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Journal of Aesthetics, Creativity and Art Management

jacam
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Published by Institut Seni Indonesia Denpasar

ISSN : - EISSN : 29637171 DOI : https://doi.org/10.31091/jacam

Core Subject : Art,

Arts

Journal of Aesthetics, Creativity and Art Management focus and scope cover aesthetics, artistic creativity and works, art management and business, and art tourism. This inter-, multi-, and transdisciplinary journal is intended to develop a mutual understanding of ideas, philosophies, theories, and practices in aesthetics, artistic beauty and phenomenon, artist’s creativity, as well as production, marketing/promotion, distribution, and consumption of artistic works in order to carry out the embodiment of transformation into a better quality of life.

Arjuna Subject : Seni dan Humaniora - Seni dan Humaniora (Lain-Lain)

Articles 7 Documents

Search results for , issue "Vol. 1 No. 2 (2022): Journal of Aesthetics, Creativity and Art Management" : 7 Documents clear

Designing a building for music and dance performing arts in Bogor Agitia Gunawan; Yuke Ardhiati
Journal of Aesthetics, Creativity and Art Management Vol. 1 No. 2 (2022): Journal of Aesthetics, Creativity and Art Management
Publisher : Institut Seni Indonesia Denpasar

This research aimed to design a building for music and dance performing arts in Bogor, West Java. In order to support the local government's work program, the building is designed so that art performers can create and express the results of these works and can be enjoyed by modern and contemporary art connoisseurs. Through such a building, West Java cultural arts can be preserved and inherited. The method used in the design refers to descriptive qualitative methods and uses literature studies and precedents, surveys and field observations. This is done in order to obtain complete data, then analyze every problem that exists. The resulting design concept is a building design with a cultural and modern atmosphere that is realized through a design theme, namely Semiotic and Taste Cultures with the intention of using a characteristic style that prioritizes simplicity of form, uses ornaments and follows the shape of the building's function.

The values of character education in the pakeliran art “Lord Shiva Saves the Universe” Komang Sekar Marhaeni; Ni Ketut Dewi Yulianti; I Ketut Garwa
Journal of Aesthetics, Creativity and Art Management Vol. 1 No. 2 (2022): Journal of Aesthetics, Creativity and Art Management
Publisher : Institut Seni Indonesia Denpasar

The purpose of this paper is to analyze the values of character education in the traditional art of “Lord Shiva Saves the Universe” and the moral messages contained in it, which are beneficial not only for humanists and artists, but also for activists in the field of character education. The method used is a qualitative by analyzing the performance of "Lord Shiva Saves the Universe" which is an English language performance art whose play is adapted from the Srimad Bhagavatam skanda 8 in chapter 7 with the title Lord Shiva Saves the Universe by Drinking Poison. The character values contained in the traditional art of "Lord Shiva Saves the Universe" are: 1) religious, 2) tolerance, 3) discipline, 4) hard work, 5) creative, and 6) responsibility. The moral message contained in it reminds everyone to be careful in believing someone's appearance because a charming appearance can be a trap to deceive someone. This is very important to study, considering that there are currently many declines in the character of the nation's children and also national problems, such as reduced ethical values in the life of the nation and state.

The aesthetics of unity in Kendang Pangarjan performed by I Dewa Nyoman Sura and Cokorda Alit Hendrawan I Putu Swaryandana Ichi Oka; I Wayan Rai S.; I Wayan Suharta
Journal of Aesthetics, Creativity and Art Management Vol. 1 No. 2 (2022): Journal of Aesthetics, Creativity and Art Management
Publisher : Institut Seni Indonesia Denpasar

The purpose of this study was to analyze the aesthetics of unity that exist in kendang pangarjan which is performed by two Balinese drummers namely I Dewa Nyoman Sura and Cokorda Alit Hendrawan. Data collection is done by observation, interviews, literature studies, and document studies. The results showed that kendang pangarjan is one type of instrument found in Balinese gamelan. Two names of kendang pangarjan performances whose expertise have been very famous in Bali are I Dewa Nyoman Sura and Cokorda Alit Hendrawan. The aesthetics of unity in question is divided into three elements, namely unity in diversity which includes processing the color of the sound which then forms a song sentence; unity in purpose which includes the function of each. Kendang (lanang/male and wadon/female) instruments are different, but in carrying out their duties they have the same goal, namely as an interpreter of the tempo and dynamics of the song, and; unity in fusion that can be viewed from the philosophy of naming the lanang-wadon (male-female) instrument which in human life reflects the blend of men and women. Keywords: Kendang Pangarjan, unity, male and female drum.

Aesthetic hybridity of the song “Jali-jali” in Gambang Kromong music Yusuf Arrahman; Ni Wayan Ardini; I Komang Sudirga
Journal of Aesthetics, Creativity and Art Management Vol. 1 No. 2 (2022): Journal of Aesthetics, Creativity and Art Management
Publisher : Institut Seni Indonesia Denpasar

"Jali-jali" in Gambang Kromong (Kromong Xylophone) music is a very popular Betawi song. This song is the result of acculturation of Betawi and Chinese culture. The popularity of “Jali-jali” is inversely proportional to the existing literature about this song. This study aimed to understand its specificity thoroughly. It is a type of field research by describing the data qualitatively and the selection of theory is based on data in the field. The type of data in this study is qualitative data. Research data sources consist of primary and secondary data sources. Data were collected through interview, observation, documentation and literature studies. Data analysis was carried out by data reduction, data presentation, and data verification. The results show that in "Jali-jali" the hybridity of Chinese and Betawi culture can be seen from the cultural aspects, namely ideas, activities, and artifacts. There is also a musical aspect in the playing of Tehyan which has a diatonic scale and Gambang Kromong which has a pentatonic scale. The form of "Jali-jali" in Gambang Kromong music is A-B-A-B-C, has 10 sentences and 5 periods. The aesthetics of "Jali-jali" is found in the melodic tone that sounds distinctive because the differences in the hybridity of Betawi music and Chinese music produce a contrasting melody, from which there is a very distinctive harmonization so that "Jali-jali" in Gambang Kromong music is closely related to Betawi cultural identity.

Arjuna Tapa: A new creation dance I Ketut Sariada; I Gede Oka Surya Negara; I Gede Mawan
Journal of Aesthetics, Creativity and Art Management Vol. 1 No. 2 (2022): Journal of Aesthetics, Creativity and Art Management
Publisher : Institut Seni Indonesia Denpasar

: Arjuna Tapa New Creation Dance is a new creation inspired by Arjuna Tapa's story. It is about the sending of Arjuna by Yudhisthira to meditate to Mount Indrakila in the hope of obtaining a powerful weapon, which can be used in the face of a major war against the Kauravas. In the hermitage Arjuna received many temptations such as the temptation of a number of angels from heaven, the temptation of the big pig incarnate Momosimuka, and the temptation of the hunter Kirata. But all the temptations can be overcome properly and finally because of Arjuna's determination, Lord Shiva gave Pasupati's Arrow as a gift that would later be able to destroy his enemies. This dance is performed by seven male dancers, carrying arrows. These seven dancers in certain scenes will be divided into two characters, namely five male characters who play the five pandavas, namely Yudistira, Bima, Arjuna, Nakula, and Sahadewa. While the other two dancers play female characters as Dewi Kunti and Dewi Drupadi. The creation process went through the stages of exploration, experimentation, and formation. The structure of the work consists of four parts, namely pepeson, pengawak, pengecet, and pekaad. The dance moves refer to the line dance movements. This dance is accompanied by a gamelan gong that lasts 12 minutes. The message conveyed in Arjuna Tapa New Creative Dance is that a true warrior will succeed in doing his job well and smoothly if he can overcome all the obstacles and temptations he faces in achieving his goals.

Swakaryaloka: Naturalist based street chic creation Anak Agung Sagung Istri Trisnadewi; Tjok Istri Ratna C.S; Anak Agung Gede Rai Remawa
Journal of Aesthetics, Creativity and Art Management Vol. 1 No. 2 (2022): Journal of Aesthetics, Creativity and Art Management
Publisher : Institut Seni Indonesia Denpasar

The creation of this naturalist-based street chic ready-to-wear fashion was made with the aim of minimizing liquid waste from chemicals and displaying environmentally friendly clothing. The method used is an experimental method with natural dye techniques, namely dyeing or coloring derived from plants and eco print techniques, which are unique in the form of leaf traces with contemporary art. The creative process used is the ten steps of creating a frangipani fashion design, including idea exploration, research, aesthetic element analysis, design development, sample making, promotion, branding affirmations, to the fashion business. The final collection is entitled Swakaryaloka which is a creative work of art in visualizing clothing using natural dyes that utilize the surrounding nature as an object to produce an environmentally friendly fashion product. The creation of this street chic fashion design is adapted to the trend of spirituality, a change in mindset that is more grounded in preserving nature and respect for the work process. There is a total of 9 looks which are divided into three groups, namely memorable, contemporary, and hopeful. The groups displayed environmentally friendly clothing that had a storyline from the condition of the color of the polluted water to the color of the water being clean or normal. Each look is analyzed using design elements and principles using aesthetic theory. Keywords: natural dye, eco print, spirituality, street chic.

Tri Hita Karana: A contemporary sculpture creation Pande Putu Ogy Mega Sanjaya; I Wayan Adnyana; I Ketut Muka
Journal of Aesthetics, Creativity and Art Management Vol. 1 No. 2 (2022): Journal of Aesthetics, Creativity and Art Management
Publisher : Institut Seni Indonesia Denpasar

Tri Hita Karana in Hinduism is the understanding of three main things that cause prosperity for human life which consist of Parhyangan, Pawongan, and Palemahan. The phenomenon stimulates creator to create a sculpture that aimed to provide an understanding related to Tri Hita Karana. The method applied in this creation uses five stages, namely the search for ideas, the search for materials, experiments, the embodiment of the work, and the presentation of the work. In this creation of three-dimensional works of art in the form of sculptures, the creator tries to express Tri Hita Karana issues with the concept of recycle, a process to turn used materials into new materials with the aim of preventing waste that can actually be turned into useful goods. The form of the work will be in the form of contemporary sculpture by displaying unique and authentic new forms. Keywords: Tri Hita Karana, recycle, contemporary sculpture.

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jacam@isi-dps.ac.id

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Program Studi Seni Progam Magister (Master Program in Arts), Institut Seni Indonesia Denpasar Jalan Nusa Indah Denpasar 80235

Location
Kota denpasar,

Bali

INDONESIA

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Home Page

OAI Link

Editorial Team

Contact

Reviewer

Google Scholar

Contact Name -

Contact Email jacam@isi-dps.ac.id

Phone -

Journal Mail Official jacam@isi-dps.ac.id

Editorial Address Program Studi Seni Progam Magister (Master Program in Arts), Institut Seni Indonesia Denpasar Jalan Nusa Indah Denpasar 80235

Location Kota denpasar, Bali INDONESIA

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Contact Name
-

Contact Email
jacam@isi-dps.ac.id

Phone
-

Journal Mail Official
jacam@isi-dps.ac.id

Editorial Address
Program Studi Seni Progam Magister (Master Program in Arts), Institut Seni Indonesia Denpasar Jalan Nusa Indah Denpasar 80235

Location
Kota denpasar,

Bali

INDONESIA