Claim Missing Document
Check
Articles

Found 2 Documents
Search
Journal : Ornamen Jurnal Pengkajian dan Penciptaan Seni Kriya

TV Lokal Pembentuk Identitas Kultural Antara Harapan Dan Kenyataan (Studi Kasus Terang Abadi Televisi Surakarta) Satriana Didiek Isnanta
Ornamen Vol 5, No 2 (2008)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (947.863 KB) | DOI: 10.33153/ornamen.v5i2.915

Abstract

The endorsement of Undang Undang /UU 2002 number 32 (Indonesian Law System) about broadcase is to emerge an important standing point of the existence of local television. It is because of the fulfillness of the formal legal and democratic in Indonesia. Local television implementating spirit of autonomous is felt by the viewer as the spectrum of our broadcast. Covering by dense local programs local television has always served the best programs for Indonesian viewers realizing the local genious.Besides, the ideal of this UU broadcast is to build the foundation for the system of broadcast decentralisation. In short, the local government has also right to take a better benefits from its broadcast both the range of the diversity of the content and diversity of ownershipIt looks very ideal when the UU 2002 about broadcast want to make a good and fair share of economical benefits. But we have a big question : How far our local investor can compete with nasional even gobal investors? How can local program compete with others from national or even global program?. Moreover, can local program format as a local culture identity can compete againts national or even global program format?Those are three big questions that really want to be analysed in this paper. Using the focus in case study of Terang Abadi Television (TATV Surakarta) as local televisionIt is expected to find out an ideal television format program to make a ultural identity as well as profit for economical sides. Key words : Local television, cultural identity.
Ekspresi Seni Dan Intervensi Publik (Studi Kasus Balai Soedjatmoko Tahun 2003-Sekarang) Satriana Didiek Isnanta
Ornamen Vol 5, No 1 (2008)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (917.526 KB) | DOI: 10.33153/ornamen.v5i1.897

Abstract

Talking about “The Expression of Art and Public Intervention” always relates to the artist’s communication process as the creator of art and the enjoyer (public). Or in other words, the artwork in this case is the painting as the social medium or communication vehicle of artist idea to another people. In daily social reality, the dialogic process between the artist and public frequently encounters misconception.This results from several problems: firstly, the artwork is multi-interpretative in nature, thereby leading to varied perception; secondly, the different “values” adopted by the artist and the public; and finally, the difference between the artist and several communities in the society in defining “the public space”.The three problems above will be discussed and explored in this paper. Focusing on the case study in Balai Soedjatmoko from 2003 onward, it is expected that this paper will find an agreement that can mitigate the “public intervention” into the emergence of artwork in the public spaces in the future.Keywords: Artistic Expression, Social Body, and Public Space.