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STIGMATIZATION OF FORCED MARRIAGE IN MONTY TIWA’S ADAPTATION OF GITLICIOUS’S MY LECTURER MY HUSBAND Masnia Rahayu
Journal of Research on Language Education Vol 3, No 1 (2022)
Publisher : Universitas Teknokrat Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33365/jorle.v3i1.1893

Abstract

The forced marriage and the arranged marriages theme currently become popular in literary works on millennial applications. The facility and privilege of the internet were virtual spaces that were not only a provider of reading materials but also a place for literary production itself such as Wattpad. My Lecturer My Husband, one of the famous Wattpad novels published in 2017, was the work of a Korean boyband fan from Indonesia named Gitlicious (pen name) who idolizes a Korean artist named Lay from the Exo group. In 2020, My Lecturer My Husband was adapted by a well-known producer, Monty Tiwa, into a web series that identified forms of female resistance and the negotiation process of men in forced marriage. Thus, this study aims to analyze forced marriage that reconstructs the negative stigma in Monty Tiwa's adaptation of Gitlicious’s My Lecturer My Husband. This study used the adaptation theory proposed by Linda Hutcheon (2006). To dismantle the ideology of the text, this research used the theory of Butler(1990), which was about the diversity of gender and sexuality expressions. From the results of the analysis, it was found that My Lecturer My Husband reflects the shift in the value of forced marriage contextually and commercially. Ideologically, the text adaptation of Monty Tiwa shows a shift in the stigma of forced marriage attached to the role of parents and a shift in the expression of husband and wife in forced marriage.
STEREOTIP GENDER DAN RESISTENSI PEREMPUAN DALAM NOVEL GADIS KRETEK KARYA RATIH KUMALA Masnia Rahayu; Rouli Esther Pasaribu; Tommy Christomy
Kelasa Vol 16, No 2 (2021): Kelasa
Publisher : Kantor Bahasa Lampung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26499/kelasa.v16i2.226

Abstract

AbstrakBerbicara perempuan merupakan sesuatu yang kompleks, salah satu permasalahan yang mendasar adalah stereotip yang dibangun oleh masyarakat Indonesia terhadap gender. Dengan meneliti novel Gadis Kretek karya Ratih Kumala, tujuan penelitian ini adalah mengidentifikasi stereotip gender sebagai kritik terhadap ideologi mayoritas dalam institusi keluarga dan dunia bisnis yang masih melanggengkan wacana patriarki. Penelitian ini menggunakan metode kualitatif dengan teori naratologi Gerard Genette dan teori feminisme Ann Oakley yang berfokus pada gender sebagai konstruksi budaya. Fokalisasi dalam novel yang direpresentasikan oleh tokoh Lebas dan narator orang ketiga memperlihatkan teks menggugat pandangan negatif terhadap perempuan dan memperlihatkan perkembangan perempuan dalam dunia bisnis. Stereotip terhadap perempuan juga dihadirkan melalui komponen terkecil yaitu keluarga. Konstruksi resistensi perempuan merupakan upaya menggugat stereotip yang hadir dalam wacana dominasi melalui hubungan antara ibu dan anak perempuan serta perempuan dengan perempuan lainnya melalui proses pemberdayaan (empowerment).Kata-kata kunci:stereotip gender, resistensi perempuan, gadis kretek, budaya, pemberdayaan.AbstractTalking about women is a complex thing, one of the fundamental problems is the stereotype that is built by the Indonesian people towards gender. By examining Gadis Kretek novel by Ratih Kumala, the purpose of this study is to identify gender stereotypes as critique of the majority ideology in family institutions and the business world which still perpetuates patriarchal discourse. This study uses a qualitative method with Gerard Genette's narrative theory and Ann Oakley's feminist theory which focuses on gender as a cultural construct. The focalization in the novel, which is represented by the character Lebas and the third person narrator, shows the text challenging negative views of women and showing the development of women in the business world. Stereotypes against women are also presented through the smallest component, namely the family. The construction of women's resistance is an effort to challenge the stereotypes that are present in the discourse of domination through the relationship between mothers and daughters and women and other women through a process of empowerment.Keywords: gender stereotypes, women's resistance, gadis kretek, culture, empowerment.