cover
Article Per Year (5 Year)
All
Home Page
OAI Link
Editorial Team
Contact
Reviewer
Google Scholar
Contact Name
Dr. Wening Udasmoro, M.Hum, DEA
Contact Email
jurnalpoetika.fib@ugm.ac.id
Phone
+62274513096
Journal Mail Official
jurnalpoetika.fib@ugm.ac.id
Editorial Address
Post-graduate program of literature of the Faculty of Cultural Sciences, Universitas Gadjah Mada
Location
Kab. sleman,
Daerah istimewa yogyakarta
INDONESIA
Poetika: Jurnal Ilmu Sastra
Published by Universitas Gadjah Mada
ISSN : 23385383     EISSN : 25034642     DOI : https://doi.org/10.22146/poetika.v2i2.10445
Core Subject : Humanities, Art,
Arts Humanities
POETIKA: Jurnal Ilmu Sastra publishes academic articles within the scope of literary criticism (limited to poem, prose, drama, oral tradition, and philology). The articles cover the form of a result on specific analysis; academic reports; closed reading; and the application of certain theories to enrich literary study.
Arjuna Subject : Seni dan Humaniora - Sastra dan Teori Sastra
Articles 162 Documents
 1   2   3   4   5 
PERGESERAN KEKUASAAN NEGARA DAN RELASI ANTARSUBJEK DALAM CERPEN ORDE BARU DAN REFORMASI Akhmad Rizqi Turama
POETIKA Vol 2, No 2 (2014): Issue 2
Publisher : Literary Studies, Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/poetika.v2i2.10414

Abstract

The focus in this paper is how the state power’s perspective and inter subject relation in Danarto’s “Godlob” and Seno Gumira Ajidarma’s “Clara”. The first short story is the representation of Orde Baru while the second is the representation of reformation era. This paper uses two theories, Gramsci’s idea about Hegemony and the Foucault’s notion about power. The result of this research shows that there are changes in state hegemonic instrument, military discourse, state institute discourse, and inter subject relation from the Orde Baru to the reformation era.Keywords: short story, Orde Baru, Reformation, Gramsci, Foucault.
MEMBACA, READING CONTEMPORARY INDONESIAN MUSLIM WOMEN WRITERS Sudarmoko Sudarmoko
POETIKA Vol 1, No 2 (2013): Issue 2
Publisher : Literary Studies, Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/poetika.v1i2.10416

Abstract

Judul Buku: Reading Contemporary Indonesian Muslim Women Writers. Penulis: Diah Ariani Arimbi. Penerbit: Amsterdam University Press, 2009. Tebal: 234 halaman.
KONSTRUKSI RUANG KOTA POSKOLONIAL DAN RESPONS SPASIAL DALAM NOVEL THE KITE RUNNER KARYA KHALED HOSSEINI Shabrina An Adzhani
POETIKA Vol 2, No 1 (2014): Issue 1
Publisher : Literary Studies, Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/poetika.v2i1.10418

Abstract

; "> In the time of war, people usually migrate from troubled places to the safe and sound cities, promising a better life.However, the position of cities as a promising space is questionable. It is due to the close relation between city utopia andcolonial city. In fact, there are indications of colonial continuation through industrialization which ends up to domination inmany aspects; economy, social, and cultural. One of postcolonial novels written by a diaspora writer, Khaled Hosseini, takesup a theme of migration from a city (Kabul) in a troubled country, Afghanistan, to a city (Fremont) in a more stable country,America. Sara Upstone’s method of reading on spatial politics in postcolonial novels is used here to read how Fremont isconstructed in the novel and the spatial respond occurred. The analysis showed that Khaled Hosseini’s construction uponFremont is that utopia is denied from the beginning of the novel. Fremont becomes oppressive space and yet, it offers possibilitiesfor spatial responds such as displacement and carnivalisation to occur. These are strategies used by those who are subjected tooppression in the city space.Keywords: City space, postcolonial, spatial respond.
PAHLAWAN DAN PECUNDANG: MILITER DALAM NOVEL-NOVEL INDONESIA Christopher Woodrich
POETIKA Vol 2, No 2 (2014): Issue 2
Publisher : Literary Studies, Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/poetika.v2i2.10419

Abstract

Judul: Pahlawan dan Pecundang: Militer dalam Novel-Novel IndonesiaPengarang: Aprinus salam dan Ramadya AkmalPenerbit: Gadjah Mada University PressTahun Terbit: 2014Jumlah halaman: 136 halaman
PARADIGMA TEORI ARENA PRODUKSI KULTURAL SASTRA: KAJIAN TERHADAP PEMIKIRAN PIERRE BOURDIEU Kukuh Yudha Karnanta
POETIKA Vol 1, No 1 (2013): Issue 1
Publisher : Literary Studies, Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/poetika.v1i1.10420

Abstract

This article discusses the concepts of  Pierre Bourdieu’s ideas that integrate literary study, sociology, economics  and politics in the study of  recent literature. Although Bourdieu’s thought began widely introduced into the social -humanities studies in Indonesia, but the application of  these ideas in literary studies in Indonesia are relatively not much done. With Thomas Kuhn’s concept of  paradigm, this article is going to formulate the key concepts in field cultural production which are assumed relevant to explain the dynamics of  contemporary Indonesian literature.Keywords: paradigm, literature, sociology, trajector y, habitus, literar y field, strategy
RUANG PASCAKOLONIAL DALAM KITCHIN KARYA YOSHIMOTO BANANA Wury Dwiwardani
POETIKA Vol 2, No 1 (2014): Issue 1
Publisher : Literary Studies, Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/poetika.v2i1.10421

Abstract

Yoshimoto Banana’ choice on a space as the title of his novel, Kitchin or Kitchen, that describes the importanceof space for the novel becomes the background of this research. Besides, this study is also grounded by a previousstudy conducted by Kazuo Nakajima and The aim of this study is to reveal the response toward cultural colonizationemerging in postcolonial space of novel Kitchin. The study is conducted by analyzing the relationship of significanttextual units in the text, as well as linking it with the data outside by using postcolonial theory about space. The resultsof this study can be summarized as follows. In Kitchin, there are representation of colonial concept and traditionalconcept. Besides the representation of the two groups, there are also depictions of chaos. It is a form of new ideas thatrefuse combination that build opposition between colonial structures and traditions. The chaos emerges a new structurewhich consists of more than two opposition; colonial and traditions. These new ideas are connected to efforts to survivein a society that has been colonized culturally.Keywords: cultural colonization, postcolonial space, Kitchin.
GAMBARAN DIRI ANDREA HIRATA DALAM NOVEL EDENSOR: KONSEP TRAVEL WRITING CARL THOMPSON Arie Azhari Nasution
POETIKA Vol 3, No 1 (2015): Issue 1
Publisher : Literary Studies, Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/poetika.v3i1.10425

Abstract

This research is about to review the self-image in the novel by Andrea Hirata, Edensor, which tells the story of his travels around Europe and some African countries as a form of travel writing. To discover how Andrea Hirata write and illustrate the discovery of spaces as a form of a report from the places he visited and how he positioned himself as a traveler, used the theory of  travel writing Carl Thompson to identify novel Edensor from concept Reporting The World, Revealing The Self, and Representing The Other. As a  result, Andrea Hirata identified as a romantic traveler who tends to give a picture of himsel fas an autobiography and more to self-awareness (self-consciously) displayed in each trip made because the motivation to find himself. Moreover, he recognizes himself as inferior to the West because he comes from the East.Keywords: Andrea Hirata, Edensor, Travel Writing, Postcolonial Studies, Travel, Self-Image
SEBUAH RUPA “JAWA” DALAM KALANGWANG Arif Kurniar Rakhman
POETIKA Vol 2, No 1 (2014): Issue 1
Publisher : Literary Studies, Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/poetika.v2i1.10426

Abstract

Judul Buku: Kalangwan: SaStra Jawa Kuno Selayang Pandang |Pengarang: P.J. Zoetmulder | Penerbit: Penerbit dJambatan |Jumlah Halaman: 648 Halaman
PENGGAMBARAN DUNIA DALAM NOVEL PERJALANAN 99 CAHAYA DI LANGIT EROPA Anis Mashlihatin
POETIKA Vol 3, No 1 (2015): Issue 1
Publisher : Literary Studies, Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/poetika.v3i1.10427

Abstract

This paper discussed about the objective and the subjective observations which are used by the writer in representing the world when the writer is traveling. World is not just  merely a landscape or places, but there is also people. Through objectivity point of view, the writer is taking distance with the world which is described. On the contrary, subjective observation emphasizes the personal involvement of the writer towards the described world. In this research, we can see in both places and people, subjective observation is more dominant than the objective observation. Observation always sets off from the objective point of view to the subjective point of view. Some places are described objectively, but then it shifted into subjective. Explicit subjective observation is more dominant than the implicit one. However, even if the quantity is lesser, the implicit subjectivity gives more significant influence.Keywords: objective, subjective, travel 
PRODUKSI SIMBOL DALAM SAMPUL BUKU SASTRA TERBITAN GRAMEDIA Saeful Anwar
POETIKA Vol 3, No 2 (2015): Issue 2
Publisher : Literary Studies, Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/poetika.v3i2.10428

Abstract

As the design and printing technology develops rapidly, the covers’ design of  literary books on store develops as well. The covers tell not only title, writer’s name, and publisher, but also show textual symbols such as subtitle, phrases describing title, phrases describing writer, book category, quotes of  the content, other writer’s comment, and more. Those additional texts make the cover look full. Gramedia is one of  the publishers which keeps putting only title and writer’s name on the book covers without adding up more additional texts mentioned above. Instead, the publisher put the additional texts on the back cover. This article aims at explaining why Gramedia keeps the design of  book covers that way. This article applies method of  Bourdieu’s theory on literary sociology. The result shows that Gramedia applies a strategy of  symbolic capital exchange among the writers whose works published by Gramedia. The symbolic capital exchange is used indirectly to increase the literary books’ sale. Gramedia takes a subtle way of  the strategy to keep the symbolic capital of  the books and their writers affiliated with the publisher. Gradually the publisher gathers more symbolic capital that consequently increase its economic capital.Keywords: symbol production, Gramedia, literary books’ covers, literary sociology, Bordieu.

Page 3 of 17 | Total Record : 162

 1   2   3   4   5 

Filter by Year

2013 2023


Reset
Filter By Issues
All Issue Vol 11, No 2 (2023): Issue 2 Vol 11, No 1 (2023): Issue 1 Vol 10, No 2 (2022): Issue 2 Vol 10, No 1 (2022): Issue 1 Vol 9, No 2 (2021): Issue 2 Vol 9, No 1 (2021): Issue 1 Vol 8, No 2 (2020): Issue 2 Vol 8, No 1 (2020): Issue 1 Vol 7, No 2 (2019): Issue 2 Vol 7, No 1 (2019): Issue 1 Vol 6, No 2 (2018): Issue 2 Vol 6, No 1 (2018): Issue 1 Vol 5, No 2 (2017): Issue 2 Vol 5, No 1 (2017): Issue 1 Vol 4, No 2 (2016): Issue 2 Vol 4, No 1 (2016): Issue 1 Vol 3, No 2 (2015): Issue 2 Vol 3, No 1 (2015): Issue 1 Vol 2, No 2 (2014): Issue 2 Vol 2, No 1 (2014): Issue 1 Vol 1, No 2 (2013): Issue 2 Vol 1, No 1 (2013): Issue 1 More Issue