Article Per Year (5 Year)
p-Index From 2019 - 2024
0.751
P-Index
This Author published in this journals
All Journal Musica: Journal of Music Bercadik: Jurnal Pengkajian dan Penciptaan Seni Jurnal Puan Indonesia VCode Journal of Tourism Sciences, Technology and Industry
Melisa Fitri Rahmadinata
Institut Seni Indonesia Padangpanjang
Arts Humanities Decision Sciences, Operations Research & Management Economics, Econometrics & Finance Environmental Science Industrial & Manufacturing Engineering Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Public Health Social Sciences Other

Published : 5 Documents Claim Missing Document
Claim Missing Document
Check
Articles

Found 5 Documents
Search

 1 
KARAKTERISTIK DAN EKSPRESI DENDANG MUARO PETI DARI BERBAGAI INTERPRETASI PENDENDANG Melisa Fitri Rahmadinata; Mahdi Bahar; Wilma Sriwulan
Bercadik: Jurnal Pengkajian dan Penciptaan Seni Vol 3, No 1 (2016): Bercadik: Jurnal Pengkajian dan Penciptaan Seni
Publisher : Institut Seni Indonesia Padang Panjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (269.462 KB) | DOI: 10.26887/bcdk.v3i1.531

Abstract

ABSTRACT Muaro Peti is one of Minangkabau repertoire songs originally from Muaro Peti Village, Kapur IX Sub-district, Limapuluh Kota District, West Sumatera. Cultural geographically, this village is the part of darek area located in indigenous territorial of Luhak Nan Tigo, Minangkabau.This song expresses particular characteristics of melody which differs from general darek songs, especially the movement of melodic lines which tends to decrease; while dominantly, the other darek songs tend to have ascending melodic lines. If it’s viewed textually melodic, the uniqueness of this song is also visible from its garinyiak (thriller), layuak (glissando), and non-chordal tone (appoggiatura) which appears as variation in song’s melody. In western music, the concept of ornamental tone or melody variation is the part of ornamentation. Furthermore, in term of interval, Muaro Peti song has genuine pentatonic scale, while the other darek songs generally have pentatonic scale which is close to diatonic scale. The differences in melody and interval eventually result on every singer’s particular singing style or music expression in singing Muaro Peti.The major approach in this research entitled “Characteristics and Expressions of Muaro Peti Song from Various Interpretations of the Singers” was done by using the analysis of laboratory work through various audio recordings of Muaro Peti song as the primary data. In this research, the qualitative field research was used as secondary data because this research did not investigate performance expression, but it’s more focused on music expression interpreted by the singers in singing Muaro Peti song
Strategi Pembelajaran Ensamble Violin Di Purwacaraka Musik Studio Padang (Violin Ensamble Learning Strategy at Purwacaraka Music Studio Padang) Melisa Fitri Rahmadinata
MUSICA : Journal of Music Vol 1, No 2 (2021): MUSICA : JOURNAL OF MUSIC
Publisher : Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (841.263 KB) | DOI: 10.26887/musica.v1i2.2096

Abstract

Purwacaraka Music Studio (PCMS) Padang merupakan lembaga musik nonformal yang menawarkan berbagai macam jenis les musik, salah satunya violin. Strategi pembelajaran di PCMS Padang ialah berupa les privat dengan metode satu guru satu siswa. Namun yang menjadi pembeda les di Purwacaraka dengan tempat les musik lainnya ialah adanya kegiatan ensamble untuk masing-masing instrument. Kegiatan pembelajaran secara ensamble ini merupakan kegiatan ekstra sebagai peningkatan skill siswa-siswi dalam bermain bersama. Penelitian ini memaparkan bagaimana strategi pembelajaran ensambel violin di PCMS Padang, baik dari segi metode pembelajaran dan materi yang dipelajari. Adapun strategi pembelajaran dianalisis dan dikemukakan berdasarkan metode jenis penelitian deskriptif kualitatif. Pengumpulan data penelitian dilakukan melalui tiga tahapan yaitu observasi, wawancara, dan dokumentasi. Hasil penelitian ini menjelaskan bahwa strategi pembelajaran ensambel violin di PCMS Padang menggunakan empat metode pembelajaran yaitu metode ceramah, metode demonstrasi, metode drill, dan evaluasi pembelajaran.Kata Kunci: Strategi Pembelajaran; Ensamble Violin; PCMS PadangABSTRACTPurwacaraka Music Studio (PCMS) of Padang was a non-formal music institution that had branches in almost all of Indonesia, one of them was in the city of which offered various types of music lessons, one of them was the violin. The learning strategy at PCMS Padang was in the form of private lessons with the one teacher, one student method. However, what distinguishes at Purwacaraka lessons different from other music lessons was the ensemble activity for each instrument. This ensemble learning activity was an extra activity as an increase in students' skills in playing together. This study described how the violin ensemble learning strategy at PCMS Padang, both in terms of learning methods and the material studied. The learning strategies were analyzed and put forward based on the type of qualitative descriptive research method. Research data collection was carried out through three stages, observation, interviews, and documentation. The results of this study explained that the violin ensemble learning strategy at PCMS Padang used four learning methods; the lecture method, demonstration method, drill method, and learning evaluation.Keywords: Learning Strategy; Violin Ensemble; PCMS Padang
LITERASI TOLERANSI BERAGAMA DAN BERBUDAYA BAGI REMAJA DI RUMAH TAHFIZH (YTPQ) CENTER PADANG PANJANG: Tolerance Literacy of Religious and Culture for Youth at Rumah Tahfizh (YTPQ) Center Padang Panjang Hijratur Rahmi; Melisa Fitri Rahmadinata; Septriani Septriani
PUAN INDONESIA Vol. 5 No. 1 (2023): Jurnal Puan Indonesia Vol 5 No 1 Juli 2023
Publisher : ASOSIASI IDEBAHASA KEPRI

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37296/jpi.v5i1.160

Abstract

The younger generation is the cornerstone of the nation's successor who will lead the direction in which the achievement of the nation's goals will be directed. As a country full of diversity of customs, ethnicities, nations and beliefs, literacy of tolerance really needs to be instilled so that the younger generation can respect one another. The Institute of Indonesia Art Padang Panjang team took the initiative to collaborate in building a tolerant young generation's mental attitude by providing training activities to them, especially in West Sumatera. On this occasion, the team conducted this training activity at one of the Tahfizh Qur'an Padang Panjang by means of material and discussion. This activity was carried out for three meetings with sub-themes of activities; 1) Religious Tolerance According to Islamic Shari'a 2) Equality in religion and culture and 3) religious and cultural communication. The background of this activity is the importance of building a religious and cultured mentality in accordance with the Minangkabau aforism “Adat Basandi Sarak, Sarak Basandi Kitabullah”. The method of this training activity is carried out by means of interactive material training and discussion. The results of this activity indicate that Tahfizh Quran youth are interested in the activities carried out and are active in discussions. Teenagers understand the concept of tolerance and indirectly apply this awareness in their daily lives. Evaluation is carried out by responding to various case phenomena presented by the speaker.
Eksistensi Silek Tuo Nagari Sungai Pua Dalam Fotografi Dokumenter Dira Herawati; Melisa Fitri Rahmadinata; Taufik Akbar
VCoDe : Visual Communication Design Journal Volume 2, Nomor 2, Juni 2023
Publisher : Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/vcode.v2i2.3691

Abstract

ABSTRAKSilek Tuo merupakan salah satu seni bela diri Minangkabau yang tumbuh dan berkembang di nagari Sungai Pua, Kabupaten Agam, Provinsi Sumatera Barat. Di Nagari Sungai Pua, Silek Tuo  masih dihadirkan sebagai salah satu seni tradisi daerah yang dilestarikan. Meski demikian,  peminat akan seni bela diri mulai berkurang dari waktu ke waktu. Hal ini juga dipengaruhi oleh tidak adanya wadah serta media yang bisa meningkatkan gairah generasi millennial untuk mengembangkan silek tuo. Melalui dokumentasi dokumenter, harapannya seni bela diri silek tuo kembali dapat meningkatkan eksistensinya sebagai seni tradisi yang harus dijaga dan dilestarikan.Tujuan penelitian ini ialah sebagai upaya pelestarian dalam menjaga eksistensi  seni bela diri silek tuo dalam bentuk pendokumentasian seni bela diri silek tuo di Nagari Sungai Pua. Penelitian ini juga bertujuan untuk mengenalkan, mengembangkan seni bela diri silek tuo kepada kaum milenial dengan mendokumentasikan seni silek tuo dalam fotograi dokumenter. Melalui unsur-unsur metode EDFAT (Entire, Detail, Frame, Angle, Time), objek silek tuo dinarasikan dengan gaya bertutur naratif sehingga foto dokumenter ini dapat menyampaikan informasi, dan meyakinkan pemandang foto tentang eksistensi silek tuo.ABSTRACTSilek Tuo is a Minangkabau martial art that grows and develops in the Sungai Pua village, Agam Regency, West Sumatra Province. In Nagari Sungai Pua, Silek Tuo is still presented as one of the local traditional arts that is preserved. However, the interest in martial arts began to decrease from time to time. This is also influenced by the absence of forums and media that can increase the enthusiasm of the millennial generation to develop silek tuo. Through documentary documentation, it is hoped that the martial art of silek tuo can again increase its existence as a traditional art that must be preserved and preserved. The purpose of this study is as a preservation effort in maintaining the existence of the martial art of silek tuo in the form of documenting the martial art of silek tuo in Nagari Sungai Pua. This research also aims to introduce and develop the martial art of silek tuo to millennials by documenting the art of silek tuo in documentary photography. Through the elements of the EDFAT (Entire, Detail, Frame, Angle, Time) method, the silek tuo object is narrated in a narrative style so that this documentary photo can convey information, and convince photo viewers about the existence of silek tuo.
Travel Photography Sebagai Media Promosi Desa Wisata Silokek Aziz Fauzi Rahmat; Melisa Fitri Rahmadinata; Fauziah Sri Andria Hafid
Journal of Tourism Sciences, Technology and Industry Vol 2, No 1 (2023): JTSTI- Journal Of Tourism Science, Technology and Industry
Publisher : Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/jtsti.v2i1.3735

Abstract

Photography is a method of producing images using light as the main composition. Photography is currently not only a medium for recording images for documentation, but is also developing as a medium for promoting goods, services and tourist destinations. Its use as a promotional media for tourist destinations is currently considered more efficient, because through attractive photos it can attract tourists to visit these tourist destinations, one of which is the Silokek tourist village. Silokek Tourism Village is one of the tourist villages that has been registered in the Indonesian Tourism Village Award event. The charm of tourism in the Silokek Tourism Village is packed with documentation through travel photography so that people are more familiar with the beauty of the Silokek tourist village.
Co-Authors Aziz Fauzi Rahmat Dira Herawati Fauziah Sri Andria Hafid Hijratur Rahmi Mahdi Bahar Septriani Septriani Taufik Akbar Wilma Sriwulan