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All Journal Jurnal Pendidikan dan Pembelajaran Eduscience : Jurnal Ilmu Pendidikan
Silaban, Chiristianly Yery
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STRUKTUR MUSIK NYANTUK DURIAN MASYARAKAT DESA MEDAN JAYA, SIMPANG HILIR KABUPATEN KAYONG UTARA Wahyono, Andi Arif; Ghozali, Imam; Silaban, Chiristianly Yery
Jurnal Pendidikan dan Pembelajaran Khatulistiwa Vol 8, No 9 (2019): September 2019
Publisher : Jurnal Pendidikan dan Pembelajaran Khatulistiwa

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                         AbstractThis research was motivated there uniqueness The people of Medan Jaya Village, Simpang Hilir district, Kayong Utara Regency used their waiting time for the durian to fall by playing music and dancing, emerging a local art called Nyantuk Durian. The study aims at describing the structure and function of Nyantuk Durian music. This study used a qualitative descriptive method with a musicology approach. The data were collected using interviews, observations, and documentation. Along with the interview guide, observation, and documentation sheets, the researcher acted as the main research instrument. The data validation used were extended observation and source triangulation. The results showed that Nyantuk Durian art did not function as a ritual medium but as a medium of entertainment, information, and education. The music instruments used were gambus, accordion, tambourine, beruas, cymbal, and tambourine. The melody in the gambus and accordion comprises a limited scale comprising five sentences. The beats pattern on tambourines, cymbals, tambourines, and beruas has a simple, short, and repetitive pattern. Mainly functioned as entertainment, Nyantuk Durian has a broad structure of music. In conclusion, the government and the local community should jointly preserve and develop Nyantuk Durian art to be introduced to the next generation.Keywords: Structure, Music, Nyantuk Durian.
MAKNA DAN SIMBOL GERAK TARI RADDAT KOKO DI DESA SEKUDUK KECAMATAN SEJANGKUNG KABUPATEN SAMBAS Hastuti, Liza; Istiandini, Winda; Silaban, Chiristianly Yery
Jurnal Pendidikan dan Pembelajaran Khatulistiwa Vol 6, No 12 (2017): Desember
Publisher : Jurnal Pendidikan dan Pembelajaran Khatulistiwa

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 Abstract  This research background is to know about txhe meaning and symbol of dance movement Raddat Koko. The purpose of this research are 1) to describe the symbol in dance movement Raddat Koko in Sekuduk Village Sejangkung District Sambas Regency, 2) to describe the meaning in dance movement Raddat Koko in Sekudduk Village SejangkungSubdistrict Sambas District, 3) to describe the implementation of symbols and meaning of dance movement Raddat Koko in grade X SMA Negeri 1 Selakau on the subjects of Art Culture. The motion is, among others, the hormat motion, ancang-ancang 1, ancang-ancang 2, ancang-ancang 3, the menyerang motion 1 and menyerang 2. Motivation presents a symbol of respect that has meaning of homage to the audience who has been present. Ancang-ancang 1 presents a stalking symbol that has the meaning of stalking the place where the Dutch weapons hide. Ancang-ancang 2 presents a ready-to-play symbol that has the meaning of making a square off to move to a Dutch-owned hideout. Ancang-ancang 3 presents a preparatory symbol for an attack that has the meaning of performing the planned motion against the enemy. Menyerang 1 presents a symbol ready to fight against an opponent who has a ready-to-war meaning. Menyerang 2 represents the already attacking symbol has the meaning of war with unyielding. Keywords: meaning, symbol, motion, Raddat Koko traditional dance.
MINAT MASYARAKAT DUSUN SEGURI MERAH AIR TERHADAP MUSIK TRADISIONAL GENDANG SEDAYUNG SUKU DAYAK KETUNGAU SESAEK Arsen, Petrus; Mering, Aloysious; Silaban, Chiristianly Yery
Jurnal Pendidikan dan Pembelajaran Khatulistiwa Vol 6, No 12 (2017): Desember
Publisher : Jurnal Pendidikan dan Pembelajaran Khatulistiwa

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Abstract

AbstractThis research is motivated by presence traditional music Gendang Sedayung in Seguri Merah Air Hamlet Sekadau Regency. This study is about the interest of Seguri Merah Air Hamlet Cociety against traditional music Gendang Sedayung Dayak Ketungau Sesaek Tribe. The study was conducted in Seguri Merah Air Hamlet, Village of Peniti, District of Sekadau Hilir, Sekadau Regency. This research uses descriptive-qualitative research. The obtained data through this research is the fact about the efforts of Seguri Merah Air Hamlet Cociety in maintaining the interest of Seguri Merah Air Hamlet cociety against Music Gendang Sedayung, the pattern wasp of Music Gendang Sedayung Dayak Ketungau Sesaek Tribe, and the implementation of Music Gendang Sedayung in the school. On the strength of data analysis, it can be summarized as follows; (1) The interest of Seguri Merah Air Hamlet Cociety against Music Gendang Sedayung is "high". (2) The pattern wasp of Music Gendang Sedayung Dayak Ketungau Sesaek Tribe is "A-A". (3) Music Gendang Sedayung can be implemented in schools using the curriculum in 2013.Keywords : Interest, Music, Gendang Sedayung.
STUDI PROSES PENCIPTAAN KARYA MUSIK OLEH MAHASISWA PROGRAM STUDI SENI TARI DAN MUSIK Syahbandi, Rami; Mering, Aloysius; Silaban, Chiristianly Yery
Jurnal Pendidikan dan Pembelajaran Khatulistiwa Vol 8, No 3 (2019): Maret 2019
Publisher : Jurnal Pendidikan dan Pembelajaran Khatulistiwa

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AbstractThe purpose of this study was to identify the process of creating musical composition by students of dance and music study programs in making works intended as a condition for obtaining a bachelor's degree. This research also identified and outlined the differences in the creation process that they went through in making musical composition. The researcher used qualitative research methods to look for traits, elements, and characters about a phenomenon that begins with collecting, analyzing, and interpreting data. The results of this study are that the process of creating musical composition, especially thesis music works carried out by students (composers) must go through several stages, starting from the excavation of ideas to the implementation of the work form. While the differences in the creation process are found in the creation theory used and the stages of the creation process chosen. Keywords: Dance and Music Study Program, Music, Process of Creation                                                                           
STUDI ORGANOLOGI ALAT MUSIK BERUAS DI KELURAHAN SIANTAN TENGAH KECAMATAN PONTIANAK UTARA KOTA PONTIANAK Ilham, Gusti Muhamad; Ismunandar, Ismunandar; Silaban, Chiristianly Yery
Jurnal Pendidikan dan Pembelajaran Khatulistiwa Vol 8, No 3 (2019): Maret 2019
Publisher : Jurnal Pendidikan dan Pembelajaran Khatulistiwa

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AbstractThis study aimed to investigate the process of creating Beruas musical instrument, particularly analyzing structure and playing this traditional instrument in central Siantan village, North Pontianak. The purpose of this study was to find out the structure of Beruas musical instrument and to learn how to play it properly in producing good sound. The method used in this study was descriptive method; with qualitative research forms and organology approaches. The data included the observation sheet, documentation and journals about the process of creating the musical instrument. The respondent of this study wasSuhaili, Anwar Dja'far. Besides, several interviews were conducted together with the observation and documentation activities. Researcher also took part as the main instrument in collection.Validity of the data was an extension of observation and triangulation techniques. The analysis was done during and after the data collection. Beruas musical instrument was the result of an acculturation from the Middle Eastern culture, which was found through a trade and the spread of Islam Indonesia itself, there were various forms, sizes and types of Beruas these archipelago regions. However, the researcher only focused on the organological Study of Beruas instrument in central Siantan subdistrict, North Pontianak, which was made by Suhaili. Keywords: Beruas Musical Instrument, Beruas Organology, organology study
POLA TABUHAN TUMA’ DALAM RITUAL BASUAYAK SUKU DAYAK KANAYATN DI DESA CAPKALA KECAMATAN CAPKALA KABUPATEN BENGKAYANG Arbilianto, Arbilianto; Ghozali, Imam; Silaban, Chiristianly Yery
Jurnal Pendidikan dan Pembelajaran Khatulistiwa Vol 8, No 10 (2019): Oktober 2019
Publisher : Jurnal Pendidikan dan Pembelajaran Khatulistiwa

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AbstractThe background of this research is the decrease of youth generation’s interest to the traditional art as ancestors’ heritage so that appear the effort to conserve the traditional musical where one of them is almost extincted and unknown by their society. The purpose of this research is to describe the pattern of Tuma’ percussion in Basuayak tradition to Dayak Kanayatn tribe in Capkala village, Capkala district, Bengkayang regency. The method of this research is Descriptive method in qualitative form through Ethnomusicology Approach. The research data is (1) the performance of percussion pattern in Basuayak tradition. (2) The instrument of Dau We’, Dau Anak dan Tuma’. (3) The musical structure of Basuayak theme, motive, musical measure, tone, tempo, dynamics and phrase. The result of this research is (1) there are two musical instruments used into Pulo Pinang art, they are eight Dau and Gong with three pattern of Tuma’ percussion, Bawakng pattern, Jubata pattern, batu berapi pattern. (2) The notation of Bawakng percussion, Jubata percussion, and batu berapi percussion uses musical score in Bar notation form. Keywords: Pulo Pinang, Music Structure
STRUKTUR MUSIK KONCONG DI DESA BABANE KECAMATAN SAMALANTAN KABUPATEN BENGKAYANG Asari, Wiwi; Istiandini, Winda; Silaban, Chiristianly Yery
Jurnal Pendidikan dan Pembelajaran Khatulistiwa Vol 8, No 3 (2019): Maret 2019
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AbstractThis research was motivated there is not provision of the punch pattern and koncong music melody, making the researcher interested in conducting the research on the structure of Koncong music in Babane Village, Samalantan District, Bengkayang Regency. The purpose of this research was to describe the structure of Koncong music in Babane Village, Samalantan District, Bengkayang Regency. The research method was descriptive method. The research design was qualitative. The data of this research were the results of interviews, observations, the results of documentation and field note regarding the Koncong music. The data collecting techniques of this research were observation, direct communication and documentary study. The data collecting tools of this research were researchers as the main instruments, interview guidelines, observation guidelines and documentation tools. The validity of the data testing techniques were extension of observation, and the source triangulation.The data analysis technique of this research was data reduction, data presentation, and conclusion.The results of this research indicated that Koncong music uses the B Major scale was played with 4/4 of the time and the tempo of Moderato.This research result can be option for a teaching material in culture arts learning in Junior High School.Keywords: Koncong, Music, Structure
ANALISIS ORGANOLOGI ALAT MUSIK GINGGONG PADA SUKU DAYAK BAKATI RARA KABUPATEN BENGKAYANG Gresni, Gresni; Istiandini, Winda; Silaban, Chiristianly Yery
Jurnal Pendidikan dan Pembelajaran Khatulistiwa Vol 8, No 3 (2019): Maret 2019
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AbstractThis research motivated by the uniqueness musical instrument and make musical, ginggong. The purpose of this study was to describe the ingredients and methods of making a musical instrument, describing how to play a musical instrument, describing the design of the implementation of a musical instrument. the theory used is music. Method was needed in the form of a qualitative approach to organology. The data sources used were three sources and one validator with observation techniques, interview techniques, documentation techniques. The validity of the data used three types of triangulation. The results of this study were the basic ingredients of the musical instrument Ginggong are palai wood, bamboo tareng, k, bamboo gare, gumang wood, paradis rattan, branch twigs, bamboo pasa, goat skin. The way to play the ginggong musical instrument in a sitting position on the floor of the foot is stretched and the ginggong the musical instrument body while holding down the strings.The results of this implementation design study are expected to help every teacher in educating students in planting character, social values and knowledge of arts and culture owned by the local area to instill a sense of tolerance and responsibility.Keywords: Ginggong, Music and Art, Traditional Musical Instruments    
ANALISIS MELODI GAMBUS LAGU ANAK AYAM PADA MUSIK IRINGAN TARI JEPIN SENGARONG KABUPATEN SANGGAU Renidianti, Renidianti; Mering, Aloysius; Silaban, Chiristianly Yery
Jurnal Pendidikan dan Pembelajaran Khatulistiwa Vol 8, No 3 (2019): Maret 2019
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AbstractThe purpose of this research was to analyze gambus melody of Anak Ayam song on accompaniment music of Jepin Senggarong dance that focused on three special purpose there are 1) The description of gambus melody structure of Anak Ayam, 2) The description of gambus melody form of Anak Ayam song, and 3) The description of gambus melody contour of Anak Ayam song. The form of this research was descriptive qualitative with a musicology analysis approach. The research data obtained from data collected technique with interview, observation, and documentation with interviewers, wich ware Abang Saka, Muhammad Riva’i Napis, and Sunaryo as the art practitioner in Sanggau Regency. The data validity in this researc was tested with triangulation data. Based on the analysis, the gambus melody of Anak Ayam has one form of music that consist of mawal melody and the main melody of Anak Ayam song. The Gambus melody of Anak Ayam song played with harmonic minor scale that created pendulous contour. There were some processed motive and figure on the Gambus melody of Anak Ayam song wich are literal repetition, up sequence, down sequence, and interval enlargement. Keywords:  Analysis, Anak Ayam Song, Gambus Melody, Jepin Sengarong Dance
STRUKTUR MUSIK PULO PINANG DI DESA MENJALIN KECAMATAN MENJALIN KABUPATEN LANDAK Robertus, Venansius; Djau, Nurmila Sari; Silaban, Chiristianly Yery
Jurnal Pendidikan dan Pembelajaran Khatulistiwa Vol 8, No 10 (2019): Oktober 2019
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AbstractThe lack of people’s interest in recognizing and learning traditional music, the inappropriateness of the beats modifications that eliminate its original beats, and the great effect of music creation that uses various beats rather than the traditional music that uses monotone beats have been the concern in this study. As a result, the traditional music that should be their identity has become neglected. The purpose of this thesis is to describe the music structure of Pulo Pinang in Menjalin Village, Menjalin District, Landak Regency and Describe the design of the results of research on the structure of Pulo Pinang music in the Menjalin Village, Menjalin District, Landak Regency in school. This is qualitative research using the descriptive method with the ethnomusicology approach. The data in this study were (1) the performance of Pulo Pinang music as competition in a traditional event Naik Dango, (2) Musical instrument Dau, Gong, Tuma’, and Solekng, and (3) the structure of Pulo Pinang music. themes, motifs, bars, scale, bars, tempo, dynamics, and phrases. The findings show that there are 4 musical instruments used in Pulo Pinang music. They are 8 units of Dau, 3 units of Gong, 1 unit of Tuma’, and 1 unit of Solekng. The music uses a block notation in the form of partiture. The result of the study was implemented into a lesson plan, providing a learning material discussing the history of Pulo Pinang music, the musical instruments used in the music, and the procedures of playing the musical instruments in the group. The results of this research can be applied to music art lessons for the subjects of Culture and Arts and Skills in VIII Middle School with Strandar Competencies.Keywords: Pulo Pinang, Music StructureAbstractThe lack of people’s interest in recognizing and learning traditional music, the inappropriateness of the beats modifications that eliminate its original beats, and the great effect of music creation that uses various beats rather than the traditional music that uses monotone beats have been the concern in this study. As a result, the traditional music that should be their identity has become neglected. The purpose of this thesis is to describe the music structure of Pulo Pinang in Menjalin Village, Menjalin District, Landak Regency and Describe the design of the results of research on the structure of Pulo Pinang music in the Menjalin Village, Menjalin District, Landak Regency in school. This is qualitative research using the descriptive method with the ethnomusicology approach. The data in this study were (1) the performance of Pulo Pinang music as competition in a traditional event Naik Dango, (2) Musical instrument Dau, Gong, Tuma’, and Solekng, and (3) the structure of Pulo Pinang music. themes, motifs, bars, scale, bars, tempo, dynamics, and phrases. The findings show that there are 4 musical instruments used in Pulo Pinang music. They are 8 units of Dau, 3 units of Gong, 1 unit of Tuma’, and 1 unit of Solekng. The music uses a block notation in the form of partiture. The result of the study was implemented into a lesson plan, providing a learning material discussing the history of Pulo Pinang music, the musical instruments used in the music, and the procedures of playing the musical instruments in the group. The results of this research can be applied to music art lessons for the subjects of Culture and Arts and Skills in VIII Middle School with Strandar Competencies.  Keywords: Pulo Pinang, Music Structure
Co-Authors aloysius mering Arbilianto, Arbilianto Arsen, Petrus Asari, Wiwi Djau, Nurmila Sari Gresni, Gresni Hastuti, Liza Ilham, Gusti Muhamad Imam Ghozali Ismunandar Mering, Aloysious Renidianti, Renidianti Robertus, Venansius Syahbandi, Rami Wahyono, Andi Arif Winda Istiandini Yudhistira Oscar Olendo