Rosalia Rachma Rihadiani
Universitas Katolik Soegijapranata

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STRATEGI PENAFSIRAN PUSAKA DI KEUSKUPAN AGUNG SEMARANG (STUDI KASUS SITUS RANDUSARI – SEMARANG) Rosalia Rachma Rihadiani; Laretna Trisnantari Adishakti
Tesa Arsitektur Vol 20, No 1: Juni 2022
Publisher : Unika Soegijapranata Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24167/tesa.v20i1.4780

Abstract

Abstract Many studies on the preservation of cultural heritage have been carried out, but only focus on the physical aspect. Studies that only focus on the physical do not have the power to last long because conservation activities will only focus on how to return the investment on physical development. The research aims to find significance in the interpretation and meaning of heritage preservation which will form the basis of a comprehensive and sustainable conservation strategy. This study uses the Historical Interpretation Strategy (HIS) as part of the seven steps of Heritage Urban Landscape (HUL). History tracing is done by diachronic and synchronic methods. The case study was conducted at the Randusari site in the Archdiocese of Semarang by conducting field surveys, interviews, questionnaires and a Discussion Group Forum with the Archdiocese of Semarang, government officials and professional associations. This study finds significance in the interpretation of heirlooms and the meaning of heirlooms at the Randusari Site, such as Education, Youth, Humanity and Catholicism as the basis for conservation at the Randusari Site. Keywords: Interpretation, significance, heritage, Randusari Site, meaning AbstrakKajian pelestarian cagar budaya sudah banyak dilakukan, namun hanya berfokus pada aspek fisik saja. Kajian yang hanya menitikberatkan pada aspek fisik tidak memiliki kekuatan untuk bertahan lama karena kegiatan pelestarian hanya akan berfokus pada cara untuk mengembalikan investasi atas pembangunan fisik. Penelitian ini bertujuan untuk menemukan signifikansi dalam penafsiran dan makna pusaka pelestarian pusaka yang akan menjadi dasar strategi  pelestarian yang komprehensif dan berkelanjutan. Penelitian ini menerapkan Strategi Interpretasi Sejarah (HIS) atau Strategi Penafsiran Pusaka sebagai bagian dari tujuh langkah Heritage Urban Landscape (HUL). Penelusuran sejarah dilakukan dengan metode diakronis  dan sinkronis. Studi kasus dilakukan di situs Randusari di Keuskupan Agung Semarang dengan melakukan survei lapangan, wawancara, kuesioner dan Forum Grup Disscusion dengan  Keuskupan Agung Semarang, pejabat pemerintah, dan asosiasi profesi. Kajian ini menemukan signifikansi dalam penafsiran pusaka dan makna pusaka di Situs Randusari yaitu Pendidikan, Kebaruan, Kemanusiaan, dan Katoliksitas sebagai dasar dalam pelestarian di Situs Randusari.Kata kunci: Penafsiran, signifikansi, pusaka, Situs Randusari, makna
The architecture of the Catholic Church in the modern movement in Indonesia Rosalia Rachma Rihadiani; Ikaputra
ARTEKS : Jurnal Teknik Arsitektur Vol 8 No 1 (2023): ARTEKS : Jurnal Teknik Arsitektur | Januari 2023 ~ April 2023
Publisher : Program Studi Arsitektur Fakultas Teknik Universitas Katolik Widya Mandira

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30822/arteks.v8i1.1891

Abstract

Catholic church architecture is part of the development of architecture, especially in Europe. The rationalism and density of iconic Catholic church buildings in Europe raise the allegation that the architecture of the Catholic church during the modern movement was not found in Europe but appeared in missionary areas, including Indonesia. Queen Wilhelmina adopted the ethical policy in 1901 was a driving factor for the emergence of modern-style buildings in Indonesia, including the Catholic church building. Symbols and ornaments are part of the architecture of the Catholic Church; this is contrary to the anti-ornament school of modern architecture. This research looks at the architecture of the Catholic Church in Indonesia during the 1890 - 1945 period of the modern movement. The research method used descriptive qualitative with secondary data collection. The results showed that the architecture of the Catholic Church in Indonesia during the modern movement had an identity: geometric shapes on the facade, simple symbols and ornaments and a three-dimensional roof.