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Wan Ridwan husen
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Magelaran: Jurnal Pendidikan Seni
Published by Universitas Muhammadiyah Tasikmalaya
ISSN : -     EISSN : 26208598     DOI : https://doi.org/10.35568/
Core Subject : Humanities, Education,
Humanities Education
Magelaran: Jurnal Pendidikan Seni adalah jurnal Nasional yang diterbitkan dua kali dalam setahun pada bulan Juni dan Desember dengan (E-ISSN 2620-8598). Jurnal ini menerbitkan artikel ilmiah tentang : 1. Pendidikan seni 2. Seni Drama 3. Seni Musik 4. Seni Tari 5. Seni Rupa 6. Media Pembelajaran Seni 7. Seni Budaya 8. Sejarah Seni 9. Antropologi Seni Artikel dapat ditulis dalam bahasa Inggris, atau bahasa Indonesia.
Arjuna Subject : Seni dan Humaniora - Seni dan Humaniora (Lain-Lain)
Articles 6 Documents
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Search results for , issue "Vol. 1 No. 2 (2018): Magelaran: Jurnal Pendidikan Seni Vol. 1, No. 2, Desember 2018" : 6 Documents clear
KOMPARASI SEJARAH SENI RUPA BARAT DAN TIMUR KEBUDAYAAN YUNANI DENGAN INDIA Winia Hafiti; Aini Loita
Magelaran: Jurnal Pendidikan Seni Vol. 1 No. 2 (2018): Magelaran: Jurnal Pendidikan Seni Vol. 1, No. 2, Desember 2018
Publisher : Prodi Pendidikan Sendratasik FKIP UMTAS

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (214.61 KB) | DOI: 10.35568/magelaran.v1i2.242

Abstract

Artikel ini memuat tentang komparasi sejarah seni rupa khususnya seni rupa Asia dan Barat. Dalam artikel ini dibahas secara garis besar mengenai jalur penyebaran peradaban timur dan jalur penyebaran peradaban barat. Hasil-hasil kebudayaan dari timur dan barat masing-masing diwakili oleh peradaban India untuk kebudayaan timur sedangkan untuk kebudayaan barat diwakili oleh peradaban Yunani. Masing-masing peradaban dianggap sebagai pondasi peradaban selanjutnya di masing-masing wilayah timur dan barat. Bahasan artikel ini mengupas contoh karya representatif dari segi arsitektur, seni lukis dan seni pahat untuk Timur dan Barat berupa analisis perbandingan. Artikel ini menjelaskan mengenai perbandingan kebudayaan India dan kebudayaan Yunani yang meliputi persoalan: filsafat, karya seni dan berbagai pendapat para Filusuf yang mengungkapkan konsep perbedaan dan atau kesamaan di antara seni Timur dan Barat.
SIMBOL-SIMBOL DALAM GUNUNGAN WAYANG KULIT JAWA Aini Loita
Magelaran: Jurnal Pendidikan Seni Vol. 1 No. 2 (2018): Magelaran: Jurnal Pendidikan Seni Vol. 1, No. 2, Desember 2018
Publisher : Prodi Pendidikan Sendratasik FKIP UMTAS

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (197.684 KB) | DOI: 10.35568/magelaran.v1i2.463

Abstract

Puppet is a legacy of the past that has been tradition until now. Although in its development, wayang experienced changes as innovations to maintain it, but there were fixed structures that did not change, such as the form of the puppet itself, how to perform it, the structure of the gamelan, its suluk-suluk, philosophy and others. One of the Javanese shadow puppets called gunungan has many symbols of visual values ??that can be observed and interpreted as the noble heritage of traditional values. This article outlines the analysis of the visual meaning of the Javanese shadow puppet views from the point of view of the symbol of Tribuwana or Tiga Dunia, Up, Down, Middle.
MAKNA ORNAMENTASI PAPANTUNAN DALAM TEMBANG SUNDA CIANJURAN Denden Setiaji
Magelaran: Jurnal Pendidikan Seni Vol. 1 No. 2 (2018): Magelaran: Jurnal Pendidikan Seni Vol. 1, No. 2, Desember 2018
Publisher : Prodi Pendidikan Sendratasik FKIP UMTAS

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (196.483 KB) | DOI: 10.35568/magelaran.v1i2.464

Abstract

This article is an analysis of the meaning of ornamentation found in Sunda Cianjuran songs, especially wanda papantunan, where the role of ornamentation in papantunan has meanings and values ??that can describe the pattern of life or frame of mind of Sundanese society during the formation of Sunda Cianjuran song wanda papantunan, it is expressed through the form of ornamentation and graphic notation presented in each verse and ornamentation to the application of notation. All aspects listed there have values ??that describe the rational pattern of a harmonious and religious Sundanese society.
ANALISIS 7 UNSUR KEBUDAYAAN MASYARAKAT KECAMATAN CIGALONTANG KABUPATEN TASIKMALAYA Krisma Jayanti; Aini Loita; Helda Safaat
Magelaran: Jurnal Pendidikan Seni Vol. 1 No. 2 (2018): Magelaran: Jurnal Pendidikan Seni Vol. 1, No. 2, Desember 2018
Publisher : Prodi Pendidikan Sendratasik FKIP UMTAS

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (173.768 KB) | DOI: 10.35568/magelaran.v1i2.465

Abstract

This article is the result of a qualitative descriptive study focused on the study of seven elements of culture including systems of technology, livelihoods, social systems and social organizations, languages, arts, education, and religious systems. Most of the residents of Cigalontang speak Sundanese and are Muslim. Most people who work as farmers are still very traditional, have diverse cultural customs including jaipongan, pencak silat, rudat, calung, ronggeng, tambourine, dog dogs, and are cut down by gebes. In addition, there are also traditional hereditary practices that are usually carried out by the community, namely randomizing those who want to get married and thanksgiving for the harvest if they are going to harvest by burning incense.
SENI TEREBANG GEBES GRUP CANDRALIJAYA DI KAMPUNG CIRANGKONG DESA CIKEUSAL KECAMATAN TANJUNGJAYA KABUPATEN TASIKMALAYA Asti Tri Lestari
Magelaran: Jurnal Pendidikan Seni Vol. 1 No. 2 (2018): Magelaran: Jurnal Pendidikan Seni Vol. 1, No. 2, Desember 2018
Publisher : Prodi Pendidikan Sendratasik FKIP UMTAS

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (234.22 KB) | DOI: 10.35568/magelaran.v1i2.466

Abstract

This research is intended to find out the development of art in the gebes in Cirangkong Village, Cikeusal Village, Tanjung Jaya District, Tasikmalaya Regency. This has become important regarding the art of gebes which is a product of local communities whose existence is now increasingly marginalized by the invasion of foreign cultures as a result of globalization. The research method used is descriptive method with a qualitative approach. Based on the data collected successfully, it is illustrated that the art of gebes felling has a function as a ritual in the celebration of harvest for the supporting community. A new phenomenon that is as entertainment in enlivening various national events. Another symptom of the emergence of art groups was broken down in schools played by school students. The structure of the performance of the art is broken down in the event of the purpose of overtime, which starts from the preparation, implementation, and closing.
KEBUDAYAAN MASYARAKAT KAMPUNG NAGA KABUPATEN TASIKMALAYA Nia Nursalis; Maulina Sofwan; Reka Mustika; Aini Loita; Ali Nurdin
Magelaran: Jurnal Pendidikan Seni Vol. 1 No. 2 (2018): Magelaran: Jurnal Pendidikan Seni Vol. 1, No. 2, Desember 2018
Publisher : Prodi Pendidikan Sendratasik FKIP UMTAS

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (258.694 KB) | DOI: 10.35568/magelaran.v1i2.467

Abstract

This article describes the results of a qualitative descriptive study of the culture of Kampung Naga community. Kampung Naga is a traditional village located in Neglasari Village, Salawu District, Tasikmalaya Regency, West Java. The people still hold strong the traditions inherited from their ancestors where they live in an order that is encompassed by an atmosphere of modesty and a sticky environment of traditional wisdom. Kampung Naga's community culture is very diverse starting from the equipment system and all the activities they do all depend on nature and are still very traditional. Most people work as farmers. There are two government institutions in Naga village, namely formal institutions and traditional institutions. The Kampung Naga community has a variety of arts to traditional ceremonies. Among other things, art is scattered, angklung bareung, beluk, and rengkong. There are three arts pairs in Kampung Naga including Terebang Gembrung, Terebang Sejat and Angklung Bareung. While traditional ceremonies are often carried out, namely the solitary ceremony, the purpose of gratitude and traditional marriage. Although the community still adheres to the ancestral traditions of their ancestral knowledge system, they are not left behind. Although almost all people embrace Islam, but in living ancestral customs, the people of Kampung Naga are very obedient and steadfast in carrying out every customary ritual that is considered taboo if not done. They assume that if they do not undergo traditional rituals inherited from their ancestors, it is feared that they will bring harm.

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