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All Journal SELONDING PROMUSIKA: Jurnal Pengkajian, Penyajian, dan Penciptaan Musik Panggung Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Gelar : Jurnal Seni Budaya Jurnal Desain International Journal of Visual and Performing Arts PROSIDING: SENI, TEKNOLOGI, DAN MASYARAKAT Aksara: Jurnal Ilmu Pendidikan Nonformal Narada : Jurnal Desain dan Seni ARTISTIC : International Journal of Creation and Innovation
Pande Made Sukerta
Institut Seni Indonesia Surakarta
Arts Humanities Education Languange, Linguistic, Communication & Media Social Sciences Other

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Continuity of resistance: indigenous participatory concepts in Purbalingga rural cinema culture Syamsul Barry; Pande Made Sukerta; Martinus Dwi Marianto; T Slamet Suparno
International Journal of Visual and Performing Arts Vol 4, No 1 (2022)
Publisher : ASSOCIATION FOR SCIENTIFIC COMPUTING ELECTRICAL AND ENGINEERING (ASCEE)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31763/viperarts.v4i1.658

Abstract

Purbalingga Regency, Central Java, is one area that has a unique and unique way of developing film-making. This article aims to find the concept of a participatory community approach in developing rural cinema through training/discussion programs, film production, and film screenings/Festivals from 2006 to the present. This study uses qualitative methods that include participatory, direct observation, and interviews with a data processing interactive analysis model. The results show that rural cinema encourages the empowerment of rural communities. Rural communities' high interest and participation in film activities are because the concept of cinema development comes from local cultural values (Banyumasan/Ngapak). This concept has succeeded in forming a unique, independent, and dynamic film ecosystem that can be a model for film development elsewhere
WATER, FIRE, WIND, AND SOIL AS THE IDEAS OF CREATION OF GRAPHIC ART WORK sigit purnomo adi; Pande Made Sukerta; M. Dwi Marianto; Sri Hadi
ARTISTIC : International Journal of Creation and Innovation Vol 1, No 2 (2020)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (265.76 KB) | DOI: 10.33153/artistic.v1i2.3200

Abstract

The creation of this graphic work considers the reciprocal relationship between art and the environment as well as its preservation with an Eco Art perspective. The creation of this Eco-Graphic work uses the Artistic Creation approach which includes experimentation, reflection, and formation (art structure). This Eco Graphic work is inspired by the stimulation of creating water, fire, wind and soil in Javanese philosophy which is then processed in such a way that it becomes a graphic art work in an eco art perspective. Through inner research or inner wandering, the creator is able to visualize the work of Eco Graphic after discovering triangles, circles and lines as the main motive with the abstract expressionism model.
Fungsi dan Peran Api dalam Seni dan Kehidupan Masyarakat Bali I Gusti Ngurah Sudibya; Pande Made Sukerta; Sardono Waluyo Kusumo; Eko Supriyanto
PANGGUNG Vol 28, No 2 (2018): Dinamika Keilmuan Seni Budaya dalam Inovasi Bentuk dan Fungsi
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1318.907 KB) | DOI: 10.26742/panggung.v28i2.520

Abstract

ABSTRACTFire is made up of three elements, such as heat, combustible materials and oxygen. A fire has heat and light. Fire is used in real life in various human life from cooking, to marriage and to burning dead bodies. Fire is available in space, on earth, and in oneself. Symbolically the fire is employed as a symbol of spirit, a sanctification, a destruction, enlightenment, heating temperatures, fire of romance, and fire of revenge. Overheated is possible when one ignores norms, ethics, and rules. Library studies, interviews, observations, and experiments are the methods used in this compilation. Fire both as symbol and text, functioned according to the capacity/role of each, both in and outside themselves, the use of it must be controlled for the harmony of the macrocosms and microcosms, when is the right time is to use small, medium and large fire, because all of them is important.Keywords: function, fire, symbol, harmonic.ABSTRAKApi terbentuk dari tiga elemen yakni, panas, bahan mudah terbakar dan oksigen. Api memiliki panas dan cahaya. Api digunakan dalam kehidupan manusia dari memasak, penerangan, perkawinan sampai pembakaran jenazah. Api terletak di angkasa, di bumi, dalam diri. Api dijadikan simbol semangat, penyucian, peleburan, pencerahan, api asmara, api dendam. Terjadi over heated/panas berlebih yang tidak lagi mengindahkan norma, etika, aturan. Studi kepustakaan, wawancara, observasi, dan percobaan merupakan metode yang digunakan dalam penyusunan ini. Seyogyanya api baik sebagai simbol maupun teks, difungsikan sesuai kapasitas/perannya masing-masing, baik dalam diri maupun diluar diri, semua itu harus dikendalikan penggunaannya, agar keharmonisan bhuana alit dan bhuana agung dapat terwujud, kapan menggunakan api kecil, sedang maupun besar, karena semuanya penting.Kata kunci: fungsi, api, simbol, harmonis.
The Concept of Nyarira Lagu in Jineman Maduswara, A New Sindhenan Tradition Composed by Peni Candra Rini Peni Candra Rini; Pande Made Sukerta
Gelar : Jurnal Seni Budaya Vol 20, No 1 (2022)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/glr.v20i1.4337

Abstract

"Maduswara" is a new musical work whose creation is based on memoirs, or the journey of Peni Candra Rini's in interpreting the sounds she has encountered. The memoir in question is the composer's memory from childhood when he first knew the tembang macapat, which was later termed as wiji tembang. The song continues to develop into a sound journey when the artist grows up, enters a formal karawitan school, and becomes a tembang lecturer in the musical department at the Indonesian Institute of the Arts Surakarta.The method of creation used is through several stages inspired by the composer's personal process, namely (1) reflection, (2) dialectics, (3) giving the tone of expression, (4) determining the form, (5) determining the medium, (6) compiling compositional musical notation, (7) transmedium, (8) practice, (9) improvisation.These steps of creation finally found a concept of nyarira lagu which was built on 5 indicators, namely; (1) language, (2) voice, (3) expression, (4) spirituality, and (5) improvisation
Pelatihan Teknik Cetak Tinggi dengan Format Mini Sebagai Hiasan di Café-Café Kekinian Pada Komunitas Grafis Makmur Sukoharjo Sigit Purnomo Adi; Pande Made Sukerta; Martinus Dwi Marianto; Sri Hadi; Ariesa Pandanwangi
Aksara: Jurnal Ilmu Pendidikan Nonformal Vol 8, No 3 (2022): September 2022
Publisher : Magister Pendidikan Nonformal Pascasarjana Universitas Negeri Gorontalo

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37905/aksara.8.3.2387-2396.2022

Abstract

The proliferation of contemporary cafes in the Surakarta area and its surroundings has added to the increasing wheel of the economy. It is recognized that during the Covid 19 pandemic these efforts were somewhat dimmed, but after or after the Covid 19 pandemic, these efforts continued to increase. Contemporary cafe businesses, especially those that open coffee shops, mostly require something artistic, it can be in the form of decoration, appearance in arranging the room to other things. Decorations or cool language, aesthetic elements are needed to make these cafes more attractive to visitors, especially young people. Young people or children today need places to gather or hang out as well as places for selvi or making stories. Seeing this very promising business opportunity makes the author quite intrigued by this problem. Business opportunities, especially those engaged in making aesthetic elements on the walls of contemporary cafes. Based on the experience gained by the author as a graphic artist, it encourages the author to find suitable partners to be trained in the creation of graphic art works in the form of aesthetic elements, especially those using high and mini-sized printing techniques. The author finally chose the Makmur Graphic Community. This community is a community engaged in graphic studios, exhibition venues and also a place for graphic art work. The purpose of this PKM is to train and assist the Makmoer Graphic Community so that they can produce high-tech graphic art products in a mini format, as an aesthetic element in contemporary cafes in the Surakarta area and its surroundings. The choice of the Makmur Graphic Community as a partner is because this community is inhabited by very young members, besides that this community is already very present in the graphic arts arena, especially in the Surakarta area and its surroundings. Many events have been held both online and offline, it's just that this community has shortcomings, especially in the products produced. For the methodology, Asset Based Community Development (ABCD). The impact is clear that the Makmur Graphic Community is now not only able to produce works of graphic art as a medium of expression, but can also produce decorative works or aesthetic elements. The second clearly produces a significant impact in the economy because the demand for these crafts from time to time has increased. And this is very supportive of the theme of this national seminar, namely the role of universities in community empowerment in supporting progress after the Covid 19 pandemic.
Komposisi Musik Tetabuhan Sandikala sebagai Interpretasi Suasana Siang Menuju Malam di Yogyakarta Yanuar Danan Jaya; Pande Made Sukerta
PROMUSIKA Vol 10, No 2 (2022): Oktober 2022
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/promusika.v10i2.8157

Abstract

Pada masyaraat Bali berkembang mitos larangan beraktivitas saat perpindahan waktu dari sore ke malam yang dipercaya sebagai terbukanya gerbang alam nyata dan ghaib. Penciptaan komposisi musik Tetabuhan Sandikala adalah wujud doa persembahan yang disajikan pada waktu sakral tersebut untuk mengekspresikan kesatuan kekuatan harmoni jiwa dan raga. Tujuan penciptaan karya ini adalah untuk mengungkap dan menginterpretasikan perubahan waktu tersebut sebagai Sang Waktu. Metode penciptaan karya menggunakan teori Niteni-Niroke-Nambahi (3N). Proses penciptaan meliputi tiga tahap garapan, yaitu penyusunan ide, penyusunan gagasan isi, dan implementasi serta penuangan ide. Pada tahap pertama kegiatan meliputi pengamatan lapangan, studi pustaka, diskusi dan kontemplasi. Pada tahap kedua dilakukan perancangan isi garapan, penerapan susunan instrument musik, dan menerapkan teori. Tahap ketiga adalah penuangan penggambaran suasana keramat peralihan waktu dari sore ke petang, ke dalam karya musik baru, dan tahap akhir adalah membuktikannya dalam pertunjukan langsung. Hasil penciptaan karya berjudul Tetabuhan Sandikala ini ialah penyajian komposisi musik instrumental yang memiliki tiga gerakan, yaitu siang, sandikala, dan malam. Penelitian ini memberikan kontribusi terhadap pengayaan bidang penciptaan musik dalam bentuk kolaborasi di antara musik pentatonis dan diatonis.Abstract‘Tetabuhan Sandikala’ Music Composition as an Interpretation of Day to Night Changing Athmpsphere in Yogyakarta. In the Balinese community, there is a myth about activities prohibited during the changing of time from afternoon to night. The changing time has been believed to be the gates opening of the real world and the unseen. The creation of the musical composition of Tetabuhan Sandikala is a form of offering prayer presented at that sacred time to express the unity and harmonic power of soul and body. The purpose of composing this work is to uncover and interpret the time changing as The Time. The creation method of the works uses the theory of Niteni-Niroke-Nambahi (3N). The composition process includes three stages, namely the preparation of ideas, the preparation of content ideas, and the implementation and pouring of ideas. The first stage of activities included field observations, literature studies, discussions and contemplation. In the second stage, the content design of the work is carried out, including the application of musical instruments orchestration, and the application of theory. The third stage is the pouring out of the depiction of the sacred atmosphere of the transition of time from afternoon to evening, into a new piece of music, and the final stage is to prove it in a live performance. The result of the creation of this work entitled Tetabuhan Sandikala is the presentation of instrumental music compositions that have three movements, namely day, sandikala, and night. This research contributes to the enrichment of the field of music creation in the form of collaboration between pentatonic and diatonic music.Keywords: composition; interpretation; Sandikala
APLIKASI LIMBAH KAYU SEBAGAI MATRIK/ ACUAN PADA PENCIPTAAN KARYA SENI GRAFIS TEKNIK CETAK TINGGI BERBASIS FALSAFAH JAWA sigit purnomo adi; Pande Made Sukerta; Martinus Dwi Marianto; Sri Hadi
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol 14, No 2 (2022)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/brikolase.v14i2.4367

Abstract

Relief print is a printmaking technique that is quite well known among the public. Relief print is considered static. This creation research aims to produce novelty by combining wood waste, references/matrixes in woodcut and Aja Dumeh's Javanese philosophy with artistic creation process methods: experimentation, reflection and creation of works. The creation of this matrix or reference is expected to be able to combine wood waste, reference/matrix in Relief print with Aja Dumeh's Javanese philosophy so that the resulting work is able to campaign about the importance of protecting the environment and also preserving culture, especially Javanese culture, so that it is expected to be able to compete in the international world. The results of this creation research have creations and innovations in the form of references/matrixes used in woodcut which come from Javanese philosophy conceptually and wood waste materially
Workshop Mix Media Print (Cetak Tinggi dan Kolase Digital) Seni Kaligrafi Arab di The Park Mall Sukoharjo Sigit Purnomo Adi; Pande Made Sukerta; Martinus Dwi Marianto; Sri Hadi; Fuad Safrudin
Aksara: Jurnal Ilmu Pendidikan Nonformal Vol 9, No 1 (2023): January 2023
Publisher : Magister Pendidikan Nonformal Pascasarjana Universitas Negeri Gorontalo

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37905/aksara.9.1.75-82.2023

Abstract

Arabic calligraphy can be an art medium for da'wah, it can also be an aesthetic medium at home or in a mosque or otherwise. The arts-based activities are no exception. One of them is the art of Arabic calligraphy, the art of Arabic calligraphy itself is taught from elementary to high school based on Islamic schools. Calligraphy is indeed very interesting to teach, because it can be used as a medium to instill an attitude of religiosity and devotion to God Almighty through the media of art. Based on the experience that has been experienced by the author both as a creator of Arabic calligraphy works and also as a graphic artist, the author and the PKM TEAM are trying to find partners, especially schools that are suitable to be trained in the creation of calligraphy works by combining graphic art and collage techniques. The author considers the importance of inculcating religiosity among junior high school students with a touch of art and entrepreneurship. The purpose of this community service (PKM) is to train and assist students of SMP Muhammadiyah 9 Jaten, Karanganyar, especially in Arabic calligraphy art lessons so that they can progress and develop. The second is so that the work produced is not only an educational medium but can be a business opportunity in the arts, especially calligraphy. So that the resulting calligraphy works can be sold at art exhibitions, online stores and others. The training process went through several stages, including 1. Problem identification stage at the location 2. Training and mentoring stage at The Park Mall, Sukoharjo 3. Participants evaluation stage and the work produced.
WORKSHOP SENI KALIGRAFI DENGAN TEKNIK CETAK TINGGI DENGAN PUBLIKASI VIA YOUTUBE Sigit Purnomo Adi; Pande Made Sukerta; Martinus Dwi Marianto; Sri Hadi
PROSIDING: SENI, TEKNOLOGI, DAN MASYARAKAT Vol 5 (2022): Seni, Tenologi, dan Masyarakat #7
Publisher : LP2MP3M, INSTITUT SENI INDONESIA SURAKARTA

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/semhas.v5i1.169

Abstract

Abstract The purpose of this community service is to provide application and understanding of the importance of making publications via YouTube, as a means of introducing that documentation is not only for individuals or institutions, but can be disseminated throughout the world through online media. The problem regarding the publication of works is indeed very vital, for that apart from the workshop technically the creation, it is also supported by publication via YouTube. This high-print technique calligraphy art workshop also uses YouTube publications, so that the workshop process and its work or results can be widely enjoyed and appreciated. This workshop or community service uses 3 stages, namely location identification, training and also work evaluation. The impact of this community service is that this workshop is able to educate and also inspire people who see it, because it is disseminated through online media, namely uploading workshop documentation videos via the Makmoer channel Art project.
“ALONE” REINTERPRETASI FENOMENA DEPRESI DALAM KOMPOSISI MUSIK Agung Wira Setika Cahya; Pande Made Sukerta
SELONDING Vol 19, No 1 (2023): : Maret 2023
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/sl.v19i1.7806

Abstract

Depresi adalah satu di antara keadaan emosi dimana kondisi psikologis, ditandai dengan banyak rasa kehilangan dan kekecewaan yang terjadi selama masa hidup normal. Fenomena depresi ini yang menjadi riset komposisi musik melalui suatu pemikiran, sehingga karya yang diberikan sesuai dengan sumber sebagai acuan utama dan keinginan pengkarya dalam memperkenalkan karya melalui dua media karya musik sebagai estetika dan wahana artikulasi dalam karya seni. Reinterpretasi pengkarya atas fenomena depresi menghasilkan karya berbentuk instrumen artifisial yang diberi nama Qalaba dan karya pertunjukan musik dengan judul Alone. Penciptaan dan penyusunan karya Alone dilakukan dengan tahapan observasi pembuatan instrumen dan observasi aspek musikal yang berikutnya dipraktekan dengan metode psikologis. Dalam penyusunan karya musik Alone, pengkarya menerjemahkan fenomena depresi ke dalam musik, menjadikan karya “Alone” sebagai cara alternatif dalam penyusunan instrumen dan elemen musik. Pengkarya menerjemahkan fenomena depresi ini ke dalam improvisasi bebas dan terkonsep, dengan mengeksplorasi nada instrumen menggunakan teknik modifikasi.
Co-Authors Agung Wira Setika Cahya Ariesa Pandanwangi Eko Supriyanto Eko Supriyanto Fuad Safrudin M. Dwi Marianto Nurul Hidayati Nurul Hidayati Peni Candra Rini Sardono Waluyo Kusumo Sigit Purnomo Adi Sigit Purnomo Adi sigit purnomo adi Silvester Pamardi Sri Hadi Sudibya, I Gusti Ngurah Syamsul Barry T Slamet Suparno Yanuar Danan Jaya