V-art: Journal of Fine Art
Vol 2, No 1 (2022): Juli - Desember 2022

Lumbung Padi Kerinci Sebagai Objek Penciptaan Karya Seni Grafis Gaya Surealis

Jeki Aprisela H (Institut Seni Indonesia Padang Panjang)
Rajudin Rajudin (Institut Seni Indonesia Padang Panjang)



Article Info

Publish Date
22 Dec 2022

Abstract

The Kerinci Rice Barn is the object of this printmaking. The Kerinci rice barn was chosen as the object of creation because its existence is already threatened with extinction. In fact, the philosophical value of the Kerinci rice barn is very noble and profound. This printmaking is made in a surreal style. The concept of distortion is used to make the work more surreal. The idea behind this work is to use the Kerinci rice barn as an idiom to express oneself through art. The stages of the method in this creation are: contemplation, prototype, and forming. This printmaking work combines the hardboard cut technique with the stencil technique. The media used are acrylic paints and oil-based printing inks on canvas. The creation of this work has resulted in a work entitled "Menabung". This work measures 100 cm x 100 cm.

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Journal Info

Abbrev

viart

Publisher

Subject

Arts Humanities Education Social Sciences Other

Description

V-art: Journal of Fine Art is an academic journal published by the Department of Fine Art, Faculty of Visual Art and Design, Institut Seni Indonesia Padang Panjang twice a year. This journal publishes original articles with a focus on the results of studies in the field of fine art since November ...