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All Journal Humanus: Jurnal ilmiah Ilmu-ilmu Humaniora Charity : Jurnal Pengabdian Masyarakat
Angelia Lionardi
Universitas Telkom
Arts Humanities Computer Science & IT Electrical & Electronics Engineering Social Sciences

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Keterampilan Sinematografi Dalam Pembuatan Video Webseries di Kampung Seni Budaya Desa Jelekong Angelia Lionardi; Teddy Hendiawan; Mohamad Tohir
Charity : Jurnal Pengabdian Masyarakat Vol 5 No 2 (2022): Charity-Jurnal Pengabdian Masyarakat
Publisher : PPM Universitas Telkom

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25124/charity.v5i2.3879

Abstract

Pengabdian Masyarakat ini merupakan kegiatan dari para pengajar bersama dengan mahasiswa Program Studi Desain Komunikasi Visual, Fakultas Industri Kreatif, Telkom University dalam memberikan pelatihan lanjutan kepada Komunitas Seni dan Budaya di Desa Jelekong, Kabupaten Bandung. Kegiatan ini bertujuan untuk: 1) Mengaplikasikan keilmuan kepada masyarakat; 2) Meningkatkan pemahaman sinematografi webseries pada kesenian wayang golek Komunitas Seni dan Budaya Desa Jelekong; 3) Meningkatkan kemampuan anggota komunitas, khususnya untuk proses pengambilan dan editing video webseries bertema Covid-19; 4) Mendorong produktivitas anggota Komunitas Seni dan Budaya Desa Jelekong untuk meningkatkan kualitas video webseries. Adapun ringkasan kegiatan dari program ini adalah, memberikan wawasan serta pelatihan mengenai teknik pengambilan video webseries dan proses editing video mengenai Covid-19 agar mampu meningkatkan kualitas materi untuk promosi pariwisata Seni dan Budaya di masa pandemi.
Reading Amenk: The Grotesque Aesthetics of Reality Lingga Agung; Rendy Pandita Bastari; Ganjar Gumilar; Angelia Lionardi; Riky Azharyandi Siswanto
Humanus: Jurnal Ilmiah Ilmu-ilmu Humaniora Vol 23, No 1 (2024)
Publisher : Pusat Kajian Humaniora FBS Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/humanus.v23i1.125448

Abstract

In contemporary art, aesthetics serves as a medium for conveying complex societal and cultural messages. One artist who has masterfully harnessed this power is Mufti Priyanka (Amenk). His body of work is characterized by a unique and intriguing “grotesque aesthetics” that delves into various dimensions of everyday life. Through his art, Amenk provokes profound inquiries into the intricacies of our social realities. This research is dedicated to unraveling the aesthetics intricately woven into Amenk’s artworks, which seemingly offer genuine insights into the collective consciousness of a society grappling with the complexities of social norms and cultural identity. This study adopts a qualitative approach, examining Amenk diverse portfolio, encompassing paintings and graphics. Anchored in the framework of Derrida’s Deconstruction theory (1967), this approach involves a textual analysis, dissecting the conceptual distinctions that form the foundation of the text. By unveiling the inconsistencies and paradoxes inherent in the utilization of these concepts, the research sheds light on the intricate tapestry of Amenk’s artwork. Ultimately, Amenk’s body of work represents more than an exploration of cultural significance; it stands as a bold challenge to established norm, values, and even the truths.
Co-Authors Ganjar Gumilar Lingga Agung Mohamad Tohir Rendy Pandita Bastari Riky Azharyandi Siswanto Teddy Hendiawan