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All Journal KOMUNITAS: INTERNATIONAL JOURNAL OF INDONESIAN SOCIETY AND CULTURE Language Circle : Journal of Language and Literature ISLLAC : Journal of Intensive Studies on Language, Literature, Art, and Culture JSSH (Jurnal Sains Sosial dan Humaniora) English and Literature Journal Metathesis: Journal of English Language, Literature, and Teaching Polingua : Scientific journal of Linguistics, Literature and Language Education
Aris Masruri Harahap
Akademi Komunitas Presiden
Arts Humanities Economics, Econometrics & Finance Education Environmental Science Languange, Linguistic, Communication & Media Physics Social Sciences

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 1 
The Disappearance of Uncanny in Winnie-The-Pooh and its Use for Education Harahap, Aris Masruri
Language Circle: Journal of Language and Literature Vol 12, No 2 (2018): April 2018
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/lc.v12i2.14177

Abstract

This article discusses disappearance of uncanny in one of the greatest children novel from The First Golden Age of Children Literature in Britain, Winnie-the-Pooh. The discussion is meant to uncover why the uncanny does not arise when it is read although it has the elements to arise the uncanny. Moreover, the novel is very popular of its canniness. In doing analysis, Freud‘s thoughts on the uncanny help me to find the reason. The analysis resulted that the use of fantasy in the novel and how its story is narrated determine the readers to not concentrate on the uncanny. The disappearance of the uncanny and the emergence of canny in the novel has made the novel as a favorite reading material for children. This, in fact, is an approach to teach children some values which is influenced by the development of children literature since the 18 th century.
Pencak Dor in the Cyber World: An Analysis of Comments on Youtube Sihombing, Lambok Hermanto; Harahap, Aris Masruri
KOMUNITAS: International Journal of Indonesian Society and Culture Vol 11, No 2 (2019): September
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/komunitas.v11i2.19901

Abstract

There has been a rise in the spread and new consumption of a traditional fighting sport from East Java, Indonesia. The sport is widely known as Pencak Dor. These days Pencak Dor has received internet users’ attention. People can easily find videos of Pencak Dor’s fights on the biggest video sharing site, YouTube. However, similar to what happens in the real world; various comments regarding the performance of Pencak Dor appear in the cyber world too. Using encoding-decoding concept from Stuart Hall, we try to unpack the complexity of the diverse comments appeared on YouTube regarding the practices. The result of this study suggested that topics appeared in the comments is not limited to the fight or the fighters. Interestingly, the topic is also about a debate and contestation between preserving the traditional sport and Islamic teachings. Having a root in Lirboyo Islamic Boarding School, Pencak Dor mixes violent culture and religious teachings. The diverse opinions that emerge on YouTube instead affirm that a code that an encoder sends is not necessarily decoded exactly the same as the encoder wants.
The Contrapuntal Reading of Colonial Logic and the Play of Caricature in “Houseboy + Maid” by Pramoedya Ananta Toer Widiawati, Harfiyah; Harahap, Aris Masruri; Sihombing, Lambok Hermanto
Language Circle: Journal of Language and Literature Vol 15, No 1 (2020): October 2020
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/lc.v15i1.25657

Abstract

Pramoedya Ananta Toer’s works are highly distinguished for their strong realist characteristic and profound analysis of interactions among pre- and post- colonial human beings and their place in society. One of the works that portray such characteristics is “Houseboy + Maid”, the first story in Toer’s collection Tales from Djakarta: Caricatures of Circumstances and Their Human Beings. In this research, post-colonialism and contrapuntal reading proposed by Edward Said are used as methods to interpret a literary work whose narration is about two characters who live in post-colonial Indonesia, or rather post-revolutionary Indonesia. Their unfixed identities which are interrelated through the changing event of the plot indicates that their very destiny cannot be separated from the “politicality, sociality, and historicality” of much bigger entities.
Mooi Indie Paintings: The Antagonism and Its Politicality Harfiyah Widiawati; Aris Masruri Harahap; Lambok Hermanto Sihombing
ISLLAC : Journal of Intensive Studies on Language, Literature, Art, and Culture Vol 4, No 2 (2020)
Publisher : Jurusan Sastra Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

For some people, Indonesia during colonial period is often imagined as a beautiful, quiet, peaceful, and harmonious country. Such imagination, for example, resides in the concept of Mooi Indie paintings which emerged out of Indonesian history during the Dutch colonial period. However, for other people, such representations were opposed because they were merely romanticized representation by painters patronized by the Dutch colonials who wanted to romanticize the memory of their past in East Indies.  In this article, we discussed how the concept of Mooi Indie appears in certain Indonesian landscape paintings, how the antagonism comes into sight, and how its politicality works.
THE REPRESENTATION OF GWANGJU UPRISING IN HUMAN ACTS NOVEL Aris Masruri Harahap; Sri Utami
Elite : English and Literature Journal Vol 6 No 2 (2019): December
Publisher : UIN Alauddin Makassar

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (332.471 KB) | DOI: 10.24252/elite.v6i2a6

Abstract

This study aims to describe how Gwangju Uprising that happened in Gwangju, South Korea, in 1980 was represented in Human Acts (2016) novel. In the bloody event, a rebellion took place involving army and civilians. To understand how the Uprising is represented in the novel, the writers use representation theory by Stuart Hall. This research uses a qualitative descriptive method to analyze data based on some events in the novel. The result of the analysis shows that Human Acts represents what happened in the Uprising in accordance with major historical narrations. The novel also represents how civilians with power were able to create a disorder situation.ABSTRAK Penelitian ini bertujuan untuk menggambarkan bagaimana Pemberontakan Gwangju atau Gwangju Uprising yang terjadi di Gwangju, Korea Selatan, pada tahun 1980 direpresentasikan dalam novel Human Acts (2016). Dalam peristiwa berdarah itu, sebuah pemberontakan terjadi yang melibatkan tentara dan warga sipil. Untuk memahami bagaimana Uprising direpresentasikan dalam novel, penulis menggunakan teori representasi oleh Stuart Hall. Penelitian ini menggunakan metode kualitatif deskriptif untuk menganalisis data berdasarkan beberapa peristiwa dalam novel. Hasil analisis menunjukkan bahwa Human Acts merepresentasikan apa yang terjadi dalam Gwangju Uprising sesuai dengan narasi sejarah utama. Novel ini juga merepresentasikan bagaimana warga sipil mampu menciptakan situasi kekacauan.Kata kunci: Gwangju Uprising, Human Acts, representasi, pemberontakan
The Discrepancy of Meaning: A Study of a Guardian Angel’s Existence in “Deus Ex Machina” Harfiyah Widiawati; Aris Masruri Harahap; Lambok Hermanto Sihombing
Metathesis: Journal of English Language, Literature, and Teaching Vol 4, No 2 (2020): Metathesis : Journal of English Language, Literature, and Teaching
Publisher : English Education Study Program, Faculty of Education and Teachers Training, Tidar Univer

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31002/metathesis.v4i2.2703

Abstract

The theme of a guardian angel has always become cryptic discussion among scholars, for as God, she is beyond our empirical grasp. Hari Kunzru is one of the writers who broach this subject in his work entitled “Deus Ex Machina”. In the short story, the guardian angel acts as the I-character of the story as well as the I-narrator of the story. By using theories on textual deconstruction and existentialism, we discuss and analyze the guardian angel’s raison d’etre (reason to be) and significance through her functions as the narrator and also the I-character in the narration of “Deus Ex Machina” story. From the analysis, we could draw three conclusions which relate raison d’etre (reason to be) and the significance of the guardian angel with the other characters within the story and with her readers outside the story.
The Act of Silencing in Robert Musil’s “Tonka” Harfiyah Widiawati; Lambok Hermanto Sihombing; Aris Masruri Harahap
Journal Polingua: Scientific Journal of Linguistics, Literature and Language Education Vol 9, No 2 (2020)
Publisher : Politeknik Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30630/polingua.v9i2.144

Abstract

Modernism’s overemphasize on universal objectivity as well as its optimistic humanism have generated critical questions. The critics on modernism, labeled under the name of postmodernists, question the neutrality assumed by humanist universalism and scientific objectivism. Seeing the ugly sides of enlightenments, the modernist critics begins to see modernism “as deeply implicated by forms of oppression: sexism, racism, class-ism, colonialism”. The purpose of this paper is to analyze a modernist work from the view point of postmodernism. The work that is under discussion here is “Tonka” by Robert Musil. Within the story, we can see that a form of oppression appears. We are to find  how the form of oppression within the story works. It is interesting to find that the oppression works through the act of silencing. To see how silence is interwoven in the story, we have to firstly set some limitation to make possible the discussion on silence itself. The easiest way to do it is by putting the entity in a binary opposition since the text strongly shows binary organization.
Pencak Dor in the Cyber World: An Analysis of Comments on Youtube Sihombing, Lambok Hermanto; Harahap, Aris Masruri
Komunitas Vol 11, No 2 (2019): September 2019
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/komunitas.v11i2.19901

Abstract

There has been a rise in the spread and new consumption of a traditional fighting sport from East Java, Indonesia. The sport is widely known as Pencak Dor. These days Pencak Dor has received internet users’ attention. People can easily find videos of Pencak Dor’s fights on the biggest video sharing site, YouTube. However, similar to what happens in the real world; various comments regarding the performance of Pencak Dor appear in the cyber world too. Using encoding-decoding concept from Stuart Hall, we try to unpack the complexity of the diverse comments appeared on YouTube regarding the practices. The result of this study suggested that topics appeared in the comments is not limited to the fight or the fighters. Interestingly, the topic is also about a debate and contestation between preserving the traditional sport and Islamic teachings. Having a root in Lirboyo Islamic Boarding School, Pencak Dor mixes violent culture and religious teachings. The diverse opinions that emerge on YouTube instead affirm that a code that an encoder sends is not necessarily decoded exactly the same as the encoder wants.
The Meaning of Home after Internal Migration for a Local-Based Community in Jakarta Aris Masruri Harahap
JSSH (Jurnal Sains Sosial dan Humaniora) JSSH (Jurnal Sains Sosial dan Humaniora) Vol. 7 No. 1 Maret 2023
Publisher : Lembaga Publikasi Ilmiah dan Penerbitan (LPIP)

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (670.276 KB) | DOI: 10.30595/jssh.v7i1.14183

Abstract

In the context of urbanization in Indonesia, home for migrants is often associated with a place where they will return after leaving. This idea becomes even clearer on Lebaran Day. At that time, many of those who left their homes will do their biggest effort to come home and meet their loved ones at home. It is not to mention people from Lampung who join a local-based community called Komunitas Anak Lampung Selatan (Community of People from South Lampung) or KALS. These people left their hometown for Jakarta in the spirit of accumulating economic capital. This essay discusses the meaning of home for migrants by using KALS as a study case in the context of urbanization in Indonesia. As the analysis shows, the home for KALS is not unified as it involves different places. Since KALS came to Jakarta to gamble their fate, the successful or unsuccessful effort in economic capital accumulation in Jakarta also plays an important role in the meaning construction of homes for KALS. Those who are satisfied with accumulating economic capital tend to see Jakarta as their current and future home. At the same time, they see Lampung as a home to which they will return on special occasions like Lebaran Day which means it is only temporary. However, those who are not satisfied with accumulating the capital tend to see Lampung as a home where they will return permanently in the future and see Jakarta as merely a temporary home.
Co-Authors Harfiyah Widiawati Harfiyah Widiawati Harfiyah Widiawati Hermanto, Lambok Lambok Hermanto Sihombing Sri Utami