Article Per Year (5 Year)
p-Index From 2019 - 2024
0.23
P-Index
This Author published in this journals
All Journal V-art: Journal of Fine Art
Jeki Aprisela H
Institut Seni Indonesia Padang Panjang
Arts Humanities Education Social Sciences Other

Published : 1 Documents Claim Missing Document
Claim Missing Document
Check
Articles

Found 1 Documents
Search

 1 
Lumbung Padi Kerinci Sebagai Objek Penciptaan Karya Seni Grafis Gaya Surealis Jeki Aprisela H; Rajudin Rajudin
V-art: Journal of Fine Art Vol 2, No 1 (2022): Juli - Desember 2022
Publisher : Institut Seni Indonesia Padang Panjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/vartjofa.v2i2.3224

Abstract

The Kerinci Rice Barn is the object of this printmaking. The Kerinci rice barn was chosen as the object of creation because its existence is already threatened with extinction. In fact, the philosophical value of the Kerinci rice barn is very noble and profound. This printmaking is made in a surreal style. The concept of distortion is used to make the work more surreal. The idea behind this work is to use the Kerinci rice barn as an idiom to express oneself through art. The stages of the method in this creation are: contemplation, prototype, and forming. This printmaking work combines the hardboard cut technique with the stencil technique. The media used are acrylic paints and oil-based printing inks on canvas. The creation of this work has resulted in a work entitled "Menabung". This work measures 100 cm x 100 cm.
Co-Authors Rajudin Rajudin