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Mhd. Pujiono
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ijcas@usu.ac.id
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Jl. Universitas No.19, Padang Bulan, Kec. Medan Baru, Kota Medan, Sumatera Utara 20155.
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INDONESIA
International Journal of Cultural and Art Studies (IJCAS)
Published by Universitas Sumatera Utara
ISSN : 26231999     EISSN : 26543591     DOI : -
Core Subject : Humanities, Education, Art,
Arts Humanities Languange, Linguistic, Communication & Media
International Journal of Cultural and Art Studies (IJCAS) is an academic, open access, and peer-reviewed journal founded and first published in 2018 by Talenta Publisher & the Faculty of Cultural Sciences, University of Sumatera Utara, Indonesia. Focusing on culture, language, and literature as it is viewed from the Indonesian perspective, IJCAS provides a platform for the presentation, analysis, and criticism of provocative work, publishing articles that transcend disciplines and advance the study of humanities. Topics include culture (Traditional Art & Culture, Tourism), Linguistics (morphology, phonology, semantics, syntax, sociolinguistics, antropolinguistics, psycolinguistics/neurolinguistics, discourse Analysis, translation, clinical Linguistics, forensic linguistics), literature (comparative literature, foreign literature, Indonesian literature), history (foreign history, Indonesian history). Only original research articles and book reviews are accepted. International Journal of Cultural and Art Studies (IJCAS) are published two times per year (in April and October).
Arjuna Subject : Seni dan Humaniora - Seni dan Humaniora (Lain-Lain)
Articles 5 Documents
 1 
Search results for , issue "Vol. 6 No. 2 (2022): International Journal of Culture and Art Studies (IJCAS)" : 5 Documents clear
Revisiting the Marketing of the Indonesian Batik and the Nigerian Adire Kalu Kingsley Anele; Young-Rae Cho
International Journal of Cultural and Art Studies Vol. 6 No. 2 (2022): International Journal of Culture and Art Studies (IJCAS)
Publisher : Talenta Publisher

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.32734/ijcas.v6i2.6766

Abstract

This paper aims to fill the gap in the marketing of Batik and Adire. The methodology deployed is a comparative analysis of literature and legal instruments. The paper also uses data to comparatively analyze the impact of the marketing of Batik and Adire in the creative industries in Indonesia and Nigeria. The paper's findings show that both fabrics share some commonalities in making them, and their designs have sociocultural meanings. They contribute to sustainable socio-economic and cultural development of both countries. Moreover, both fabrics have cultural, aesthetic, artistic, and religious values. They play significant roles in tourism, art-craft, the creative industry, and the way of life of Indonesians and Nigerians. Both fabrics require similar measures to enhance their marketing strategies given their marketing limitations. Conclusively, common measures can be used to enhance the marketing of both fabrics in terms of the use of technology. Hence, both countries should put appropriate legal regimes, regulatory frameworks, facilities, and infrastructure in place to achieve that. Also, the creation of textile cottage industries, the establishment of small and medium enterprises, and public-private partnerships are key in bolstering the marketing of Batik and Adire.
The History of Hakka Diaspora in Indonesia: Migration Waves and Negotiations with National Identity Bayu Mitra A. Kusuma; Theresia Octastefani
International Journal of Cultural and Art Studies Vol. 6 No. 2 (2022): International Journal of Culture and Art Studies (IJCAS)
Publisher : Talenta Publisher

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.32734/ijcas.v6i2.8928

Abstract

The Hakka Diaspora is one of the immigrant descendants who have lived in Indonesia for a very long time. Their existence has often experienced ups and downs. This study aims to analyze the waves of Hakka migration to Indonesia and how they negotiate with national identity. This study used a descriptive qualitative approach to analyze this phenomenon with data collected from interviews and literature studies. The research results showed that the wave of Hakka migration to Indonesia does not only come from mainland China but also from Taiwan. The Hakka migration waves from mainland China largely occurred during the Qing dynasty due to overcrowded populations, the difficulty of land ownership, and government discrimination problems. Meanwhile, the Hakka migration from Taiwan occurred after the Treaty of Shimonoseki in 1895, which forced the Qing dynasty to surrender Formosa to Japan after the First Sino-Japanese war and mass company relocation in the 1980s due to rising production costs in Taiwan. Second, to negotiate their background with Indonesian identity, the Hakka have five philosophies of life called Hakkacita. This philosophy emphasizes conscience, good virtue, cohesiveness, devotion, and shared prosperity between Hakka descendants and other ethnic groups within the framework of Indonesian nationalism.
Museums in Ghana: Visitor Education, Experiences and Satisfaction
International Journal of Cultural and Art Studies Vol. 6 No. 2 (2022): International Journal of Culture and Art Studies (IJCAS)
Publisher : Talenta Publisher

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.32734/ijcas.v6i2.9056

Abstract

Patronage and visitor education has been of great concern to the management of museums in Ghana. The need to assess visitors' experience, education, and satisfaction to inform policy is expedient. This study looked at visitor experience and satisfaction with museum education in Ghana. Visiting and studying nine museums under the Ghana Museums and Monument Board (GMMB) and using both qualitative and quantitative approaches, the study revealed that visitor experiences, satisfaction, and education are unsatisfactory. There are issues with teaching methods, the state of exhibits and exhibition styles, and the challenge of low possibility for visitor revisit. Results show that there are low innovative educational and entertaining activities to strengthen museum infrastructure. There is a need to commit resources to strengthen museums and introduce activities that would serve as grounds for museum learning. A strong engagement of visitor education in a positive, socio-cultural and conducive learning atmosphere is very much expedient.
Waste to Wealth: Art Production Formula in a Lockdown Situation
International Journal of Cultural and Art Studies Vol. 6 No. 2 (2022): International Journal of Culture and Art Studies (IJCAS)
Publisher : Talenta Publisher

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.32734/ijcas.v6i2.9450

Abstract

In life, there are negative occurrences capable of throwing humanity into lockdown conditions, like the recent global pandemic - Covid-19, which caused lockdowns to be declared at different places across the globe. This made for the restriction of movement, resulting in the unavailability of raw materials, which in turn halted the production of goods which are not food or medicine. Art was not left out, as its production was equally held in abeyance. This paper projects a formula for continuity in art production in such a situation. Its objectives are to expatiate the basic requirements for art production and propose a viable formula for it in a lockdown situation. The paper employed the internet, analog, and digital libraries to review related literature and works and a descriptive research approach. Findings reveal that the basic requirements for art production are artistic skill, artistic idea; art material(s); and tools/equipment where necessary. Also, the artist’s main problem of unavailability of conventional materials during lockdown can be overcome by employing waste, freely available everywhere, for art production. The paper concludes that employing waste as material for art creation can keep the artist afloat in art production during the lockdown. It is recommended that artists not only employ waste for art creation in a lockdown condition but always for innovation and creativity in art praxis.
The Japanese Compound Verb ~ kakeru (~ かける): It's Meaning and Formation Taulia Taulia; Abdul Gapur
International Journal of Cultural and Art Studies Vol. 6 No. 2 (2022): International Journal of Culture and Art Studies (IJCAS)
Publisher : Talenta Publisher

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.32734/ijcas.v6i2.9572

Abstract

This study examines "~kakeru (～かける) Compound Verbs in Japanese Sentences." This study describes the structure and meaning of the compound verb kakeru in Japanese sentences. The data used by the researcher come from diverse sources, including books, dictionaries, and sentences written by the researchers themselves. It utilizes library resources to collect the necessary data. Then, the form and meaning of the compound verb kakeru are determined using the distributional method and the basic direct element technique. Based on the data analysis, it can be concluded that the meaning describes the activity's initiation and its state. In addition to being attached to activity verbs and punctual verbs, the form of the compound verb kakeru can also be attached to stative verbs. In sentences containing the compound verb kakeru, that state just before an activity begins and activities that have been ongoing for some time.

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