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<![CDATA[Citra Perempuan Suku Dani dalam Novel Etnografi Sali: Kisah Seorang Wanita Suku Dani Karya Dewi Linggasari: Analisis Kritik Sastra Feminis Ruthven ]]>
<![CDATA[Devita Hermawati]]>;
<![CDATA[Rudi Ekasiswanto]]>
<![CDATA[ SEMIOTIKA: Jurnal Ilmu Sastra dan Linguistik Vol 14 No 2 (2013): SEMIOTIKA: Edisi Dokumentasi Volume Lama ]]>
Publisher : <![CDATA[Diterbitkan oleh Jurusan Sastra Indonesia Fakultas Ilmu Budaya Universitas Jember bekerja sama dengan Himpunan Sarjana - Kesusastraan Indonesia (HISKI), Himpunan Pembina Bahasa Indonesia (HPBI) dan Masyarakat Linguistik Indonesia (MLI) ]]>
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DOI: 10.19184/semiotika.v14i2.30116
<![CDATA[Various kinds of ways to criticize gender inequality and women received a patriarchal culture, onethrough literary works. In Sali: Kisah Seorang Wanita Suku Dani (SKSWSD) an ethnographic novel,the author tried to criticize the gender inequality that is represented by women figures in the story so asto form the image of Dani women. This ethnographic novel SKSWSD background during the monetarycrisis, the conditions of civilization and progress began to enter and thrive in Wamena. At that time,there is still growing strong patriarchal culture in the Dani. Dani women live a hard life in the midst ofa patriarchal system. Dani women's double burden as indigenous actors, namely taking care ofdomestic and earn a living.]]>
<![CDATA[Basanan dan Budaya Kopi di Banyuwangi ]]>
<![CDATA[Edy Hariyadi]]>
<![CDATA[ SEMIOTIKA: Jurnal Ilmu Sastra dan Linguistik Vol 14 No 2 (2013): SEMIOTIKA: Edisi Dokumentasi Volume Lama ]]>
Publisher : <![CDATA[Diterbitkan oleh Jurusan Sastra Indonesia Fakultas Ilmu Budaya Universitas Jember bekerja sama dengan Himpunan Sarjana - Kesusastraan Indonesia (HISKI), Himpunan Pembina Bahasa Indonesia (HPBI) dan Masyarakat Linguistik Indonesia (MLI) ]]>
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DOI: 10.19184/semiotika.v14i2.30121
<![CDATA[This article discusses the coffee culture and basanan in Banyuwangi. The data in this article came froma variety of sources, i.e.: books, vcd of songs, interviews, direct observation, and video service, socialmedia, website, blog and search engines in the internet. Coffee and Banyuwangi culture has become anintegral and reflected in art and culture of Banyuwangi and the everyday life of the people ofBanyuwangi. The indigenous people or Using ethnic of Banyuwangi call coffee as wedang ireng. Itshows that they understand that the coffee is black, if not black is not coffee instead of its name. With acup of coffee, Using ethnic hope happy in heart. "Cemeng kopine, seneng atine." Basanan is still oftenpresented in a variety of cultural performances in Banyuwangi as in gandrung dance performances,and other arts like drama performance Jinggoan. In addition, there is also coffee phrases in the songlyrics written in Using language.]]>
<![CDATA[Understanding the World of Seno’s Contemplation ]]>
<![CDATA[Yohanes Suyono]]>;
<![CDATA[Sudartomo Macaryus]]>
<![CDATA[ SEMIOTIKA: Jurnal Ilmu Sastra dan Linguistik Vol 14 No 2 (2013): SEMIOTIKA: Edisi Dokumentasi Volume Lama ]]>
Publisher : <![CDATA[Diterbitkan oleh Jurusan Sastra Indonesia Fakultas Ilmu Budaya Universitas Jember bekerja sama dengan Himpunan Sarjana - Kesusastraan Indonesia (HISKI), Himpunan Pembina Bahasa Indonesia (HPBI) dan Masyarakat Linguistik Indonesia (MLI) ]]>
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DOI: 10.19184/semiotika.v14i2.30117
<![CDATA[Sena Gumira Ajidarma merupakan salah satu sastrawan Indonesia yang produktif. Cerpen-cerpennyamengajak pembaca untuk berkontlemplasi dan merefleksikan aneka peristiwa yang dituangkan dalamcerpen-cerpennya. Cerpen Maria merupakan salah satu karya Sena Gumira Ajidarma yang mengajakpembaca untuk berkontemplasi mengenai hubungan antarmanusia khususnya anak dengan ibu yangberlandaskan kasih dan harapan. Maria mengalami luka batin sangat mendalam karena kehilangan duaputranya, Gregorio dan Ricardo. Maria menaruh harapan masih akan berjumpa dengan Antonio yangtampan dan menawan. Harapan akan Antonio tersebut menutup mata hati dan pikirannya ketikamenyaksikan anaknya tidak seperti yang diharapkan, yaitu kondisi fisiknya rusak akibat siksaan yangdialaminya.]]>
<![CDATA[Penggunaan Bahasa Madura dalam Keluarga Muda Etnik Madura Di Kabupaten Sumenep Madura ]]>
<![CDATA[A. Erna Rochiyati Sudarmaningtyas]]>
<![CDATA[ SEMIOTIKA: Jurnal Ilmu Sastra dan Linguistik Vol 14 No 2 (2013): SEMIOTIKA: Edisi Dokumentasi Volume Lama ]]>
Publisher : <![CDATA[Diterbitkan oleh Jurusan Sastra Indonesia Fakultas Ilmu Budaya Universitas Jember bekerja sama dengan Himpunan Sarjana - Kesusastraan Indonesia (HISKI), Himpunan Pembina Bahasa Indonesia (HPBI) dan Masyarakat Linguistik Indonesia (MLI) ]]>
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DOI: 10.19184/semiotika.v14i2.30122
<![CDATA[This research was conducted in Sumenep Madura, particularly in suburb and in Kepanjen. The objectsin this research are young families who are Madurese ethnic that use Madurese language (BM). Theresults show that in general, young families no longer dominate the ethnic Madurese very subtle level BM(bhasa tengghi), even if it could be just a little and even then not in accordance with the rules of the BMboth grammatical structure and diction. Similarly, in correspondence, they never write in BM. However,the language is very controlled BM subtle level variance (bhasa Engghi Bhunten / EB) and a variety ofcoarse language (taq bhasa / Mapas / Engghi -Enten/EE). The diversity of language acquisition because itis used in everyday communication verbally, especially in the internal family, but communication betweenthe child (especially a child who is still a child ) and parent, grandparent, grandmother using Indonesianlanguage (BI) or BI and BM mixture. BM is used in the range of coarse (taq bhasa) .]]>
<![CDATA[Sinclair Lewis’s Babbitt: A Portrait of Social Problem in America of the 1920’s ]]>
<![CDATA[Imam Basuki]]>
<![CDATA[ SEMIOTIKA: Jurnal Ilmu Sastra dan Linguistik Vol 14 No 2 (2013): SEMIOTIKA: Edisi Dokumentasi Volume Lama ]]>
Publisher : <![CDATA[Diterbitkan oleh Jurusan Sastra Indonesia Fakultas Ilmu Budaya Universitas Jember bekerja sama dengan Himpunan Sarjana - Kesusastraan Indonesia (HISKI), Himpunan Pembina Bahasa Indonesia (HPBI) dan Masyarakat Linguistik Indonesia (MLI) ]]>
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DOI: 10.19184/semiotika.v14i2.30118
<![CDATA[Artikel ini membahas kesaksian Sinclair Lewis tentang masalah sosial di Amerika di era 1920-an,sebagai suatu dasa warsa paling suram dalam sejarah Amerika, yakni mengenai dampak negatip darisukses industrialisasi di Amerika atau sukses bangsa Amerika di bidang materi. Kehidupan George F.Babbitt yang dramatis dalam novel Babbitt diambil sebagai pokok bahasan. Dengan menggunakanpendekatan interdispliner, kajian ini membahas novel Babbitt untuk menjelaskan masalah sosial diAmerika pada dasa warsa 1920-an beserta budaya bisnisnya. Babbitt, tokoh utama dalam novel ini,hanyalah seorang bisnis kelas menengah, yakni sebagai seorang pialang pada real estate yang menaruhperhatian utama lebih kepada keuntungan daripada kualitas bangunan, sedang motivasi utama dalamhidupnya adalah mencari uang, kekuasan dan status. Setelah bekerja keras ia menjadi kaya raya, namunironisnya keberhasilan tersebut telah menjadikan Babbitt dan keluarganya terlempar dalam kehidupanyang tragis. Dia menjadi terbiasa berselingkuh dengan wanita lain, sementara anak-anaknya, Ted danVerona, terseret dalam kehidupan berfoya-foya dengan para gadis modern. Kesuksesan telah mengubahgaya hidupnya, dia terperangkap dalam kehidupan yang materialistis, konsumtif dan hedonistis. Hasilpenelitian ini menunjukkan bahwa uang bukanlah satu-satunya hal yang bisa menjadikan orang bahagia.]]>
<![CDATA[Pituduh dalam Bahasa Jawa: Jawanisasi Orang Jawa ]]>
<![CDATA[Sri Ningsih]]>
<![CDATA[ SEMIOTIKA: Jurnal Ilmu Sastra dan Linguistik Vol 14 No 2 (2013): SEMIOTIKA: Edisi Dokumentasi Volume Lama ]]>
Publisher : <![CDATA[Diterbitkan oleh Jurusan Sastra Indonesia Fakultas Ilmu Budaya Universitas Jember bekerja sama dengan Himpunan Sarjana - Kesusastraan Indonesia (HISKI), Himpunan Pembina Bahasa Indonesia (HPBI) dan Masyarakat Linguistik Indonesia (MLI) ]]>
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DOI: 10.19184/semiotika.v14i2.30123
<![CDATA[This paper is the result of the research in the area of the local wisdom of the Javanese society in theform of the Javanese (advice) speech. The contect of the research problem is the understanding ofthe Javanese (advice) speech which is understood as one of the Javanese local wisdoms in the formsof the moral messages in the Javanese society. The research method used in this research is thecombination between linguistic and anthropological methods (ethnolinguistics), specifically usingthe etnosign methodology. The results of this research are in the forms of the classification and thelinguistic expression categorization which can be stated as follows: (1) the conception of theJavanese about personal management, (2) the conception of the Javanese about World and Wordly,(3) the conception of the Javanese about family and society, (4) the conception of the Javaneseabout nations, (5) the concept about spiritual superiority, and (6) the conception of Javanese aboutthe belief/divinity. From the discussion of the Javanese (advice) speech, it needs to conduct thereinterpretation and the revitalization accurately about the ways of the Javanese thought in the pastand in the current society to intergrate the knowledge and cosmology which can be referred tounderstand the cultural problems.]]>
<![CDATA[Objektivikasi Perempuan dalam Lima Cerita Rakyat Indonesia: Analisis Kritik Sastra Feminis ]]>
<![CDATA[Beta Mustauda Amala]]>;
<![CDATA[Rudi Ekasiswanto]]>
<![CDATA[ SEMIOTIKA: Jurnal Ilmu Sastra dan Linguistik Vol 14 No 2 (2013): SEMIOTIKA: Edisi Dokumentasi Volume Lama ]]>
Publisher : <![CDATA[Diterbitkan oleh Jurusan Sastra Indonesia Fakultas Ilmu Budaya Universitas Jember bekerja sama dengan Himpunan Sarjana - Kesusastraan Indonesia (HISKI), Himpunan Pembina Bahasa Indonesia (HPBI) dan Masyarakat Linguistik Indonesia (MLI) ]]>
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DOI: 10.19184/semiotika.v14i2.30119
<![CDATA[This paper discusses the objectification of women in five Indonesian folklore, i.e. “Putri yang BerubahMenjadi Ular” (North Sumatra), “Putri Mambang Linau” (Riau), “Putri Tujuh” (Riau) , “Ning Rangda”(South Kalimantan), and “Dewi Luing Indung Bunga” (South Kalimantan). The discussion concernsthe explanation of the objectification of women and the objectification of women in the form of fiveIndonesian folklore that. In essence, objectification of women is triggered by the presence of apatriarchal culture that put men as sex first (first sex) and women as the second sex (second sex). Thishas implications for the positioning of men and women as active subjects as passive object. Theconstruction appearing and embedded in social and cultural life , and there are also in the literature.Oneof its example is in the folklore.]]>
<![CDATA[Artefak Bahasa dalam Pemilihan Kepala Daerah (Pilkada) ]]>
<![CDATA[Siti Masitoh]]>
<![CDATA[ SEMIOTIKA: Jurnal Ilmu Sastra dan Linguistik Vol 14 No 2 (2013): SEMIOTIKA: Edisi Dokumentasi Volume Lama ]]>
Publisher : <![CDATA[Diterbitkan oleh Jurusan Sastra Indonesia Fakultas Ilmu Budaya Universitas Jember bekerja sama dengan Himpunan Sarjana - Kesusastraan Indonesia (HISKI), Himpunan Pembina Bahasa Indonesia (HPBI) dan Masyarakat Linguistik Indonesia (MLI) ]]>
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DOI: 10.19184/semiotika.v14i2.30124
<![CDATA[Indonesia is rich of cultural heritage since it consists of more or less 34 provinces and every one ofwhich has its own characteristics which is different from others. It is a matter of fact that local colorprovides very valuable local wisdom which will determine the character building. Thus, theunderstanding of our own culture is really important to be wiser citizens. This article discusses aboutthe recent cultural phenomena in district election in which its candidates think that the use of languageartifact is applicable now days. This phenomena is also possible to happen in other places and itsupports the discussion of culture to be more fruitful.]]>
<![CDATA[Revitalisasi Kekejaman Penjajah dalam Puisi “Rangkasbitung” Karya W.S. Rendra ]]>
<![CDATA[Sunarti Mustamar]]>
<![CDATA[ SEMIOTIKA: Jurnal Ilmu Sastra dan Linguistik Vol 14 No 2 (2013): SEMIOTIKA: Edisi Dokumentasi Volume Lama ]]>
Publisher : <![CDATA[Diterbitkan oleh Jurusan Sastra Indonesia Fakultas Ilmu Budaya Universitas Jember bekerja sama dengan Himpunan Sarjana - Kesusastraan Indonesia (HISKI), Himpunan Pembina Bahasa Indonesia (HPBI) dan Masyarakat Linguistik Indonesia (MLI) ]]>
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DOI: 10.19184/semiotika.v14i2.30120
<![CDATA[This article discusses a poem by W.S. Rendra “ Rangkasbitung”. This poem depicts the cruelty of thecolonial regime on the revitalization of the Dutch colonial era. An examination of the history of thenation is indicated by Multatuli (a pseudonym) Max Havellar author. Through the book looks a concernfor the nation of Indonesia. He stated that the occupation can be devastating to people, especiallyyoung people. Ironically at the time of independence there are still many irregularities and policies infavor of the rulers, corrupt state officials in the increasingly rampant, land evictions common people, sothat people's suffering never stops. The poem is a social protest to the authorities to be more concernedwith the lives of ordinary people.]]>
<![CDATA[Klausa Relatif dalam Bahasa Indonesia dan Padanannya dalam Bahasa Mandarin ]]>
<![CDATA[Xu Yunyu]]>
<![CDATA[ SEMIOTIKA: Jurnal Ilmu Sastra dan Linguistik Vol 14 No 2 (2013): SEMIOTIKA: Edisi Dokumentasi Volume Lama ]]>
Publisher : <![CDATA[Diterbitkan oleh Jurusan Sastra Indonesia Fakultas Ilmu Budaya Universitas Jember bekerja sama dengan Himpunan Sarjana - Kesusastraan Indonesia (HISKI), Himpunan Pembina Bahasa Indonesia (HPBI) dan Masyarakat Linguistik Indonesia (MLI) ]]>
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DOI: 10.19184/semiotika.v14i2.30125
<![CDATA[This paper is about the compliments in conversational Mandarin. The use of praise many usesexpressions are lexical meaning can not be understood without looking at the situation behind thespeech of praise. Moreover, the meaning of praise in Mandarin conversation can not be seen only fromthe meaning of the word meaning per word shape. Thus, it can be concluded that the various forms ofexpression of praise in Mandarin can not be separated from the context of the speech. It is based on thetracking of lexical meanings of words that became an element in the expression of praise.]]>
