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Regulasi Memori dalam Pengarsipan Rekonstruksi Sejarah Widiawati, Harfiyah
Wacana Vol 4, No 2 (2002): Produksi Budaya dan Budaya Produksi
Publisher : Faculty of Humanities, University of Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1048.279 KB) | DOI: 10.17510/wjhi.v4i2.329

Abstract

Writing and documentation involve a process of selection and arrangement. Archives; therefore, is a system which organize the documentation of writings, documents and notes. Archives become a structure that organize the documentation of writings, documents and notes. Archives become a structure that organizes memories because of their close ties with the past. Archives legitimize and control the history of mankind. This article seeks to discuss how archive system can reconstruct or construct history of a nation and the relationship between power and archive system. Supersemar is a concrete example or how power constructs a political history regulated for New Order rezime's interests.
EKSISTENSIALIME ALBERT CAMUS DALAM ORANG ASING Widiawati, Harfiyah
METASASTRA: Jurnal Penelitian Sastra Vol 1, No 1 (2008)
Publisher : Balai Bahasa Jawa Barat

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26610/metasastra.2008.v1i1.26-31

Abstract

Karya Albert Camus, seorang penulis Aljazair yang kemudian pindah ke Perancis, secara signifikan memperlihatkan sifat eksistensialisme. Tulisan ini mencoba untuk menjelaskan unsur-unsur eksistensialisme dalam satu karya Camus. L’etranger, yang sudah diterjemahkan ke dalam bahasa Indonesia, dengan judul Orang Asing.
The Contrapuntal Reading of Colonial Logic and the Play of Caricature in “Houseboy + Maid” by Pramoedya Ananta Toer Widiawati, Harfiyah; Harahap, Aris Masruri; Sihombing, Lambok Hermanto
Language Circle: Journal of Language and Literature Vol 15, No 1 (2020): October 2020
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/lc.v15i1.25657

Abstract

Pramoedya Ananta Toer’s works are highly distinguished for their strong realist characteristic and profound analysis of interactions among pre- and post- colonial human beings and their place in society. One of the works that portray such characteristics is “Houseboy + Maid”, the first story in Toer’s collection Tales from Djakarta: Caricatures of Circumstances and Their Human Beings. In this research, post-colonialism and contrapuntal reading proposed by Edward Said are used as methods to interpret a literary work whose narration is about two characters who live in post-colonial Indonesia, or rather post-revolutionary Indonesia. Their unfixed identities which are interrelated through the changing event of the plot indicates that their very destiny cannot be separated from the “politicality, sociality, and historicality” of much bigger entities.