Nusa: Jurnal Ilmu Bahasa dan Sastra
Jurnal NUSA adalah jurnal nasional terakreditasi Sinta Kemristekdikti yang diterbitkan oleh Program Studi Sastra Indonesia, Fakultas Ilmu Budaya, Universitas Diponegoro, jurnal NUSA menerima dan memuat artikel mengenai Sastra Indonesia, Kajian Bahasa, Linguistik Teoritis, Linguistik Terapan, Sastra Daerah. Dalam satu tahun Jurnal Nusa terbit 4 kali, yaitu Mei dan November.
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<![CDATA[Menanggapi Pujian dalam Bahasa Jawa di Semarang ]]>
<![CDATA[Oktiva Herry Chandra]]>;
<![CDATA[Marsono Marsono]]>;
<![CDATA[Suhandano Suhandano]]>
<![CDATA[ Nusa: Jurnal Ilmu Bahasa dan Sastra Vol 14, No 2: Mei 2019 ]]>
Publisher : <![CDATA[Program Studi Sastra Indonesia, Fakultas Ilmu Budaya, Universitas Diponegoro ]]>
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DOI: 10.14710/nusa.14.2.227-238
<![CDATA[Compliment response to a speaker is not a simple task. It often makes speaker in a problematic position among receivers either avoiding disagreement or refraining from implying self-praise. The interesting is that people in every culture background getting involved in this dilema try to find out a way that is able to minimize the potential of making inconvenience by proposing several strategies. The strategies are mainly determined by the culture of the speaker. In Javanese culture, people believe that the good way in establishing relationship with others is being modesty. Javanese have special term for this act, namely andhap ashor. This article aims in explaining the choice of strategies by Javanese. This will reveal the way of Javanese think. The data were collected by the use of observation supported by recording and note-taking technique, and interview. The results shows there are three macro strategies, namely agrreement, nonagreement and request interpretation. These three, then, are broken down into several micro strategies. The choice is based on the obedience to the politeness principles in Javanese circumtances]]>
<![CDATA[Kepercayaan dan Hegemoni dalam Cerpen “Makelar” Karya Sri Lima R.N. (Kajian Hegemoni Gramsci) ]]>
<![CDATA[Fajrul Falah]]>
<![CDATA[ Nusa: Jurnal Ilmu Bahasa dan Sastra Vol 14, No 2: Mei 2019 ]]>
Publisher : <![CDATA[Program Studi Sastra Indonesia, Fakultas Ilmu Budaya, Universitas Diponegoro ]]>
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DOI: 10.14710/nusa.14.2.136-146
<![CDATA[This study aims to express the trust and hegemony in the "Broker" short story by Sri Lima R.N. This research is motivated by the idea that language in fiction or short stories is meaningful and indicated not to be neutral. The language in the short story, became the media for sending message content to the author as a reflection of the social community referred to. The approach used in this study is the sociology of literature, specific to the study of Gramsci hegemony. The research method used is descriptive qualitative. Research data obtained from text, words, phrases, sentences, contained in short stories related to trust and hegemony. The research data is then described and expressed based on the approach used. The results of the study show that there was a change in the characteristics of Handoko's character as a broker who was initially good, become opportunist. Brokerage profession is used as a tool to hegemony the public to get profits. Community trust in brokers and people who are considered smart also grow. However, Handoko's figure was eventually protested by people who had used their services and failed. Handoko or brokers run away from the protests and demands of the people.]]>
<![CDATA[Religiusitas dalam Kumpulan Puisi Rekah Lembah Karya Mudji Sutrisno ]]>
<![CDATA[Laura Andri R.M]]>
<![CDATA[ Nusa: Jurnal Ilmu Bahasa dan Sastra Vol 14, No 2: Mei 2019 ]]>
Publisher : <![CDATA[Program Studi Sastra Indonesia, Fakultas Ilmu Budaya, Universitas Diponegoro ]]>
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DOI: 10.14710/nusa.14.2.184-193
<![CDATA[Poetry is not only seen from the structure. More than that, poetry is one of the means to convey messages to the public. This study examines the meaning of religiosity of the poems collection of Rekah Lembah by Mudji Sutrisno. The poems in the book have religious themes or are related to divinity and faith. Therefore, research is carried out with a review of themes to determine aspects of religiosity. The method used is descriptive qualitative method. So that finally an interpretation can be found that will produce interpretations in understanding the religious meaning as a whole.The meaning of religiosity contained in the collection of Rekah Lembah poetry by Mudji Sutrisno is: (1) religiosity between humans and God; (2) religiosity among fellow humans; and (4) human religiosity with him.]]>
<![CDATA[Tuturan Langsung dan Tidak Langsung antara Penjual dan Pembeli di Pasar Tradisional Semarang ]]>
<![CDATA[Sri Puji Astuti]]>
<![CDATA[ Nusa: Jurnal Ilmu Bahasa dan Sastra Vol 14, No 2: Mei 2019 ]]>
Publisher : <![CDATA[Program Studi Sastra Indonesia, Fakultas Ilmu Budaya, Universitas Diponegoro ]]>
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DOI: 10.14710/nusa.14.2.239-252
<![CDATA[The purpose of this research is to describe speech acts that occur between seller and buyer in traditional market. Data was obtained using the method of observation and recording techniques. After the data were collected, the data were analyzed by using pragmatic theory, especially speech acts. Based on the results of the research were found the types of speech acts used between sellers and buyers in traditional markets, namely literal direct speech acts, non-literal direct speech acts, literal indirect speech acts, and non-literal indirect speech acts. Literal direct speech acts were used by sellers and buyers because the seller's and the buyer's l could be straightforward and clear, when the seller was angry with the buyer and the seller insinuated the other sellers.]]>
<![CDATA[Strategi Kesantunan Mata Najwa dalam episode Kami Bersama Novel ]]>
<![CDATA[Tiani, Riris]]>
<![CDATA[ Nusa: Jurnal Ilmu Bahasa dan Sastra Vol 14, No 2: Mei 2019 ]]>
Publisher : <![CDATA[Program Studi Sastra Indonesia, Fakultas Ilmu Budaya, Universitas Diponegoro ]]>
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DOI: 10.14710/nusa.14.2.147-159
<![CDATA[Mata Najwa was the one of talkshow in Trans 7 which discuss about top topic in Indonesia. This research focuses on the direct speech which express at Mata Najwa “Kami Bersama Novel” at Trans 7. The purpose of this study is to describe and classify the form of compliance and infraction of the principle language politeness by Leech. The data source in this research are form of broadcast transcriptions which are divided into seven part which relate with research object. The research method used in this research is the method of referring with using the technique of note. The result of the study of compliance and infraction of the principle of politeness in this talkshow are eight compliance of the principle politeness, and six infraction of the principle politeness. This research found more compliance, because great image who have several figures, so it is able to be polite in conducting speeches.]]>
<![CDATA[Etnografi Ideasional (Suatu Metodologi Penelitian Kebudayaan) ]]>
<![CDATA[Mudjahirin Thohir]]>
<![CDATA[ Nusa: Jurnal Ilmu Bahasa dan Sastra Vol 14, No 2: Mei 2019 ]]>
Publisher : <![CDATA[Program Studi Sastra Indonesia, Fakultas Ilmu Budaya, Universitas Diponegoro ]]>
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DOI: 10.14710/nusa.14.2.194-205
<![CDATA[Ideational ethnography is the study of society and culture based on the assumption that every action is meaningful to the perpetrators. The hidden meaning behind the motives is knowledge that is assumed to be true. The source of truth is belief (constitutive truth); reasoning and experience (cognitive truth), or evaluative reality as in tradition. In ideational ethnographic research, the task of researchers is to seize the meaning referred to as the truth behind the cultural actions of the people studied. While the technique of digging data used is observation, interviews, and documents according to the context of the problem (reality) being studied.In ideational ethnographic research, reality is seen in five levels, namely reality: empirical, symbolic, meaning, ideas, and values (worldview). How are the five realities seen from their perspective (emic perspective) as an example of sea ritual (labuh).]]>
<![CDATA[Sikap Orang Madura dalam Novel Ojung Karya Edi Ah Iyubenu ]]>
<![CDATA[Muhammad Tauhed Supratman]]>;
<![CDATA[Rahmad Rahmad]]>
<![CDATA[ Nusa: Jurnal Ilmu Bahasa dan Sastra Vol 14, No 2: Mei 2019 ]]>
Publisher : <![CDATA[Program Studi Sastra Indonesia, Fakultas Ilmu Budaya, Universitas Diponegoro ]]>
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DOI: 10.14710/nusa.14.2.253-261
<![CDATA[Characters and attitudes are often raised in a story or literary work involving the author himself to bring out what he has experienced, so that the reader can be clearly known by humanity's attitude as described in Ojung's novel. The novel, describes the attitude of Madurese people who are diverse in dealing with social problems such as brave attitude to bear the risks possessed by the main sitokoh, a very high attitude of confidence and confidence will come something he believes, egoism and ambition, willingness to sacrifice and virtuous tall one. Attitudes in a literary work can be diverse, including brave attitudes, high manners, selfishness, jealousy and envy of all and so on. The method used is a qualitative method. The results of the study illustrate the attitude of the Madurese people such as: the attitude of upholding self-esteem, courageous attitude to bear the risk.]]>
<![CDATA[Ambiguitas dalam Humor Parikan/Pantun Kilat Sebagai Pelesetan Makna ]]>
<![CDATA[M Hermintoyo]]>
<![CDATA[ Nusa: Jurnal Ilmu Bahasa dan Sastra Vol 14, No 2: Mei 2019 ]]>
Publisher : <![CDATA[Program Studi Sastra Indonesia, Fakultas Ilmu Budaya, Universitas Diponegoro ]]>
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DOI: 10.14710/nusa.14.2.160-168
<![CDATA[Language is a communication tool that can be done according to purpose, variety, and media. The goals expected in communicating can be for entertaining, joking and creativity. Creativity can be in the form of works of art, such as rhymes. Pantun in Javanese is called parikan. The constituent elements are bound by the rules of the pantuna form. Ordinary rhyme or four-row rhyme or flash rhyme consisting of two lines. But both must rhyme abab (cross rhyme); each row between four to twelve syllables; the first line is sampiran, the second line is the content (quick rhyme. If the regular rhyme of the first and second rows is sampiran; the fourth row is in the form of contents. The variety used in pantun is a variety of literature. The media can be oral, written, written). can be in print, and in electronic media through the internet. The contents of the pantun can be serious or not, for example the contents are only for humor. Based on the rhyme content data with multiple information / taxa / ambiguity. The tendency of the pantun content ambiguity in the data tends to be interpreted negative / connotative pornography .]]>
<![CDATA[Fungsi Sosial-Kultural Sastra: Memajukan Kebudayaan dan Mengembangkan Peradaban ]]>
<![CDATA[Redyanto Noor]]>
<![CDATA[ Nusa: Jurnal Ilmu Bahasa dan Sastra Vol 14, No 2: Mei 2019 ]]>
Publisher : <![CDATA[Program Studi Sastra Indonesia, Fakultas Ilmu Budaya, Universitas Diponegoro ]]>
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DOI: 10.14710/nusa.14.2.206-216
<![CDATA[There are three important social-cultural functions of literary works. First, the assumption that literary work is at the same level as the work of a priest or prophet. Second, the notion that the most important thing for the literary work is entertains. Third, the assumption that literary works should teach something with using entertaining system. The linkage of literary works to social-cultural systems can be further known by studying the value of relationships in literary works with the value of system in society. The value in literature is the system of social norms imposed in literary works, and the value of system in society is the norm system prevailing in the daily life of society. Ideally literary works should bring innovation, means renewal to the society. Therefore, the deviations of values in literary works do not imply the defiance of the standard conventions of social norms. Such deviations signify the creation of cultural dynamics, the establishment of new values. At the same time its open opportunities for people to move continuously, reconstructing thought to become more critical, analytical, and humanistic.]]>
<![CDATA[Konsep Diri Perempuan Bali Melawan Patriarki dalam Novel Tempurung Karya Oka Rusmini ]]>
<![CDATA[Barokah, Aas Nurasiah]]>;
<![CDATA[Hermawati, Yessy]]>
<![CDATA[ Nusa: Jurnal Ilmu Bahasa dan Sastra Vol 14, No 2: Mei 2019 ]]>
Publisher : <![CDATA[Program Studi Sastra Indonesia, Fakultas Ilmu Budaya, Universitas Diponegoro ]]>
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DOI: 10.14710/nusa.14.2.262-272
<![CDATA[Oka Rusmini is an Indonesian writer who is consistently write a story of women especially a Balinese women. The purpose of this study is describe how self concept displayed by Balines women fights patriachical power in Oka Rusmini by novel Tempurung. The Lacanian psychoanalytical approach is employed to point out pscyche factors undergone by Balinese women. Through desire showed by women characters in the novel Tempurung, it can by analysed how self concept is formed. The selft concept of the Balinese women that are displayed; physical self concept, social self concept, moral self concept, and psychological self concept.]]>
