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All Journal Corak : Jurnal Seni Kriya Abdi Seni Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Ornamen Jurnal Pengkajian dan Penciptaan Seni Kriya Wiga : Jurnal Penelitian Ilmu Ekonomi

Ratna Endah Santoso

Universitas Sebelas Maret

Author-ID : 2473083

Arts Humanities Economics, Econometrics & Finance Social Sciences

Published : 9 Documents Claim Missing Document

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Articles

PENERAPAN TEKNIK KASAB ACEH PADA PRODUK SEPATU WANITA DEWASA Zulfikar Zulfikar; Adi Isworo Josef; Ratna Endah Santoso
Corak : Jurnal Seni Kriya Vol 8, No 2 (2019): NOVEMBER 2019
Publisher : Institut Seni Indonesia Yogyakarta

Indonesia has many cultural heritages, one of them are the techniques of traditional textile such as Kasab from Aceh. The purpose of this design is to invent a brand new product in ethnic women shoes diversities with edgy style. The designs were made based on the aesthetic value and also new material as an innovation for the oldest Kasab which had been existed. The results of this creative process were 6 designs of shoes, all designs are applied on the upper and 5 amongst them were produced as 2 pairs of flat shoes and 3 pairs of wedges. Keyword : Kasab, Shoes, Surface design, Upper, Edgy Style. Indonesia memiliki banyak warisan budaya, salah satunya yaitu teknik Kasab yang berasal dari Aceh. Tujuan perancangan adalah menciptakan produk baru untuk keberagaman sepatu etnik untuk wanita dewasa dengan karakter fashion edgy style. Pengolahan visual dirancang dengan mempertimbangkan nilai estetis dan menggunakan bahan baru sebagai potensi inovasi Kasab yang sudah ada. Proses kratif dengan metode teknik ini menghasilkan 6 desain, seluruh desain diaplikasikan pada upper dan 5 diantaranya direalisasi pada 2 sepatu flat dan 3 sepatu wedges. Kata Kunci : Kasab, Sepatu, Desain permukaan, upper, Edgy

PERANCANGAN MOTIF BUNGA ANGGREK HITAM DENGAN TEKNIK SULAM PADA TENUN LURIK ATBM UNTUK BUSANA CONVERTIBLE Matsna Rochima FK; Widiastuti Widiastuti Widiastuti; Ratna Endah Santoso
Ornamen Vol 16, No 2 (2019)
Publisher : Institut Seni Indonesia Surakarta

Selama ini tenun lurik ATBM merupakan salah satu tekstil traditional yang sangat sederhana dikarenakan motif dari tenun lurik yang hanya terdiri dari garis vertikal dan horizontal. Hal tersebut menyebabkan keberadaan tenun lurik ATBM terancam punah digantikan oleh tekstil modern. Perancangan ini bertujuan untuk mengangkat lurik sebagai salah satu alternatif mode yang akan dikembangkan menjadi sebuah kain yang lebih eksklusif. Metode yang diterapkan pada perancangan ini adalah metode perancangan desain permukaan atau surface design. Perancangan ini mengangkat ide motif bunga Anggrek Hitam sebagai motif utama pada permukaan kain yang diharapkan dapat memberikan kebaharuan pada tenun lurik ATBM. Hasil dari perancangan ini adalah busana convertible yang terbuat dari tenun lurik ATBM yang telah dikembangkan dengan teknik sulam menggunakan motif Anggrek Hitam.Kata Kunci: Anggrek Hitam, lurik, sulam, busana convertible

PERUBAHAN NILAI DAN FILOSOFIS BUSANA KEBAYA DI JAWA TENGAH ratna endah santoso; Theresia widyastuti; LV Ratna Devi Sakuntalawati; Adji Isworo Josef; Tiwi Bina Affanti
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol 11, No 1 (2019)
Publisher : Institut Seni Indoensia Surakarta

The Javanese who live in the Central Java region are known for their cultural strength. This can be seen from how they uphold the heritage traditions of their ancestors. Besides that, Central Javanese people are easily known through their typical costume. Kebaya and its equipment from head to toe, it is said that initially only used by the royal community had a quite interesting value and philosophy. For decades kebaya as part of history, experienced various changes in line with the era that continues to run. The most important thing is that kebaya is no longer an everyday outfit like in the past.This research paper uses qualitative research using a cultural approach. This study aims to find out (1) changes in values and philosophies such as what happened to kebaya clothing specifically used in the Central Java region; (2) whether today's kebaya can still be called traditional clothing, especially with various changes caused by current conditions.

APLIKASI TEKNIK HAPA ZOME PADA PAKAIAN SEBAGAI BAGIAN KAMPANYE GO GREEN sarwono - -; Tiwi Bina Affanti; ratna endah santoso; adji Isworo Josef
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol 12, No 2 (2020)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/brikolase.v12i2.3294

The purpose this training activities is to provide skills for neglected and drop-out children at PPSA Taruna Yodha Sukoharjo in making clothing decorations with hapa zome techniques and marketplace marketing. Currently, there is an eco fashion trend in society. Clothes with hapa zome decorative techniques are considered unique but not many have made them. Hapa zome material can easily be obtained from plants in the environment which is usually as weeds. The activities carried out by the method of lectures, tutorials, practice and product evaluation. The activity ran smoothly, the atmosphere was fun and the participant’s interest in participating in the training was very high. The participants seemed able to develop various models of natural decoration on clothes and mix them with embroidery techniques. This training has the impact of increasing the participant's ability to make clothing decorations with the hapa zome technique and to understand several marketplace marketing techniques. The product was produced as part of the go green campaign and it predicted have a good market. Key words: go green. hapa zome, Taruna Yodha,

PENGGUNAAN JUMPUTAN , TRITIK DALAM UPACARA ADAT DI SURAKARTA sarwono - sarwono; Adji Isworo Josef; Tiwi Bina Affanti; Ratna Endah Santoso; Novita Wahyuningsih
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol 13, No 2 (2021): Brikolase Desember
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/brikolase.v13i2.3940

ABSTRACTThe Javanese society has a harmony concept which has become an interesting tradition part in live. The Javanese people, especially the Surakarta society, have a belief in the world philosophy (universe), consisting of the great universe ( macrocosmos) and small universe ( microcosmos). The microcosmos cannot be separated from the great macrocosmos which must be kept its harmony with their lives, so the ritual elements of the small universe. Therefore, the art isi always connected with their lives, so the ritual elements consist in the traditional art. The art has three functions known in Javanese society, that is for a ritual purpose and a show purpose with entertaining characteristics for the inner satisfaction in the society. Moreover, the traditional artwhich is formed in the usage art, like the custom clothes, tools / instruments, ornaments and others functioning as ritual purposes, have definitely had the important value symbols in the society, or as the tools to support the ritual implementation in the society.The art of Tritik and Jumputan craft also contains the teachings of ethics and aesthetics in the form of visual appearances and symbolism of life which can basically lead humans to perfection and true identity.Keywords: Jumputan,Tritik, The custom ceremony, traditional ABSTRAKMasyarakat Jawa memiliki konsep keselarasan yang merupakan bagian tradisi yang penting dalam kehidupan. Orang Jawa, khususnya masyarakat Surakarta memiliki keyakinan dalam pandangan dunia (jagat), yang terdiri dari jagat gede (makrokosmos) dan jagat cilik (mikrokosmos). Mikrokosmos menjadi yang tidak terpisahkan dengan makrokosmos yang harus dijaga keselarasannya dengan unsur-unsur jagat cilik. Oleh sebab itu, seni selalu dikaitkan dengan kehidupannya, sehingga unsur ritual terdapat dalam seni tradisional. Kesenian memiliki tiga fungsi yang dikenal dalam masyarakat Jawa, yaitu untuk tujuan ritual, untuk tujuan tontonan yang bersifat entertaintment kepuasan batin dalam masyarakat. Apalagi kesenian tradisional yang berbentuk seni pakai, seperti pakaian adat, peralatan, hiasan, dan sebagainya dalam fungsinya sebagai kepentingan ritual, sudah barang tentu memiliki simbol-simbol yang bernilai dalam masyarakat, ataupun sebagai sarana untuk mendukung pelaksanaan ritual dalam masyarakat. Seni kerajinan tritik dan jumputan ini juga termuat ajaran etika dan keindahan yang berbentuk penampilan visual dan simbolisme hidup yang pada dasarnya dapat menuntun manusia menuju kesempurnaan dan jati diri yang sejati.Kata kunci : Jumputan, Tritik, Pakaian Adat, Tradisional

PEWARNAAN MENGGUNAKAN ZAT WARNA DIREK DENGAN PENGENTAL DALAM PEMBUATAN ’KAIN TRITIK ratna endah santoso; Adji Isworo Josef; Tiwi Bina Affanti; Sarwono - -; Lira Anundita Utami
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol 14, No 1 (2022): Brikolase Juli 2022
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/brikolase.v14i1.3938

This research was conducted to create a method for dyeing trick using Direct dyestuff. The developed coloring is staining using thickener but not used through printing. The study is concentrated on the results of the dyeing process on tricks with Direct dyestuff with thickener. The method used is descriptive qualitative in the discussion of the coloring results. From the results of this study, it was found that dyeing with Direct dyestuff using a thickener in the manufacture of tritik fabric produced tritik motifs. The sharpness of the resulting motif varies at each level of thickener concentration. The thickener concentrations used in this study were 5 g/l, 20 g/l, 35 g/l, 50 g/l, 65 g/l, and 80 g/l, for every 1 liter of dye solution. With a low thickener concentration, the tritik motif looks less sharp, the color aging is higher, and the staining results look more even. The unevenness that arises due to the use of high concentrations of thickener is seen to form a marble-like pattern. The sharpness of the resulting motif in this staining does not always correspond to the high concentration of the thickener. Variations in the non-sharpness of the colored motifs can also appear on one piece of tritik fabric that is produced.

Economic Improvement of Small and Medium Business through the Utilization of Waste Rahmawati Rahmawati; Ubaidillah Ubaidillah; Dwi Prasetyani; Ratna Endah Santoso; Rum Handayani; Siti Nurlela
Wiga : Jurnal Penelitian Ilmu Ekonomi Vol. 12 No. 4 (2022): December 2022
Publisher : Institut Teknologi dan Bisnis Widya Gama Lumajang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30741/wiga.v12i4.912

This research aims to downstream/commercialize integrating the management of export-scale wood products with the potential for waste wood chips and sawdust as an impact, so as to increase village potential and create an environmentally friendly village in Manggung village in order to increase village potential. This research was conducted as a leap in the field ofwood product management and processing of waste wood scraps and sawdust into handicrafts and accessories. Improved financial management and marketing of wood production in Manggung village through improving the quality of human resources as well as export-import training to help increase exports of wood products as well as handicrafts and accessories. By utilizing local potential and local wisdom and increasing the role of persons with disabilities and victims of layoffs through training to increase knowledge and skills by cooperating with the support of the Boyolali District Government. Institutional strengthening of BUMDes Maju Makmur in optimizing the management of wood and wood waste through mentoring, training and provision of supporting equipment as well as improving governance capabilities and establishing teaching factories that will be used to study undergraduate students.

Peningkatan Teknik Pounding Terinspirasi Happa-Zome dalam Kegiatan Pembuatan Tekstil Ramah Lingkungan di PPSA “Taruna Yodha” Sukoharjo Tiwi Bina Affanti Bina Affanti; Ratna Endah Santoso; Sarwono Sarwono; Adji Isworo Josef; Lira Anindita Utami
Abdi Seni Vol 14, No 1 (2023)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/abdiseni.v14i1.4445

This community service is carried out with the participation of PPSA (orphanage) Taruna Yodha in Sukoharjo, Central Java. By creating textile products, the activity that incorporates an eco-friendly production process inspired by the Japanese Happa-zome technique (manual leaf-printing decoration technique) is chosen and improved to motivate environmental awareness while strengthening the entrepreneurial capacity of the beneficiaries. The service program is conducted by (in)direct presentation and mentoring, a participatory and iterative process from the beginning to the end. Within the program, design survey activity in the form of exploring nature's potential involves introducing the surrounding natural environment while collecting leaf material. The results are; (1) Providing environmental awareness for beneficiaries through textile-making, (2) the Happa-zome technique for interior textile product development, (3) creating an Entrepreneurial program including story-making and online marketing strategy

Peningkatan Teknik Pounding Terinspirasi Happa-Zome dalam Kegiatan Pembuatan Tekstil Ramah Lingkungan di PPSA “Taruna Yodha” Sukoharjo Tiwi Bina Affanti; Ratna Endah Santoso; Sarwono - Sarwono; Adji Isworo Josef; Lira Anindita Utami
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol 15, No 1 (2023)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/brikolase.v15i1.3941

This community service is carried out with the participation of PPSA “Taruna Yodha” children-in-care, in Sukoharjo, Central Java. By creation of textile products, the activity that incorporates an eco-friendly production process inspired by the Japanese Happa-zome technique (manual leaf-printing decoration technique) is chosen and improved for motivating environmental awareness while strengthening the entrepreneurial capacity of the beneficiaries. The service program is conducted by (in)direct presentation and mentoring, a participatory and iterative process from the beginning to the end. Within the program, design survey activity in the form of exploring the potential of nature is to be involved for introducing the surrounding natural environment while collecting leaf material. The results are; (1) Providing environmental awareness for beneficiaries through textile-making, (2) Happa-zome technique for interior textile product development, (3) Entrepreneurial program covering story-making and on-line marketing strategy

Co-Authors Adi Isworo Josef Adji Isworo Josef Dwi Prasetyani Lira Anindita Utami Lira Anundita Utami LV Ratna Devi Sakuntalawati Matsna Rochima FK Novita Wahyuningsih RAHMAWATI RAHMAWATI Rum Handayani sarwono - - sarwono - sarwono Sarwono Sarwono Siti Nurlela Theresia widyastuti Tiwi Bina Affanti Tiwi Bina Affanti Bina Affanti Ubaidillah Ubaidillah Widiastuti Widiastuti Widiastuti Zulfikar Zulfikar

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