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INDONESIA
LINIMASA: JURNAL ILMU KOMUNIKASI
Published by Universitas Pasundan
ISSN : 26140373     EISSN : 26140381     DOI : -
Core Subject : Humanities, Science, Education, Social,
Humanities Environmental Science Languange, Linguistic, Communication & Media Library & Information Science Social Sciences
LINIMASA merupakan jurnal yang diiniasi oleh Program Studi Ilmu Komunikasi FISIP Universitas Pasundan. Terbit dua kali dalam setahun, pada bulan Januari dan bulan Juli. Gagasan jurnal LINIMASA hadir atas fenomena perkembangan ilmu komunikasi yang begitu pesat dan dinamis mengikuti perkembangan jaman. Dilihat dari definisinya, LINIMASA menggambarkan garis waktu atau suatu peristiwa penting dalam subjek tertentu yang ditampilkan dalam urutan kronologis. Jurnal LINIMASA mengakomodir berbagai hasil pemikiran/penelitian komunikasi mulai dari masyarakat bermedia konvensional hingga masyarakat bermedia kontemporer seperti saat ini.
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Articles 13 Documents
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Search results for , issue "Vol. 5 No. 2 (2022): Juli 2022" : 13 Documents clear
KONSEP DIRI ANGGOTA DEWAN PERWAKILAN DAERAH REPUBLIK INDONESIA (DPD – RI) PADA KONTEKS KOMUNIKASI ANTARBUDAYA Teuku Yuliansyah
Linimasa : Jurnal Ilmu Komunikasi Vol. 5 No. 2 (2022): Juli 2022
Publisher : Ilmu Komunikasi, FISIP Universitas Pasundan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.23969/linimasa.v5i2.5726

Abstract

Indonesia is multicultural, which means that it does not only recognize the plurality of certain ethnic groups or cultures, but also emphasizes equality between these cultures. The existence of ethnicity should be considered as the nation's essential wealth that can be used to form social relations, to enrich the nation's cultural assets. In this case, multiculturalism accommodates two (2) things that are contradicted, namely 'Difference' and 'Equality'. Thus, despite the high level of heterogeneity, "vertical and horizontal conflicts", can be reduced because each culture is given the freedom to show its identity and carry out life more autonomously while getting equal recognition of the existence and uniqueness of each. This is the reason why this research was conducted at State Institutions such as DPD – RI.The purpose and objective of this research is to explore opinions and get a general idea of ​​how the strategy of DPD – RI Members to construct their self - concept based on their region of origin in the context of intercultural communication.This study uses a qualitative method with a constructivist paradigm that focuses on Alfred Schutz's tradition of social phenomenology, which is associated with the concept of symbolic interaction.The results showed that there were three (3) self - concept models of the informants, namely: the conservative model; adaptive; interactive, based on three (3) classification, namely: motive – adaptation – interaction.The conclusion obtained is that the scope of the informant's self-concept is not limited to social and political communication, but is closely related to intercultural communication. The slogan “Bhinneka Tunggal Ika” has become a symbol of intercultural communication for DPD – RI members as the end result of how they interpret their self - concept.
ANALISIS FRAMING PEMBERITAAN AKSI TEROR MABES POLRI PADA MEDIA ONLINE KUMPARAN DAN TIRTO.ID Mochammad Fauzan Amin; Muhammad Ramdhani; Oky Oxcygentri
Linimasa : Jurnal Ilmu Komunikasi Vol. 5 No. 2 (2022): Juli 2022
Publisher : Ilmu Komunikasi, FISIP Universitas Pasundan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.23969/linimasa.v5i2.5229

Abstract

The purpose of this study was to find out how the online media framing Kumparan and Tirto.id in reporting acts of terror at the National Police Headquarters. This study used qualitative research methods. Collecting data in this study using documentation techniques and literature study. The analysis technique uses Robert N. Entman's model framing analysis technique. The results of this research show that there are similarities between Kumparan and Tirto.id by defining terror acts at the National Police Headquarters as a form of terrorism attack. However, Kumparan emphasizes the human interest side of the perpetrators of the Police Headquarters attack by writing his name clearly and writing down the contents of the will left by the perpetrator. In addition, Kumparan also highlighted the actions of the police in this case, such as guarding and checking at the National Police Headquarters and shooting dead the perpetrators. Meanwhile, Tirto.id emphasizes the chronology of the terrorist acts at the Police Headquarters and also highlights the issue of terrorism itself by explaining the lone wolf and millennial terrorist phenomena. Kumparan and Tirto.id are trying to be as objective as possible in reporting the terror act at the National Police Headquarters.
PERSEPSI DAN REAKSI GENERASI Z TERHADAP FENOMENA GENDER FLUID DAN GAYA FESYEN ANDROGINI Brigitta Cheria Belinda
Linimasa : Jurnal Ilmu Komunikasi Vol. 5 No. 2 (2022): Juli 2022
Publisher : Ilmu Komunikasi, FISIP Universitas Pasundan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.23969/linimasa.v5i2.4569

Abstract

ABSTRACT The phenomenon of gender fluid and androgynous fashion style indeed exists and is rife in society. Until now this phenomenon is still receiving a lot of different perceptions and reactions from the community. The purpose of this research is to find out Generation Z's understanding of the gender fluid phenomenon through the concept of androgynous fashion style on Instagram communication media and Generation Z's reactions and perceptions of this phenomenon. Data collection is done by documentation, observation, interviews, and focus group discussions. This research is a qualitative research with descriptive methods. The results of the study show that many definitions given by Generation Z are still unclear but their understanding has begun to appear. Generation Z has different perceptions and reactions to this phenomenon. There are perceptions and reactions that are neutral,negative and positive. Even so, Generation Z has sufficiently accepted the phenomenon of gender through the concept of androgynous fashion style. Key Word: Androgynous Fashion Style, Gender fluid, Generation Z, Perception, Reactions

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