Corak : Jurnal Seni Kriya
CORAK adalah jurnal ilmiah yang diterbitkan oleh Jurusan Kriya, Fakultas Seni Rupa, Institut Seni Indonesia Yogyakarta dengan nomor p-ISSN: 2301-6027 dan nomor e-ISSN: 2685-4708. Jurnal ini berisikan tentang artikel hasil penelitan, gagasan konseptual (hasil pemikiran), penciptaan, resensi buku bidang seni kriya dan hasil pengabdian masyarakat dalam bidang kriya.
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<![CDATA[Shoe Lasting With Manual Techniques ]]>
<![CDATA[Abimanyu Yogadita Restu Aji]]>
<![CDATA[ Corak Vol 11, No 1 (2022): MAY 2022 ]]>
Publisher : <![CDATA[Institut Seni Indonesia Yogyakarta ]]>
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DOI: 10.24821/corak.v11i1.6711
<![CDATA[Shoe last is a foot imitation used in the process of making footwear. The shoe last can be plastic, aluminum, or wood. Footwear last can be made of wood with manual techniques. The making of shoelast using manual techniques is thought to have advantages since it can produce a large size and dimension suitability with the feet used as the models. The purpose of this study was to identify how the craftsman utilizes his body to manually make a precisive shoe last. The research employs the observation method. The authors make observations on the manual process of making shoelast. The research found that pattern making is the first step in making a shoe last. Three techniques of manual shoe last stages are used. They are the strong swing technique to form the basic shape, the light swing technique to form a global shape, and the filing process to form a detailed shoe last.]]>
<![CDATA[Application Of Block Printing Technique With Waste Pallet Wood On Ready-To-Wear Clothes ]]>
<![CDATA[Suci Widya Putri]]>;
<![CDATA[Mochammad Sigit Ramadhan]]>
<![CDATA[ Corak Vol 11, No 1 (2022): MAY 2022 ]]>
Publisher : <![CDATA[Institut Seni Indonesia Yogyakarta ]]>
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DOI: 10.24821/corak.v11i1.5765
<![CDATA[Block printing is a decorating technique using a block coated with dye and then pressed repeatedly along the fabric to create a pattern. Currently, the block printing technique is still poorly known and developed, especially in Indonesia, even though this technique is user friendly and the materials are abundantly available. One of them is pine pallets, which are usually used to protect products in shipping goods. This study uses a qualitative method. The data was collected from literature study, observation, and exploratory experiments, which are divided into several stages. The research results show that block printing plates made of waste pallet wood can visualize the shape of the motifs on textile materials, which are then applied to the design of ready-to-wear fashion products.]]>
<![CDATA[Contemporary Babon Angrem Batik Motif Design For Mitoni Traditional Cermination In Central Java ]]>
<![CDATA[Theresia Widiastuti]]>;
<![CDATA[Yosua Novalesi]]>;
<![CDATA[Elizabeth Nimas Shaestu]]>
<![CDATA[ Corak Vol 11, No 1 (2022): MAY 2022 ]]>
Publisher : <![CDATA[Institut Seni Indonesia Yogyakarta ]]>
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DOI: 10.24821/corak.v11i1.5802
<![CDATA[The life cycle ceremonies that symbolize the human journey are all found in traditional Javanese batik because in batik there is a symbol or meaning of life. At the age of 7 months of pregnancy, Javanese people usually hold a ceremony called mitoni, this ceremony is equipped with various ubo rampe, one of which is Babon Angrem batik. Changes in times including changes in cultural actors have caused many shifts in customs. This traditional ceremony began to be abandoned or become less complete due to economic factors. Individuals in this millennial era with modern perspective have witnessed a shrink of benefits of having traditional ceremonies. In response to this problem, the idea emerged to develop a long cloth with a millennial pattern that still adheres to the existing standard as a the mitoni ceremonial equipment. Batik is one of the assets that can be processed as a creative industry. By reprocessing and redefining the existing traditional motifs from today’s modern perspective, while maintaining the their originality. This design will certainly solve the problems of batik and tradition, to meet the current style for the present generation. The Babon Angrem batik motif is applied on batik cloth to result in innovative products. The Babon Angrem batik motif, which is designed in a contemporary way, displays bright and warm colors that convey the a mother's love symbolized in the philosophical meaning of the Motif of Babon Angrem. The motifs of Babon Angrem include Babons ( hen) facing each other, hen laying eggs, ukel motifs that adorn all repetitions of Babon motifs, and ceceg which complete the background of this batik.]]>
<![CDATA[DIY Tapestri Kit As An Alternative Art Activity In The Pandemic Era ]]>
<![CDATA[Cynthia Zhafira Aulia Imas]]>
<![CDATA[ Corak Vol 11, No 1 (2022): MAY 2022 ]]>
Publisher : <![CDATA[Institut Seni Indonesia Yogyakarta ]]>
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DOI: 10.24821/corak.v11i1.6083
<![CDATA[The spread of the corona virus forced some people to school or work from home that might end in boredom. Art activities could be done to fill their leisure time and at the same time to entertain them selves. One of the artistic activities needed to be developed was the art of tapestry. The Practice Based Research method was a method employed in designing a DIY Tapestri Kit. The main goal was to inspire and increase the public’s awareness about the existence of tapestry art. DIY Tapestry Kit was a set of tapestry art handicraft tools in the form of looms with a variety of yarns that could be used to produce a variety of functional artworks. The existence of innovations in the form of DIY Tapestry Kit supported the on-going and subsequent implementation of tapestry art.]]>
<![CDATA[Utilization Of Rhizophora Stylosa Bark For Natural Dyeing On Cotton Batik Fabric ]]>
<![CDATA[Fariz Al Hazmi]]>;
<![CDATA[Ataswarin Oetopo]]>
<![CDATA[ Corak Vol 11, No 1 (2022): MAY 2022 ]]>
Publisher : <![CDATA[Institut Seni Indonesia Yogyakarta ]]>
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DOI: 10.24821/corak.v11i1.5727
<![CDATA[The Rhizophora stylosa mangrove or commonly known as Red Mangrove grows in coastal areas with a saltwater and muddy environment. Natural dyes are extracted from such plant parts as roots, leaves, flowers, stems, and fruits. Natural dyes have distinctive colors and are environmentally friendly compared to synthetic dyes. The use of such natural dyes as mangroves can contribute to the green movement by minimizing the number of pollutants. The objective of this study was to analyze the result of Rhizophora stylosa mangrove stem bark color and its quality in cotton batik fabric. The mangrove stem bark is applied as the raw material for natural dyes. The bark is extracted by boiling it to obtain a natural dye solvent. The dye is tested on cotton-based fabrics by mordanting or fixation using alum (KAI(SO4)21∙2H2O), calcium oxide (Ca(OH)2), and ferrous sulfate (FeSO4). Red mangrove bark (Rhizophora stylosa) can produce natural colors of grey, brown, and peach on fabrics made of natural fibers (cotton fabrics) in batik. The hue and color depend on the type of the applied fixative material and the temperature in the process of boiling the fabric to release the wax on the batik (lorod). This research highlight that the red mangrove (Rhizophora stylosa) can be used as a dye in batik-making.]]>
<![CDATA[Combination Of Shibori And Embroidery Techniques In Textile Products ]]>
<![CDATA[Elvin Setiowati]]>;
<![CDATA[Theresia Widiastuti]]>
<![CDATA[ Corak Vol 11, No 1 (2022): MAY 2022 ]]>
Publisher : <![CDATA[Institut Seni Indonesia Yogyakarta ]]>
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DOI: 10.24821/corak.v11i1.5780
<![CDATA[The development of shibori products in the last 5 years has attracted many consumers. This condition is in contrast to the demand for the craft of embroidery. Efforts to combine the shibori and embroidery technique to add aesthetic value and provide a special texture. Besides that, it is expected to produce a different visual appearance from merely giving patterns to fabrics with the shibori technique. The stages of the design method include problem analysis, problem-solving strategies, data collection, and the visual study process. The results of the design are sheets of shibori patterned fabric, namely Arashi shibori and itajime shibori combined with embroidery techniques by raising the idea of dandelion flower motifs on the surface of the fabric to give a new impression on the shibori fabric.]]>
<![CDATA[Using Teak Leaves As Natural Dye And An Ecoprinting Material To Imprint Motifs On Silk Fabrics ]]>
<![CDATA[Baby Ayu]]>;
<![CDATA[Najmawati Sulaiman]]>;
<![CDATA[A. Adlin]]>;
<![CDATA[Nugrah Juniar Umar]]>;
<![CDATA[Kiranti Maulidya Muntasir]]>;
<![CDATA[Pahanthihage Dilhari Prasangika]]>
<![CDATA[ Corak Vol 11, No 1 (2022): MAY 2022 ]]>
Publisher : <![CDATA[Institut Seni Indonesia Yogyakarta ]]>
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DOI: 10.24821/corak.v11i1.6007
<![CDATA[Natural dyes are generally obtained from the extracts of plant parts. Teak leaves produce natural dyes and can be used to create ecoprinted works.This study aimed at utilizing teak leaves as natural dye and as an ecoprinting material imprinted on silk fabrics using alum mordant. The state of the art of this research is the using of teak leaves as natural dye and ecoprint materials on a single piece of silk fabric. The purpose of the study was to get natural colors, to create ecoprinted products, and to add aesthetic and economic value to the fabrics. The research method included the following stages: 1). Dyeing the cloth in TRO solution, 2). Extracting teak leaves, 3). Dyeing the cloth with the teak extract, 4). Ecoprinting with boiling technique, 5). Creating functional product out of the treated fabrics. The resulted extract dye created reddish orange color on the silk fabrics. The ecoprinting using teak leaves on silk fabrics produced the same yet more intense color. After the mordanting process, the shade of the color remained the same. The functional products created were pillow cases. ]]>
<![CDATA[Nareh Pariaman Embroidery In Fashion As Creative Industry Development ]]>
<![CDATA[Nofi Rahmanita Nofi Rahmanita]]>;
<![CDATA[Dini Yanuarmi]]>;
<![CDATA[Desra Imelda]]>
<![CDATA[ Corak Vol 11, No 1 (2022): MAY 2022 ]]>
Publisher : <![CDATA[Institut Seni Indonesia Yogyakarta ]]>
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DOI: 10.24821/corak.v11i1.6463
<![CDATA[The aisle in Minangkabau is where the bride (anak daro) sits while waiting for the groom (marapulai) to sit side by side (basandiang) after the marital consent testimony (ijab kabul). In addition to Minangkabau decorations, there are also Chinese and Gujarati motifs. As a creative economic development, the application of aisle embroidery to fashion is related to the creation of economic, social, and environmental added value. The researchers conducted this applied research by innovating the product design through the designing of embroidered fashion. The research employed the participatory observation method, which is also known as active observation. In making a fashion design for aisle embroidery to meet the problems and research objectives, effective steps were taken in several stages, namely: a survey of aisle embroidery craft centers; exploration; analysis, and synthesis; design; and then realization into a fashion work.]]>
<![CDATA[Sun Block Technique In Indigosol Dyeing For Textile Artwork ]]>
<![CDATA[Djandjang Purwo Sedjati]]>;
<![CDATA[Hidayatun Nurfiani]]>
<![CDATA[ Corak Vol 11, No 1 (2022): MAY 2022 ]]>
Publisher : <![CDATA[Institut Seni Indonesia Yogyakarta ]]>
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DOI: 10.24821/corak.v11i1.6392
<![CDATA[Indigosol is one of the chemical color substances widely used in textile coloring through coletan (brushing) or celupan (dipping) to result in bright color. The coloring process requires the sun's ultraviolet rays. Early observations about the process of coloring fabric with indigosol indicate the importance of using the gap in the heating process with the sun as a new technique in decorating the fabric. It is assumed that when the radiation process occurs, if there is something attached to the fabric exposed to the sun, then the indigosol dye can not appear because it is blocked by an object so that the part attached to an object maintains the original color. The process of heating with the sun in indigosol dyeing technique is a diversification technique or transfer of function in fabric decoration. This study employs the library and observation methods to collect data. The practice-led research method is used to create and reflect on new work. The method focuses on the practice of scientifically written creation processes. Experimental methods are carried out mainly on the indigosol dyeing process combined with remazol and batik techniques. Improvisation is made in cultivation to find new ideas to create works. In applying indigosol, the coloring techniques will be done with blocks using such unique and artistic objects as flora, especially leaves and flowers, and such materials as brocade, tule, or terawang woven combined with remazol color. In addition, dyes will also be involved in batik techniques. The works are all functional and made in silk and cotton sheets. Six types of works are made with engineering techniques obtained from the results of experiments.]]>
<![CDATA[Creating Sustainable Fashion Collection Made Of Handloom Textile For Australian Market ]]>
<![CDATA[Janet Rine Teowarang]]>;
<![CDATA[Michael Nathaniel Kurniawan]]>;
<![CDATA[Carla Van Lunn]]>
<![CDATA[ Corak Vol 11, No 1 (2022): MAY 2022 ]]>
Publisher : <![CDATA[Institut Seni Indonesia Yogyakarta ]]>
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DOI: 10.24821/corak.v11i1.6842
<![CDATA[It is undeniable that the fashion industry has a huge impact on the environment, society and economy. In the midst of the movement of the fashion industry towards a sustainable concept, the COVID-19 pandemic came and stopped the movement of the global and domestic fashion industry. This caused a huge financial loss, but also provided an opportunity for the fashion industry to reimagine a better future. This article is the result of a practice-based research, where fashion designer of Allegra Jane creates a sustainable fashion collection made of eco-friendly handloom weaving for the Australian market. Through this practice, the designer learns about the cultivation of eri silkworms that produce peace silk, the processes involved in the making of natural weaving and dyeing that can be used to reinforce the concept of sustainable design, and the design process for Australians who are more receptive to clothing with a sustainable concept. This practice is useful for enriching literature in this field and providing examples of how the Indonesian fashion industry can begin to rise from the COVID-19 negative impacts.]]>
