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All Journal Humaniora Humanus: Jurnal ilmiah Ilmu-ilmu Humaniora LiNGUA: Jurnal Ilmu Bahasa dan Sastra Jurnal Filsafat Lingua Cultura Musawa : Jurnal Studi Gender dan Islam ProTVF: Jurnal Kajian Televisi dan FIlm MILLATI: Journal of Islamic Studies and Humanities Masyarakat, Kebudayaan dan Politik Journal of Language and Literature International Journal of Science and Applied Science: Conference Series Aksara Jurnal Filsafat Kandai English Language and Literature International Conference (ELLiC) Proceedings Kafa’ah: Journal of Gender Studies Jurnal Bahasa, Sastra, dan Studi Amerika

Sri Kusumo Habsari

Fakultas Ilmu Budaya Universitas Sebelas Maret Surakarta

Author-ID : 272002

Religion Arts Humanities Chemistry Education Languange, Linguistic, Communication & Media Mathematics Physics Social Sciences Other

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The Hegemony of Hedonism Lifestyle of Sales Promotion Girl (SPG) in Indah Hanacoâs `The Curse Of Beauty` Farokhah, Fiqih Aisyatul; Habsari, Sri Kusumo; Mugijatna, Mugijatna
English Language and Literature International Conference (ELLiC) Proceedings Vol 2 (2018): 2nd ELLiC Proceedings: Education 4.0: Trends and Future Perspectives in English Educa
Publisher : Universitas Muhammadiyah Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar

The mainstream of pop literature has developed fast now. It tells the lifestyle of urban society which is too glamour, consumptive and hedonistic. In this era of industrialization and capitalism phase influence them to trap in luxurious habit. It does not only affect the upper class but also thepoor society. The activities such shopping branded stuff, hanging out in the mall, changing the up to date mobile phone only for chatting and playing social media become the addiction. Unsurprisingly, there are many people do everything to make it come true. They never realize, they are the victim of this fake light life. One of them is Sales Promotion Girl (SPG) workers. The hedonism lifestyle has hegemonized their life until they take the risk to come in this Job. They do not know, their body has been exchanged by hedonism lifestyle. This phenomenon does not only happen in the reality but also in the pop literature as like Indah Hanacoâs work. Her novel theCurse of Beauty tells about the true lifestyle of SPG that is trapped to hedonism lifestyle, therefore, they are willing to do sell their precious life to the prostitution world. This paper aims to show the form of SPGâs hedonism lifestyle in this novel. Then, it tries to find the causes of thosehabits until they are willing to sell their body. Finally, it comes to the purpose of the author to take this situation become the pop literature.

PSEUDO-BEAUTY: SEXUALITY IN INDAH HANACOâ€™S THE CURSE OF BEAUTY (A STUDY OF CRITICAL DISCOURSE ANALYSIS) Farokhah, Fiqih Aisyatul; Habsari, Sri Kusumo; Mugijatna, Mugijatna
LiNGUA: Jurnal Ilmu Bahasa dan Sastra Vol 13, No 1 (2018): LiNGUA
Publisher : Laboratorium Informasi & Publikasi Fakultas Humaniora UIN Maulana Malik Ibrahim Malang

This article uses critical discourse analysis to uncover the discourse of pseudo beauty included the shape of the discourse and the reaction of sales promotion girl (SPG) which is represented in Indah Hanacoâ€™s novel The Curse of Beauty. The design of the research is descriptive qualitative. Women wear thick makeup and attractive dress to cover their weakness, and they can be considered as beautiful women. Makeup makes the face more real than the reality thus it is mentioned as pseudo beauty. It makes SPG tries hard to become beautiful and sexy as a way of attracting the consumers. Most of them are trapped in the world of prostitution as the facilitator of sex tourism. SPG and prostitution seemingly become a stereotype that cannot be separated. They are tormented by a falseness and loneliness life in the halfway of hedonism. Capitalism makes them do not have a choice except being SPG which is a side job in sex tourism. These situations are caused by the pseudo beauty which gives them the curse as like represented by Indah Hanaco in her novel The Curse of Beauty.

Marginalisasi Seksualitas Perempuan Pada Novel Curahan Hati Sang Spg Karya Wenda Koiman dan The Curse of Beauty Karya Indah Hanaco (Perspektif Islam) Farokhah, Fiqih Aisyatul; Habsari, Sri Kusumo; Mugijatna, Mugijatna
Musawa Jurnal Studi Gender dan Islam Vol. 17 No. 2 (2018)
Publisher : Sunan Kalijaga State Islamic University & The Asia Foundation

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14421/musawa.2018.172.183-199

Dalam dunia sastra Indonesia, khususnya novel-novel pop saat ini tengah menjadikan perempuan dan seks sebagai isu-isu yang sangat penting. Para penulis pria maupun wanita sering menggunakan tema seks dalam karya-karya mereka yang diyakini sedang menjadi tren. Seperti halnya Indah Hanaco dalam novelnya, the Curse of Beauty, Wenda Koiman dalam novelnya Curahan Hati Sang SPG juga bercerita tentang penindasan seksual perempuan melalui profesi mereka sebagai Sales Promotion Girl (SPG). Hal ini tentu saja berlainan dengan pandangan Islam yang telah memberikan perhatian lebih kepada perempuan karena telah dijelaskan dalam beberapa ayat dan hadits. Melalui fenomena SPG dalam perpektif yang sama baik oleh pengarang perempuan ataupun laki-laki, yang menjadi subjek yang terpinggirkan baik dalam dunia nyata maupun yang digambarkan dalam novel pop makamakalah ini mencoba untuk mengungkapkan (1) bagaimana bentuk penindasan seksual tubuh SPG dalam kedua novel pop ini? (2) Bagaimana pandangan penulis tentang seksualitas perempuan yang diangkat melalui cerita SPG yang tercermin dalam kedua novel pop ini (3) bagaimanacara Islam melihat wacana seksualitas yang dihadapi oleh SPG dalam kedua novel pop ini?.Makalah ini menggunakan deskriptif kualitatif. Data diambil dari semua deskriptif mengenai penampilan tubuh SPG untuk memahami makna naratif dari tubuh. Tulisan ini menunjukkan bagaimana fenomena penindasan seksual perempuan melalui profesinya sebagai SPG telah menenggelamkan mereka dalam keterpurukan yang dalam yang berakibat pada seksploitasi yang tidak sesuai dengan norma agama terutama dalam Islam. Di sini, perempuan sama halnya dengan perangka elektronik yang dengan cepat mengalami pasang surut model mereka dan perlahan menghilang dalam sirkulasi.[In Indonesian pop novels, women and sex are two particular important issues. Many male and female writers use sexual issues as a trendy theme of their works. This issue can be seen in Indah Hanacoâ€™s novel the Curse of Beauty and Wenda Koimanâ€™s Curhan Hati Sang SPG. Both works also talk about women sexual oppression from their profession as Sales Promotion Girl (SPG), which in some cases, are contradictory with Islamic teaching. The phenomenon of SPGâ€™s marginalization is depicted in the pop novel from the same perspective between men and women authors. Therefore, this article tries to explore (1) how are the forms of sexual oppression of SPGâ€™s body in this pop novels; (2) how are the authorsâ€™ perspective on female sexuality through the SPGâ€™s story reflected in this pop novels; (3) how does Islam see the sexuality discourse faced by SPG in this pop novels. This research uses descriptive qualitative. The data is taken from all descriptives concerning SPG body appearance to understand the narrative meaning of the body. This article shows how the phenomenon of women sexual oppression through their profession as SPG has drowned them to the deep immersed that affect to sexploitation and it is not suitable with the norm of religion especially in Islam. Here, women are assumed like electronic devices that appear and disappear quickly as new models come to new circulation]

Runtuhnya Marxisme-Leninisme di Uni Soviet dalam Teori Ashabiyah Ibnu Khaldun Febrian, Emil Dwi; Susanto, Susanto; Habsari, Sri Kusumo
Jurnal Filsafat "WISDOM" Vol 31, No 1 (2021)
Publisher : Fakultas Filsafat, Universitas Gadjah Mada Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/jf.49944

This article examines history collapse of the Soviet Union with Ibn Khaldun's ashabiyah theory. The Soviet Union was first communist nation founded in 1922 after fall of the Russian-Monarchy due to the crisis and saparatist movement in 1917. Post World War II, the Soviet Union became a center of the communist movement around the world, and advanced in industrial sector, known as a superpower nation in the 20th century beside the United States. However, the Soviet Union was declared collapsed in 1991. This article found that Ibn Khaldun's ashabiyah can explain history of the Soviet Union in three stages of state metamorphosis; formation, glory, and collapse. Ashabiyah means a bond that unites the people, but it can be positive and negative. Analysis with negative ashabiyah, concluded that the collapse of Marxism-Leninism in Soviet Union was due to the denial of this philosophical teaching to create the privileges of the Communist Party became an authoritarian regime, and considered irrelevant and opposed by society. Authoritarianism happaned because of exclusivism and cult, and could occur in non-communist nations, including Indonesia in the New Order era, this shows that it is not ideology that created of authoritarian regimes, but political practices in specific nations.

The “Super” Traditional Dancer: Her Shared Destiny with Common Superhero Widya Nirmalawati; Andrik Purwasito; Warto Warto; Sri Kusumo Habsari
Journal of Language and Literature Vol 21, No 1 (2021): April
Publisher : Universitas Sanata Dharma

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24071/joll.v21i1.3006

Being a ronggeng dancer constitutes a turning point in a life to be at an upper level of humanity. It is similar to Superman who needs a special stone to be in his superiority, and other heroes with their specialties. A ronggeng, a Javanese traditional dancer, should be gifted with an indang spirit believed to be the dancer maker. For Srintil case, in Ronggeng Dukuh Paruk novel, she is at a much higher level compared to the others. She is the last to live in the shift of the culture. This study aimed to reveal Srintil’s superhero characteristics and what destroyed her heroism. It is a qualitative study using the heroism concept. The techniques of collecting the data were reading, note-taking, and documenting in the form of narration and dialogue taken from the novel in accordance with the research problem. The finding showed there are four criteria that made Srintil a superhero for Dukuh Paruk’s people: how she obtained a superpower; her journey to be a ronggeng; her willingness to help others; and how she sacrifices her life. However, there were men of the super culture who destroyed Srintil heroism. The indang had also prevented her from realizing her dreams, including having a true lover and having a family. Furthermore, it only left her with miseries by ended up in prison and insanity.

ORAL TRADITION OF SANSANA BANDAR OF DAYAK NGAJU IN KAPUAS WATERSHED CENTRAL KALIMANTAN/TRADISI LISAN SANSANA BANDAR DAYAK NGAJU DI DAS KAPUAS KALIMANTAN TENGAH Titik Wijanarti; Bani Sudardi; Mahendra Wijaya; Sri Kusumo Habsari
Aksara Vol 32, No 2 (2020): AKSARA, Edisi Desember 2020
Publisher : Balai Bahasa Provinsi Bali

Abstract Sansana Bandar is one of the oral traditions of the Dayak Ngaju people of Central Kalimantan in the form of a story about Bandar. This study aims to examine the narrative of the Bandar by contextualizing all aspects of the story to the socio-cultural history of the Dayak ethnic group. This study used an ethno- graphic approach. Data collection techniques used were library research, interviews, staging, recording, and transcription. The data obtained were then analyzed semiotics. The results show that Sansana Bandar is still maintained by the Dayak Ngaju community in the Kapuas Regency. The purpose of staging Sansana Bandar is so that one’s ideals can be achieved. Sansana Bandar staging requires requirements and is carried out from afternoon to morning. Sansana Bandar’s text analysis shows the in uence of cultures outside the island of Kalimantan in the life of the Ngaju Dayak community. Keywords: oral tradition, Sansana Bandar, Dayak Ngaju, Kapuas wastershed, Central Kalimantan Abstrak Sansana Bandar adalah salah satu tradisi lisan masyarakat Dayak Ngaju Kalimantan Tengah yaitu berupa cerita tentang seorang tokoh bernama Bandar. Penelitian ini bertujuan untuk menganalisis narasicerita Bandar melalui seluruh aspek cerita yang dikaitkan dengan konteks social historis dan social budaya suku Dayak Ngaju. Penelitian ini menggunakan metode kualitatif dengan pendekatan etnogra . Teknik pengambilan data yang dilakukan adalah penelusuran pustaka, wawancara, pementasan, perekaman, dan transkripsi. Data yang diperoleh kemudian dianalisis secara semiotik. Hasil penelitian menunjuk- kan bahwa Sansana Bandar masih dipertahankan oleh masyarakat Dayak Ngaju di wilayah Kabupaten Kapuas. Tujuan pementasan Sansana Bandar bagi tuan rumah adalah supaya cita-cita berhajat dapat tercapai. Sansana Bandar dipentaskan memerlukan persyaratan dan dilakukan pada waktu sore sampai pagi hari. Analisis teks cerita Sansana Bandar menunjukkan adanya pengaruh kebudayaan luar pulau Kalimantan dalam kehidupan masyarakat Dayak Ngaju. Kata kunci: tradisi lisan, Sansana Bandar, Dayak Ngaju, DAS Kapuas, Kalimantan Tengah

Representasi Dominasi Perempuan dalam Rumah Tangga: Analisis Tekstual terhadap Situasi Komedi (Sitkom) “Suami-suami Takut Istri” Sri KUsumo Habsari; Fitria Akhmerti Primasita; M. Taufik Al Makmum
Humaniora Vol 23, No 3 (2011)
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

This article aims at describing how women domination in domestic sphere is represented and exploited—whether to promote feminism or to sustain patriarchy in sitcom Suami-Suami Takut Istri”and what social dan political consequences of such representation have on women's image, men's image, and their relations. It is presented descriptive qualitatively applying textual approach and feminist cultural studies. The analysis shows that women domination is represented and exploited to sustain patriarchal ideology by negatively constructing women power to dominate not as a real domination, in which women can command respect from their domination. The way the women show domination is also constructed negatively, that is by engaging in all kinds of domestic violence. The análysis also shows that such negative construction results in negative image of women and gender relations, but maintains the positive image of men. Thus, in this way, patriarchy is sustained in sitcom Suami-Suami Takut Istri.

Menggali Minangkabau dalam film dengan mise-en-scene Herry Nur Hidayat; Bani Sudardi; Sahid Teguh Widodo; Sri Kusumo Habsari
ProTVF Vol 5, No 1 (2021): March 2021
Publisher : Universitas Padjadjaran

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24198/ptvf.v5i1.29433

Sejarah perkembangan industri perfilman Indonesia tidak bisa melepaskan diri dari muatan lokalitas sebagai sumber penciptaan. Sebagai salah satu etnik di Indonesia, Minangkabau diketahui telah menjadi sumber penciptaan film, bahkan sejak awal pertumbuhan industri film di Indonesia. Oleh karena beragamnya unsur keminangkabauan, tidak mudah menampilkan unsur-unsur keminangkabauan yang telah dikenal khalayak penonton. Akan tetapi, kajian sebelumnya terhadap muatan keminangkabauan dalam film seolah mengabaikan citraan visual (visual image) ini. Melalui pendekatan mise-en-scene, artikel ini menguraikan unsur-unsur keminangkabauan yang ditampilkan dalam film, baik visual maupun unsur naratifnya. Di samping itu, artikel ini juga mencoba menjawab beragam kritik etnisitas atas film bermuatan Minangkabau. Analisis difokuskan pada citraan visual unsur keminangkabauan yang berhubungan dengan tokoh dan latar sebagai pembangun aspek naratif dalam tujuh film terpilih. Hasil analisis menunjukkan bahwa citraan visual ikon-ikon Minangkabau tampak mendominasi unsur keminangkabauan dalam film, yaitu rumah gadang, rangkiang, dan pakaian. Ikon visual tersebut muncul dalam bentuk desain pelataran dan propertinya. Beberapa adegan yang menampilkan rumah gadang menunjukkan pula peran dan kedudukan mamak rumah dalam sistem kekerabatan serta representasi demokrasi di Minangkabau. Tampaknya, aspek visual unsur keminangkabauan tersebut ditampilkan untuk memperkuat latar tempat dan sosial sebagai sarana penceritaan. Di samping itu, dapat pula disampaikan bahwa tampilnya unsur keminangkabauan tidak secara mutlak menggambarkan Minangkabau.

The Curse of Beauty: Sexuality Exploitation towards Sales Promotion Girls’ Body Viewed from the Islamic Perspective Fiqih Aisyatul Farokhah; Sri Kusumo Habsari; Mugijatna Mugijatna
Millati: Journal of Islamic Studies and Humanities Vol 3, No 2 (2018): Millati
Publisher : Institut Agama Islam Negeri (IAIN) Salatiga

Sexuality is an interesting yet controversial topic in Indonesian culture. The discourse of morality makes it taboo in public. In patriarchy culture, women are always placed as an object of sexuality. In Islam, it also becomes an important topic discussed in Alquran. Now the phenomenon of sex exploitation spreads through the oppression of women’s body. The capitalist uses it to construct a discourse of women’s beauty, to exploit women’s body, and to use seduction to obtain some profits. One of the examples is sales promotion girl (SPG) phenomenon. This reality has influenced some novelists to raise this theme as their main novel topic. One of them is Indah Hanaco. This paper reveals the representation of women’s sexuality in Indah Hanaco’s novel entitled “The Curse of Beauty”. Indah Hanaco had been influenced by the phenomenon of SPG surroundings. Many SPG had trapped in prostitute caused by their sociality lifestyle constructed by the capitalist. They were forced to sell their body to get money to beautify their appearance. It became very important because it was an asset for them. Actually, it was not only about economic motif, but also psychological motif which affected their consciousness. This phenomenon was also widely discussed from the Islamic perspective, especially in the Alqur’an.

Digital ethnography of social media: Srikandi Sungai Indonesia activists in water and river conservation Sri Kusumo Habsari; Fatkhu Rohmatin; Istadiyantha Istadiyantha
Masyarakat, Kebudayaan dan Politik Vol. 34 No. 1 (2021): Masyarakat, Kebudayaan dan Politik
Publisher : Faculty of Social and Political Science, Universitas Airlangga

Women have been recognized as environmental activists and having a greater awareness of ecology worldwide since the 19th century. There are many stories of women activists worldwide who have developed significant models for protecting the environment. Social media’s popularity has changed how activists advocate their ideas to generate awareness and environmental protection participation. This study focuses on the grassroots women who join SSI and actively campaign for water and river conservation through social media. It attempts to identify how they use social media to campaign and analyzes their posts’ digital contents to understand their motivation for challenging the water river degradation and their value systems and insights, which drive them to take action. This study considers social media as cultural artifacts and providing spaces for social interaction. The researchers observe SSI’s posting behaviors and identify how they use social media for environmental activism to obtain the data. The finding shows two kinds of women activists join SSI: those who actively involve and participate in the campaign and those who click to support the activities. It also shows that the environmental activist women use social media to communicate their activities rather than maximizing its function to campaign to change the public perspective and attitude concerning the need to take care of the rivers’ water and riverbanks. Women activists continue to adopt dominant Indonesian patterns and social media use orders. Social media’s function is still seen only as a space for selfies rather than to develop a political message concerning environmentalism.

Co-Authors Andrik Purwasito Bani Sudardi Bani Sudardi Della Eka Putri Deny Tri Ardianto Devi Adlina Putri Diah Kristina Emil Dwi Febrian Eva Farhah Farokhah, Fiqih Aisyatul Fatimah Az-Zahroh Fatkhu Rohmatin Febrian, Emil Dwi Fitria Akhmerti Primasita Fitria Akhmerti Primasita Herry Nur Hidayat Ismi Dwi Astuti Nurhaeni Istadiyantha Istadiyantha Karunia Purna Kusciati Kundharu Saddhono M. Taufik Al Makmum Mahendra Wijaya Mugijatna Mugijatna Mugijatna Mugijatna Mugijatna Mugijatna Mugijatna Mugijatna Mugijatna Mugijatna Mugijatna Nur Laily Wulandari Prasetyo Adi Wisnu Wibowo Purwoko Ajie Putri, Devi Adlina Ratna Kumalasari Sahid Teguh Widodo Saktiana Kharisma Ardiani Sofy Fawzia Munafidsyah Susanto Susanto Susanto Susanto Susanto Susanto Susanto Susanto Susanto, Susanto Titik Wijanarti Vici Duta Febriansyah Warto Warto Widya Nirmalawati Yunita Ariani Putri Yusuf Kurniawan

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