie) in Dalem Balingkang by composing a minimalist music with Western, Balinese, and Chinese elements. Research methods: The musical work is done by referring to the exploration stage, the experimental (improvisation) stage, and the forming stage. The three stages are applied as a reference in the process of cultivating the “Bali-Kang”. Results and discussion: The “Bali-Kang” composition consists of three parts with a different interpretation but is still in one unity. This work uses minimalist music techniques and kotekan techniques, which last for about 14 minutes. Implication: Such a music must always be made update according to newest and actual situation so that the legendary love story can be remembered by all generations, at least in Bali.
Proses Produksi Program Podcast Berbasis Audio-Visual sebagai Media Penyebaran Informasi Proses Kreatif Musisi Pop Bali Irene Nyoman Esterina Pregie Angga Dewi; Ricky Irawan; I Komang Darmayuda; Wahyu Sri Wiyati
Journal of Music Science, Technology, and Industry Vol. 5 No. 1 (2022)
Publisher : Institut Seni Indonesia Denpasar

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Abstract

Purpose: This research is to understand the production process of audio-visual-based podcast programs as a media for disseminating information on the creative process of Balinese pop musicians. Research Methods: In this internship program for the MBKM (Merdeka Belajar Kampus Merdeka) program, the authors and partner i.g. Bali TV want to produce a podcast program with the aim of preserving Balinese Pop Music culture which is currently experiencing global challenges in the context of the industrial revolution 4.0. Results and Discussion: The presence of podcasts is a form of development from conventional radio media which previously would have been one of the most popular media. Currently, podcasts are in great demand because podcasts have various advantages compared to radio, namely podcasts are on demand (the control of the podcast is on its listener). The convenience and advantages offered by podcasts provide a new platform for the dissemination of information widely. Implication: Music programs that exist today are considered only able to fulfill the purpose of being an entertainment and promotion. For this reason, a podcast program that presents speakers who are engaged in their fields and also provides information about the creative process of Bali Pop musicians is considered to be a form of preserving Bali Pop Music from now onwards.
Gong dalam Budaya Masyarakat di Indonesia Wahyu Sri Wiyati; Saptono Saptono; Anis Raharjo
Journal of Music Science, Technology, and Industry Vol. 6 No. 1 (2023)
Publisher : Institut Seni Indonesia Denpasar

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Purpose: This paper aims to briefly discuss the existence of the gong as a traditional musical instrument which has taken root in the lives of most people in Indonesia, which began with the development of bronze culture. The vast power of the Majapahit kingdom and inter-island trade, known as the silk route trade, greatly influenced the spread of Gong in the archipelago. Research Method: This phenomenon is discussed through the perspective of art studies as a form of traditional society's need for gong which is considered to have regius value as a means of ceremonies and goods for traditional needs so that gong spreads very quickly to remote areas of the interior. It is very possible that Gong is traded by bartering or exchanging forest and mining products such as: spices, agarwood, rattan, bird's nests, gold, diamonds and so on. Results and discussion: The existence of three types of gong forms in the archipelago, both those with high sides, low sides and non-pencu gongs, as well as forms of large and small ensembles show a very important identity for each community or ethnic group. Melodic gongs arranged horizontally show differences from gongs arranged in a semicircle such as those in Burma, Vietnam, Cambodia and Thailand. The different forms of gongs and ensembles will of course color the diversity of forms of Indonesian culture, especially in the field of traditional music. Implication: This article is an initial investigation of the existence of gongs in the archipelago with the hope that they can become material for appreciation and education for the younger generation in Indonesia. The gap between traditional culture, especially the Gong music ensemble, which was once a part of people's lives in the past, seems to urgently need attention, both by the government, art colleges, artists, cultural observers and the younger generation of music owners.
Co-Authors - Saptono Darmayuda, I Komang I Gede Raditya Yudhistira Irene Nyoman Esterina Pregie Angga Dewi Ni Putu Verenita Sintya Devi Ni Wayan Ardini, Ni Wayan Raharjo, Anis Ricky Irawan Sudirana, I Wayan