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Journal : Jurnal Pendidikan Sejarah dan Riset Sosial Humaniora (KAGANGA)

Tari Dedare Nyesek Alwan Hafiz; M Ridwan Markarma; Hary Murcahyanto; Ummi Risti Ayuni Rahman; Sopiroyani Sopiroyani
Kaganga:Jurnal Pendidikan Sejarah dan Riset Sosial Humaniora Vol 4 No 1 (2021): Kaganga:Jurnal Pendidikan Sejarah dan Riset Sosial Humaniora
Publisher : Institut Penelitian Matematika, Komputer, Keperawatan, Pendidikan dan Ekonomi (IPM2KPE)

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (655.632 KB) | DOI: 10.31539/kaganga.v4i1.2004

Abstract

ABSTRACT This research aims to describe the existence of Dedare Nyesek dance to the appreciation of the community in art activities in the Village of East Pringgasela Lombok Timur Regency. The method used in this research is descriptive qualitative. Data collection is done by observation, interview, and documentation. The results showed that the existence of Dedare Nyesek dance in Pringgasela Village is evidenced by the use of Dedare Nyesek dance as an art learning material in schools. Besides, Dedare Nyesek dance is also often performed at major events as government support to preserve this dance. People's appreciation of Dedare Nyesek dance is still lacking. This is due to the lack of Dedare Nyesek dance performance as well as the lack of public understanding of the meaning contained in the dance. The conclusion of the research is to preserve or improve the existence of Dedare Nyesek dance can be done by making Dedare Nyesek dance as a learning material in school. Besides, the manager and the Cultural Office also strive to display in major events held by the Cultural Office of NTB. Keywords: Appreciation, Dance, Dedare Nyesek, Existence
Bentuk Dan Gerak Tari Tradisional Manuk Beberi Muh Ridwan Markarma; Riyana Rizki Yuliatin; Hary Murcahtanto; Ummi Risti Ayuni Rahman; Nur Aetin Mahi Sofiana
Kaganga:Jurnal Pendidikan Sejarah dan Riset Sosial Humaniora Vol 4 No 1 (2021): Kaganga:Jurnal Pendidikan Sejarah dan Riset Sosial Humaniora
Publisher : Institut Penelitian Matematika, Komputer, Keperawatan, Pendidikan dan Ekonomi (IPM2KPE)

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (636.713 KB) | DOI: 10.31539/kaganga.v4i1.2007

Abstract

The purpose of this study was to describe the various forms and movements of the Manuk Beberi dance. This research uses descriptive qualitative methods using theories related to the research topic. The theory used is the theory of symbols which is translated into discursive and presentational symbols. The results showed that the Manuk Beberi dance is a regional dance originating from Lombok, West Nusa Tenggara. The Manuk Beberi dance was created based on the story of Dewi Anjani's pet. This dance is danced by two male dancers with energetic movements that reflect the character of Dewi Anjani's pet chicken. The various movements of the Manuk Beberi dance are classified into discursive symbols and presentational symbols. Movements that are included in the discursive symbol are the movements of the Keber, Notok, Ngaeh and Bekupu. These movements have certain meanings based on the results of mutual agreement in an area. Meanwhile, other Manuk Beberi dance movements are included in the presentational symbol, namely movements that are only complementary and do not have a core meaning. In conclusion, the traditional dance of Manuk Beberi has four forms, namely, the traditional dance form, which is the pet movement of Dewi Anjani. Keywords: Form, Manuk Beberi Dance, Motion