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Octaviana S.C. Rombe
Bina Nusantara University
Humanities

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Functional Aspect of Seating furniture at Taman Fatahillah, Jakarta Caroline, Octaviana Sylvia; Kartono, Bambang; Sofiana, Yunida; Indahyani, Titi
Humaniora Vol 10, No 1 (2019): Humaniora
Publisher : Bina Nusantara University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21512/humaniora.v10i1.5200

Abstract

The goal of this research was to add visual-captured data and analytical from the aspects of function as inputs for designers to be able to propose design on revitalizing the area of Taman Fatahillah. There were two problems that had been found. First, the historical street furniture had not been thought to be part of a new development of the area. Second, the newly added street furniture had not been integrated into the original purpose of Taman Fatahillah. The research used qualitative descriptive methodology with observation and visual-captured methods to collect all data needed. The conclusions are the seating furniture from the old plan has been changed its function, some of them function properly, and one of them does not function properly. Part of the newly added seating furniture in this area functionally works, but one of them does not functionally integrate into the surroundings of Taman Fatahillah as a historical revitalized public area.
INTERSECTION CULTURAL VALUE, NATIONALISM, AND COMMODIFICATION BEHIND THE GARUDA CHAIR AS JEPARA’S SIGNATURE INDUSTRIES Fajarwati, Ade Ariyani Sari; Caroline, Octaviana Sylvia; Wulandari, Laura Andina
Humaniora Vol 11, No 1 (2020): Humaniora (In Press)
Publisher : Bina Nusantara University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21512/humaniora.v11i1.6239

Abstract

The purpose of the research was to identify the cultural value and nationalism behind the Garuda chair and to compare it with another style that had more sellable value as commodities. The research used the qualitative descriptive methodology used literature, observation, site visit, and interview data to analyzed. In conclusion, the Garuda chair has the potential to become an Indonesian commodity in the furniture market and international community by promoting the cultural value behind it and the effectiveness of material using for the chair.
Intersection Cultural Value, Nationalism, and Commodification behind the Garuda Chair as Jepara’s Signature Industries Ade Ariyani Sari Fajarwati; Octaviana Sylvia Caroline; Laura Andina Wulandari
Humaniora Vol. 11 No. 1 (2020): Humaniora
Publisher : Bina Nusantara University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21512/humaniora.v11i1.6239

Abstract

The aims of the research were to identify the cultural value and nationalism behind the Garuda chair and to compare it with another style that had more sellable value as commodities. The research used a qualitative descriptive methodology using literature, observation, site visit, and interview data to be analyzed. In conclusion, the Garuda chair has a potential to become an Indonesian commodity in the furniture market and international community by promoting the cultural value behind it and the effectiveness of material using for the chair.
The Jepara Chairs Based on Their Style and Period Octaviana S.C. Rombe; Yunida Sofiana; Bambang Kartono Kurniawan; Oktavianus Marti Nangoy
Humaniora Vol. 7 No. 2 (2016): Humaniora
Publisher : Bina Nusantara University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21512/humaniora.v7i2.3522

Abstract

The purpose of this article was to identify the Jepara chairs based on its style and period. Qualitative research such as doing interviews with the Jepara chairs observer, observation to some centres and workshops of Jepara chairs, literature study from various books consisting the style and process of Jepara chairs production were conducted. The identification of Jepara chairs started with Islamic and Hinduism influence in the 16th to the 17th century when the missionary and sailor from Portuguese entered Java until the style of Jepara chair in the 20th century. The alteration that mirrors the changes in socio-cultural aspect was being analysed as the style foundation that was used periodically in the making of the Jepara chairs. The categories a chair to have a Jepara style is a chair made by the craftsman in Jepara that, includes local factors both technically and material based that is combined with foreign culture, religion, and designs that brought at the time the chairs have been made. This research finds that chairs with Jepara style are a combination of the international world with a glimpse of local wisdom, with a touch of the maker’s personality that makes it unique and a bit different with its origin style. 
Functional Aspect of Seating furniture at Taman Fatahillah, Jakarta Octaviana Sylvia Caroline; Bambang Kartono; Yunida Sofiana; Titi Indahyani
Humaniora Vol. 10 No. 1 (2019): Humaniora
Publisher : Bina Nusantara University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21512/humaniora.v10i1.5200

Abstract

The goal of this research was to add visual-captured data and analytical from the aspects of function as inputs for designers to be able to propose design on revitalizing the area of Taman Fatahillah. There were two problems that had been found. First, the historical street furniture had not been thought to be part of a new development of the area. Second, the newly added street furniture had not been integrated into the original purpose of Taman Fatahillah. The research used qualitative descriptive methodology with observation and visual-captured methods to collect all data needed. The conclusions are the seating furniture from the old plan has been changed its function, some of them function properly, and one of them does not function properly. Part of the newly added seating furniture in this area functionally works, but one of them does not functionally integrate into the surroundings of Taman Fatahillah as a historical revitalized public area.
A Review of the Role of Intangible Axis toward the Pathok Negoro’s Design Concept, Yogyakarta Silvia Meliana; Octaviana Sylvia Caroline
Humaniora Vol. 11 No. 3 (2020): Humaniora
Publisher : Bina Nusantara University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21512/humaniora.v11i3.6540

Abstract

The research aimed to review the role of the ‘mystical’ imaginary axis in Javanese cosmology in the Yogyakarta that might affect the inner spaces of the Pathok Negoro mosques (Ploso Kuning, Babadan, Dongkelan, and Mlangi). The research question was how Yogyakarta’s imaginary axis affected the inner spaces of these four Pathok Negoro. Yogyakarta was known to have a unique Javanese cosmology, cultural, and social life character compared to several cities on the island of Java. Yogyakarta kept a harmonious power between human life and the universe and still hold strong Javanese animism and was still tightly coupled with the city’s modern life. Human harmony with the universe was seen in the axis of a city that consisted of two main axes in the direction of the compass, namely north to south and east to west. The research applied a qualitative method by doing a literature study and observation. The research shows that the imaginary axis plays an essential role in Yogyakarta’s urban design and creates a sustainable concept of the four Pathok Negoro. However, it is not directly involved in the order of the inner space of the architecture design of each mosque.
Co-Authors Ade Ariyani Sari Fajarwati Bambang Kartono Bambang Kartono Kurniawan Fajarwati, Ade Ariyani Sari Indahyani, Titi Kartono, Bambang Laura Andina Wulandari Meliana, Silvia Oktavianus Marti Nangoy Silvia Meliana Titi Indahyani Wulandari, Laura Andina Yunida Sofiana Yunida Sofiana