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INDONESIA
Jurnal Sejarah Citra Lekha
Published by Universitas Diponegoro
ISSN : -     EISSN : 24430110     DOI : -
Core Subject : Humanities, Art,
Arts Humanities
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Articles 92 Documents
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Tradisi Cawisan dan Otoritas Religius Habaib dalam Pembentukan Citra Islam di Palembang pada Awal Abad ke-21 Muhammad Ilmi Luthfi; Syarifuddin Syarifuddin; Syafruddin Yusuf
Jurnal Sejarah Citra Lekha Vol 8, No 1 (2023): In Progress
Publisher : Department of History, Faculty of Humanities, Diponegoro University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14710/jscl.v8i1.38468

Abstract

This article discusses on the religious authority of the Habaib in Palembang, starting from the arrival of the Habaib, namely during the sultanate, post-sultanate periods and its relationship with the Cawisan culture in Palembang. Cawisan are joint dhikr activities, public lectures, recitations held in mosques, prayer rooms and other places devoted to religious learning. Interest in cawisan in Palembang during the New Orde experienced a decline for various reasons. In the end, the Habaib became the new authority in the midst of Palembang's Muslim community by actively teaching in the cawisan room at the beginning of the  21st  century. The issues raised in this study are Cawisan culture in the early  21st  century and the religious authority of Habaib in Cawisan culture in Palembang. This type of research is a qualitative approach and is carried out based on the right data through interviews with four informants namely Habib Mahdi Muhammad Syahab, Habib Ali Karror al-Haddad, Raden Muhammad Ikhsan, and Kemas Andi Syarifuddin. The results of this study indicate that the Habaib have a role accompanied by authority in the cawisan culture at the beginning of the  21st  century while in the previous era the independent kiai were much more influential in the cawisan culture.
Dari Kentrung hingga Ken Palman: Pasang Surut Kesenian Kentrung Jepara, 1970-2021 Alamsyah Alamsyah; Siti Maziyah; Vicky Very Angga
Jurnal Sejarah Citra Lekha Vol 8, No 1 (2023): In Progress
Publisher : Department of History, Faculty of Humanities, Diponegoro University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14710/jscl.v8i1.49936

Abstract

This article discusses the development of kentrung art, a traditional art originating from a city on the north coast of Java, namely Jepara. Kentrung has been present to accompany the people of Jepara for a long time and has become one of the instruments in religious rituals in Jepara. In addition, kentrung is also one of the entertainment's communities. In the 1970s to 1980s, kentrung experienced its heyday because it was in great demand by the public. However, in subsequent periods, kentrung faced challenges threatening its existence. Using historical methods, this article examines the adaptation strategy of kentrung art in meeting the challenges of globalization which have brought popular skills to the masses. Apart from that, kentrung also has to face the problem of regeneration because apart from the lack of spectators, there are also very few young people who are interested in becoming kentrung artists. The situation is becoming increasingly threatening to the existence of kentrung because the Covid-19 Pandemic is hitting the world. The results of the research show that the government's commitment, in this case the region and the community, guarantees the sustainability of the kentrung arts. An example is the case of regeneration initiated by the Jungpara Foundation which later gave birth to a kentrung art group named Ken Palman. In addition to regenerating, they also packaged kentrung performances to be more contemporary to attract the public.

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