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E-Journal Of Cultural Studies
Published by Universitas Udayana
ISSN : 23382449     EISSN : -     DOI : -
Core Subject : Humanities, Art,
Arts Humanities
Cultural studies constitutes an interdisciplinary area critically discussing socio-political contexts of various cultural practices in society. Its focus is on the relation among such cultural practices and the power controlling them. Cultural studies was pioneered by the Centre for Contemporary Cultural Studies (CCCS) of the University of Birmingham, England, in 1960s. Unlike what has been a tradition in the modern epistemology, cultural studies is concerned with what human emancipation aims at. Therefore, cultural studies does not only refer to a theoretical-conceptual matter but also to the location and critical action in which it manifests itself.
Arjuna Subject : -
Articles 5 Documents
 1 
Search results for , issue "Vol 9, No 3 (2016): August 2016" : 5 Documents clear
RECONSTRUCTION OF WAYANG ORANG DARMA KERTI AT BATU PANDANG: A STRUGGLE FOR IDENTITY IN MATARAM, LOMBOK Seramasara, I Gusti Ngurah; Ardhana, I Ketut; Suarka, I Nyoman; Ruastiti, I Made
E-Journal of Cultural Studies Vol 9, No 3 (2016): August 2016
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

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Abstract

Wayang Orang (the stage show usually with the wayang theme) is a performing art of which the characters are played by people. As a specific Sasak performing art, the wayang orang which is performed in Mataram Lombok, used to use what is referred to as Serat Menak as the story source. However, such a performing art was marginalized and was almost getting extinct. Therefore, the Sasak artists and cultural observers, whom were facilitated by UPTD Taman Budaya Lombok, did their best to save such a performing art by reconstructing it. The performing art which was constructed by IPTD Taman Budaya Lombok was the Wayang Orang Darma Kerti, Dusun Batu Pandang. Such a reconstruction was made in the middle of the struggle for an identity of those living in Mataram, Lombok, who belong to different ethnic groups and religions. This present study was intended to understand the matter pertaining to the reconstruction of Wayang Orang Darma Kerti as part of the struggle for the identity of the people living in Mataram, Lombok. The qualitative method and the theories of deconstruction, multiculturalism, and hegemony were used to analyze the problems of the study. The result of the study showed that 1) there was a desire to preserve Wayang Orang as a local identity, meaning that the desire to reconstruct it was inspired by the Islamic religious value and the Wetu Telu Islamic value; 2) it was reconstructed through several stages; they are observation, inventory, and classification; finally, it was decided to reconstruct Wayang Orang performed at Dusun Batu Pandang, East Lombok in which the puppeteers and dancers from Mataram, West Lombok, were involved; the puppeteers were gathered, the themes were composed, the performance was practiced, and the Wayang Orang was performed; 3)  the implication of the reconstruction of the Wayang Orang was that the Sasak ethnic group had an art identity, and religion and culture adapted to each other as the implementation of what is referred to as adatluwirgama, and the local people’s prosperity became better.
JOGED DANCE IN YOUTUBE Suartaya, Kadek; Suastika, I Made; Dibia, I Wayan; Agung, Anak Agung Gde Putra
E-Journal of Cultural Studies Vol 9, No 3 (2016): August 2016
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

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Abstract

In Indonesia Joged Bumbung is a dance which was created in Bali; it is known as tari pergaulan, namely, a social dance which is performed to make friends; however, it has   innovated so freely that it becomes a dance with pornographic movements  presented vulgarly.   The recording of such a dance can be easily watched in YouTube; it can also be easily watched in shared video web sites, through which the users can download, watch and share different video clips free of charge. The problems of the present study are (1) what is the negative impact of the pornographic joged dance on the aesthetic values of Joged Bumbung; (2) how negatively people view the dancers and group of such a pornographic joged dance; (3) how negatively people view the Balinese cultural art resulting from the fact that such a pornographic joged dance has been uploaded in YouTube? The main objective of the present study is to identify the negative impact of the pornographic joged dance in YouTube. The data were collected through observation, interview, and library research. The collected data were then analyzed descriptively and qualitatively using the phonological theory; and the qualitative method is used. It can be concluded that the pornographic joged is still watched in different parts of the island; it is watched every night. The government, art observers, and the society’s leaders are anxious about the negative impact of such a joged dance on those who are involved in its performance. Therefore, the Bali government has persuaded the dancers and groups that are involved in the performance of such a joged dance to return to the ethical choreography of the performing art of Joged Bumbung. The government has directly met them for this purpose; however, what has been done has not been successful yet. There were three negative impacts of such a joged dance presented in YouTube. They are (1) the art value of the Joged Bumbung dance has become degraded; (2) the dancers have been immorally justified; and (3) the Balinese art and culture have been distorted.
GENEALOGY OF TABUT RITUAL CULTURAL AESTHETICS OF THE SUMATRAN WEST COASTAL COMMUNITY KHANIZAR, KHANIZAR; Wirawan, AA Bagus; Sulistyawati, Sulistyawati; Sukardja, Putu
E-Journal of Cultural Studies Vol 9, No 3 (2016): August 2016
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

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Abstract

The tabut ritual is performed in the West Coastal area of Sumatera to commemorate Imam Husein Bin Ali Abi Thalib when he was captured by the soldiers of Yazid Muawiyah in Padang Karbala. It is performed once a year, from the first to the tenth of Muharam, which is counted based on the Hijirah year. This present study is intended to investigate the form, function, and meaning of the genealogy of the tabut ritual which is performed in and as the identity of the West Coastal Area of Sumatera. It tries to (1) discuss and deconstruct the values of such a ritual as the community’s identity which tightens the cultural value of the Sumatran West Coastal community; (2) exploits the tabut ritual as the form of the Sumatran West Coastal community’s identity; (3) apply the function of the ethnical aesthetics; (4) explain the aesthetic meaning in its relation to religion and customs and traditions. Three theories were used to answer the problems of the study; they are the theory of genealogy proposed by Michel Foucault and the postcolonial theory. What could be concluded from the present study are as follows. The genealogical forms of the tabut ritual which is performed in the  West Coastal are of Sumatera reflects the community’s cultural aesthetics and functions to purify the soul; it also reflects religiosity, mystical and aesthetic experience  and the hegemony which exceeds the postcolonial patronage, meaning that such a ritual has the purification function. It also reflects the cosmological aesthetics of the supporting community. It has deconstruction and aesthetical genealogical meaning.
RESOLUTION OF TRADITIONAL CONFLICT BETWEEN KOMUNING TRADITIONAL VILLAGE AND BUDAGA TRADITIONAL VILLAGE IN KLUNGKUNG, BALI Aryawan, I Ketut Wenten; Mertha, S.H.,M.Hum., Prof. Dr. I Ketut; Parimartha, M.A, Prof. Dr. I Gde; Dhana, M.A, Dr. I Nyoman
E-Journal of Cultural Studies Vol 9, No 3 (2016): August 2016
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

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Abstract

This present study discusses the traditional conflict between BudagaTraditional Village and Kemoning Traditional Village, Klungkung Regency, Bali Province. The study is intended to (1) find out the resolution of the traditional conflict between Kemoning Traditional Village and Budaga Traditional Village which was dominated by MajelisUtamaDesaPakraman (MUDP); (2) identify the mechanism through which the decision was made by MUDP to settle such a traditional conflict; (3) identify the implication of the settlement of such a traditional conflict on the relationship between Budaga Traditional Village and Kemoning TraditionalVillage after the decision was made by MUDP. This present study is also aimed at finding out the picture of such a conflict between the two traditional villages. The study used the qualitative method.  The data were collected through observation, interview, library research, and documentary study. The theoretical approach which includes the theory of hegemony, the theory of mediation, and the theory of deconstruction was also used. The result of the study shows that the local traditional law ‘awig-awigdesapakaraman’ could not always be used as a reference to settle the dispute between the two villages. Every attempt made by the MUDP in relation to the resolution which was proposed in the earlier stages was considered unfair. The mechanism through which such a conflict was settled was dominated by the MUDP and did not show any decision which reflected the principles of mediation. The implication of the settlement of such a conflict between the two traditional villages was that the relationship between them had not been in harmony.
BALINESE WOMEN IN DIVORCE AND ITS SETTLEMENT (FROM HISTORICAL AND GENDER PERSPECTIVES) Mahyuni, Ida Ayu Putu; Wirawan, AA Bagus; Ariani, I Gusti Agung; Wiasti, Ni Made
E-Journal of Cultural Studies Vol 9, No 3 (2016): August 2016
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

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Abstract

Cultural and structural injustice resulting from the difference in genre which has been strongly adhered to by the Balinese community has been responsible for divorce, its settlement, and its implication on the Balinese women in Denpasar City. This study was intended to deconstruct, anticipate and implant the concept of structural and cultural injustice resulting from the difference in genre. The data were qualitatively analyzed using the analysis of gender. The theories used were the critical theory of postmodern such as the theory of hegemony and the theory of deconstruction and the other critical theories which are relevant to the present study. The result of the study shows that the divorce undergone by the Balinese women was the manifestation of the structural and cultural injustice resulting from the difference in gender. The decisions made through the traditional law and the Act Number 1 of 1974 concerning Divorce are still biased in regard to genre. The divorce undergone by the Balinese women affected the related families (the ex-wife’s family, the ex-husband’s family, and the other families related to them. The patriarchal ideology caused the Balinese women to be marginalized and subordinated and sensitive to both physical and psychological coercions. Economically, they were also neglected. The injustice in gender could also be eternalized through legal regulations. The Act Number 1 of 1974 concerning Marriage is still biased; it still refers to the traditional law which benefits men in divorce.

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