Article Per Year (5 Year)
p-Index From 2019 - 2024
1.789
P-Index
This Author published in this journals
All Journal Nirmana Texture : Art and Culture Journal Abdi Seni Acintya Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Dewa Ruci : Jurnal Pengkajian dan Penciptaan Seni Ornamen Jurnal Pengkajian dan Penciptaan Seni Kriya PROSIDING: SENI, TEKNOLOGI, DAN MASYARAKAT Intervensi Komunitas: Jurnal Pengabdian Masyarakat Jurnal Desain Komunikasi Visual Nirmana
Satriana Didiek Isnanta
Unknown Affiliation
Religion Arts Humanities Computer Science & IT Decision Sciences, Operations Research & Management Economics, Econometrics & Finance Education Languange, Linguistic, Communication & Media Social Sciences Other

Published : 23 Documents Claim Missing Document
Claim Missing Document
Check
Articles

Found 5 Documents
Search
Journal : Acintya

 1 
MURALDEFINISI DAN SEJARAH PERKEMBANGANNYA Satriana Didiek Isnanta
Acintya Vol 8, No 2 (2016)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (2816.903 KB) | DOI: 10.33153/acy.v8i2.1933

Abstract

The presence of the mural in the development of human civilization have been found long ago. Murals or painted walls has existed since prehistoric times that the site is in caves. Mural always follow human civilization, including modern human civilization now. In modern civilization, mural functions continue to evolve, as well as wall hangings, mural also serves as a medium for propaganda, protest against the authorities, the existence of self-identity politics and group, artistic expression, and as an advertising medium. In the context of contemporary art, murals entry in the genre of public art (publicart) and street art (street art), which in conjunction with other types of street art like graffiti. Problems arise when, performers (creator), public (apresiator) and government (stakeholders-holder regulation) do not understand the definition and historical development of this mural, so it can not distinguish between murals and graffiti. This gives rise to misunderstanding among them. On the one hand, considers that the expression of art, on the other hand considers murals make the city dirty. Therefore, it is important to make a study of literature relating to the definition and development mural to be a reference material for mural artists and government policy makers. Kepustakan research method is using a discourse analysis of data taken from various books, scientific articles, photo and video documentation, catalogs and media coverage.Keywords: murals, public art, contemporary art.
STUDI PENCIPTAAN SENI KINETIK “RAMPOGAN” Satriana Didiek Isnanta; Deni Rahman
Acintya Vol 10, No 2 (2018)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (2457.638 KB) | DOI: 10.33153/acy.v10i2.2277

Abstract

The study of the creation of kinetic artwork with the title “Rampogan” focuses on the study of the creation of installation works that can move (kinetic). The purpose of this experiment-based art creation is to explore the possibilities of novelty on three aspects, namely: (1) visual rampogan aspects of the wayang kulit purwa as a representation of ideas, (2) aspects of the medium / material used and (3) mechanics aspects that can move the aesthetic elements of the work.The theme of the work in this creation study originated in Javanese cultural art, namely “Rampogan” (the puppet child who describes the dynamics of warriors leaving for war). This represents the idea of creating works about social phenomena that occur in Indonesia now, where the common life of the nation and state has been torn apart by a group of people who force the will of their groups by going down the streets.The method of creating this work uses a method of “artistic creation” which consists of three stages of creation, namely: (1) the experimental stages related to the exploration of materials, tools and techniques. (2) the contemplation stage relating to the exploration process of several alternative metaphors that will be used in the work, and (3) the formation stage which is the process of materializing the work by considering the principle of composition and structure.The output of this creation study is the creation of a kinetic work with the title “Rampogan”, scientific articles in national journals and intellectual property rights.Keywords: kinetic art, rampogan, Javanese culture
STUDI PENCIPTAAN KARYA SITE SPECIFIC DANCE “HELAI KERTAS” Eko Supendi; Satriana Didiek Isnanta
Acintya Vol 12, No 1 (2020)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/acy.v12i1.3140

Abstract

ABSTRACTDance has experienced extraordinary development. Now, dance is no longer in the area of fairies but has entered the modern civilization, the tradition is shifted to the industry and academic. This is because of the role of academic dancers who conduct the research, both creation studies and scientific studies. Dance has become the object of laboratories in the studios of art academics in Indonesia and various parts of the world, so that dance laboratories and studios have emerged in various places in Indonesia. Now dance is not only seen as practicing soul, dance is no longer limited to the beauty of aesthetic invisible , but dance  also has explored other art worlds, such as theater and fine arts.Now it is difficult to distinguish between dance and theater performance. The above phenomenon often becomes a trend of artists. Art observers call it a contemporary phenomenon. Contemporary phenomena continue to develop in artists and academic world. Contemporary art is critical towards social problems around it as well as the art itself. Contemporary spirit does not only break the ice of one art discipline but also across art disciplines. Almost all elements of dance are explored and developed, one of which is site specific dance. A genre of contemporary dance that focuses on creating dance works using special places.This study uses an artistic research method. The researchers as well as the creators of site specific dance works is in the lobby of the H.U office Solopos. The research stages are in accordance with the stages of artistic research.Keywords: site specific dance, space, body, time, dance.  ABSTRAK Seni tari telah mengalami perkembangan yang luar biasa.  Sekarang, tari tidak lagi berada di wilayah peri-peri, tetapi telah masuk ke sentrum peradaban modern, dari kantong-kantong tradisi bergeser ke kantong-kantong industri dan akademik. Hal tersebut tidak lepas dari peran penari akademik yang melakukan riset, baik studi penciptaan maupun kajian ilmiah. Tari telah menjadi objek laboratorium di studio-studio akademisi seni di Indonesia dan berbagai belahan dunia, sehingga bermunculan laboratorium-laboratorium dan studio tari di berbagai tempat di Indonesia.Tari saat ini dipandang tidak saja berolah sukma, tari tidak lagi sebatas keindahan estetika yang kasat mata, tetapi tari sudah menjelajah dunia seni lainnya, seperti teater dan seni rupa.Sekarang sulit membedakan antara penyajian tari dan teater. Fenomena di atas sering menjadi trend para seniman individual. Kalangan pengamat seni menyebut fenomena tersebut sebagai fenomena kontemporer. Fenomena kontemporer terus berkembang dalam kalangan seniman dan lingkungan akademik. Seni kontemporer selain kritis terhadap persoalan sosial yang ada di sekitarnya juga kritis kepada seninya sendiri. Spirit kontemporer tidak hanya mendobrak kebekuan sekat –sekat satu disiplin seni, tetapi juga lintas disiplin seni. Hampir semua elemen tari dieksplorasi dan dikembangkan, salah satunya adalah site specific dance. Sebuah genre seni tari kontemporer yang fokus kepada penciptaan karya tari menggunakan tempat-tempat yang khusus.Penelitian ini menggunakan metode penelitian artistik, dimana peneliti sekaligus pencipta karya site specific dance di lobi kantor H.U. Solopos yang tahapan penelitiannya sesuai dengan tahapan riset artistik. Kata kunci: site specific dance, ruang, ketubuhan, waktu, tari. 
STUDI PENCIPTAAN KARYA PERFORMANCE ART DENGAN FOKUS EKSPLORASI RUANG DAN CAHAYA Satriana Didiek Isnanta
Acintya Vol 2, No 2 (2010)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (2309.057 KB) | DOI: 10.33153/acy.v2i2.167

Abstract

Study the creation of works of performance art “The Light of Clear Soul” is a study of the creation of works that explore the performance art, space and light. The form of mywork is explores space, practical and elastic that can be presented anywhere, either in the conventional stage, in the parks, in the forest, in a public toilet, or on the street. The form and the essence of its performance over the motion and the selected symbol. In this work performance, the light becomes important as one of the aesthetic elements. This work not only in the spot light like a standard show, but also flexible in accordance with the conditions and needs, such as spot lights, flashlights, lanterns, candles, or even a slide projector or video projector though. This work is actually very open, kind of ideas and forms. Even open to get in on the area of collaborative work. With my idea of an artist as a performer and installator (because of my art background) then no wonder I create works that will be open to the other performer-based dance, music and theater. The study uses the method of creation is the creation of works that have several stages of phase observation, experimentation phase and creating phase works. In the observation phase in addition to the observations of some performance art in person and also the documentation of a location that will be used. It is given such importance in the performance art space. Furthermore, the findings were used by the author as the basis for the creation of premises experimentation space and light which then continued into a work of performance art intact. Forms of performance art whose works are just that moment will be tricked by audiovisual documentation that could later be accounted for in a long time. Keywords: Performance art, space, light, experimentation
PERANCANGAN KARYA SENI INSTALASI SEBAGAI ELEMEN ARTISTIK SPOT SWAFOTO DI RUANG PUBLIK BERNUANSA LOKAL Ahmad Fajar Ariyanto; Satriana Didiek Isnanta; Ernasthan Budi Prasetyo
Acintya Vol. 14 No. 2 (2022)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/acy.v14i2.4550

Abstract

ABSTRAKSwafoto berkaitan erat dengan citra yang dipersepsikan seseorang atas dirinya sendiri (self image). Swafoto telah menjadi gaya hidup tidak hanya masyarakat perkotaan tetapi juga sudah sampai ke pinggiran. swafoto pada area wisata/ publik, hal ini juga tidak terlepas dari perubahan gaya hidup generasi muda yang kini gemar melakukan travelling.Fenomena swafoto ini akhirnya mempengaruhi pengelola ruang komersial seperti kafe untuk mendekorasi ulang interiornya dengan menyediakan spot swafoto sebagai salah satu dayatarik usahanya. Gaya hidup swafoto dan perkembangan teknologi informasi terutama media sosial seperti facebook dan Instagram telah memberi keuntungan bagi pengelola ruang komersiil dan pemerintah daerah. Dengan menyediakan spot swafoto, usahanya maupun destinasi wisatanya telah dipromosikan karena diseberluaskan melalui akun Facebook atau IG wisatawannya.Sayangnya spot swafoto sekarang yang telah ada di kafe-kafe maupun di destinasi wisata yang dikelola oleh pemerintah daerah masih terkesan seragam atau minimal jauh dari kultur setempat. Oleh karena itu perlu sebuah penelitian yang bertujuan untuk membuat Rancangan Prototipe Seni Instalasi Sebagai Elemen Artistik Spot Swafoto di Ruang Publik bernuansa budaya lokal.Penelitian ini didesain sebagai penelitian eksperimentatif dengan menggunakan metode Kreasi Artistik yang memiliki tahapan riset dengan pendekatan etik dan riset dengan pendekatan emik sebagai dasar penciptaan karya, dan kedua, tahapan penciptaan karya berisi: eksperimentasi, perenungan dan pembentukan. Penelitian ini didesain sebagai penelitin terapan dengan durasi selama enam bulan.  Luaran penelitian ini adalah: draft rtikel ilmiah, produk inovasi dan KI. Kata kunci; seni instalasi; spot swafoto, budaya lokal, ruang publik  ABSTRACTSelfie is closely related to the image that a person perceives of himself (self image). Selfie has become a lifestyle not only for urban people but has also reached the outskirts. selfies in tourist/public areas, this is also inseparable from the changing lifestyles of the younger generation who are now fond of traveling.This selfie phenomenon has finally influenced the managers of commercial spaces such as cafes to redecorate their interiors by providing selfie spots as one of the attractions of their business. The selfie lifestyle and the development of information technology, especially social media such as Facebook and Instagram, have provided benefits for commercial space managers and local governments. By providing selfie spots, their businesses and tourist destinations have been promoted because they are disseminated through their Facebook accounts or tourists' IG accounts.Unfortunately, the selfie spots that already exist in cafes and tourist destinations managed by local governments still seem uniform or at least far from local culture. Therefore, a research is needed that aims to create a Prototype Design of Installation Art as an Artistic Element of a Selfie Spot in a Public Space with the nuances of local culture.This research is designed as an experimental research using the Artistic Creation method which has research stages with an ethical approach and research with an emic approach as the basis for creating works, and second, the stages of creating works consist of: experimentation, reflection and formation. This study was designed as an applied research with a duration of six months. The outputs of this research are: drafts of scientific articles, innovation products and IP. Keywords; installation art; selfie spot, local culture, public space 
Co-Authors Afri Wita Ahmad Fajar Ariyanto Angling Yoga Bayu Apip Apip Asmoro Nurhadi Panindias Asmro Nurhadi Panindias Deni Rahman Eko Supendi Ernasthan Budi Prasetyo Farid Dwi Bagus Sugiharto Joko Budiwiyanto Much Sofwan Zarkasi S., Syamsiar Taufik Murtono