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I Gusti Ngurah Sura Ardana
Universitas Pendidikan Ganesha
Arts Education

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ANALISIS FORMAL KARYA LUKISAN IDA BAGUS KETUT SUTA Made Satya Hariwarman; I Gusti Ngurah Sura Ardana; Luh Suartini
Jurnal Pendidikan Seni Rupa Undiksha Vol. 12 No. 3 (2022)
Publisher : Universitas Pendidikan Ganesha

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.23887/jjpsp.v12i3.52685

Abstract

This study aims to describe (1) Identify the characteristics of Ida Bagus Ketut Suta painting (2) Describe the theme of Ida Bagus Ketut Suta's painting (3) Describe the visual form of Ida Bagus Ketut Suta's painting using formal analysis methods. The subject and object of this research is the profile of Ida Bagus Ketut Suta with traditional paintings that have been made by Ida Bagus Ketut Suta. This research is a qualitative descriptive study, data collection in this study used the techniques of (1) observation, (2) interviews, (3) documentation, and (4) literature. The results of this study indicate that (1) The results of the visual identification mapping of Ida Bagus Ketut Suta's traditional paintings based on a comparison of several types of traditional wayang paintings in Bali, show that the results of his paintings have different characteristics from traditional paintings that developed in eastern Bali but are the result of the development of traditional paintings from Tabanan, namely the wayang kopang style painting, (2) The themes of several paintings that have been made by Ida Bagus Ketut Suta can be identified through formal analysis methods that are based on folklore Hindu, (3) formal visual analysis of forms from Ida Bagus Ketut Suta's painting, which is a form of wayang tradition painting that has its own characteristic and varied appearance.Keywords: traditional painting, Ida Bagus Ketut Suta
TAMAN PATUNG TERAKOTA PENARI GANDRUNG DI BANYUWANGI JAWA TIMUR Yordan Putra Bintoro; I Ketut Sudita; I Gusti Ngurah Sura Ardana
Jurnal Pendidikan Seni Rupa Undiksha Vol. 12 No. 3 (2022)
Publisher : Universitas Pendidikan Ganesha

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.23887/jjpsp.v12i3.52689

Abstract

This research of the terracotta gandrung dancer statue in Banyuwangi, East Java is “rawat ruwat” site in the cultural tradition of the Banyuwangi community to describe (1) the history of terracotta gandrung dancer statue garden in Banyuwangi East Java, (2) the Value, Symbol as well as The meaning of gandrung dancer statue garden in Banyuwangi East Java, (3) the setting of gandrung dancer statue garden in Banyuwangi East Java, (4) Process And Technique of terracotta gandrung dancer statue in Banyuwangi East Java. The type of this study is descriptive qualitative. The object study is the terracotta gandrung dancer statue garden in Banyuwangi, East Java. The method of data collection is used observation, interviews, and documentation. The results of this study is as following: the history of the terracotta gandrung dancer statue is as a care site ruwat on culture Banyuwangi to change era. Symbols and the meaning on terracotta gandrung dancer statue is jejer, ngepren , seblang subuh and also the available makda clothes gandrung that is omprok , kelat bahu, pattern of gajah oling. Setting the garden statue terracotta gandrung dancer forms the latter T, forming circular, vertical or straight. Manufacturing process garden statue terracota gandrung dancer use Technique print or cast in making statue terracotta gandrung dancer and the combustion process. Keywords: garden, terracotta, statue, gandrung
Co-Authors I Ketut Sudita Luh Suartini . Made Satya Hariwarman Yordan Putra Bintoro