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INDONESIA
Corak : Jurnal Seni Kriya
Published by Institut Seni Indonesia Yogyakarta
ISSN : 23016027     EISSN : 26854708     DOI : -
Core Subject : Humanities, Art,
Arts Humanities
CORAK adalah jurnal ilmiah yang diterbitkan oleh Jurusan Kriya, Fakultas Seni Rupa, Institut Seni Indonesia Yogyakarta dengan nomor p-ISSN: 2301-6027 dan nomor e-ISSN: 2685-4708. Jurnal ini berisikan tentang artikel hasil penelitan, gagasan konseptual (hasil pemikiran), penciptaan, resensi buku bidang seni kriya dan hasil pengabdian masyarakat dalam bidang kriya.
Arjuna Subject : -
Articles 228 Documents
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Material Recycle Teak Wood Root Waste From The Sea For Home Decoration Products Alfiyanti Nurril Hidayah
Corak Vol 11, No 2 (2022): NOVEMBER 2022
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/corak.v11i2.7359

Abstract

Recycle material teak wood root waste from the sea is the purpose of this writing; the material that will be used as home decoration products is obtained from fishermen who are at sea and find a lot of teak wood that is washed away then under the edge of the beach then the Recycle process is carried out.  In this design process, it uses a method that includes several stages, including The observation and analysis stage; The imagination stage consists of exploration activities and engineering and material experiments; The imagination development stage is focused on maturing concepts as a result of problem evaluation; The implementation stage of design decisions that are ready to be worked. The method above is then called the process of creating Practice-led Research.
Digitization Of 3d Tote Bag With Contemporary Batik Motif Of Keris Siginjai Grace Ekklesia Siagian; Anung Rachman
Corak Vol 11, No 2 (2022): NOVEMBER 2022
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/corak.v11i2.6442

Abstract

Technological advances now require students to be more creative and improve their digital skills. However, it cannot be separated from this hand expertise in sketching is still needed even though there is the technology. Also, the need to use the concept will later be related to digitising 3d tote bags with contemporary batik motifs keris siginjai. In the design of this final project, work through visualization of the siginjai kris as the main object by doing a visual depiction in the form of a siginjai kris as a contemporary batik motif inserted into a denim-based tote bag. The methods applied are redefining, Design Thinking, and Prototyping methods. Making 3-Dimensional digitization of a product design can make it easier for respondents to display the final form of a product design.
Contemporary Craft Art On Jewelry: Case Study Of HS Silver Kotagede Company Joko Subiharto
Corak Vol 11, No 2 (2022): NOVEMBER 2022
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/corak.v11i2.8505

Abstract

Jewellery in the KBBI (Big Dictionary Indonesian) means items used for decoration, such as rings, earrings, bracelets and others. Jewellery is often created with gold and silver materials, so the price is relatively high according to the high cost of the material. Along with the times, jewellery evolved in design, material, function and technique. HS Silver is one of the silver jewellery companies in Kotagede Yogyakarta, which was founded in 1953 and still exists today. HS Silver Kotagede can survive and thrive today because it applies contemporary craft art styles to its designs and jewellery products. Contemporary craft art leads to various new concepts and visual forms that are developing in the present or present. Based on this, this study aims to: 1) determine the influence of contemporary craft art on HS Silver Kotagede jewellery products and 2). Describe modern jewellery products HS Silver Kotagede. Research methods use a descriptive qualitative approach. Data collection is carried out through literature study, field observation, interviews and documentation. The data obtained are analyzed interactively, consisting of data reduction, presentation and verification. The results showed that since the 1980s, the HS Silver company has adopted contemporary concepts and designs, also known as contemporary craft art. Various contemporary styles influenced the jewellery concept at HS Silver Kotagede in design and material aspects. The design takes specific themes from nature and the socio-culture of the surrounding community, such as the shape of a pineapple, bird cages and rockets. In addition to the design, there are changes in the materials used that do not only use the same but are also combined with other media such as ropes, resins, etc. Jewellery that uses contemporary craft art styles can open new trends and markets for HS Silver because the designs are fresher and more up-to-date. The results showed that since the 1980s, the HS Silver company has adopted contemporary concepts and designs, also known as contemporary craft art. Various contemporary styles influenced the jewellery concept at HS Silver Kotagede in design and material aspects. The design takes specific themes from nature and the surrounding community's socio-culture, such as the shape of a pineapple, bird cages and rockets. In addition to the design, there are changes to the materials used that do not only use the material but are also combined with other media such as ropes, resins and so on. Jewellery that uses contemporary craft art styles can open new trends and markets for HS Silver because the designs are fresher and more up-to-date.
Inspiration For Carving Gorga Adop-Adop In Technology-Based Pop Batik On Ready-To-Wear Clothing Yayuk Apriyani
Corak Vol 11, No 2 (2022): NOVEMBER 2022
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/corak.v11i2.6926

Abstract

Technology-based pop batik is a popular style of contemporary batik with part of the production process using technology without leaving the rules of batik. Technology is the lifestyle of today's younger generation, which causes the traditional batik handicraft industry not to become a job opportunity that is in demand by the younger generation. Batik craftsmen are now living with the elderly, and it is complicated to regenerate in the field of batik crafts. There needs to be an adjustment between the development of the era and traditional culture so that the younger generation is interested in developing batik. The adjustment step that can be done is to process batik based on technology without leaving the rules of batik itself. This research uses the approach of textile design creation methods, aesthetic practices and semiotics. This research discusses how the implementation of Adop-Adop Gorga carving is an inspiration for technology-based pop batik motifs. Research shows that the technology-based batik process can be a solution to the complex problem of regeneration of traditional batik craftsmen and Adop-Adop Gorga carving as inspiration for pop batik motifs with a technology-based batik process is a uniqueness that distinguishes it from other contemporary batik motifs.
Fixator Mix-Nature: Experiment of Fixator Composition as a Natural Color Booster For Handmade Batik On Cotton Fabric Media Tri Wulandari
Corak Vol 11, No 2 (2022): NOVEMBER 2022
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/corak.v11i2.9187

Abstract

The natural staining process requires a fixator as a locking or reinforcing agent for colour results. The fixator materials used in general are an alum, lime, and tunjung. The natural nature of colour extract substances and the use of appropriate fixators influences the strength of natural colour results in handmade batik. This Mix-Nature Fixator experimental research combines a mixture of ingredients from alum, lime, and tunjung with a composition ratio of 1:1:1, 1:2:1, 1:3:1, - 2:1:1, 2:2:1, 2:3:1 - 3:1:1, 3:2:1, 3:3:1. The purpose of this study is to compile a table of the composition of mixed fixators of alum, lime, tunjung; to know the components of chemical elements; and to explain the success rate of Fixator Mix-Nature in the fixation process of dyeing natural colour batik on cotton fabrics. This research uses experimental methods and literature studies as the primary data collection techniques. The element test method uses the Qualitative ED-XRF test method. The practice of analyzing natural colour data results compares colour fastness test results to soap washing. The results of this experimental research are: 1) Fixator Mix-Nature table from the comparison of the composition of alum, lime, and tunjung; 2) the chemical elements in the Mix-Nature Fixator can be a unitary component of the reinforcing agent resulting from natural colours; and 3) The success rate of using the Mix-Nature Fixator that most affects the quality of natural colours is A3 Code Fixator. Code A3 Fixator results from Alum material: Chalk: Tunjung in a ratio of 1:3:1 are highly recommended as fixator substances in the fixation of natural colours.
Handmade Batik Design With Inspiration Story Creation Of Pacitan Eclectic Dance Wahyu Rahmadina Kusumaningtyas
Corak Vol 11, No 2 (2022): NOVEMBER 2022
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/corak.v11i2.6421

Abstract

Pacitan has various types of arts that are thick with regional elements because almost all regions in Pacitan have exceptional skills following the people's lives in each area. Art is a matter of pride and becomes a regional identity because it is considered crucial in the community. Related to folk art which is a tradition, in Pelem Village, Pringkuku District, Pacitan Regency, East Java, there is a folk art called Eklek Dance. Art is a precious asset because it is the only art owned by the people of Pelem Village. Besides that, it is also because this art presentation is considered very interesting. The background of the design of the written batik with the inspiration of Eklek Dance aims to develop motifs through cultural visuals that still need to be discovered by the public and boost culture and tourism in Pacitan. The approach method used is the method of creating craft art according to Gustami, which includes three stages, namely the exploration stage (extracting the source of ideas, collecting reference sources, to obtain solution materials in design, the design stage (visualization of ideas in the form of verbal descriptions with several considerations from various aspects including material aspects, engineering aspects, aesthetic aspects, and functional aspects. Furthermore, it is continued in the form of 6 alternative sketches) and the embodiment stage (realizing three alternative sketches into the form of works). The results of designing batik motifs with the source of the idea of Pacitan Eklek Dance using primissima cotton material, consisting of 3 design visualizations. The colours used are classic batik colours.
Ocean Batik Biota in the Scrapframe Siti Suhartini; Retno Purwandari; Isbandono Hariyanto
Corak Vol 11, No 2 (2022): NOVEMBER 2022
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/corak.v11i2.6384

Abstract

Marine life includes all living things in the sea, animals, plants, or corals. The number and diversity of types of biota living in the ocean are unique. This research aims to make artwork with batik techniques sourced from the idea of marine life with different displays, namely scrap frames. The research method used is practice-based, which is research that creates and reflects new work through practical research carried out. This research stage begins with data collection, analysis, and results. The analysis results are used as the initial material for creating a work of art. This artwork is a textile artwork with batik techniques that are collaborated with scrap frame techniques as batik works with a novelty display. This work is expected to give new ideas in creating a work of art, especially batik, able to educate, generate motivation and stimulate learning new things.
Application of Resin Coating Technique to Leather Craft Works with the Idea of Creating Lotus Plants Safa San Akhra; Otok Herum Marwoto; Agung Wicaksono
Corak Vol 11, No 2 (2022): NOVEMBER 2022
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/corak.v11i2.9342

Abstract

Application of Resin Coating Techniques to Leather Craft Works with the Ideaof Creation of Waterlily Plants is an individual idea inspired by the waterlily,  a type of aquatic ornamental plant with beautiful and positive philosophical  meaning and value. Inspired by the empirical gardening experience, the  inspiration was based on interest in the uniqueness of the waterlily in a pond. The  final project aimed to create panel work made of plant-based leather with as a creative concept. In the work creation, the approach method used was Monroe Beardsley's aesthetic with three elements: unity, complexity and intensity. The creationmethod used was SP. Gustami's creation method with 3 (three) stages and 6 (steps). The creation techniques used were knitting, cutting, pasting, sewing, and forming. The work creation achievement was leather artwork panel work by  visualizing a waterlily as the reference object. In the work creation, resin additives  as an adhesive and a skin coating were added as the work's aesthetic value. The final project focused on the aesthetic function of a decorative object.
Bowl: Anyam Technique on Ceramic Noor Sudiyati
Corak : Jurnal Seni Kriya Vol 12, No 1 (2023): Corak : Jurnal Seni Kriya
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/corak.v12i1.9757

Abstract

Adding value to works of art is the subject of many discussions, and finding a new aesthetic can be accomplished by innovation and experimenting with the medium and techniques employed. This research attempts to make ceramics utilizing various embodied approaches similar to other manufactured materials. Specifically, bowl-shaped ceramics are formed using a woven technique similar to bamboo and then arranged in an interlocking pattern to resemble woven bamboo. The final result of this application technique is in the form of artistic bowls that have afresh aesthetic value for the development of ceramic art. These bowls are hollow due to the woven fabric and contain many values built-in to ceramic form, including material efficiency, organic form, and artistic form, which was previously unexpected. This serves as an accelerator for future application development of various shaping approaches. This confirms that the creative possibilities for plastic clay are virtually endless.
Batik Cap with Natural Dyes at Batik Kembang Mulyo Jepara Jati Widagdo
Corak : Jurnal Seni Kriya Vol 12, No 1 (2023): Corak : Jurnal Seni Kriya
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/corak.v12i1.8167

Abstract

Batik adalah seni dan cara menghias suatu kain dengan penutup lilin untuk membentuk corak dan pola hiasnya dengan dua cara pembuatan, yaitu batik tulis dan batik cap. Dalam pembuatanya batik tulis membutuhkan waktu yang lama dalam pengerjaannya. Untuk itu, tulisan ini bertujuan untuk memaparan mengenai pembuatan batik cap dengan pewarna alam di Batik Kembang Mulyo Jepara. batik cap adalah batik yang diproses menggunakan canting cap menggantikan canting tulis. Pada proses produksinya batik cap ini perajin batik dapat menghemat tenaga karena tidak perlu menggambar pola/desain diatas kain secara manual seperti batik tulis. Sifat dari penelitian adalah penelitian lapangan dan penelitian dengan kepustakaan sehingga teknik yang dipakai guna untuk mendapatkan data penelitian ialah teknik penelitian kepustakaan. Teknik penelitian dilakukan menggunakan berbagai langkah diantaranya: teknik Observasi. Data yang telah diperoleh kemudian disusun dan diklasifikasikan serta dianalisa secara deskriptif kualitatif. Pembuatan batik studio batik kembang mulyo jepara melalui pembuatan batik menggunakan bahan zat pewarna alam (ZPA), menggunakan lilin tembokan serta kain katun dengan teknik pewarnaan celup.

Page 22 of 23 | Total Record : 228

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