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All Journal Corak : Jurnal Seni Kriya Jurnal Rupa International Journal of Visual and Performing Arts Dinamika Kerajinan dan Batik : MAJALAH ILMIAH
Jeng Oetari
Universitas Telkom
Arts Humanities Chemical Engineering, Chemistry & Bioengineering Education Environmental Science Industrial & Manufacturing Engineering Materials Science & Nanotechnology Social Sciences

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MOTIF BATIK DI KAMPUNG BATIK KEMBANG TURI KOTA BLITAR Jeng Oetari; Morinta Rosandini
Corak : Jurnal Seni Kriya Vol 9, No 2 (2020): NOVEMBER 2020
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/corak.v9i2.4075

Abstract

Batik Kembang Turi, Blitar was present in 2018 as an embodiment of batik preservation in the City of Blitar. The Blitar Turi Batik Blitar Gallery has become one of the centers of making batik, has succeeded in empowering the surrounding community to produce batik with Blitar's distinctive characteristics. But until now not many people outside the city of Blitar know the beauty and uniqueness of Batik Kembang Turi Blitar, even though there is a lot of potentials that can be developed to be able to increase the strength of the characteristics of Kembang Turi Blitar Batik. The results of this study in the form of data from 17 batik motifs that have the characteristics of the main motifs, the Kembang Turi motif in combination with the Koi, Gendang, Bung Karno, and Lotus motifs that are characteristic of the city of Blitar. The distinctive color that is used on Kampung Batik Kembang Turi batik, namely bright colors, red colors, green and black are the hallmarks of Batik Kembang Turi Blitar. In the future, this data can be used as a basis for the development of new motif designs in “Batik Kembang Turi” Blitar  Gallery. Batik Kembang Turi, Blitar hadir pada tahun 2018 sebagai perwujudan dari pelestarian batik di Kota Blitar. Galeri Batik Kembang Turi Blitar menjadi salah satu pusat pembuatan batik, sudah berhasil memberdayakan masyarakat sekitar untuk memproduksi batik dengan ciri khas Blitar. Namun hingga saat ini belum banyak masyarakat di luar Kota Blitar mengetahui keindahan dan keunikan batik Kembang Turi Blitar, padahal banyak potensi yang dapat dikembangkan untuk dapat meningkatkan kekuatan karakteristik dari batik Kembang Turi Blitar. Hasil dari penelitian ini  berupa data dari 17 motif batik yang memiliki karakteristik motif utama yaitu Motif Kembang Turi dengan kombinasi dengan motif Koi, Gendang, Makam Bung Karno, dan Teratai yang merupakan ciri khas dari Kota Blitar. Ciri khas warna yang digunakkan pada batik Kampung Batik Kembang Turi, yaitu warna-warna yang cerah, seperti warna merah, hijau dan hitam yang merupakan ciri khas batik Kembang Turi Blitar. Ke depannya data ini dapat digunakan sebagai dasar pengembangan desain motif baru di Galeri “Batik Kembang Turi” Blitar.
PENGEMBANGAN MOTIF KEMBANG TURI DAN KOI UNTUK INOVASI BATIK KEMBANG TURI BLITAR Morinta Rosandini; Jeng Oetari; Nofita Sari
Dinamika Kerajinan dan Batik: Majalah Ilmiah Vol 39, No 1 (2022): DINAMIKA KERAJINAN DAN BATIK : MAJALAH ILMIAH
Publisher : Balai Besar Kerajinan dan Batik

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22322/dkb.v39i1.6822

Abstract

Batik Kembang Turi dari Kampung Wisata Kembang Turi Blitar menjadi salah satu produk unggulan wisata Kota Blitar sejak diresmikan tahun 2018. Motif kembang turi, ikan koi, serta kendang menjadi ciri khas batik Kembang Turi. Proses kreasi stilasi dan komposisi motif batik di Kelurahan Turi terbilang masih sederhana dengan menggunakan teknik pola motif satu langkah dan karakter warna belum memiliki konsep warna yang dapat mempresentasikan ciri khas motif batik dari Kampung Batik Kembang Turi. Metode yang digunakan untuk penelitian ini adalah metode kualitatif dan kuantitatif dengan pengumpulan data melalui observasi lapangan dan wawancara dengan pengrajin di Kampung Batik Turi. Selanjutnya, dilakukan eksperimen berupa eksplorasi pengolahan stilasi, pengolahan motif setengah Langkah, dan eksplorasi warna. Hasil dari penelitian ini adalah dua baru dengan kreasi motif dan warna yang lebih dinamis dengan stilasi dan komposisi baru pada Batik Kembang Turi Blitar, Komposisi pola motif setengah langkah dan pola satu langkah refleksi simetri, serta konsep warna baru, sehingga terciptanya karakter motif dan warna yang dimiliki Kampung Batik Kembang Turi. Pengolahan motif ini berpotensi dalam upaya pengembangan Kampung Batik Kembang Turi serta menambah estetika dalam pengembangan pola motif batik Blitar khususnya di Kelurahan Turi.
Leveraging the modular design approach to enhance variation of SME LORI jewelry Morinta Rosandini; Dewi Isma Aryani; Elliati Djakaria; Riana Plourida Hura; Nadiah Salsabila; Jeng Oetari; Prafitra Viniani; Roro Retno Wulan
International Journal of Visual and Performing Arts Vol 5, No 1 (2023)
Publisher : ASSOCIATION FOR SCIENTIFIC COMPUTING ELECTRICAL AND ENGINEERING (ASCEE)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31763/viperarts.v5i1.1044

Abstract

LORI SME (Small and Medium Enterprise), operating as a producer of fashion accessories characterized by local craftsmanship, encounters challenges in accommodating diverse customer preferences due to resource constraints. To unleash its full potential, there exists a pressing need to adopt innovative design methodologies. This research endeavors to investigate the application of a modular design approach as a strategic solution for augmenting the variety of LORI SME accessories, thereby facilitating the creation of a range of jewelry products that can be easily tailored and adapted to meet individual customer requirements. The study utilizes a qualitative research methodology, encompassing literature reviews, interviews with the owner, exploration of visual motifs and materials, and practice-based research. The findings of this research illuminate that the adoption of a modular design approach significantly enhances the diversity of LORI SME's jewelry offerings, particularly in the case of its necklace products. This modular approach provides SMEs with a broader array of customizable necklace options characterized by distinctive local motifs and high craftsmanship value. These findings furnish valuable insights for SMEs within the LORI SME sector aiming to expand their product portfolios. Additionally, they offer guidance to designers and artisans regarding the potential advantages and challenges associated with the incorporation of modular design strategies in the broader context of small business innovation and product development.
Analisis Visual Mahkota Binokasih Sang Hiyang Pake di Kabupaten Sumedang Jeng Oetari; Fajar Ciptandi; Morinta Rosandini
JURNAL RUPA Vol 8 No 1 (2023): Open Issue (In press)
Publisher : Telkom University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25124/rupa.v8i1.5592

Abstract

Regency, especially the Sumedang Larang Palace, was designated as the Sumedang Puseur Budaa Sunda in 2017 by the Sumedang Government and designated as an institution for the preservation, protection, and development of ancestral customs and culture. As a result of this policy, 10 typical Kesumedan ornaments were determined, one of which was the Binokasih Crown. On the other hand, the Regent's Regulation Number 113 of 2009 concerns legal developments and community needs, therefore to strengthen legality it is necessary to increase it in the form of regional regulations, to maintain cultural preservation which is carried out through inventory, security, maintenance, rescue, and publication. So that is more potential in digging up further information, one of which is in the visual analysis of objects related to culture, especially the ornaments on the Crown which have been designated as cultural heritage/cultural assets for efforts to preserve Sundanese culture in Sumedang. The purpose of this study is to visually analyze the crown and analyze the philosophy contained in the crown. So that it can maintain cultural heritage both tangible and intangible aspects and become a basic reference in developing a product because it already has a clear foundation. Keywords: Visual Analysis, Crown Binokasih, Decorative Variety, Sumedang
Co-Authors Dewi Isma Aryani Elliati Djakaria Fajar Ciptandi Morinta Rosandini Morinta Rosandini Nadiah Salsabila Nofita Sari Prafitra Viniani Riana Plourida Hura Roro Retno Wulan