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Acintya

acintya
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Published by Institut Seni Indonesia Surakarta

ISSN : 20852444 EISSN : 26555247 DOI : -

Core Subject : Humanities, Art,

Arts Humanities

Arjuna Subject : -

Articles 8 Documents

Search results for , issue "Vol 6, No 1 (2014)" : 8 Documents clear

BUKU TUTORIAL PEMBUATAN WAYANG BEBER KERTAS KORAN UNTUK MENDUKUNG PROGRAM EKONOMI KREATIF DI SURAKARTA Much Sofwan Zarkasi
Acintya Vol 6, No 1 (2014)
Publisher : Institut Seni Indoensia Surakarta

The making of books tutorial how to make a work of art wayang beber of newsprint material on thiscanvas is an effort to support government programs Surakarta creative economy in this case is aproduct development process featured art made from paper craft paper which functioned as souvenirsSurakarta . Book a tutorial how to make a work of art wayang beber of newsprint material onthis canvas that is expected to be read and studied community craftsmen made of old newspapers inSurakarta.Keywords: tutorial book, wayang beber, newspaper

KONSTRUKSI DAN REPRODUKSI SIMBOLIK TRADISI JAWA DALAM PERTUNJUKAN TEATER REMAJA DI KOTA SOLO Isa Ansari
Acintya Vol 6, No 1 (2014)
Publisher : Institut Seni Indoensia Surakarta

This research aims to identify and describe how the adultâ€™s theater groups express java tradition intheir art performances, specifically when local government is focusing on revitalizing the tradition.To reach the main purpose, researcher uses cultural reproduction perspective which develops aroundsociologist and anthropologist. In data analyzing, the researcher tries to combine the cultural reproductionand dramaturgy theories in theater. Therefore the analyzing process is done by dividing structureand texture. The research result shows that there are two important points done by the adultâ€™stheater groups. First is negotiating the performance form in the artistic and value. Second is transformingthe aesthetic of performance.Keywords: construction, reproduction, Java tradition

UPACARA RITUAL SURAN SEBAGAI SARANA PELESTARIAN KESENIAN DI DUSUN TUTUP NGISOR, DESA SUMBER, KECAMATAN DUKUN, KABUPATEN MAGELANG Joko Aswoyo
Acintya Vol 6, No 1 (2014)
Publisher : Institut Seni Indoensia Surakarta

This research is dedicated to reveal cultural phenomenon of the Suran sacred ceremony at a model forthe art perpetuation at village Tutu Ngisor, Sumber, district Dukun in Magelang. Suran is derivedfrom the word Suro as the first month of Javanese calendar. Suro month is identical to Muhharammonth in Hijjrah calendar. In the common Javanese society, it is believed that in the first month ofSuro (midnight Suro) they will have introspection of their selfness of doing activities nepi (finding aplace for keeping silent), kungkum (stand still inside of the water) and lek lekan (stay awake until inthe morning) in certain places like the peak of mountain, the estuary of river (tempuran) or sacredcemeteries. In the village of Tutup Ngisor, Sumber, district Dukun, Magelang, Suran is held in themiddle of month which is from 13-15 in the full moon. Suran in the village of Tutup Ngisor, Sumberdistrict Dukun, Magelang is supported by the society that has blood bound in one region. Suran inthe village of Tutup Ngisor , Sumber, disctrict Dukun, Magelang is as one of the art perpetuationmodel held by a community. The concept belongs to protection prevention, developing and dynamicusage.Giving all attention to the sacred ceremony in the village of Tutup Ngisor, Sumber districtDukun, Magelang, we find some factors that create art perpetuation. The factors are geographic site,supported society, natural surroundings, the figure of Romo Yoso Soedarmo at the pioneer art workshop,the ceremony continuity, the influence from all people like artists, cultural artists, and the publicfigure.The perpetuation of art in the village of Tutup Ngisor, Sumber, district Dukun , Magelang has impactfor the creativity and quantity of art living in another village around the village Tutup Ngisor, Sumber,district Dukun, Magelang. This research uses grounded theory approach. Grounded theory approachemphasizes the examination of behavior so this research does not take from a certain theory but fromthe data result to get a theory even it does not take from the reduced variables from a theory. Furthermore,the grounded theory research does not have to get influence from literature because it will stopcreativity in collection, understanding and analyzing the data.Keywords: Suran, art perpetuation

PENCIPTAAN PROGRAM TELEVISI EKSPRESI ORANG KAMPUNG Cito Yasuki Rahmad
Acintya Vol 6, No 1 (2014)
Publisher : Institut Seni Indoensia Surakarta

Motivation and the inspiring theme in documentary television programs are very popular broadcastedin our television. Public like these programs because they provide educational values to thepublic especially related to the value of spirit, togetherness and the desire to achieve the goals. Thiskind of program has raised many pioneering figures that inspire audience.The problem is the narrator or the narration of that program that always be performed by thirdperson, i.e. a reporter or presenter. The reporter or presenter here often only fulfills the market needs:she/he is beautiful or handsome, and she/he sounds tuneful. She/he only presents the story about thesubject, but she/he dominates it. Although this method can help to promote the programs and help theproduction technique team but this method is potential to bring two biases. First, the presenter doesnâ€™thandle the atmosphere around the subject. Second, the presenter maybe presents the subject in thewrong way. So we create this documentary television project â€œVillagerâ€™s Expressionsâ€ in order to tryto solve the problems. This project mixes the standard production pattern of documentary televisionprogram with the production pattern of video participatory: the subject tells their own stories bythemselves and with their own point of view.As an experimental project, we present the first episode: â€œAWI, Children (villagerâ€™s) Theaterâ€. AWI isa children theater community that is based on kampong Merganser Kidul, Yogyakarta which hasexisted in Yogyakarta during 2000s. We present this episode beside the above reason and we alsowant to open the stagnation of documentary television program, especially about art and culturaltheme.Keywords: Expression media, Indigenous people, Inspirational TV program, video participant

TARI TAYUB SEBAGAI SARANA UPACARA RITUAL DI DESA WONOSOCO KECAMATAN UNDAAN KUDUS Suharji Suharji
Acintya Vol 6, No 1 (2014)
Publisher : Institut Seni Indoensia Surakarta

Wonosoco village, district of Undaan, Kudus has a unique tradition called ritual after planting paddyby farmers. This ritual is arranged by a group of three farmers to expel paddyâ€™s pest symbolicallyespecially rat. This research aims to: a) describe ritual ceremony which uses tayub dance as its toolsin Wonosoco, b) describe factors that support ritual of tayub performance, c) write down a journalarticle. For that reasons, this research uses inductive descriptive analytical method with qualitativedata. There are some steps in research writing included data sampling based on field study, observationof tayub performance, interview with guest speaker and informant. For data processing, it usesserial triangulation system such as data reduction, data reformation or data display, and conclusion.This research also uses dance sociological method (as a science that concerns with correlation amongsociety, dance, and its artist).The findings of this research show that dance performance has major meaning in terms of gratitudeand demand to God for giving people bless, being restraint from trouble, granting for all prays, andall of soul as villageâ€™s guardian feel happy so increase interest for working hard and reach success.Tayub dance performance that has taken place during four years has been ritual, association, andfriendship tools and has given an entertainment to make life balance.Keywords: dance, tayub, ritual ceremony.

MAKNA ORNAMEN KUMUDAWATI PENDHAPA AGENG MANGKUNEGARAN Wisnu Adisukma
Acintya Vol 6, No 1 (2014)
Publisher : Institut Seni Indoensia Surakarta

This article aims to identify, comprehend, and explain the influence of Mangkunegaran fortress previouslythrough mind concept of Mangkunegara VII in initiative making of ornament kumudawati atPendhapa Ageng Mangkungaran; and symbolic meaning consisting of barbed in ornament kumudawatiwith Java culture order. Bearing in mind that culture is an element which influences the existence ofornament kumudawati, an overall understanding of the form, role, and meaning of ornament kumudawatiis based on the cultural approach that is a way of looking at culture as a system. According to thisresearch, Kumudawati ornament presented by Mangkunegara VII is the effort to dynamics Javaneseculture lofty values that is adiluhung and combined with western hesitant. Kumudawati ornament isassociated with the mind concept of Mangkunegara VII that the concept of counter culture and toacquire Javanese culture legality as adiluhung and dynamic although western culture as modernculture stays inside Javanese people.Keywords: Kumudawati Ornament, Meaning, Mangkunegara VII

EKSPERIMENTASI PENDEKATAN MEDIUM VIDEO SEBAGAI MODEL UNTUK MEMBANGUN BRANDING KOTA MELALUI LANSKAP SIMPANG LIMA SEMARANG Widhi Nugroho
Acintya Vol 6, No 1 (2014)
Publisher : Institut Seni Indoensia Surakarta

Semarang city has twice the city branding efforts. Some studies suggest that both efforts have failedbecause they are not based on research and benchmarking optimally. This study will try to do theexperimental creation of city branding to Semarang with the involvement of public participation throughvisualization method with aids such as visual recording production by targeting Simpanglima regionas an area that is considered to represent the city of Semarang. Visual recording media is expected tobe a help to uncover the public memory of Semarang and their daily practices against Simpanglimaand the surrounding regions in which it is expected to appear visions that can form the key words indetermining city branding that can represent the visions of its citizens.Keywords: Visual Media, visualization, city branding and participationÂ Â Â

BAYAT CERAMIC (AESTHETIC, FORM, AND FUNCTION) Prima Yustana
Acintya Vol 6, No 1 (2014)
Publisher : Institut Seni Indoensia Surakarta

This study aims to examine the characteristics of ceramic products produced by the craftsmen in thecity of Klaten, especially in Bayat and the surrounding districts. Background of this research is theimportance of the existence of Bayat districts that are located between the city of Solo and Yogyakarta.They are supposed to be a major tourist destination but until now they are still not as crowded asKasongan in the city of Jogjakarta. In addition, another consideration in producing ceramic Bayat isfamous for using a tilted position round or often called perbot skewed.There are some intriguing questions founded in this research including: whether the ceramic productsproduced in Bayat under the influence of ceramic crafts center from the nearby towns; what are thevarious products produced by using oblique rotation tools; what kind of finishing techniques areused by the craftsmen in executing the final results of ceramic products; is there any natural finishingdevelopment in the area of ceramic craft center in Bayat and its surroundings and also other issuesconcerning the marketing of products. This study uses a qualitative research method that is supportedby data from several sampling craftsmen selected from representatives of the southern region of themain road and the north Pagerjurang main road. Interviews are also used in the data searching andsupported by the image data using a digital camera.The research is targeted to publish original ceramic products of Bayat and variations so that the datawill be useful for a promotional tour of the area in order to make it more widely known in thecommunity. Identification of ceramic products in Bayat and the surrounding districts in the study ofaesthetics, form and function are expected to provide a clear explanation whether the ceramic productsof Bayat is compiled in a book as a learning tool. Detailed product identification can be usedalso as a good reference for the craftsmen, community, artists and students to be able to developceramic products in particular way in order to become more attractive and innovative.Keywords: Bayat, Ceramic, Aesthetic form and function

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Albertus Rusputranto Ponco Anggoro, S.Sn., M.Hum

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Home Page

OAI Link

Editorial Team

Contact

Reviewer

Google Scholar

Contact Name Albertus Rusputranto Ponco Anggoro, S.Sn., M.Hum

Contact Email acintya@isi-ska.ac.id

Phone -

Journal Mail Official acintya@isi-ska.ac.id

Editorial Address -

Location Kota surakarta, Jawa tengah INDONESIA

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Contact Name
Albertus Rusputranto Ponco Anggoro, S.Sn., M.Hum

Contact Email
acintya@isi-ska.ac.id

Phone
-

Journal Mail Official
acintya@isi-ska.ac.id

Editorial Address
-

Location
Kota surakarta,

Jawa tengah

INDONESIA