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All Journal Cetta: Jurnal Ilmu Pendidikan Ganaya: Jurnal Ilmu Sosial dan Humaniora VIDYA WERTTA : Media Komunikasi Universitas Hindu Indonesia DHARMASMRTI: Jurnal Pascasarjana UNHI Jurnal Sewaka Bhakti Widyanatya: Jurnal Pendidikan Agama dan Seni
I Wayan Arissusila
Fakultas Pendidikan Agama Dan Seni UNHI Denpasar
Religion Arts Humanities Economics, Econometrics & Finance Education Environmental Science Languange, Linguistic, Communication & Media Social Sciences Other

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Esensi Rerajahan Yama Raja Pada Upacara Usaba Manggung Aci Sumbu Di Desa Bugbug Karangasem Perspektif Pendidikan Seni Rupa Hindu I Kadek Sumadiyasa; I Wayan Arissusila
Cetta: Jurnal Ilmu Pendidikan Vol 3 No 3 (2020)
Publisher : Jayapangus Press

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Abstract

Rerajahan is a religious Hindu fine art in the usaba manggung aci sumbu ceremony for Bugbug village people in Karangasem. The form of rerajahan made is known as Yamaraja. It is very interesting to be researched in Hindu fine art theology perspective, with problem: how is the procession of making rerajahan Yamaraja at Usaba Manggung Aci Sumbu ceremony in Bugbug village, how is the essence of rerajahan Yamaraja, how is the form of rerajahan Yamaraja in theology perspective of Hindu fine art in Bugbug village Karangasem. This research is aimed to develop the Hindu based scientific studies and as contribution of teaching material om Fine Art Education and Hindu Ornament study program of UNHI. The theory used in this research is sacred theory that discuss the procession problem in making rerajahan, symbol theory to discuss the essence in rerajahan, reasonable limit theory to discuss the form of rerajahan yamaraja in theology perspective of Hindu Fine Art. Research method used is qualitative method {Bogdan and Bien 1982} with object Rerajahan Yamaraja at Usaba Manggung Aci Sumbu ceremony in Bugbug village Karangasem, using Hindu Fine Art theology approach. The research location is Bugbug village Karangasem, descriptive qualitative data type according to the opinion og Bogdan and Bikleri 1982, with primary data sources in the form of interview with Bugbug village elders, secondary data in the form of books. Information technique uses purposive sampling, data collection through passive participation observation, unstructured interview, books documentation, photos and library study, data analysis technique in accordance with Milles Huberman 1992, and data validation technique by using triangulation method according to the opinion of Denkein. The result of procession analysis of rerajahan Yamaraja at Usaba Munggung Aci Sumbu ceremony started krama desa tedun, pewintenan, pecaruan, nyeket yamaraja,mubuh pamor,nyawi,pasupati pebantenan usaba manggung and rerejangan,bhetara tirte tedun,nunas tirte. from the essence consist of; release and harmonization. The form of rerajahan in Hindu Fine Art theology perspective: Manifestation of God, Manifestation of Butha, Manifestation of God Yama Raja
Pasang Surut Kerajinan Patung Kayu Pada Industri Pariwisata Di Desa Batubulan Kangin I Wayan Arissusila; Ni Luh Putu Trisdiyani
Ganaya : Jurnal Ilmu Sosial dan Humaniora Vol 4 No 2 (2021)
Publisher : Jayapangus Press

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37329/ganaya.v4i2.1400

Abstract

The wooden sculpture craft in Batubulan Kangin Village began in 1968. The learning process was more than twenty people, and took place in Guang Village. In 1970, after they were proficient at making sculptures, they taught their villages starting with statues of Garuda, Ramayana and others. These crafts have marketing opportunities and motivate craftsmen to increase their creativity. When there was the first Bali bombing, and the globalization market, these crafts experienced a decline. Based on that, the problems were posed, namely: How is the process of realizing wooden sculptures, what products are produced, and how are the ebb and flow of wooden sculptures in Batubulan Kangin Village. The purpose of this study was to describe the ebb and flow of wooden sculpture in the tourism industry in Batubulan Kangin Village. This study uses data collection techniques carried out by observation, interviews and document studies. Data analysis was carried out with a qualitative approach, based on aesthetic theory and social change. The results of this study are the process of realizing wooden sculptures starting from the exploration of ideas, shapes, selection of materials, tools, work processes and finishing. The products produced are statues of Garuda Wisnu, Rama Shinta, Hanoman, Chinese Dragon, Kwan Im, Toa Pe Kong, Buddha, Barong, Rangda, Saraswati, Sri, Durga, Lord Shiva, Ganesha and Kwan Sing Tee Koen statues. The ups and downs of wooden sculpture can be seen from 1970. In that year there were about twenty people who were skilled at making sculptures and developing them, for example the statue of Garuda, Ramayana, and others. The existence of these crafts, has marketing opportunities and motivates craftsmen to increase their creativity. When the first Bali bombing occurred, the globalization market, and the corona virus, these crafts experienced a decline, but craftsmen continued to produce these crafts.
Pemanfaatan Material Alami Dalam Dekorasi Upacara Manusa Yadnya di Desa Batubulan Kangin I Wayan Arissusila; Anak Agung Ketut Raka; Ni Luh Putu Trisdyani
Ganaya : Jurnal Ilmu Sosial dan Humaniora Vol 5 No 2 (2022)
Publisher : Jayapangus Press

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37329/ganaya.v5i2.1496

Abstract

The decoration of the manusa yadnya ceremony at Batubulan Kangin is generally luxurious. The house is decorated from the entrance, to other buildings. In the past, to decorate houses that carried out the pawiwahan ceremony, synthetic materials were used, but with the 2018 Bali Governor Regulation, it emphasizes the prohibition of using synthetic materials and replacing them with natural materials. With these regulations, Batubulan Kangin craftsmen follow according to their imagination and creativity to produce artistic decorations. The decorations were accepted by the people of Batubulan Kangin, most importantly they still have a strong Balinese identity. This study uses a qualitative method with data collection through observation techniques on objects directly or indirectly, interviews with craftsmen and entrepreneurs, as well as document studies to collect data from books, village monographs, pictures and so on. The result is the decoration of the manusa yadnya ceremony at Batubulan Kangin using natural materials because of the Bali Governor's regulation which emphasizes the prohibition of using synthetic materials and replacing them with environmentally friendly materials. With these regulations, decoration craftsmen follow using natural materials and process them according to their imagination, resulting in artistic decorations. It does not violate the rules of the Balinese government. On the other hand, if the craftsmen continue to use synthetic materials, they will be subject to administrative sanctions. It is hoped that the decoration craftsmen comply with these rules, which are beneficial for the people and nature of Bali. The decoration products for the Manusa Yadnya ceremony that are created are decorations with the appearance of various shapes, variations of the decorations that appear in the form of woven mantri centipedes and a combination of gumitir flowers, pearls and so on. This decoration also depends on the selling value, consisting of: insulting, middle, main in the form of angkul-angkul decorations and aisle rides. While the implications can be classified into several parts, namely: economic implications, social status and environmental sustainability.
PELATIHAN MENGGAMBAR BERTEMA DI SD N 3 BANJARANGKAN, KABUPATEN KLUNGKUNG I Wayan Arissusila; I Ketut Suwidiarta; I Ketut Gede Rudita
JURNAL SEWAKA BHAKTI Vol 4 No 1 (2020): Sewaka Bhakti
Publisher : UNHI Press

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Abstract

Education through the drawing method is considered very important because the benchmarks of students’ success are not only assessed from general lessons, but students’ interest in a particular field is also important, for example drawing. Themed drawing training at SDN 3 Banjarangkan, using dry media in the form of colored pencils and crayons that are sketched on drawing paper, with the theme of daily life, the surrounding environment and others. The purpose of themed drawing training is to liberate imagination and character development. The process that students go through in this themed drawing is: learning theories about basic drawing, for example making lines, shapes, coloring, dark light and others. Then sketching, contouring, coloring and making textures. The results obtained in the form of pictures with natural shapes in the surrounding environment and their contents. The purpose of this themed drawing training is to train students' abilities quickly, creativity, release of imagination and character development.
PENGELOLAAN SAMPAH DARI BANK SAMPAH DI DESA ADAT CEMENGGAON DENGAN PROGRAM “PESAN-PEDE” YANG DIURAIKAN MENJADI “PENGELOLAAN SAMPAH MANDIRI PEDESAAN” I Komang Dedi Diana; I Wayan Arissusila
JURNAL SEWAKA BHAKTI Vol 7 No 2 (2021): Sewaka Bhakti
Publisher : UNHI Press

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.32795/jsb.v7i2.2191

Abstract

Waste management from a waste bank in Cemenggaon Traditional Village with the "PESAN-PEDE" program which is described as "Independent Rural Waste Management". This work program is carried out on Sunday, September 13 2020 at 5.00 - Finish at the Cemenggaon Traditional Village Waste Bank. The service was carried out through a qualitative descriptive approach. This approach is expected to produce descriptive data in order to reveal the causes and processes of occurrence. Community service is carried out in Cemenggaon Traditional Village, Celuk Village, Sukawati District, by carrying out waste bank activities with the “PESAN PEDE” program, which is described as 'Independent Rural Waste Management', independent means that management is carried out at sources of waste and rural means that it is carried out by rural / customary communities, especially in handling household organic waste
SENI LUKIS WAYANG KOPANG PERSPEKTIF PENDIDIKAN SENI RUPA HINDU I Kadek Sumadiyasa; I Wayan Arissusila; I Putu Gede Padma Sumardiana; Ni Luh Putu Trisdyani
WIDYANATYA Vol 3 No 1 (2021): Widyanatya: Jurnal Pendidikan Agama dan Seni 
Publisher : UNHI PRESS

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.32795/widyanatya.v3i1.1687

Abstract

Kopang Puppet Art Painting in Kopang Workshop Kerambitan Village Tabanan Regecy is a work of fine art education and Hindu ornament which is very unique that was inherited traditionally. It is uniquely researched with title Kopang Puppet Art Painting Perspective of Hindu Fine Art Education. With problem, 1) How are the form, function and values of Fine Art education and Hindu Ornaments in it. The result of research analysis found about how is the form of Kopang puppet art painting in Kerambitan village Tabanan that is the form of puppets for Human, God and Goddesses, animal, giant, etc. In the form of tall and big/Landung which consist of 3 parts such as Main (Head of puppet), Madya/Body of the puppet, Nista/Foot of the puppet), With Flat Symmetrical Balanced Composition Arrangement, Simple Dark Color. Materials and tools; canvas, brush, pencil, Ornaments; simple. Process; sketch, ngorten, coloring, nyawi, decorating. The function of Kopang puppet art painting; Religion as Srada Bakti, Culture as classic fine art preservation, Education as character education of Hindu fine art, as well as functioned as identity. The educational values of fine art and Hindu ornaments in Kopang puppet art painting; Educational, sincerity, creativity, unity values.
RERAJAHAN YAMARAJA DALAM UPACARA USABA MANGGUNG ACI SUMBU DI DESA PAKRAMAN BUGBUG I Kadek Sumadiyasa; I Wayan Arissusila
VIDYA WERTTA : Media Komunikasi Universitas Hindu Indonesia Vol 3 No 2 (2020): Vidya Wertta, Media Komunikasi Universitas Hindu Indonesia
Publisher : FAKULTAS ILMU AGAMA DAN KEBUDAYAAN

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.32795/vw.v3i2.1071

Abstract

Rerajahan Yamaraja dari jaman dahulu digunakan sebagai sarana religius karya seni rupa Hindu yang unik pada upacara Usaba Manggung Aci Sumbu di Desa Bugbug Kabupaten Karangasem. Dalam perkembangan di era modern ini, rerajahan dibuat dengan teknik yang lebih praktis, dipasarkan, sehingga nilai keagamaan menjadi berkurang. Berangkat dari fenomena tersebut, penelitian ini berupaya mengkaji Rerajahan Yamaraja dalam Upacara Usaba Manggung Aci Sumbu di Desa Pekraman Bugbug Karangasem perspektif pendidikan seni rupa dan ornamen keagamaan Hindu. Penelitian ini bertujuan mengembangkan pengetahuan tentang Rerajahan Yamaraja dalam upacara Usaba Manggung Aci Sumbu.
DEGRADASI PENGGUNAAN BAHASA BALI DI KOTA DENPASAR I Wayan Arissusila
VIDYA WERTTA : Media Komunikasi Universitas Hindu Indonesia Vol 4 No 1 (2021): Vidya Wertta: Media Komunikasi Universitas Hindu Indonesia
Publisher : FAKULTAS ILMU AGAMA DAN KEBUDAYAAN

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.32795/vw.v4i1.1702

Abstract

Studi ini bermaksud mengeksplorasi dan menganalisis berbagai faktor penyebab terjadinya degradasi penggunaan Bahasa Bali, baik sebagai bahasa pergaulan sehari-hari maupun sebagai media komunikasi nilai-nilai Agama Hindu dan Kebudayaan Bali, khususnya di kalangan remaja. Studi ini menggunakan pendekatan kualitatif, sebab data yang dikumpulkan dalam penelitian ini lebih banyak berupa data lisan dan tulis dalam bentuk narasi yang dilengkapi dengan beberapa data kuantitatif sebagai data pendukung. Pengumpulan data dilakukan dengan teknik observasi, wawancara mendalam dan studi dokumen, kemudian dianalisis dengan cara deskriptif kualitatif. Hasil penelitian ini menunjukkan bahwa ada beberapa faktor penyebab terjadinya degradasi penggunaan bahasa Bali, khususnya di kalangan remaja Kota Denpasar, antara lain karena pilihan rasional, uniformitas kebudayaan daerah dalam konteks Negara Kesatuan RI, penggunaan anggah-ungguh bahasa Bali dianggap sangat sulit oleh kalangan remaja.
DAMPAK PERGAULAN BEBAS SEBAGAI SUMBER IDE PENCIPTAAN KRIYA SENI I Wayan Arissusila
DHARMASMRTI: Jurnal Ilmu Agama dan Kebudayaan Vol 17 No 1 (2017): Dharmasmrti: Jurnal Ilmu Agama dan Kebudayaan
Publisher : Pascasarjana Universitas Hindu Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (630.244 KB) | DOI: 10.32795/ds.v16i01.80

Abstract

Humans are God’ s creatures, who live according to their respective abilities. There are human lives prefer the pleasure, enjoyment and luxury. In life looks like a good meal, luxurious clothing and visible among adolescents tend to lead to sex. Adolescence is the age, studying opportunities and positive nature.In fact, many carried out by mutually couple, without thinking about the future and health. Such behavior is most likely caused by promiscuity impact of AIDS on the body including the organs that are inside, resulting in death. In this paper, the problem can be posed: how do mentranspormasi theme, theimpact of free associations as the source of the idea of creathing art craft. By using the methods associated with the stages of the creations of works of art. Used to dissect the problems that relepan theory with the creation of works of art. The result can be aware of the imfact of free association as a sourceof ideas in the creation of craft art, threedimensional shaped and finished to use transparent watercolors
DINAMIKA KERAJINAN PATUNG KAYU DALAM MENDUKUNG PARIWISATA BUDAYA BALI I Wayan Arissusila; I Gusti Ayu Nilawati; I Putu I Gede Padma Sumardiana
DHARMASMRTI: Jurnal Ilmu Agama dan Kebudayaan Vol 20 No 2 (2020): Dharmasmrti: Jurnal Ilmu Agama dan Kebudayaan
Publisher : Pascasarjana Universitas Hindu Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.32795/ds.v20i2.1039

Abstract

Kebudayaan di Kabupaten gianyar telah berkembang sejak lama terutama yang berkaitan dengan upacara religius, pertanian dan penciptaan karya seni, salah satunya yaitu kerajinan patung kayu di Batubulan Kangin. Masyarakat mengawali kegiatan kesenian pembuatan patung sejak tahun 1968-1970, seperti pembuatan patung garuda Wisnu, dan kebanyakan mengambil tema ramayana. Kegiatan tersebut juga dilanjutkan dengan pemasaran dan berhasil memotivasi perajin untuk meningkatkan kreatifitasnya. Dinamika kerajinan patung kayu di Desa Batubulan Kangin dalam mendukung pariwisata budaya Bali menarik dikaji dari sudut pandang teori estetika dan teori perubahan sosial. hasil penelitian ini yaitu kerajinan patung kayu di Desa Batubulan Kangin merupakan karya budaya yang memiliki karakteristik yang khas sehingga menambah ragam kerajinan patung di Bali. Apalagi adanya pariwisata, perajin seakan berlomba menciptakan patung baru yang dijajakan kepada wisatawan, terutama dalam sebagai cenderamata. Penjualan patung kayu di desa tersebut belakangan ini mengalami penurunan, tetapi produksi tetap tinggi. hal ini dilakukan untuk melestarikan karya budaya adiluhung dan mengantisipasi kerajinan itu agar tidak ditelan zaman serta dapat bersaing di pasaran.
Co-Authors Anak Agung Ketut Raka I Gede Satria Budhi Utama I Gusti Agung Made Satrya Pradnyana I Gusti Ayu Nilawati I Kadek Sumadiyasa I Ketut Gede Rudita I Ketut Suwidiarta I Komang Dedi Diana I Putu Aribawa Dana I Putu Gede Padma Sumardiana IB Eka Sutha Harunika Ni Luh Putu Trisdiyani Ni Luh Putu Trisdyani Ni Luh Putu Trisdyani Suasthi, I Gusti Ayu