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Adabiyyat: Jurnal Bahasa dan Sastra
Published by Universitas Islam Negeri Sunan Kalijaga Yogyakarta
ISSN : 25491482     EISSN : 25492047     DOI : -
Core Subject : Humanities, Art,
Arts Humanities
Adabiyyāt: Jurnal Bahasa dan Sastra, memiliki fokus kajian pada lingkup bahasa, sastra, dan terjemah (Arab, Inggris, dan Indonesia-terkecuali bahasa lokal). Bahasa pengantar yang dipakai dalam penulisan artikel jurnal Adabiyyāt adalah bahasa Indonesia. Jurnal Adabiyyāt diterbitkan dua kali dalam satu tahun oleh Fakultas Adab dan Ilmu Budaya, UIN Sunan Kalijaga Yogyakarta, berdiri sejak tahun 2002.
Arjuna Subject : -
Articles 6 Documents
 1 
Search results for , issue "Vol 6, No 1 (2022)" : 6 Documents clear
MARLINA: POLEMIK KE-SUBJEK-AN DALAM SASTRA DAN MEDIA Mohammad Badrus Sholih
Adabiyyāt: Jurnal Bahasa dan Sastra Vol 6, No 1 (2022)
Publisher : Sunan Kalijaga State Islamic University Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14421/ajbs.2022.06104

Abstract

In a literary work, there is the desire of the character in it, and also the desire of the author which is listed and becomes the fulfillment of his desire. For Lacan, the fulfillment of desires is a process to achieve an authentic and whole subject. However, this is a complicated problem when it comes to dealing with and entering into a symbolic order. The film “Marlina The Killer of Four Acts” is one of the films that portray the problematics of the subject in a symbolic order so that it triggers the writer to understand the problem of subjectivity using Jacques Lacan's psychoanalytic theory. There are problems that the author wants to answer regarding the subject of Marlina, namely, 1) how is the image of the desire of the subject of Marlina displayed? 2) what is the desire of the film writer? and 3) what is the correlation with the media apparatus? This research uses the Lacanian psychoanalytic method to find answers to the problems of the subject in Marlina's character. The authors get results in the form of 1) how the image obtained by Marlina is identification in the mirror phase formed by language contaminated by other desires, thus making Marlina have a jouissance to get out of the symbolic order and achieve an authentic subject 2) also how the film's author's desire is a desire contained in the character of Marlina, and 3) how the media becomes a castration of the author's desire that prevents the author from achieving wholeness in his subject.
DIMENSI PERSONAL DAN DIMENSI KOLEKTIF DALAM BUDAYA POPULER: KAJIAN PSIKOLOGI ANALITIS DALAM FILM FATE: THE WINX SAGA M Afifulloh
Adabiyyāt: Jurnal Bahasa dan Sastra Vol 6, No 1 (2022)
Publisher : Sunan Kalijaga State Islamic University Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14421/ajbs.2022.06101

Abstract

This article tries to explore some of the implication of Carl Gustav Jung’s theory of personal dimension and collective dimension as represented by the characters in Fate: The Winx saga. This film is produced by Netflix and released on 22 January 2021. In this research, film is assumed as media to validate Jung’s theory about human psyche. This research is a qualitative descriptive. The data were processed by analyzing, categorizing, and interpreting the visual codes provided by the film. Therefore, the meaning can be theoretically drawn. The result of this study shows that the personal and collective dimensions offered by Jung are owned by the characters in the film. The personal dimension manifests in the Ego in the form of emotions and memories of the past. This personal dimension is represented through the characters such as Bloom, Musa, and Terra. While the collective dimension can be explained through the persona, shadow, anima and animus shared by all the characters in the film.
POTRET PERJUANGAN PEREMPUAN OLEH ISRA HADID DAN DEYA RA’AD DALAM A WOMAN IS NO MAN KARYA ETAF RUM Rihaadatul 'Aisyil Mubarokati
Adabiyyāt: Jurnal Bahasa dan Sastra Vol 6, No 1 (2022)
Publisher : Sunan Kalijaga State Islamic University Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14421/ajbs.2022.06102

Abstract

A Women Is No Man presents the struggle of Isra Hadid and Deya Ra’ad to break the gender hierarchy in the family wrapped in religious dogma and try to regain their rights and freedoms as human women. Religion in this story becomes a legitimator for those main characters’ families to justify the practice of patriarchy in their traditions. Thus, the same oppression experienced by those two main female characters from different generations and growing up in different countries continues. By using the theory of Islamic feminism proposed by Wadud, the struggles experienced by Isra Hadid and Deya Ra’ad show the injustice between men’s and women’s positions in their tradition marginalizing and exploiting women, which does not exist in the understanding of Islam. This study applies the Narratology method to reveal the struggles of the two female characters by re-reading religious texts in reproducing meaning through Amina Wadud’s Islamic feminism. Islamic feminism theory is a theory that focuses on equality between men and women in Islam. Islamic feminism by Wadud tries to explain misconceptions about the status and role of women in Islam through re-reading the Qur’an and Hadith from a woman’s perspective. The results obtained from the study conclude that the inequality in the status and role of women in the Isra and Deya’s family traditions still continues to the next generation, although the intensity is reduced.
KARAKTERISTIK VERBA DAN ADJEKTIVA DALAM IKLAN APLIKASI PINJAMAN ONLINE Dona Aji Karunia Putra
Adabiyyāt: Jurnal Bahasa dan Sastra Vol 6, No 1 (2022)
Publisher : Sunan Kalijaga State Islamic University Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14421/ajbs.2022.06103

Abstract

Advertisements tend to be packed with strong, persuasive, and emotional language. To be able to create a persuasive and emotional effect, proper linguistic features are needed. This study aims to reveal linguistic features in the form of verbs and adjectives as the main weapon in online loan advertising. In addition, this study also seeks to see the relationship between the use of adjectives in online loan advertisements with the public's view. The research method used is descriptive qualitative. The data in this study are in the form of verbs and adjectives contained in online loan application advertisements. The data sources in this study are online loan advertisements registered with the OJK. The results show that the use of verbs in online loan advertisements tends to achieve interrogative and imperative functions. The use of “cepat”, “aman”, and “mudah” adjectives is intended as a strategy to increase the selling value and attractiveness of loan products. The use of “cepat”, “aman”, and “mudah” adjectives in online loan advertisements tends to describe changes in people's views or mindsets in general, especially in the economic field (loan services).
LINGUISTIK KOMPUTASI SEBAGAI DISIPLIN ILMU DAN RESPONS AKADEMIK DI LINGKUNGAN PERGURUAN TINGGI DI INDONESIA Musthofa Musthofa
Adabiyyāt: Jurnal Bahasa dan Sastra Vol 6, No 1 (2022)
Publisher : Sunan Kalijaga State Islamic University Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14421/ajbs.2022.06105

Abstract

This paper describes an epistemological perspective of a new discipline in applied linguistics studies called "computational linguistics," the challenge and response faced by Indonesian linguists, and his problems in developing it. The analysis is carried out by utilizing epistemological concepts and theories, combined with Gianluca Carnabuci's theory called "knowledge hybridization" and the "challenge and response" theory proposed by Arnold J. Toynbee. The results show that epistemologically, computational linguistics has the validity to be called a scientific discipline. However, the response of Indonesian academics to its existence is still inadequate. This is related to the various challenges they face. For this reason, it is necessary to make multiple efforts to overcome it.
ISLAM, PEREMPUAN, DAN WACANA MODERNITAS DALAM RATU YANG BERSUJUD KARYA MAHDAVI DAN SERIAL JILBAB TRAVELER KARYA ASMA NADIA Dwi Susanto; Miftah Nugroho; Rianna Wati
Adabiyyāt: Jurnal Bahasa dan Sastra Vol 6, No 1 (2022)
Publisher : Sunan Kalijaga State Islamic University Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14421/ajbs.2022.06106

Abstract

The issue of Islam, women, and modernity discourses are common discussions in Indonesian literature. Literary works can be seen as part of an effort to welcome these ideas. This study discusses the literary works of Mahdavi and Asma Nadia in responding to issues of Islam, women, and modernity discourse. This study uses a postcolonial study point of view. The object of this research is Ratu Yang Bersujud (2013) by Mahdavi and Hijab Traveler (2012, 2014, and 2015) series from Asma Nadia. The formal object is the discourse of colonial modernity, Islam, and women. The data of this research are the contents of literary works, colonial discourse, Islam, women, and modernity. The data interpretation technique was carried out by following the binary opposition reading procedure in postcolonial studies. The response to the discourse on women, Islam, and modernity is done by negotiating and at the same time building women's constructions. However, women's voices become ambiguous when the subject is trapped in the discourse of modernity and capitalism through the issue of globalization. Women must continue to play their Islamic identity in entering the arena of modernity.

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