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All Journal MUDRA Jurnal Seni Budaya Segara Widya: Jurnal Penelitian Seni Edsence: Jurnal Pendidikan Multimedia Journal of Music Science, Technology, and Industry (JOMSTI) Viswa Design : Journal of Design TANDIK: Jurnal Seni dan Pendidikan Seni Abdi Widya: Jurnal Pengabdian Masyarakat Pensi: Jurnal Ilmiah Pendidikan Seni
Iriani, Ni Wayan
Institut Seni Indonesia Denpasar
Religion Agriculture, Biological Sciences & Forestry Arts Humanities Computer Science & IT Education Environmental Science Health Professions Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Public Health Social Sciences Other

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Journal : MUDRA Jurnal Seni Budaya

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Character Education in Panca Sani Pependetan Dance Creation Ni Wayan Iriani; Ni Wayan Mudiasih
Mudra Jurnal Seni Budaya Vol 38 No 3 (2023)
Publisher : Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31091/mudra.v38i3.2452

Abstract

The pependetan dance "Panca Sani" is a creative dance whose movements are based on a developed traditional dance. This dance describes the reception and expression of gratitude to the gods who descend into the natural world. The idea for this work was inspired by the Wayang Istri dance at the Pangrebongan Kesiman temple. Wayang Istri dance is a ngerebong traditional dance of the Kesiman people held at the Agung Petikan Pengarebongan Kesiman Temple, Denpasar. This ceremonial dance is held every 6 months and falls on Buda Cemeng Langkir Day. The movements and costumes are presented very simply by bringing a property of a rectangular shape made of cow/buffalo leather. The method of creating the "Panca Sani" Pependetan dance refers to I Wayan Dibia's concept in the Panca Sthiti Ngawi Sani creation methodology through five stages of the art creation process, as follows: inspiration/ngawirasa, exploration/ngawacak, conception/ngarencana, execution/ngawangun and the production/ngebah stage. 5 female dancers dance this Pependetan creative dance to express the characters in the dance: majesty, nobility, sincerity which is presented through the graceful beauty of the movements, and the costumes. The dance accompaniment uses a set of Gong Gede gamelan. Pependetan dance is a character education effort with the community to foster a conducive mood and moral formation for each individual involved in the world of education. Growing individuals as moral persons according to what is desired is the core of character education. The results of this work are expected to preserve the teaching and development of pependetan to form a positive attitude for the formation of good character.
Co-Authors A.A. Trisna Ardanari Adipurwa Haryati, Ni Made I Gede Gunadi Putra Mudiasih, Ni Wayan Ni Luh Sustiawati, Ni Luh Ni Nyoman Pertiwi Ari Santi Ni Putu Hartini Ni Putu Wulandari Putu Sandra Devindriati Kusuma Rinto Widyarto Rr. Luh Putu Indung Saci S P Widiastuti, Ni Made Dian