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Tonika: Jurnal Penelitian dan Pengkajian Seni
Published by Sekolah Tinggi Theologia Abdiel
ISSN : 26544466     EISSN : 26851261     DOI : 10.37368
Core Subject : Art,
Arts
Tonika merupakan jurnal interdisiplin yang mengkaji pelbagai isu dan diskursus musik. Jurnal ini mengapresiasi artikel-artikel dalam ranah kajian teoretis, filosofis dan aplikatif berdasar pada penelitian dan pengkajian. Artikel-artikel di Tonika berorientasi untuk menyebarluaskan dan mengembangkan pengetahuan seni guna merespon perkembangan global sehingga dapat bermanfaat bagi para akademisi, praktisi, peneliti dan pengajar.
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Articles 68 Documents
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IDIOM MUSIK KLASIK DI GEREJA KARISMATIK Michael Hari Sasongko
Tonika: Jurnal Penelitian dan Pengkajian Seni Vol 1 No 1 (2018): November 2018
Publisher : Sekolah Tinggi Theologia Abdiel

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Abstract

Church music has long history and experiences in its periods. It began when they, the believers, mentioned themselves as the “Christian”. From the time that phenomenon the christians commenced their act of devotion tradition included their musical tradition of worship. The existence of church music more developed till Middle Age or Dark Age Period. It was dominantly covering to others music genre. At the Renaisance Period, the church reformation movement occured and it was pioneered by Martin Luther. Western music changed at the time. Luther changed of scene; He changed the tradition of Catholic church that used Latin lirics to folk language; He changed the gregorian chant tradition with folksong. The phenomenon was the first time of event of inculturation in world history of music after it undergone stagnancy during the authorization of Roman empire, especially when Pope Gregory created the standarization to all christian music. At the present day we are familiar with charismatic music tradition which is developed from American music tradition. It has a characteristic which is used as the band instrument in praise and worship by christian believers. But sometimes, the believers also use arpeggio or broken-chord as the main charracter on Classical Period in part the way of Western music history. Pass through the reasearch, the reasearcher look into the idioms are used in praise and worship in charismatic church. The reasearcher found that the using of idiom in Classical Period has enriched the nuance of music aesthetic in praise and worship.
CROSS CULTURE FERTILIZATION SEBAGAI BASIS PENGEJAWANTAHAN KESENIAN DALAM PENDIDIKAN Jalaluddin Rumi
Tonika: Jurnal Penelitian dan Pengkajian Seni Vol 1 No 1 (2018): November 2018
Publisher : Sekolah Tinggi Theologia Abdiel

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Abstract

Cross Culture Fertilization by emphasising on a multicultural understanding in this article, studies the cultural diversity to foster the nation characters, as a basis to implement arts in education. The cultural approach through traditional arts in the education that has a competence in bringing an imaginative-room is a proposition of its idea. It is based on the implementation of elements of traditional arts to grow a natural awareness and to develop a cultural sensitivity on the basic school curriculum in the developed countries. Thus the development circumstance of Indonesian Arts becomes a start image in order to reformulate the traditional arts in the education. By aesthetic experience and artistic reflection, and also comparing with Ki Hadjar Dewantara’s education conception of Perguruan Tamansiswa and Visual Culture Learning Community as a study case, this proposition has to get a further study to embody, creatively and innovatively. Thereby the imagination of Cross Culture Fertilization based on the multicultural understanding in Indonesia, holds a central role in the context of its implementation in the education curriculum, nowadays.
MEMAKNAI INKULTURASI DALAM PENDIDIKAN SENI DAN KONSERVASI Dody Candra Harwanto
Tonika: Jurnal Penelitian dan Pengkajian Seni Vol 1 No 1 (2018): November 2018
Publisher : Sekolah Tinggi Theologia Abdiel

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Abstract

The gradual flow of globalization influences the existence of traditional arts and cultural identities of an area that is starting to fade. In overcoming these conditions, one of the efforts that can be done is through art education and cultural conservation into new forms such as inculturation. The phenomenon of inculturation provides space for the process of art education through the development of artistic expertise, creation, and appreciation using traditional arts. In addition, efforts to conserve culture through the use of traditional arts in every procession of worship, can be a force that animates and renews the culture intensively. The pursuit of democratic cultural integration, the wealth of traditional arts in an area with all its uniqueness, beauty and cultural values can be proud of, maintained, developed and preserved, so that it can become the identity of an area and even a nation.
KONSEP PEMBELAJARAN PIANO: SEBUAH SUMBANGSIH PEMIKIRAN Genta Kurnia Andriyanto
Tonika: Jurnal Penelitian dan Pengkajian Seni Vol 1 No 1 (2018): November 2018
Publisher : Sekolah Tinggi Theologia Abdiel

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Abstract

Practicing a piano is important for a pianist. A good training program certainly needs to be designed for every pianist. Long time and self-discipline as the basis for training, is actually not enough to get maximum results. Complaints such as saturation, boredom, finger injury, even frustration are always a cliché problem that often occurs. Creating a training program that is right on target and efficient is very necessary to be designed, so that training can be fun, stimulate and of course get a fast and significant development. Then what kind of exercise program should the pianist know in order to get maximum results? The following will explain some of the suggestions and trick that can help a pianist, so he can make the best use of training time.
MELIHAT KEMUNGKINAN MODUS GEREJA SEBAGAI DASAR BAGI PENYUSUNAN MUSIK UNTUK HYMN Daniel Sema
Tonika: Jurnal Penelitian dan Pengkajian Seni Vol 1 No 1 (2018): November 2018
Publisher : Sekolah Tinggi Theologia Abdiel

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Abstract

The standard major and minor scale have been used to compose millions of congregational song. After years of listening to music based on the same old scales, there is a way to break away from convention but still keep the music interested and more fresh. A great way to start exploring interesting and new sounding melodies and harmonies is to use modes (church modes). Modes are scales that use the same pitches of the standard major scale but in new and different ways. Because of one or two discrepancies from the typical major or minor scale, a mode can sound fresh, intriguing, and grab your listener's attention as something new.
MUSIK BIA: FUNGSI DAN REALITAS SOSIAL PADA MASYARAKAT DI KABUPATEN MINAHASA UTARA Richard Junior Kapoyos
Tonika: Jurnal Penelitian dan Pengkajian Seni Vol 1 No 1 (2018): November 2018
Publisher : Sekolah Tinggi Theologia Abdiel

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Abstract

The Phenomenon of Bia Music in Batu village community needs to be closely examined considering that the Bia Music in the past to the present time is shifting and changing, due to lack of awareness, people's behavior towards Mia Music. The music of this tradition is very apprehensive to see the reality of the players from year to year diminishing in quantity and quality. The purpose of this research is to analyze: (1) Function of Bia Music, (2) Social reality that happened in society. This research uses qualitative method with data collection technique of interview, observation and document study. The technique of data validity is based on the credibility criteria, using triangulation of data. Data analysis techniques used are data collection, data presentation, data reduction, and data verification. The results of this study indicate that the Functions of Bia Music, among others, as a medium of ritual, communication media, into evangelism media, events of cultural festivals, education, association, entertainment and publicity. There are three moments of dialectics in the social realities of externalization, objectivity, and internalization.
NILAI ESTETIS MUSIK DALAM RENTANG SEJARAH MUSIK BARAT Supriyadi Supriyadi
Tonika: Jurnal Penelitian dan Pengkajian Seni Vol 2 No 1 (2019): Mei 2019
Publisher : Sekolah Tinggi Theologia Abdiel

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Abstract

The history of Western music, historically, has been changing for a long time; from one period to other period until the present day. In music, the chaging automatically changes its forms, styles, characteristics, harmony, and particularly its aesthetics values. Then, the changing triggers development. Dominantly the development is inluenced by two dominant aspects, i.e. internal aspect and external aspect. The music history said that the period of Middle Ages was influenced by political religion which was placed under Chatolic church authorization. Renaisance period was influenced by spirit of individualism and humanism, and also enthusiasm of anthropocentrism. The Barock era was shadowed by the political changing in Western Europe. The Classic dan Romantic period was shaded by the passion of territorial expansion and nationalism that was marked by Franch Revolution. After World War I and II the social changes were determined by the development of technology. It becomes significant factor. In musicology context, the development of technology has created several new music instruments. The relationship between internal and external aspect occurs correlative and the aesthetics values in music has been influenced by several aspects above. The existence of music is not caused by itself, but it influenced by another aspects.
KONTEKSTUALISASI GAMELAN JAWA DI GEREJA BAPTIS INDONESIA (GBI) NGEMBAK Alfa Kristanto
Tonika: Jurnal Penelitian dan Pengkajian Seni Vol 2 No 1 (2019): Mei 2019
Publisher : Sekolah Tinggi Theologia Abdiel

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Abstract

This thesis aims to examine contextualization of Javanese gamelan in the liturgy of the worship at the Indonesian Baptist Church (GBI) Ngembak Tembalang. The approach used is interdisciplinary, using qualitative research methods, and interpretative case study research design. The research data was collected by observation technique, interview, and document study, and source triangulation technique to maintain its validity. Data analysis technique is done through the process of reduction, presentation, and conclusion (verification). The results of this study show that, the form of Javanese gamelan accompaniment music in liturgical worship at GBI Ngembak Tembalang is composed of two elements, namely the element of time and melody. Contextualization of Javanese gamelan in the liturgy of the worship at the Indonesian Baptist Church (GBI) Ngembak Tembalang consists of one model, namely model translation. On the model of translation is done through the efforts of Christian identity preservation, keeping mindful of the culture, history and social change, which is owned by the Baptist Church Indonesia (GBI) Ngembak Tembalang.
MUSIK ETNIK DAN PENGEMBANGAN MUSIK GEREJA Michael Hari Sasongko
Tonika: Jurnal Penelitian dan Pengkajian Seni Vol 2 No 1 (2019): Mei 2019
Publisher : Sekolah Tinggi Theologia Abdiel

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Abstract

Church, as a religious institution, and ethnic music, as a communality creation, are different thing. They have different philosophy, meaning, existence, entity, form, and also sosial and historical context. Sometimes even as, ideologically, they display even negation. However inspite of the contradiction, they have some interest and orientation i.e. come together on a place for expressing who people are. When they meet, there, they create something new. Based on Homi K. bhabha's theory, this something new is called "the third space". We will find ambivalence and mimicry in the new space. On the musical perspective, the hybrid of church and ethnic music call into being a new genre, namely "ethnical church music". The cutting-edge genre proved succeed for increasing worship atmosphere.
MODUS DORIAN: SEBUAH ALTERNATIF BAGI PENCIPTAAN HYMN Daniel Sema
Tonika: Jurnal Penelitian dan Pengkajian Seni Vol 2 No 1 (2019): Mei 2019
Publisher : Sekolah Tinggi Theologia Abdiel

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Abstract

In today's Indonesian churches there are two types of music in worship, namely: hymnal songs or hymn (which are still used in mainstream Protestant churches) and contemporary Christian songs (used in Pentecostal and Charismatic churches). Nevertheless, contemporary Christian singing began to be accepted by some Protestant Christians and its existence increasingly dominated and urged the hymn. In order for the hymn to not be easily abandoned and felt contemporary, the author offers a new alternative to the creation of the hymn that has based itself on the major-minor mode for centuries. The alternative is the use of church mode, namely the Dorian mode as the basis for the creation or arrangement of a hymn. For this reason, the author tries to present a hymn arrangement for the song "Holy, Holy, Holy" by Reginald Heber in the SATB format in Dorian mode.

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