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All Journal V-art: Journal of Fine Art
Rajudin Rajudin
Institut Seni Indonesia Padang Panjang
Arts Humanities Education Social Sciences Other

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Karakteristik Warna Pada Lukisan Wakidi Alfiqra Aswat; Rajudin Rajudin; Rica Rian
V-art: Journal of Fine Art Vol 1, No 1 (2021): Juli - Desember 2021
Publisher : Institut Seni Indonesia Padang Panjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (366.862 KB) | DOI: 10.26887/vartjofa.v1i1.2133

Abstract

This study discusses the color character that Wakidi presents in his paintings, which mostly uses soft colors in his naturalist paintings. The method used in this study refers to a qualitative method which includes field observations, interviews, documentation, and literature studies as well as research conducted in the Padang area, West Sumatra. Based on the results of research on the characteristics of Wakidi's color in his paintings, the use of soft colors in Wakidi's paintings is to remind him that nature is very beautiful and has a calm atmosphere. Based on the type of human according to the typology of Hypocrates and Galenus Wakidi, it is a Phlegmatic type. Wakidi tends to present natural scenery in the evening with a reddish color. The color characters in Wakidi's works are discussed based on color dimensions, color composition, and differences with other artists. There is a lot that can be learned and researched from Wakidi's active work in addition to being a painting teacher and an Mooi Indie artist at the beginning of the pioneering of fine arts in West Sumatra, as well as being able to become a cultural asset that elevates natural scenery and ancient culture into his paintings. It is hoped that research on the color character of Wakidi's paintings can be a reference so that there are opportunities for other researchers to research from other scientific points of view.
Lumbung Padi Kerinci Sebagai Objek Penciptaan Karya Seni Grafis Gaya Surealis Jeki Aprisela H; Rajudin Rajudin
V-art: Journal of Fine Art Vol 2, No 1 (2022): Juli - Desember 2022
Publisher : Institut Seni Indonesia Padang Panjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/vartjofa.v2i2.3224

Abstract

The Kerinci Rice Barn is the object of this printmaking. The Kerinci rice barn was chosen as the object of creation because its existence is already threatened with extinction. In fact, the philosophical value of the Kerinci rice barn is very noble and profound. This printmaking is made in a surreal style. The concept of distortion is used to make the work more surreal. The idea behind this work is to use the Kerinci rice barn as an idiom to express oneself through art. The stages of the method in this creation are: contemplation, prototype, and forming. This printmaking work combines the hardboard cut technique with the stencil technique. The media used are acrylic paints and oil-based printing inks on canvas. The creation of this work has resulted in a work entitled "Menabung". This work measures 100 cm x 100 cm.
Co-Authors Alfiqra Aswat Jeki Aprisela H Rica Rian