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jacam@isi-dps.ac.id
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Journal Mail Official
jacam@isi-dps.ac.id
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Program Studi Seni Progam Magister (Master Program in Arts), Institut Seni Indonesia Denpasar Jalan Nusa Indah Denpasar 80235
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INDONESIA
Journal of Aesthetics, Creativity and Art Management
ISSN : -     EISSN : 29637171     DOI : https://doi.org/10.31091/jacam
Core Subject : Art,
Journal of Aesthetics, Creativity and Art Management focus and scope cover aesthetics, artistic creativity and works, art management and business, and art tourism. This inter-, multi-, and transdisciplinary journal is intended to develop a mutual understanding of ideas, philosophies, theories, and practices in aesthetics, artistic beauty and phenomenon, artist’s creativity, as well as production, marketing/promotion, distribution, and consumption of artistic works in order to carry out the embodiment of transformation into a better quality of life.
Articles 14 Documents
Iconography of Woman Image in Sri Tanjung Relief at Candi Surowono Giri Nugraha; I Wayan Adnyana; Wayan Karja
Journal of Aesthetics, Creativity and Art Management Vol. 1 No. 1 (2022): Journal of Aesthetics, Creativity and Art Management
Publisher : Program Studi Seni Progam Magister (Master Program in Arts) Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (830.265 KB) | DOI: 10.31091/jacam.v1i1.1591

Abstract

This study aims to analyze the iconographic woman image in Sri Tanjung relief at Candi Surowono located in Kediri Regency, East Java. The qualitative research done involves understanding, concepts, values, and characteristics attached to the object of research. It uses a humanities approach with Panofsky's Iconology Theory. The relief of one of the panels (1400 AD) carved at Candi Surowono is seen as an embodiment resembling two human figures. One male figure is carved holding a female figure with an expression of body anatomy full of intimacy with each other. The central human figure and the expression of holding this are present on the background of the patra motif, buds, accompanied by leaf tendrils and a motif that looks like a flower resembling a mandala is depicted shading these two human figures. The feeling of love and longing for something that cannot be described (ngalembana) is present in the embodiment of these two figures. This classic visual art presents a shock, as if space and time have melted into one. The theme of the image conveys the wisdom of the ancestors in providing a free perspective on woman, love, and compassion.
Artistic Arrangement as Semiotics of Criminal Messages in the Film “Marlina Si Pembunuh dalam Empat Babak” Gea Refika Ayu Zellya; I Komang Arba Wirawan; I Dewa Made Darmawan
Journal of Aesthetics, Creativity and Art Management Vol. 1 No. 1 (2022): Journal of Aesthetics, Creativity and Art Management
Publisher : Program Studi Seni Progam Magister (Master Program in Arts) Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (447.587 KB) | DOI: 10.31091/jacam.v1i1.1592

Abstract

The purpose of this study is to determine semiotics in the artistic arrangement of criminal messages in the film “Marlina Si Pembunuh dalam Empat Babak” (Marlina the Murderer in Four Acts). It uses a qualitative descriptive method that describes in detail the problems shown in this study. The analysis technique used is Roland Barthes' semiotic analysis where this theory is divided into two i.e. signifier and signified. The concept used is criminal messages in the elements of artistic arrangement, then the theory is the semiotic theory from Roland Barthes. The messages in the film contains many criminal ones. The film has meanings of signifier and signified in each scene. The criminal messages include robbery, murder, rape, assault, and threats. The meaning of the criminal message in this film describes the mistakes in people's lives today. The film has applied good elements of artistic arrangement, which pays attention to the aesthetics of each shot, so that such a film is able to present messages that are in accordance with the reality in society.
“Nga-wayang”: A New Dance Creation from a Globalized Sociocultural Environment Ni Putu Ari Sidiastini; I Wayan Rai S; Ni Made Ruastiti
Journal of Aesthetics, Creativity and Art Management Vol. 1 No. 1 (2022): Journal of Aesthetics, Creativity and Art Management
Publisher : Program Studi Seni Progam Magister (Master Program in Arts) Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (358.268 KB) | DOI: 10.31091/jacam.v1i1.1593

Abstract

This scientific article aims to discuss a new dance creation entitled “Nga-wayang”, whose creation idea depicts the character Gatot Kaca in a two-dimensional wayang kulit show. No one has worked on a dance that was transformed from a two-dimensional wayang kulit performance into a new three-dimensional dance creation. The creation of the “Nga-wayang” dance uses qualitative methods. The creation process is carried out in stages: ngarencana, nuasen, makalin, nelesin, and ngebah. The search for ideas was carried out using participatory observation techniques and in-depth interviews with related parties. The deepening of the character of Gatot Kaca's character is carried out through library research and discography. The process of creating this new dance creation is carried out using transformation theory and aesthetic theory. The cultivation of this work of art has resulted in a new dance creation entitled “Nga-wayang”. As a new dance creation, “Nga-wayang” is presented full of new ideas based on the influence of the art ecosystem in the influence of globalization in terms of poses, variety of movements, techniques, dynamics, tempo, and level play based on multimedia such as LCD projectors, LED lights, and smoke. The process of composing this dance has been carried out since this material was developed as a final choreography class assignment, the presentation of which has been continuously refined. “Nga-wayang” is a new dance creation that departs from the experience of the cultural environment in the era of globalization, namely the ecosystem as an art reinforcement.
A Dance Work Representing Ida Bagus Blangsinga’s Life Journey (The Maestro of Kebyar Duduk Dance in Blangsinga Style) Ida Ayu Triana Titania Manuaba; I Wayan Dibia; I Ketut Sariada
Journal of Aesthetics, Creativity and Art Management Vol. 1 No. 1 (2022): Journal of Aesthetics, Creativity and Art Management
Publisher : Program Studi Seni Progam Magister (Master Program in Arts) Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (238.258 KB) | DOI: 10.31091/jacam.v1i1.1594

Abstract

This work aims to represent the figure of Ida Bagus Blangsinga, a master of the Kebyar Duduk dance in Blangsinga style. The method of creation used in this work uses the creation method which includes assessment, experimentation, and formation. This method is easily understood by the stylist to express and visualize several scenes in the work. The form of the chosen work is a new creation dance, because it provides space for development according to the wishes of the stylist. This work is danced by six female dancers and one male dancer using soft make-up and fashion that supports each part of the work. This work uses the fan and reverberation properties. This dance is made as a contribution to the development of Balinese dance especially to the new generation.
Technology as a Digital Trace in the Sekar Rare-Based Music Composition Oang Gabriel Matanari; Ni Wayan Ardini; I Wayan Sudirana
Journal of Aesthetics, Creativity and Art Management Vol. 1 No. 1 (2022): Journal of Aesthetics, Creativity and Art Management
Publisher : Program Studi Seni Progam Magister (Master Program in Arts) Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (292.709 KB) | DOI: 10.31091/jacam.v1i1.1595

Abstract

This study aims to analyze Rare Kebyar's musical composition, including instrumentation (form of presentation and instruments used), analysis of song in the work, and a brief analysis of the related video. It is done in a qualitative design. Its data are taken from interviewing, observing, and documenting. Documentation from YouTube is very important in the study. Rare Kebyar's work was done well because of the role of technology in it. Its video is uploaded on YouTube. The analysis of one of the Gending Rare or Sekar Rare in Rare Kebyar's musical works proves that the Balinese artists have a high intellectual level according to their profession. The music video analysis can be a proof that technology is able to go hand in hand with aspects of tradition.
I Wayan Ary Wijaya's Creative Process in Creating Digital Gamelan Music Kadek Wahyudita; I Komang Sudirga; I Wayan Suharta
Journal of Aesthetics, Creativity and Art Management Vol. 1 No. 1 (2022): Journal of Aesthetics, Creativity and Art Management
Publisher : Program Studi Seni Progam Magister (Master Program in Arts) Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1809.372 KB) | DOI: 10.31091/jacam.v1i1.1596

Abstract

This paper is to trace the creative process in composing Digital Gamelan Music (DGM) done by I Wayan Ary Wijaya a balinese artist. It a qualitative study by operating observation, documentation, and interview. Interview is done with I Wayan Arsa Wijaya and other related parties. DGM was created by Ary Wijaya from linking gamelan and music technology. DGM is another way to strengthen tradition and at the same time foster creativity by using the gamelan (traditionality) and the technology (modernity) as a medium of inspiration. It is found that DGM is composed using Panca Sthiti Ngawi Sani theory: inspiration stage (ngawirasa); exploration stage (ngawacak); conception stage (ngarencana); execution stage (ngewangun); presentation stage (ngebah). DGM as a terminology is still experiencing struggles in terms of concept definition, form, and creative work process. Besides that, the digital technology belongs to a product of capitalism.
Utilizing Sand as Glaze in Agung Glazinia Ceramics Gusti Ngurah Agung Dalem Diatmika; I Ketut Muka; I Nyoman Suardina
Journal of Aesthetics, Creativity and Art Management Vol. 1 No. 1 (2022): Journal of Aesthetics, Creativity and Art Management
Publisher : Program Studi Seni Progam Magister (Master Program in Arts) Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (916.113 KB) | DOI: 10.31091/jacam.v1i1.1597

Abstract

This study aims to practice the application of sand to the glaze which is intended to produce glazes with different colors for staining ceramics. Qualitative methods are used with the data collection process through observation, interviews, and documentation. To find out the results resulting from the use of sand to glaze, an experimental method is applied as a reference in this study. The process of making glaze with a mixture of sand is still the same as the process of making glaze in general, starting from preparing tools or materials, mixing materials, applying to burning to find out the results obtained. The sand can produce new effects such as melting glass melts on glazes with certain colors. Characteristics of sand that is difficult to melt produces its own texture from the sand that is mixed into the glass. Sand glaze is very suitable to be applied to ceramic media which needs different shades from the glaze color in general. In the future sand glaze can be one of the glaze options that are in great demand by the public because it can reduce the material costs of making glaze.
Designing a building for music and dance performing arts in Bogor Agitia Gunawan; Yuke Ardhiati
Journal of Aesthetics, Creativity and Art Management Vol. 1 No. 2 (2022): Journal of Aesthetics, Creativity and Art Management
Publisher : Program Studi Seni Progam Magister (Master Program in Arts) Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (604.735 KB) | DOI: 10.31091/jacam.v1i2.1825

Abstract

This research aimed to design a building for music and dance performing arts in Bogor, West Java. In order to support the local government's work program, the building is designed so that art performers can create and express the results of these works and can be enjoyed by modern and contemporary art connoisseurs. Through such a building, West Java cultural arts can be preserved and inherited. The method used in the design refers to descriptive qualitative methods and uses literature studies and precedents, surveys and field observations. This is done in order to obtain complete data, then analyze every problem that exists. The resulting design concept is a building design with a cultural and modern atmosphere that is realized through a design theme, namely Semiotic and Taste Cultures with the intention of using a characteristic style that prioritizes simplicity of form, uses ornaments and follows the shape of the building's function.
The values of character education in the pakeliran art “Lord Shiva Saves the Universe” Komang Sekar Marhaeni; Ni Ketut Dewi Yulianti; I Ketut Garwa
Journal of Aesthetics, Creativity and Art Management Vol. 1 No. 2 (2022): Journal of Aesthetics, Creativity and Art Management
Publisher : Program Studi Seni Progam Magister (Master Program in Arts) Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (341.613 KB) | DOI: 10.31091/jacam.v1i2.1826

Abstract

The purpose of this paper is to analyze the values of character education in the traditional art of “Lord Shiva Saves the Universe” and the moral messages contained in it, which are beneficial not only for humanists and artists, but also for activists in the field of character education. The method used is a qualitative by analyzing the performance of "Lord Shiva Saves the Universe" which is an English language performance art whose play is adapted from the Srimad Bhagavatam skanda 8 in chapter 7 with the title Lord Shiva Saves the Universe by Drinking Poison. The character values contained in the traditional art of "Lord Shiva Saves the Universe" are: 1) religious, 2) tolerance, 3) discipline, 4) hard work, 5) creative, and 6) responsibility. The moral message contained in it reminds everyone to be careful in believing someone's appearance because a charming appearance can be a trap to deceive someone. This is very important to study, considering that there are currently many declines in the character of the nation's children and also national problems, such as reduced ethical values in the life of the nation and state.
The aesthetics of unity in Kendang Pangarjan performed by I Dewa Nyoman Sura and Cokorda Alit Hendrawan I Putu Swaryandana Ichi Oka; I Wayan Rai S.; I Wayan Suharta
Journal of Aesthetics, Creativity and Art Management Vol. 1 No. 2 (2022): Journal of Aesthetics, Creativity and Art Management
Publisher : Program Studi Seni Progam Magister (Master Program in Arts) Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (304.02 KB) | DOI: 10.31091/jacam.v1i2.1827

Abstract

The purpose of this study was to analyze the aesthetics of unity that exist in kendang pangarjan which is performed by two Balinese drummers namely I Dewa Nyoman Sura and Cokorda Alit Hendrawan. Data collection is done by observation, interviews, literature studies, and document studies. The results showed that kendang pangarjan is one type of instrument found in Balinese gamelan. Two names of kendang pangarjan performances whose expertise have been very famous in Bali are I Dewa Nyoman Sura and Cokorda Alit Hendrawan. The aesthetics of unity in question is divided into three elements, namely unity in diversity which includes processing the color of the sound which then forms a song sentence; unity in purpose which includes the function of each. Kendang (lanang/male and wadon/female) instruments are different, but in carrying out their duties they have the same goal, namely as an interpreter of the tempo and dynamics of the song, and; unity in fusion that can be viewed from the philosophy of naming the lanang-wadon (male-female) instrument which in human life reflects the blend of men and women. Keywords: Kendang Pangarjan, unity, male and female drum.

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