Capture : Jurnal Seni Media Rekam
The main focus of the journal will be to promote a global discussion forum and an interdisciplinary exchange among scholars exploring the topic of TV program, film or cinematography, animation, and photography from different perspectives.
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<![CDATA[LITERASI MEDIA, UPAYA CERDAS DALAM MENGKONSUMSI TAYANGAN TELEVISI ]]>
<![CDATA[Citra Ratna Amelia]]>
<![CDATA[ Capture : Jurnal Seni Media Rekam Vol 7, No 1 (2015) ]]>
Publisher : <![CDATA[Jurusan Seni Media Rekam, Fakultas Seni Rupa dan Desain, Institut Seni Indonesia (ISI) Sur ]]>
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DOI: 10.33153/capture.v7i1.1559
<![CDATA[The development of the mass media or broadcasting of terrestrial television in Indonesia is very rapid. Increasing number of terrestrial television stations in Indonesia makes the competition among television stations increasingly stringent. The terrestrial television requires a relatively high amount of revenue for operational costs. Advertising is one source of revenue. The advertisers will pair its ads in the program of interest by the public. Therefore, the television station competely to create programs that liked by the public. This is done so that the televison station can fight the competition. To determine whether the programs are interesting for public or not , the TV station uses the services of AGB Nielsen to measure whoever are viewing terrestrial television. The results of AGB Nielsen survey are rated and shared. The result of rating and share of the programs are liked by the public interest or not become a benchmark. The higher the rating and share program means the higher the interest of the public to watch the program. That became a problem and interesting to be discussed, in which in reality many programs are reprimanded by the KPI (Indonesian Broadcasting Commission) even in fact they have a high ratings. Whereas the program that gets a reprimand from the KPI is a program that can be said to be problematic and it cannot be imagined what happen if the problematic program maintained by the television station is on the pretext of a high rating. Facing this kind of television, viewers required to be more selective and critical of television, because media owner of television defends its economic interests. Therefore, the audience should have the skills of media literacy. Ability to digest what ispresented by the mass media, then the television is very important.Keywords:Media literacy, rating, share, AGB Nielsen]]>
<![CDATA[GAYA PENYUTRADARAAN IMPRESIONISME PADA FILM SANG KIAI ]]>
<![CDATA[Wegig Widiyatmaka]]>;
<![CDATA[NRA. Candra DA.]]>
<![CDATA[ Capture : Jurnal Seni Media Rekam Vol 7, No 1 (2015) ]]>
Publisher : <![CDATA[Jurusan Seni Media Rekam, Fakultas Seni Rupa dan Desain, Institut Seni Indonesia (ISI) Sur ]]>
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DOI: 10.33153/capture.v7i1.1569
<![CDATA[The research studied about movie entitled Sang Kiai created by Rako Prijanto. The movie achieved predicate of the best film and the best director in the Indonesia Film Festival 2013 in Semarang. Research problems in the study focused on style of directing “impressionism†in Sang Kiai movie with two aspects namely narrative and cinematic. Both aspects can used for reference in understanding of narrating a fiction movie. The objective of the research was to find out style of impressionism directing in the Sang Kiai movie as a technique of narrating film. The study applied the descriptive qualitative method with the researcher as a key instrument to collect data and review of related literature to support the style of impressionism in the film ‘Sang Kiai’. The data analysis process was conducted through some steps: data collection, data reduction, data analysis, and conclusion. The findings of the research showed that the Sang Kiai movie was a kind of impressionism film in narrating the story. In the display, it was emphasized more on the cinematography and editing to give perception on the characters in the movie, in order that it achieved the narration of the story through narrative and cinematic aspects.Kata Kunci: Style, impresionism, Sang Kiai, and movie]]>
<![CDATA[KONSEP PENYUTRADARAAN TELEVISI KREATIF MELALUI PENDEKATAN UNSUR LOKAL NUSANTARA ]]>
<![CDATA[Dara Bunga Rembulan]]>;
<![CDATA[Asmoro Nurhadi Panindias]]>
<![CDATA[ Capture : Jurnal Seni Media Rekam Vol 7, No 1 (2015) ]]>
Publisher : <![CDATA[Jurusan Seni Media Rekam, Fakultas Seni Rupa dan Desain, Institut Seni Indonesia (ISI) Sur ]]>
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DOI: 10.33153/capture.v7i1.1561
<![CDATA[Most of the Indonesian society form new interaction network with the western lifestyle, so indirectly it created the consumetive society in which everthing was consumed from foreign countries as the effects of the diffucion culture. That effects inflicted the Indonesian culture become eroded step by step. Therefore, creative director is needed for producing the television programme which can inform and distribute knowledge about diversity of Indonesian culture. In fulfilling these needs, the audio visual work was created with the emphasis on beauty shots of Indonesian culture, namely clip video exploration in temple surroundings, advertisement exploration of wayang and Indonesian cosmetic products. It is hoped that this television programme can educate the society on how to preserve the Indonesian culture and not easily influenced by foreign cultures.Keywords: creative, television, Nusantara, and directing]]>
<![CDATA[PENGARUH DRAMA KOREA TERHADAP DRAMA PADA PERTELEVISIAN INDONESIA (Study Kasus Drama My Love From The Stars dan Kau yang Berasal dari Bintang) ]]>
<![CDATA[Dyah Ayu Wiwid Sintowoko]]>
<![CDATA[ Capture : Jurnal Seni Media Rekam Vol 7, No 1 (2015) ]]>
Publisher : <![CDATA[Jurusan Seni Media Rekam, Fakultas Seni Rupa dan Desain, Institut Seni Indonesia (ISI) Sur ]]>
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DOI: 10.33153/capture.v7i1.1563
<![CDATA[This research tried to know the influence of Korean drama entitled My LoveFrom The Stars toward Indonesian drama Kau yang Berasal dari Bintang. This research constituted as qualitative descriptive research with those two dramas as the objects. The findings showed that the Indonesian drama Kau yang Berasal dari Bintang drama has similarity with the Korean drama My Love From The Star in the storyline, setting, and costumes. In the storyline, both dramas used a historical time describing love story between alien and human. In the costumes, Kau yang Berasal dari Bintang, used traditional costumes like Kebaya (to show the setting time in 400 years ago) and in the My LoveFrom The Stars used Hanbok as a traditional costumes too. The similarities in the setting are both of them used outdoor area (to describe pre-modernism) and crowded city (to describe modernization area).Keywords : Korean drama, storyline, costume, dan setting.]]>
<![CDATA[ARSITEKTUR TAMAN BERMAIN DALAM FOTOGRAFI EKSPRESI ]]>
<![CDATA[Agra Locita Paramita]]>
<![CDATA[ Capture : Jurnal Seni Media Rekam Vol 7, No 1 (2015) ]]>
Publisher : <![CDATA[Jurusan Seni Media Rekam, Fakultas Seni Rupa dan Desain, Institut Seni Indonesia (ISI) Sur ]]>
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DOI: 10.33153/capture.v7i1.1555
<![CDATA[The architecture of the playground in the expression photography is an idea of visual fragment which are visualized become photography art. The characteristics on the deconstruction building consist of irregular lines and unique geometric forms inspire for creating photography art especially in line, form and color elements. The results of the creative processes are photos which are dominant with details or corners of playground building. This creating is expected to give contributions for society through creating new style of architecture photography.Keywords: architecture, playground, photography, and expression]]>
<![CDATA[GAYA DIRECT CINEMA PADA PENYUTRADARAAN FILM DOKUMENTER DI BALIK DONGENG KANCIL ]]>
<![CDATA[Satriyo Bagus Prasojo]]>;
<![CDATA[Cito Yasuki R.]]>
<![CDATA[ Capture : Jurnal Seni Media Rekam Vol 7, No 1 (2015) ]]>
Publisher : <![CDATA[Jurusan Seni Media Rekam, Fakultas Seni Rupa dan Desain, Institut Seni Indonesia (ISI) Sur ]]>
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DOI: 10.33153/capture.v7i1.1565
<![CDATA[The documentary film entitled Di Balik Dongeng Si Kancil tells about high dedication and awareness of an artist named Ki Ledjar Subroto in the development of pewayangan (shadow puppet) at once as an environmental conservationist. Wayang Kancilwas used to develop and find out strategies to educate young generation especially children in the way of how to understand the wayang. Wayang Kancil is a kind of wayang which can also be used as education medium in understanding and conserving environment. This creating used concept of “direct cinema†in producing documentary film entitled DiBalik Dongeng Kancil. The film shows wayang medium can be used as learning medium. Film recording emphasized actions spontaneously and naturally to impress proximity between subjects and audiences. Structure and narrative aspects in conveying information in this documentary film expressed using linear pattern through visual dialog of the subjects or informants, while narration by narrator is not emerged. Therefore, the visualization of the subjects in the interview constitutes an important part in describing information in every scene or event in this documentary film about the importance of conserving Indonesian culture.Keywords: Wayangkancil, documentary, film, and direct cinema]]>
<![CDATA[VISUALISASI KEARIFAN LOKAL PADA INDONESIA BAGUS NET TV EPISODE SUNGAI UTIK MASYARAKAT DAYAK IBAN ]]>
<![CDATA[Alfio Ridho]]>;
<![CDATA[Achmad Sjafi’i]]>
<![CDATA[ Capture : Jurnal Seni Media Rekam Vol 7, No 1 (2015) ]]>
Publisher : <![CDATA[Jurusan Seni Media Rekam, Fakultas Seni Rupa dan Desain, Institut Seni Indonesia (ISI) Sur ]]>
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DOI: 10.33153/capture.v7i1.1557
<![CDATA[Local wisdom is a dialectic results of society in responding their surrounding conditions. The local wisdom visualized television programme of Indonesia Bagus in NET TV especially the episode of Sungai Utik Masyarakat Dayak Iban through the shooting techniques. The techniques consist of resolution (image size), angle, and camera moving. The diversity of shooting techniques in the Indonesia Bagus programme actually have values to show to audiences by director programme.Keywords: Visualization, local wisdom, and shooting techniques]]>
<![CDATA[EKPLORASI OBJEK BERGERAK DENGAN FOTOGRAFI TIGA WARNA ]]>
<![CDATA[Setyo Bagus Waskito]]>
<![CDATA[ Capture : Jurnal Seni Media Rekam Vol 7, No 1 (2015) ]]>
Publisher : <![CDATA[Jurusan Seni Media Rekam, Fakultas Seni Rupa dan Desain, Institut Seni Indonesia (ISI) Sur ]]>
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DOI: 10.33153/capture.v7i1.1567
<![CDATA[Three-color photography is a technique used to produce color photography in the past. Because the shooting is not simultaneous then this technique producesan image that is not perfect at moving objects such as lines of color on the edges of moving objects or shadows are brightly colored when objects move quickly. A weakness in these techniques will be explored and done intentionally shooting at moving objects to get different effects and artistic in a work of art photography.Keywords: photography, exploration, motion, color, and effects.]]>
