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Misterius: Publikasi Ilmu Seni dan Desain Komunikasi Visual
Published by Asosiasi Seni Desain dan Komunikasi Visual Indonesia
ISSN : 30322057     EISSN : 30321654     DOI : 10.62383
Core Subject : Art,
Arts
jurnal Publikasi Ilmu Seni dan Desain Komunikasi Visual. Bidang kajian dalam jurnal ini meliputi subkelompok ilmu seni dan desain. Misterius: Publikasi Seni dan Desain Komunikasi Visual
Arjuna Subject : Seni dan Humaniora - Seni dan Humaniora (Lain-Lain)
Articles 18 Documents
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Search results for , issue "Vol. 1 No. 3 (2024): September : Misterius : Publikasi Ilmu Seni dan Desain Komunikasi Visual" : 18 Documents clear
Analisis Visual Film “Kamen Rider Black Sun” dengan Pendekatan Semiotika Visual Muhammad Iqbal Syaher; Jupriani Jupriani
Misterius : Publikasi Ilmu Seni dan Desain Komunikasi Visual. Vol. 1 No. 3 (2024): September : Misterius : Publikasi Ilmu Seni dan Desain Komunikasi Visual
Publisher : Asosiasi Seni Desain dan Komunikasi Visual Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62383/misterius.v1i3.275

Abstract

One of the countries that has developed in the field of cinema is Japan. Japan has successfully integrated elements of local culture and tradition into movie production. Japan is also famous for the creation of special effects, especially in today's modern action genre known as Tokusatsu. One of the movies that raised the Tokukatsu genre is Kamen Rider Black Sun. It is a Japanese superhero franchise Tokusatsu genre film released on October 28, 2022 by Ishimori Productions and Toei Company. The movie was directed by Kazuya Shiraishi. Based on 704 votes on IMDb.com. The movie was released in celebration of 50 years of Kamen Rider and 35 years of Kamen Rider Black. This success was based on a complex story and was well received by audiences and film critics in Japan and also abroad, including Indonesia. Visual analysis is used in this movie to interpret important elements by revealing meanings and messages that will influence the audience's understanding, especially by raising social issues. By promoting this film, it aims to raise awareness and empathy towards the phenomenon of discrimination and racism towards others. With the semiotic analysis of Roland Barthes, the film Kamen Rider Black Sun can understand the meaning of the visual signs conveyed in the film, so that this film becomes an important lesson in creating a fair society regardless of one's race, ethnicity and background.
Koreografi Tari Meonjai Padi di Sanggar Pinang Sinawa Kecamatan Ujungbatu Sela Oktafia; Darmawati Darmawati
Misterius : Publikasi Ilmu Seni dan Desain Komunikasi Visual. Vol. 1 No. 3 (2024): September : Misterius : Publikasi Ilmu Seni dan Desain Komunikasi Visual
Publisher : Asosiasi Seni Desain dan Komunikasi Visual Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62383/misterius.v1i3.276

Abstract

This study aims to reveal and describe the Choreography of the Meonjai Padi Dance at Sanggar Pinang Sinawa, Ujungbatu District. This type of research is qualitative research using a naturalistic approach. The research instrument is the researcher himself and is assisted by supporting instruments such as stationery and cameras. Data were collected through literature studies, observations, interviews and documentation. Data analysis techniques by means of data collection, data reduction, data presentation, and conclusion drawn. The results of the study show that the process of creating the Meonjai Padi Dance consists of ideas, exploration, improvisation and composition. The Meonjai Padi Dance was created based on ideas that were turned into a dance work as a performance. After finding the ideas and ideas of the Meonjai Padi Dance, the choreographer then made a description of the dance to be made. The Meonjai Padi Dance has 3 parts, namely the beginning as the opening of the dance, the middle and the end as the climax. In the Meonjai Padi Dance, the choreographer worked on movements that depicted the activities of the residents harvesting rice. This dance work also looks interesting with various floor patterns and group compositions so that the audience does not get bored in watching the performance and the dancers master weak movements and strong movements. The costumes used in the Meonjai Padi Dance are very simple because they depict people going to the rice fields. The music that accompanies the dancers' movements uses a fairly fast tempo with Malay verses. The property used in the Meonjai Padi Dance is a katidiang shaped like a basket.
Faktor-Faktor yang Memperngaruhi Eksistensi Kesenian Reog Grup Krido Budoyo di Desa Bangun Jaya Kecamatan Tambusai Utara Kabupaten Rokan Hulu Provinsi Riau Rima Ahmad Mulyani; Laila Fitriah
Misterius : Publikasi Ilmu Seni dan Desain Komunikasi Visual. Vol. 1 No. 3 (2024): September : Misterius : Publikasi Ilmu Seni dan Desain Komunikasi Visual
Publisher : Asosiasi Seni Desain dan Komunikasi Visual Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62383/misterius.v1i3.280

Abstract

This study ains to determine the factors that influence the existence of Reog art of the Krido Budoyo Group in Bangun Jaya Village, North Tambusai District, Rokan Hulu Regency, Riau Province. The theory used in this research is the Dagun Save M. theory (in Gracia Destari Mujianto and Eko Raharjo 2019:129) with indicators of Work Activity, Having Facts, and Efforts to Maintain Its Existence. The method used in this study is descriptive analysis using qualitative data, with data collection techniques, namely observation, interview and documentation techniques. The subjects in this study were 10 people. The results of the findings of this study were (i) in terms of the indicators of the work activities of Reog Krido Budoyo ini Bangun Jaya Village received invitations to events, and still widely known by the people of Rokan Hulu Regency, (ii) in terms of indicators of having facts, Reog Krido Budoyo in Bangun Jaya Village has a rhythm pattern in the Reog dance music used, group organizational stucture, customes used, and performances by the Reog Group Krido Budoyo, (iii) viewed from the business aspect in Bangun Jaya Village, the training studio is open to the public so that the existence of Reog Krido Budoyo continues of develop and survive.
Penerimaan Khalayak pada Konten Youtube Gamal: Episode Akar Permasalahan di Dunia Muhammad Fa’isal; Rakhmad S. Ramadhani; Masnia Ningsih
Misterius : Publikasi Ilmu Seni dan Desain Komunikasi Visual. Vol. 1 No. 3 (2024): September : Misterius : Publikasi Ilmu Seni dan Desain Komunikasi Visual
Publisher : Asosiasi Seni Desain dan Komunikasi Visual Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62383/misterius.v1i3.286

Abstract

Neo-feudalism Analisis Resepsi, Fariz Egia Gamal, Akar Permasalahan Di Dunia, Neo Feodalisme describes the resurgence of social and economic patterns resembling medieval feudalism in a modern context. This phenomenon is characterized by increasing social and economic inequality and the concentration of wealth and influence among a few individuals or groups, reflects a distribution structure similar to that implemented in the feudal system of the past. This study aims to analyze the audience reception of Gamal's YouTube content in the episode "Root Problems in the World." The research utilizes Stuart Hall's reception analysis methodology, with data collected through observation and documentation techniques. The analysis is based on three categories (Dominant Hegemonic Position, Negotiated Position, and Oppositional Position) of audience comments on Gamal's YouTube content in the episode "Root Problems in the World." The results show that out of 300 comments interpreting Gamal’s YouTube content in the episode "Root Problems in the World," 265 comments fall into the dominant hegemonic position, 30 comments fall into the negotiated position, and 5 comments fall into the oppositional position.
Bentuk Penyajian Dikia Rabano dalam Acara Jopuik Antau Marapulai di Nagari Lubuak Alai Kecamatan Kapur IX Kabupaten Lima Puluh Kota Dedek Febrian; Yensharti Yensharti
Misterius : Publikasi Ilmu Seni dan Desain Komunikasi Visual. Vol. 1 No. 3 (2024): September : Misterius : Publikasi Ilmu Seni dan Desain Komunikasi Visual
Publisher : Asosiasi Seni Desain dan Komunikasi Visual Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62383/misterius.v1i3.297

Abstract

This study aims to find out and describe the form of presentation of Dikia Rabano by the "Tukang Dikiu" group in the Jopuik Antau Marapulai event in Lubuak Alai, Kapur IX District, Lima Puluh Kota Regency. This type of research is qualitative research with a descriptive method. The research instrument is the researcher himself and is assisted by supporting instruments such as stationery and cameras. Data were collected through literature studies, observations, interviews and documentation. The steps of analyzing data are data collection, data reduction, data presentation and drawing conclusions. The results of the study show that the existence of Dikia Rabano art in Nagari Lubuak Alai is still appreciated and continues to this day. Dikia Rabano's art is able to influence society and become a symbol of a community such as the niniak mamak procession on Islamic holidays and bridal processions. The form of Dikia Rabano's presentation in Nagari Lubuak Alai is played by standing while walking along the procession of niniak mamak and bridal rows. The song sung in Dikia Rabano is a verse with Islamic nuances, in ancient times this song was believed to be a song of a mother in putting her child to sleep.
Fungsi Tari Pasambahan dalam Upacara Adat Manjalang Rumah Gadang Mandeh Rubiah di Lunang Indah Purnama Riski; Darmawati Darmawati
Misterius : Publikasi Ilmu Seni dan Desain Komunikasi Visual. Vol. 1 No. 3 (2024): September : Misterius : Publikasi Ilmu Seni dan Desain Komunikasi Visual
Publisher : Asosiasi Seni Desain dan Komunikasi Visual Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62383/misterius.v1i3.298

Abstract

This study aims to find out and describe the form of presentation of Dikia Rabano by the "Tukang Dikiu" group in the Jopuik Antau Marapulai event in Lubuak Alai, Kapur IX District, Lima Puluh Kota Regency. This type of research is qualitative research with a descriptive method. The research instrument is the researcher himself and is assisted by supporting instruments such as stationery and cameras. Data were collected through literature studies, observations, interviews and documentation. The steps of analyzing data are data collection, data reduction, data presentation and drawing conclusions. The results of the study show that the existence of Dikia Rabano art in Nagari Lubuak Alai is still appreciated and continues to this day. Dikia Rabano's art is able to influence society and become a symbol of a community such as the niniak mamak procession on Islamic holidays and bridal processions. The form of Dikia Rabano's presentation in Nagari Lubuak Alai is played by standing while walking along the procession of niniak mamak and bridal rows. The song sung in Dikia Rabano is a verse with Islamic nuances, in ancient times this song was believed to be a song of a mother in putting her child to sleep.
Pelaksanaan Pembelajaran Seni Budaya (Tari) Kelas X SMAN 9 Padang Rima Salsabila; Tulus Handra Kadir
Misterius : Publikasi Ilmu Seni dan Desain Komunikasi Visual. Vol. 1 No. 3 (2024): September : Misterius : Publikasi Ilmu Seni dan Desain Komunikasi Visual
Publisher : Asosiasi Seni Desain dan Komunikasi Visual Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62383/misterius.v1i3.299

Abstract

This study aims to describe and find out the implementation of learning basic motion techniques in class X of SMA Negeri 9 Padang. This type of research is qualitative research with a descriptive method of analysis. The research instruments are the researchers themselves and are assisted by supporting instruments such as stationery, cameras and recorders. Data were collected through literature studies, observations, interviews and documentation. The steps of analyzing data are data collection, identifying data, clarifying data and concluding data. The results of the study show that cultural arts learning in the school has not been effective due to the lack of appropriate use of learning media, especially in the context of dance art. The use of only videos as a learning medium and group discussion methods only provide a limited picture of the material being studied. It is important to increase students' enthusiasm and motivation by providing a clear understanding of what is being learned and the purpose of learning cultural arts. Although art is a creative field of study, learning also has specific goals, such as developing the potential of artists who can contribute to different levels of education, including from the secondary and elementary levels.
User Interface dan User Experience Learning Management System Universitas Negeri Padang Berbasis Aplikasi Mobile M. Iqbal Has; Eko Purnomo
Misterius : Publikasi Ilmu Seni dan Desain Komunikasi Visual. Vol. 1 No. 3 (2024): September : Misterius : Publikasi Ilmu Seni dan Desain Komunikasi Visual
Publisher : Asosiasi Seni Desain dan Komunikasi Visual Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62383/misterius.v1i3.300

Abstract

Learning Management System is a software platform designed to support and manage online teaching and learning activities. One of the educational institutions that have used the LMS platform is Padang State University. The UNP LMS platform itself has been released since 2019 which is called E-Learning UNP. At that time its use was fairly rare because it was still in the development period. However, the use of the UNP LMS platform has problems with its user interface and user experience which causes online teaching and learning activities to be less effective. The unrest felt is the usability of the UNP LMS platform which still cannot meet user needs efficiently and effectively. The design of the Padang State University mobile learning management system application uses the Design Thimgking method, so it can be concluded that this design is a problem sourced from empathy, the need for a solution to an existing problem, then continue to test for improvement. Then the mobile learning management system application was created as the main media, and accompanied by other supporting media such as Motion Graphic, Poster, X-Banner, Sticker, Acrylic Stand, and High Fidelity Flow.

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